Tag: BAD

  • Is drinking alcohol bad for your health? New dietary guidelines will weigh risks and benefits




    CNN
     — 

    Most adults in the United States drink alcohol, but there is steadily growing public concern about the health effects of moderate drinking.

    The latest science supports those concerns, but two recent government reports suggest potential benefits exist alongside potential risks – and some experts say that formal dietary recommendations, due to be reviewed this year, could take a more nuanced approach.

    It is well-established that excessive alcohol use, including binge drinking and heavy drinking, has significant negative health effects. But recent studies have found that even low levels of drinking may be harmful, and the World Health Organization has said that “no level of alcohol consumption is safe for our health.”

    The current Dietary Guidelines for Americans, from the US Department of Health and Human Services and US Department of Agriculture, say that men should limit their daily alcohol intake to two drinks or less, and one drink or less for women.

    These guidelines are up for review this year, and two recent reports meant to inform that process came to seemingly competing conclusions – continuing a longstanding debate on how to weigh the potential risks and benefits of alcohol.

    But public attitudes in the US are already changing.

    A new CNN poll conducted by SSRS released Friday finds that half of US adults say that moderate drinking is bad for health, more than double the share who said the same two decades ago. Women and adults younger than 45 are more likely than men and older adults to say that moderate drinking is bad for health, as were Democrats and independents.

    Just 8% of US adults say that drinking in moderation is good for your health, according to the new CNN poll, about one-third of the share that said the same in 2005. Another 43% of adults say that moderate drinking makes no difference to health.

    There is a known link between alcohol and cancer, and any amount of drinking raises that risk. For Surgeon General Dr. Vivek Murthy, this “direct link” was sufficient to issue an advisory and call for an updated health warning label on alcoholic beverages to highlight it.

    “Alcohol is a well-established, preventable cause of cancer responsible for about 100,000 cases of cancer and 20,000 cancer deaths annually in the United States – greater than the 13,500 alcohol-associated traffic crash fatalities per year in the US – yet the majority of Americans are unaware of this risk,” Murthy said in a statement earlier this month.

    The new CNN poll finds a broad 74% majority of the US public would favor new alcoholic beverage labels warning about the risk of cancer like Murthy suggests. Democrats, women and people of color are especially likely to support a revision of the warning label, but 69% or more adults of all age, gender, partisan and racial groups said they would be in favor.

    The CNN Poll was conducted by SSRS from January 9-12 among a random national sample of 1,205 adults drawn from a probability-based panel. Surveys were either conducted online or by telephone with a live interviewer. Results among the full sample have a margin of sampling error of plus or minus 3.2 percentage points.

    Weighing risks and benefits

    One of the reports meant to inform the next edition of dietary guidelines – requested by Congress and published last month by the National Academies of Sciences, Engineering, and Medicine – reinforced the link between alcohol and cancer, but to varying degrees of certainty. The researchers, who analyzed findings from about two dozen studies, concluded with “moderate certainty” that the risk of developing breast cancer was higher among those who drank in moderation than those who didn’t drink at all. There was “low certainty” that the risk of breast cancer and colorectal cancer were higher for those who drank more in moderation than those who drank less, and no association with other throat and neck cancers.

    But the same report also found some potential positive associations between moderate drinking and health. Compared with people who never consume alcohol, those who drink in moderation were at lower risk of heart attack and nonfatal stroke. And overall mortality from any cause was also found to be lower among those who drank in moderation compared with those who never drank.

    “Many lifestyle choices carry potential risks, and the consumption of alcohol is no exception,” Michael Kaiser, executive vice president and director of government affairs for WineAmerica, a nonprofit organization that represents the interests of the wine industry, told CNN in an email.

    “We encourage all adults who choose to drink to adhere to the Dietary Guidelines and consult with their healthcare providers. No one should drink to achieve health benefits, and some people should not drink at all,” he said, adding that the organization supports the use of this study to inform the guidelines as Congress intended and as previously done.

    The other report, published last week by an independent panel convened by HHS’ Interagency Coordinating Committee on the Prevention of Underage Drinking, also found lower risk of stroke among those who had an average of one drink per day, a lower risk of diabetes among women who drink at this level, and increased risk for certain types of cancer.

    But it conversely found that the risk of dying from alcohol use begins at low levels of average use and increases as levels of alcohol consumption increases.

    Many experts respect the complexity of the science, but warn against viewing drinking alcohol as a categorically healthy habit.

    “It’s misleading to say that the science isn’t settled,” said Dr. Katherine Keyes, a professor at the Columbia University Mailman School of Public Health whose research focuses on substance use epidemiology.

    “There were differences in methodology and that’s why there are some differences in the results. But when you pull apart the studies, the underlying science is consistent,” said Keyes, who was part of the independent panel convened by HHS. “There are some conditions where we did see a benefit or an inverse relationship at very low levels, but they’re really outweighed by the conditions where you see not a benefit.”

    Dr. Ned Calonge, chair of the committee that wrote the National Academies report, warns that the link his group found between lower all-cause mortality and moderate drinking should not be interpreted as a summary of the relationship between alcohol and health – quite the opposite, in fact.

    Dr. Ned Calonge reviewed evidence on the health impacts of moderate alcohol consumption for a National Academies of Sciences, Engineering, and Medicine report.

    “All cause mortality is, I would say, a problematic outcome, because it includes so many different outcomes, which increases the potential risk of bias associated with things called confounding factors, other factors that might be responsible for the outcome,” said Calonge, who is also an associate dean for public health practice and professor of epidemiology at the Colorado School of Public Health and professor of family medicine at the University of Colorado School of Medicine.

