The Academy of Motion Picture Arts and Sciences has announced the Best Original Score nominees for the 2025 Oscars. In the running for a statuette are Daniel Blumberg’s The Brutalist, Volker Bertelmann’s Conclave, Clément Ducol and Camille’s Emilia Pérez, John Powell and Stephen Schwartz’s Wicked, and Kris Bowers’ The Wild Robot. The winner will be announced at the ceremony, on March 2, at Ovation Hollywood’s Dolby Theatre in Los Angeles.
The full shortlist, unveiled in December, featured 20 scores; among those not to make the cut were the National’s Bryce Dessner for Sing Sing, the Björk collaborator and Tri-Angle founder Robin Carolan’s Nosferatu score, Andrea Datzman for Inside Out 2, and Danny Elfman for Beetlejuice Beetlejuice.
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The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot
Music (Original Score)
Clément Ducol & Camille – Emilia Pérez
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Volker Bertelmann – Conclave
John Powell & Stephen Schwartz – Wicked
Daniel Blumberg Nominated for Best Original Score at 2025 Oscars for The Brutalist
Congratulations are in order for acclaimed composer Daniel Blumberg, who has been nominated for Best Original Score at the 2025 Oscars for his work on the film The Brutalist. Blumberg’s haunting and atmospheric score perfectly complemented the film’s dark and brooding tone, drawing audiences into the gritty world of the story.
Blumberg’s nomination is well-deserved, as his music played a crucial role in enhancing the emotional impact of The Brutalist. His ability to create a unique sonic landscape that reflects the film’s themes and characters is a testament to his talent and creativity as a composer.
We can’t wait to see if Daniel Blumberg takes home the Oscar for Best Original Score, and we wish him the best of luck on Hollywood’s biggest night. Congratulations, Daniel!
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Daniel Blumberg, Best Original Score, 2025 Oscars, The Brutalist, film composer, award nomination, soundtrack, cinematic music, prestigious accolade, Hollywood recognition
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