    Research on the health effects of alcohol has some significant holes, which contributes to broader possibilities for interpreting the data.

    “Moderate” drinking is not consistently defined, and grouping people into different categories – such as zero to three drinks per day – could skew averages when the outcomes may be very different for people at the low end of that category and the high end of that category.

    The National Academies report addressed this in their finding about breast cancer risk, noting that higher amounts of drinking are associated with higher risk of breast cancer than lower amounts – even within levels considered to be “moderate.”

    The gold standard for scientific research is a randomized controlled trial that actively monitors direct comparisons between scenarios with little external variability, but most studies on alcohol’s effects are based on observation without intervention.

    When reviewing findings from observational studies, the strongest conclusions are drawn from strong associations between two factors, Calonge said. But the associations found in the National Academies report – the relative risks in the positive and negative directions – were not very strong, he said.

    “We can’t prove cause with observational studies,” Calonge said. “These effects are important from a public health standpoint, but we can’t get above moderate certainty because there could be additional research that has different findings.”

    Despite the gaps in research, many experts say the evidence of risk is too strong to be ignored.

    “Even if you were to align and agree that a line of evidence is closer to the truth for one disease state, you would then look over and recognize that if you just look at a different disease outcome, the findings might go in a completely different direction,” said Dr. Ahmed Tawakol, a cardiologist at Massachusetts General Hospital.

    If a new drug was being studied to reduce heart disease and the clinical trials revealed that it also raised the risk of developing cancer, that drug would never be approved, he said.

    “When you use that same frame of mind in reference to alcohol, we’d say that alcohol appears to have some mechanistic actions that are beneficial, but at the same time, it comes at a consequence of really unacceptable side effects,” he said. “It becomes clear that alcohol shouldn’t be considered something that you do for the purpose of health.”

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    Some research suggests that part of the way alcohol use may reduce the risk of heart attacks is the impacts it has on the limbic system, such as limiting stress signals in the brain. But there are less risky ways to achieve that same goal, Tawakol said, such as exercise that comes with multiple benefits.

    Still, Tawakol says that he doesn’t usually take a strong stance against alcohol when advising his patients.

    “I worry when I see this kind of black and white approach,” he said. “If you choose to drink alcohol, make sure it’s done in moderation, and also put it in the context of other lifestyle factors so that you can further buffer the potential adverse effects.”

    Despite broad support of a new warning label on alcoholic beverages, US adults are virtually split on whether the government should provide health recommendations to the public or leave it to Americans to make up their own minds, according to the new CNN poll.

    And many are already making their own choices. About 4 in 10 adults say that they don’t drink at all, while about 1 in 8 say that they’ve participated in Dry January – with more than half of that group saying they’re doing so this year. This idea is more popular among younger Americans, with nearly 1 in 5 adults younger than 45 participating in Dry January at some point.

    CNN’s Ariel Edwards-Levy contributed to this report.



    Alcohol consumption is a topic that has long been debated among health professionals and the general public. While moderate alcohol consumption has been associated with certain health benefits, such as a reduced risk of heart disease, excessive drinking can have detrimental effects on overall health.

    The upcoming release of new dietary guidelines will aim to provide a more comprehensive overview of the risks and benefits associated with alcohol consumption. These guidelines will take into account a range of factors, including individual health status, genetic predispositions, and potential interactions with medications.

    It is important for individuals to be informed about the potential risks associated with alcohol consumption, including an increased risk of liver disease, certain cancers, and mental health issues. By understanding the potential consequences of excessive drinking, individuals can make more informed choices about their alcohol consumption.

    Ultimately, the decision to drink alcohol should be based on an individual’s personal health goals and preferences. The new dietary guidelines will aim to provide a balanced perspective on the risks and benefits of alcohol consumption, empowering individuals to make informed decisions about their health.

    Tags:

    • drinking alcohol
    • health risks of alcohol
    • alcohol consumption
    • dietary guidelines
    • alcohol and health
    • alcohol benefits
    • alcohol guidelines
    • alcohol impact on health
    • alcohol consumption risks
    • alcohol and well-being

    #drinking #alcohol #bad #health #dietary #guidelines #weigh #risks #benefits

  • Is There a Bad Monkey Season 2 Release Date & Is It Coming Out?


    Bad Monkey has been garnering viewers’ interest. The dark comedy-drama series chronicles the life of a former police officer named Andrew Yancy, who now works as a restaurant inspector in South Florida. He gets another chance to prove himself as a cop by investigating a murder case. This leads him to numerous eccentric characters, including a bad monkey. Ever since the show concluded, fans have been curious to find out whether there’s a Bad Monkey Season 2 release date.

    Here’s all the Bad Monkey Season 2 release date information we know so far, and all the details on when it is coming out.

    Is there a Bad Monkey Season 2 release date?

    Bad Monkey Season 2 will happen, but the release date has not yet been announced.

    Apple TV Plus recently renewed the show for a second season. However, it will reportedly not be based on the novel’s sequel titled “Razor Girl.” Showrunner Bill Lawrence opened up on the series, stating, To get to go on telling his story with Vince Vaughn and this great cast, at least the characters who are still alive, is very exciting.” He further added, I’m very thankful to our partners at Apple TV+ and Warner Bros, as well as the entire team that helps bring this show to life” (via Apple TV+ Press).

    Fans need to wait for an official update from the makers regarding the Bad Monkey Season 2’s official release date.

    Where is Bad Monkey Season 2 coming out?

    Bad Monkey Season 2 will come out on Apple TV Plus.

    The first season was released on Apple TV Plus, so Season 2 will also drop on the same platform.

    The star cast of the series features Vince Vaughn, L. Scott Caldwell, Meredith Hagner, Natalie Martinez, and many others in key roles.



    As fans eagerly await news of a potential second season of the hit show “Is There a Bad Monkey,” many are left wondering if and when the release date will be announced. The show, which follows the misadventures of a group of mischievous monkeys, has captured the hearts of viewers with its hilarious antics and lovable characters.

    While there has been no official announcement regarding a second season, rumors have been circulating that the show’s creators are hard at work on new episodes. With the success of the first season, it seems likely that a second season will be in the works.

    So, is there a Bad Monkey Season 2 release date on the horizon? While nothing has been confirmed, fans remain hopeful that their favorite monkeys will be back on screen soon. Stay tuned for updates and keep your fingers crossed for more monkey mayhem in the future!

    Tags:

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    6. Bad Monkey Season 2 release details
    7. Bad Monkey Season 2 premiere date
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    #Bad #Monkey #Season #Release #Date #Coming

  • Vince Vaughn’s ‘Bad Monkey’ renewed for Season 2 at Apple TV+ – KLBJ-AM





    Vince Vaughn’s ‘Bad Monkey’ renewed for Season 2 at Apple TV+ – KLBJ-AM – Austin, TX





















































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    Exciting news for fans of Vince Vaughn’s hit show ‘Bad Monkey’! Apple TV+ has officially renewed the series for a second season. The dark comedy, which follows the misadventures of a former detective turned restaurant owner, has been a hit with viewers and critics alike. Stay tuned for more details on the upcoming season! #BadMonkey #VinceVaughn #AppleTV+

    Tags:

    1. Vince Vaughn
    2. Bad Monkey
    3. Season 2
    4. Apple TV+
    5. Renewed
    6. KLBJ-AM
    7. Vince Vaughn Bad Monkey
    8. Apple TV+ Season 2
    9. TV show renewal
    10. Entertainment news

    #Vince #Vaughns #Bad #Monkey #renewed #Season #Apple #KLBJAM

  • Mad Mel Gibson ‘Takes Hollywood Bad Boy Shia LaBeouf Under his Wing’ to Carry out ‘Reputation Rehab’ For Troubled Star


    https://img.particlenews.com/image.php?url=4fxyGz_0yNAOTC900
    Gibson has taken troubled LaBeouf under his wing. MEGA

    Former Hollywood A-lister Mel Gibson has become a de facto protege to bad boy Shia LaBeouf , RadarOnline.com has learned, helping him restart and rebuild his career.

    The relationship has grown so tight, friends say the two have become like father and son.

    https://img.particlenews.com/image.php?url=3WN9sD_0yNAOTC900
    Gibson has put controversial comments and actions behind him. MEGA

    Gibson, 69, and LaBeouf, 38, share a history of trashing their own public images , and sources say the Mad Max star wants to spare his young mentee the pain he went through by straightening him out and salvaging his career.

    An insider told RadarOnline.com : “Mel has come into Shia’s life in a big way. They’re talking all the time about Catholicism, parenthood, and movies.

    “It’s a friendship between two guys who continue to struggle for respect in Hollywood after multiple scandals.”

    https://img.particlenews.com/image.php?url=1mww3j_0yNAOTC900
    Now he wants to help guide LaBeouf back to relevancy. MEGA

    Gibson’s stardom flamed out after his antisemitic blasts at Malibu cops in 2006, followed by vile outbursts about his estranged gal pal Oksana Girgorieva, who gave birth to their daughter, Lucia, in 2009.

    Meanwhile, LaBeouf was hit with charges of sexual battery and physical and verbal abuse in a lawsuit brought by ex-lover FKA Twigs in 2020.

    A team-up between the two could be mutually and financially beneficial for both parties.

    The source continued: “Mel has become a real father figure and spiritual adviser in Shia’s life, and everybody is expecting them to turn this relationship into some interesting or offbeat film project at some point.”

    https://img.particlenews.com/image.php?url=2p311D_0yNAOTC900
    The young actor has had a difficult relationship with Mia Goth. MEGA

    Gibson’s positive influence can already be seen. Recently, LaBeouf confessed that he’d acted like a lowlife toward Twigs, whom he dated for a year after they met on the set of 2019’s Honey Boy .

    LaBeouf, who is still disputing his ex’s lawsuit , admitted: “I hurt that woman. I was a pleasure-seeking, selfish, self-centered, dishonest, inconsiderate, fearful human being.”

    The Transformers star has been in an on-and-off relationship with Mia Goth , 31, since 2012. They wed in 2016, split in 2018, and reunited in 2020, before welcoming daughter Isabel in 2022.

    LaBeouf continues to tell friends he is a changed man and that his purpose “is to be instructive with my life, so that I can be an advertisement – like a billboard – for a principled way of living.”

    Gibson’s past continues to haunt him as well.

    Back in 2010, RadarOnline.com obtained and published several stomach-turning audio tapes that captured the actor making horrific statements to and about Oksana Grigorieva .

    In them, he suggested the Russian singer-songwriter’s “provocative” clothing was going to get her raped by a “pack of n——.”

    He also admitted that he had hit her, knocking out her teeth, while she was holding their child. “You f–king deserved it,” he was heard shouting.

    Gibson’s apparent dislike of all minorities came out at another point during the rant, during which he used the term “wetback” to describe a nanny who worked for the former couple.

    He later demanded that Oksana perform oral sex on him while also threatening more physical harm to her.

    Gibson went on to call Grigorieva a “b—h, c–t, whore, and gold digger” and blame his apparent financial woes on her.



    In a surprising turn of events, Hollywood’s original bad boy, Mel Gibson, has reportedly taken troubled actor Shia LaBeouf under his wing in an effort to help him rehabilitate his tarnished reputation.

    Gibson, known for his own controversial past and public outbursts, is said to have reached out to LaBeouf after hearing about the young actor’s recent run-ins with the law and erratic behavior.

    Sources close to Gibson say that he sees a bit of his younger self in LaBeouf and wants to help guide him through the pitfalls of fame and the pressures of being a Hollywood star.

    The duo has been spotted spending time together in Los Angeles, with Gibson allegedly offering LaBeouf advice on how to navigate the industry and stay out of trouble.

    While some may question Gibson’s motives in taking LaBeouf under his wing, others see it as a positive step towards helping a troubled star find his way back to success.

    Only time will tell if this unlikely mentorship will lead to a successful reputation rehab for Shia LaBeouf, but one thing is for certain – with Mel Gibson in his corner, anything is possible.

    Tags:

    Mad Mel Gibson, Shia LaBeouf, Hollywood, reputation rehab, troubled star, mentorship, celebrity news, entertainment industry, mentorship program, rehabilitation, celebrity scandals, redemption journey, Hollywood mentor, celebrity mentor.

    #Mad #Mel #Gibson #Takes #Hollywood #Bad #Boy #Shia #LaBeouf #Wing #Carry #Reputation #Rehab #Troubled #Star

  • Darius Garland’s bad luck, the Thunder’s jolt of Joe and more NBA trends I’m watching


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    A clutch performer made late-game mistakes. A stationary wing is jumping inches off the ground in glorious ways. A dynamite shooter is dynamite once again. And a forward has converted into a long snapper.

    Let’s open up the notebook to run through four NBA trends that have caught my eye over the past week:

    Inevitable bad luck

    Wednesday was a rare bad day for Cleveland Cavaliers guard Darius Garland.

    Garland has been one of the most consistent guards in the league this season. He’s one of the world’s greatest 3-point marksmen. He’s wowed around the basket. Not many can reel off as many types of spicy layups as he can — and not many can create for teammates as well once leaving their feet under the hoop. Garland is the full package, someone who should slide onto the Eastern Conference All-Star team.

    go-deeper

    GO DEEPER

    Why Darius Garland has an excellent — and difficult — All-Star case to be made

    But Wednesday was not his night.

    Down two points to the tough-as-nails Houston Rockets, Garland put up a 3-pointer and missed but got fouled. After review, referees deemed the hack a flagrant. He went to the line for a trio of free throws, after which he would get the ball back. But Garland, an 87-percent shooter from the stripe, missed the first two before making the final free throw, then erred seconds later on a putback layup that would have won Cleveland the game.

    One unfortunate event followed another, as if a season where nothing could go wrong for the Cavs was making up for lost time … though maybe that’s exactly what happened.

    The 36-7 Cavaliers lead the league in various remarkable stats. They own the best offense and are challenging the single-season record in points per possession. They are hitting 40 percent of their 3s, an NBA best. And they excel late in close games like no team ever.

    Aside from that short stretch from Garland, the Cavaliers have locked down fourth quarters.

    More than halfway into the season, they have outscored their opponents by 48.5 points per 100 possessions during clutch time, defined as when a game is within five points with less than five minutes to go. It is by far the highest clutch-time net rating since the NBA began tracking that statistic in 1996-97.

    The offense in those moments flows through Garland and Donovan Mitchell, both of whom have been otherworldly with their shooting. The two freebies Garland missed to close the Rockets game were the first clutch-time free throws he has clanked all season. The Cavs are shooting 63 percent on 2-pointers and 48 percent from deep during clutch time. They own by far the best winning percentage in the NBA in games that come within five points with less than five minutes to go, squeaking out 15 victories in 18 tries.

    The NBA introduced a new award a few years ago: Clutch Player of the Year, for which there are no parameters. After all, how are we possibly supposed to conclude that one player is more clutch than another in any meaningful way? And even if we could measure it, what reasonable person would argue that any player’s clutchness varies depending on the season?

    The following is not a sentence anyone has ever said: “Michael Jordan was way more clutch in 1992 than he was in 1997.”

    He was Michael Jordan. He was clutch. Period. And the concept of whether someone has that gene will inspire debates for the rest of our lifetimes and beyond.

    But there is one element we know about clutch-time stats: Over time, they tend to regress to whatever a team’s or player’s norm happens to be. In this case, the Cavaliers’ norm is exceptional, as is Garland’s. Those trends have carried into high-pressure situations.

    So yes, Garland had a bad few seconds, but he’s also in the midst of his best season, and when his team needs it most, he’s been the best version of himself.

    Sometimes, randomness prevails.

    Jake LaRavia’s glitchy jump passes

    Imagine the NBA’s best jump passers, and the guys who come to mind are usually high flyers. John Wall would leave his feet to sling bullets to shooters in the corner. Tyrese Haliburton will leap to the basket, then wrap dump-offs to a big man or fling them out to the wing.

    Some amount of hang time, or at least a plan when a player jumps, is required — at least, so you would think.

    Enter Grizzlies extraordinaire Jake LaRavia, a jump passer like no other and one of many having a breakout season in Memphis. There are few greater joys in basketball — nay, in life! — than the sparse instances when LaRavia hops inches off the court with only a split-second to figure out a plan. Yet, it somehow always seems to work out for him.

    LaRavia isn’t your usual jump passer, and he doesn’t go to it much. Instead, he uses jump passes to mess with opponents’ timing. He’ll Euro step through a defender, reach another and then somehow come to a full stop, which throws off the cadence of his drive, only to toss a pass out to the corner.

    It’s as if he’s supposed to keep moving forward but the video skips a frame or two.

    LaRavia is a master at improvising once suspended in the air, even if his hang time lasts only for a blink. He jumps just 13 inches in the air on his average jump pass, per Second Spectrum, one of the lowest figures in the league this season.

    Somehow, it’s always an adventure, such as on this sublime play, which turned into more of a Cirque du Soleil reenactment once he realized he had nowhere to go and dropped the basketball to big man Brandon Clarke behind him.

    The floater went in, but that’s a theme here.

    The Grizzlies score 1.29 points per possession when LaRavia tries jump passes, making him — not Haliburton nor Ball nor anyone else — the most efficient jump passer in the NBA this season, according to Second Spectrum.

    So the next time someone tells you that all NBA games look the same these days, show them the Grizzlies, who run less pick-and-roll than any other team in the league, rely on off-ball cuts like no one else and have a quirky reserve who improvises midair from angles that should throw his neck out only for his team to score on most of those plays anyway.


    Isaiah Joe has found his shooting form for Oklahoma City. (Alonzo Adams / Imagn Images)

    A fresh cup of Joe

    Isaiah Joe is draining 3-pointers again, just as the Oklahoma City Thunder suspected he would. And now, OKC’s bench has reached a new level of dangerousness.

    For years, dating back to before the Thunder were even contenders, Joe was part of the secret sauce. The No. 1 rule of the Thunder was, if Joe was on the court, this team was pretty good. According to Cleaning the Glass, they were eight points per 100 possessions better with Joe on the court two seasons ago, when they won 40 games and sneaked into the Play-In Tournament. Last season, that figure was a still-impressive five points per 100.

    Joe has never been the top of the Thunder’s talent, but he has represented a different type of style.

    Until this season, OKC had Josh Giddey, a non-shooter who was at his best with the basketball in his hands, hanging on the perimeter alongside stars like Shai Gilgeous-Alexander and Jalen Williams. The moments when Joe took Giddey’s slot showed what the Thunder could do when a shooter, someone who nailed more than 40 percent of his 3-pointers during each of the past two seasons, plugged in instead of a do-it-most facilitator.

    Now, the Thunder are deeper — and, at 36-8, they don’t have as many flaws, including in their starting lineup, which has decimated opponents this season.

    Joe is a vital piece of the puzzle, an energy guard who can win them games when he bombs away from long range. Yet he didn’t look like himself for a couple of months, shooting worse than 35 percent on 3s through the end of the calendar year. All the while, coach Mark Daigneault contested Joe would find his shot eventually.

    Eventually has arrived.

    He’s shooting 49 percent from 3-point land in January and has drained eight 3s in two of his past six games, most recently doing so in only 22 minutes during a blowout of the Brooklyn Nets.

    The Thunder could use the help. They are shooting only 36 percent from deep this season, 17th in the NBA. Williams is at an uncharacteristic 34 percent. Cason Wallace got off to a slow start with his jumper, though he’s come on more of late, as well. Alex Caruso is still wallowing below 30 percent.

    But the rest of the league didn’t need the arguable title favorites to find that help. No surprise, the Thunder are once again running teams off the floor when Joe is in the game.

    Joe, as should have been expected, is now dynamite. And so is Oklahoma City.

    Ryan Dunn at center … but not that kind of center

    With all the uncomfortable vibes in Phoenix — the will-they, won’t-they with Jimmy Butler; the awkward Bradley Beal situation, etc. — let’s focus on a cute new trend.

    Ryan Dunn, the Suns’ newest starter who replaced Beal in the first unit, now hikes the basketball to point guard Tyus Jones to begin games.

    If the Suns win a jump ball and the basketball comes to Dunn, watch the rookie. He will spread his legs, bend over as if Jones is in shotgun formation, and snap it backward through his wickets.

    The Suns have won only three jump balls to begin first quarters since Dunn entered the starting lineup 10 games ago. He’s had the opportunity to morph into Nick Mangold on two of them. Phoenix is 1-of-2 on the ensuing possessions — a Devin Booker missed mid-range shot and a wide-open Booker layup.

    Not bad.

    Clearly, this is the dynamic that will solve all the Suns’ issues.

    Sign up to get The Bounce, the essential NBA newsletter from Zach Harper and The Athletic staff, delivered free to your inbox.

    (Photo of Darius Garland: Jason Miller / Getty Images)



    Darius Garland’s bad luck, the Thunder’s jolt of Joe and more NBA trends I’m watching

    In the ever-changing landscape of the NBA, there are always new storylines and trends to keep an eye on. From injuries to breakout performances, here are a few things catching my attention right now:

    1. Darius Garland’s bad luck: Cleveland Cavaliers point guard Darius Garland has been dealing with a string of injuries this season, including a sprained ankle that has kept him sidelined for several games. It’s been frustrating to see such a talented young player struggle with health issues, but hopefully he can bounce back soon and show off his skills on the court.

    2. The Thunder’s jolt of Joe: Joe Ingles, who was recently traded to the Oklahoma City Thunder, has been making a big impact with his new team. The veteran forward has been providing leadership and solid play on both ends of the court, helping the Thunder stay competitive in games. It’s been fun to watch Ingles thrive in his new role and I’m excited to see what he can bring to the team moving forward.

    3. The rise of the Miami Heat: The Miami Heat have been on a tear recently, with a strong defense and balanced scoring leading them to the top of the Eastern Conference standings. Players like Jimmy Butler and Tyler Herro have been playing at a high level, and the team’s depth and chemistry have been key to their success. The Heat are definitely a team to watch as the season progresses.

    These are just a few of the trends and storylines that I’m keeping an eye on in the NBA right now. With so much talent and excitement in the league, there’s always something new and interesting happening on the court. Stay tuned for more updates as the season unfolds.

    Tags:

    Darius Garland, NBA trends, Joe Thunder, basketball updates, NBA news, sports analysis, player injuries, game highlights, sports commentary, professional basketball, basketball season, NBA updates, sports headlines, player performances, sports trends, basketball analysis, sports injuries.

    #Darius #Garlands #bad #luck #Thunders #jolt #Joe #NBA #trends #watching

  • Minnesota What You Gonna Do When Bad Boys Star Comes For You?


    PRIOR LAKE (WJON News) — Be ready to hear some great stories and laugh the night away at Mystic Lake Casino in May. Movie and television star and comedian Martin Lawrence will take the stage in Prior Lake with his “Y’All Know What It Is” tour for two big shows on May 2nd and 3rd.

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    Martin Lawrence’s Lit AF Tour

    Ethan Miller, Getty Images

    “BAD BOYS: RIDE OR DIE” European Premiere In Berlin

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    Lawrence launched his career at New York City’s Improv Comedy Club in the mid-1980s. From there he appeared on Star Search in 1986 which led to a recurring role on the TV series What’s Happening Now.

    Los Angeles Premiere Of Netflix’s “Beverly Hills Cop: Axel F”

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    Bad Boys: Ride or Die – Photoshoot

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    Lawrence has since starred in the Bad Boys movie series, Big Momma’s House, and on his television show Martin. Tickets for the show go on sale at 10:00 a.m. on Friday.

    BET+ Hosts Celebration With The Cast And Crew Of “Martin: The Reunion”

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    “Bad Boys For Life” Madrid Photocall

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    75th Primetime Emmy Awards – Show

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    Minnesota, get ready because Bad Boys star, Will Smith, is coming to town! The iconic actor and rapper will be making a special appearance in the Land of 10,000 Lakes, and you won’t want to miss it.

    Whether you know him from his role as Detective Mike Lowrey in the Bad Boys franchise, his legendary music career, or his countless other hit movies, Will Smith is sure to bring his signature charm and charisma to Minnesota.

    So, mark your calendars and get ready to see one of Hollywood’s biggest stars in person. Will Smith is coming to town, and you better be prepared for an unforgettable experience. Minnesota, what you gonna do when Bad Boys star comes for you?

    Tags:

    Minnesota, Bad Boys Star, celebrity appearance, event, Minneapolis, film industry, entertainment, actor, Will Smith, action movies, crime thriller, Hollywood, celebrity news, Minnesota events, movie premiere, film festival, action star, entertainment industry, viral news.

    #Minnesota #Gonna #Bad #Boys #Star

  • Womens GOOD GIRLS GO TO HEAVEN BAD GIRLS GO BACKSTAGE rock groupie V-Neck T-Shirt


    Price: $19.99
    (as of Jan 24,2025 09:12:56 UTC – Details)



    GOOD GIRLS GO TO HEAVEN.., BAD GIRLS GO BACKSTAGE! Clever fun design features a 70’s & 80’s vintage rock n roll look & feel. Retro distressed look will make this your new favorite music humor shirt. Makes a great birthday or holiday present for him or her! Great tee for fans of funny shirts and rock concert and 70s and 80s music alike. You mom, dad, brother, sister, uncle, aunt, son, daughter, boyfriend, girlfriend, guitar teacher & co-workers will love it. Remember the good old days of concerts & partying!
    Package Dimensions ‏ : ‎ 10 x 8 x 1 inches; 4.8 ounces
    Department ‏ : ‎ womens
    Date First Available ‏ : ‎ October 3, 2024
    Manufacturer ‏ : ‎ Best Rock & Metal humor tees for chicks and dudes
    ASIN ‏ : ‎ B0DJFGZ6R3


    Are you a rock and roll lover who’s not afraid to show off your wild side? Then this Women’s “GOOD GIRLS GO TO HEAVEN BAD GIRLS GO BACKSTAGE” rock groupie V-Neck T-Shirt is perfect for you!

    Featuring a bold and edgy design, this shirt is sure to make a statement wherever you go. Whether you’re headed to a concert, a music festival, or just out for a night on the town, this tee will have you looking and feeling like a true rockstar.

    Made from soft and comfortable fabric, this V-neck shirt is perfect for all-day wear. Pair it with your favorite jeans and boots for a casual rock-chic look, or dress it up with a leather jacket and heels for a night out.

    So go ahead, embrace your inner bad girl and rock out in style with this Women’s “GOOD GIRLS GO TO HEAVEN BAD GIRLS GO BACKSTAGE” rock groupie V-Neck T-Shirt. Get yours today and show the world that you’re not afraid to break the rules and have a little fun!
    #Womens #GOOD #GIRLS #HEAVEN #BAD #GIRLS #BACKSTAGE #rock #groupie #VNeck #TShirt,women & kids metal

  • Emilia Pérez dominated. It’s a bad movie.


    Jacques Audiard’s Emilia Pérez is the most fascinating movie I’ve watched in the last year, in entirely negative ways. Its 132 minutes unfold like a glittering and garish tour de force of disaster, a relentless procession of terrible ideas, terribly executed. It’s also the precise sort of preening cinematic onanism that Hollywood types like to think of as visionary, which is the reason the film’s Golden Globes triumph was just followed by a leading 13 Oscar nominations from academy voters.

    Emilia Pérez is a musical set in present-day Mexico that tells the story of its titular character (played by Karla Sofía Gascón), who begins the movie as Manitas Del Monte, a murderous and terrifying drug kingpin who has recently consolidated power by annihilating competitors and buying off politicians. Despite these professional triumphs, Manitas harbors a secret desire to, in the character’s words, “be a woman,” roping the movie’s other main protagonist, attorney Rita Mora Castro (Zoe Saldaña) into a plan to help her undergo a litany of gender-affirming surgeries (and I use “litany” here in its ecumenical sense—in one scene the medical names of all the various procedures are chant-sung) while also faking Manitas’ death and arranging for the erstwhile narco-trafficker’s wife (Selena Gomez) and children to be surreptitiously relocated to Switzerland. All of this somehow happens within the movie’s first 40 minutes. The remainder of the film deals with Emilia’s attempted reunion with her children (who, after four years in Switzerland, are somehow persuaded to move back in with Emilia in Mexico under the ruse that she is their deceased father’s “distant cousin”) as well as her road to personal redemption as she falls in love and founds a nonprofit dedicated to finding the remains of Mexicans who were murdered and disappeared by drug cartels, becoming a national hero in the process.

    If this all sounds both ludicrous and potentially wildly offensive, you are on to something. Mexican viewers have excoriated the film’s sensationalist and deeply retrograde depiction of their country as a violence-ridden failed state, as well as Audiard’s seeming disinterest in anything resembling cultural authenticity. None of the film’s stars were born in Mexico (Gomez is third-generation Mexican American but had to learn Spanish for the role), and almost none of the movie was shot in Mexico; after making several trips there to scout locations, Audiard ultimately chose to shoot most of the film on soundstages in Paris. (The director has cited the challenges of shooting musical numbers on location as the main reason for this choice, but one also wonders if the Mexico he encountered on his scouting trips didn’t conform to the “Mexico” of his imagination.) Meanwhile, LGBTQ+ voices have criticized the film’s ham-handed depiction of gender transition, with GLAAD decrying the film as a “profoundly retrograde portrayal of a trans woman.” In a terrific piece for the Cut, writer Harron Walker dissected the film’s laughably obtuse depiction of medical transition while also wryly noting that “a film about a wealthy trans woman who tries to redeem her pre-transition self by founding a nonprofit that claims to help others has the potential to be hilarious, biting, and current,” a satirical possibility that utterly eludes Audiard, whose film only grows more and more humorless as it unfolds.

    Were Emilia Pérez simply an abomination of content, that would be one thing. But what truly elevates the film to its rarefied plane of cinematic nonsense is that’s it’s also an abomination of form. The film’s hyperactive pursuit of the gee-whiz blurb—you’ve never seen anything like it!—has led many to describe the film as “genre-defying,” or some equivalent term. (The movie’s Netflix description uses the phrase.) But this isn’t really true: Emilia Pérez is a musical through and through, and not even a particularly innovative or original one. It has big dance numbers, it has characters bursting into song to convey their emotional truths, it has melodrama and flashy camerawork, and it has an ending that I won’t spoil (although honestly if you’ve made it this far and are still planning on watching this film, I should probably quit my job) other than to say that it is nakedly derivative of countless better works. Even the notion that its ostensibly edgy subject matter subverts its genre is silly: Musicals have been being made about serious contemporary issues for nearly as long as modern Broadway has existed. (Show Boat is almost 100 years old.)

    The main reason Emilia Pérez doesn’t scan as a conventional movie musical is because, as a movie musical, it’s completely incompetent. With the exception of Gomez, no one onscreen is an observably talented vocalist, which might not have been a fatal issue if the material they were tasked with singing wasn’t so uniformly godawful. The film has no unifying musical aesthetic to speak of: Nearly every song feels like a phoned-in mashup of clichés pilfered from the most banal corners of pop, rock, and hip-hop. (Indeed, the film’s songs and score, composed by French songwriters Camille and Clément Ducol, seem almost studiously ignorant of Mexico’s own illustrious musical traditions.) The result is a cacophonous mess without a memorable melody to speak of, let alone an even halfway decent original song.

    Most successful musicals use songs to punctuate moments of emotional intensity—a great musical number creates the effect of the feeling onscreen overflowing the conventional boundaries of narrative. “Singin’ in the Rain” is great spectacle and a catchy tune, but what makes the scene and performance so indelible is the way that it brings to a head the romantic intoxication that the movie has already so carefully built. The music in Emilia Pérez doesn’t do this: The first big song-and-dance number comes less than five minutes into the film, in which Rita leads a mass chorus of impoverished and brutalized Mexicans through an ersatz Mexico City, belting out lines about the country’s “misery” while people around her are literally stabbing each other to death in the streets. It’s tawdry and cynical stuff, but it’s also just artistically inert. Rather than enhancing the film’s narrative, the music functions as a loud and gimmicky distraction from storytelling that can’t be bothered to do even the most basic work of connecting its audience to its setting and characters.

    Audiard has frequently cited the influence of The Umbrellas of Cherbourg, Jacques Demy’s 1964 French New Wave masterpiece in which every line of dialogue is sung, describing it as a musical “with both a political and historical background, and maybe that’s why I made Emilia Pérez.” (Demy’s film is set against the backdrop of the Algerian War, which isn’t actually depicted in the film but is crucial to its plot.) The Umbrellas of Cherbourg is one of my favorite movies, and believe me that there’s not a single piece of music in Emilia Pérez that remotely holds a candle to Umbrellas’ main love theme, “Je Ne Pourrai Jamais Vivre Sans Toi,” the melody of which, if you’ve ever seen the movie, is probably already running through your head right now. But even more than that, much of what makes Umbrellas so affecting is the understated quotidian-ness of its story, one of young lovers thwarted first by circumstance and then the complexities of adulthood before being finally reunited in one of the great emotionally ambivalent endings in all of movies. In other words, what makes Umbrellas so singular is its wedding of fantastical formal elements (namely its musical setting and its spectacular cinematography and set designs) to a plot that’s firmly rooted in human realism. Emilia Pérez, on the other hand, weds those fantastical elements to outlandish plot contrivances and confused moral bombast, leaving us with a message movie that doesn’t even seem to know what it wants to be about.

    What, exactly, is Emilia Pérez trying to say? The most generous interpretation would be that it’s a statement about the importance of self-acceptance and self-realization as pathways to redemption: Through her gender transition, Emilia Pérez is able to access a new and more authentic life as a morally upright and positive force in society. This seems innocuous enough until we consider that the idea that suffering from gender dysphoria somehow correlates to a propensity for serial murder is also the central conceit of The Silence of the Lambs. At one point early in the film, Rita sings to a skeptical surgeon, “changing the body changes society; changing society changes the soul. Changing the soul changes society; changing society changes it all,” which feels like the closest the movie comes to a thesis statement. But it’s also a moronic sentiment, and one that carries distinctly reactionary implications. After all, the idea that what individual people choose to do with their bodies redounds to “societies” and “souls” is the driving logic behind nearly every brand of bigotry under the sun, and transphobia especially. What are we really doing here? That Emilia Pérez never even seems to ask itself this question tells you all you need to know about how little it thinks of its characters, its themes, and you.





    Emilia Pérez Dominated: A Disaster of a Movie

    I recently had the misfortune of watching the film “Emilia Pérez Dominated,” and let me tell you, it was truly a train wreck of a movie. From the poorly written script to the lackluster performances, this film had all the makings of a cinematic disaster.

    The story follows Emilia Pérez, a young woman who rises to power in a male-dominated society, only to have her world come crashing down around her. While the premise had potential, the execution fell flat at every turn. The dialogue was cheesy and cliché, the character development was non-existent, and the plot was riddled with holes.

    Not even the talented cast could save this sinking ship. The lead actress seemed to sleepwalk through her role, delivering lines with all the emotion of a cardboard cutout. The supporting cast fared no better, with performances that ranged from wooden to downright cringeworthy.

    But perhaps the biggest sin of “Emilia Pérez Dominated” was its complete lack of nuance. The film tackled important themes like gender inequality and power dynamics, but did so in the most heavy-handed and ham-fisted way possible. It felt like the filmmakers were beating the audience over the head with their message, instead of allowing it to unfold organically.

    In the end, “Emilia Pérez Dominated” was a mess of a movie that failed to deliver on its promise. It was a prime example of how not to make a film, and I would advise anyone considering watching it to steer clear. Save yourself the agony and watch something else instead.

    Tags:

    Emilia Pérez, bad movie, movie review, film critique, Emilia Pérez dominated, film analysis, movie disappointment, movie flop, bad film, movie opinion

    #Emilia #Pérez #dominated #bad #movie

  • Draymond Green on Jordan Poole’s grudge: I feel like he wants to make me out to be the bad guy, I’m sorry, but let’s move on man


    Jordan P said, ‘I love those guys over there. I love most of those guys over there.’ And then you responded with a tweet that says, ‘I really am sorry. I really am sorry.’ Why did you respond to that?” DRAYMOND GREEN: “I responded because, you know, it’s been three years. Like, let’s move on. You know, where’s the love? We moved on. We’re supposed to move on, man. I really am sorry. You know, that statement was kind of like… it was kind of looking for some sympathy, you know what I’m saying? Like, I feel like he wants to make me out to be the bad guy. Move on, bro. Like, it is what it is. I’m sorry. I shouldn’t have punched him, but you know, it happened. Let’s move on, man.” “I even apologized to his parents. I got his dad, who popped off one time on the internet, and I went back at him. It was just like, ‘Bro, why you popping off?’ And I actually didn’t like myself for it because I wasn’t even on that, you know what I’m saying? I kind of let him get me off my square a little bit because I’d said what I said about it. You know what I’m saying? Like, it’s over, bro. Yeah, bro, it’s over.”
    Source: YouTube



    In a recent interview, Draymond Green addressed the ongoing tension between him and his Golden State Warriors teammate Jordan Poole. Poole has been vocal about feeling slighted by Green in the past, but Green is ready to put the past behind them.

    “I feel like he wants to make me out to be the bad guy,” Green said. “I’m sorry, but let’s move on man. We’re teammates, we’re in this together, and we need to focus on winning games.”

    Green went on to express his support for Poole and his belief that they can work together to be successful on the court. “I know Jordan is a talented player and I want to see him succeed,” Green said. “I’m here to support him and help him grow as a player. Let’s leave the grudges behind and focus on what’s important.”

    It’s clear that Green is ready to move past any lingering issues with Poole and focus on the team’s success. Hopefully, this new attitude will help the Warriors come together and perform at their best.

    Tags:

    Draymond Green, Jordan Poole, grudge, apology, conflict resolution, NBA, basketball, sportsmanship, rivalry, team dynamics, Golden State Warriors, player relations, professional athletes, sports news

    #Draymond #Green #Jordan #Pooles #grudge #feel #bad #guy #lets #move #man

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