Tag: Culture

  • 2025 Hot Wheels Premium Pop Culture Kool Kombi Van Mattel 80th Anniversary Car



    2025 Hot Wheels Premium Pop Culture Kool Kombi Van Mattel 80th Anniversary Car

    Price : 12.99

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    Are you a fan of Hot Wheels and collectible cars? Then you won’t want to miss out on the 2025 Hot Wheels Premium Pop Culture Kool Kombi Van, celebrating Mattel’s 80th anniversary in style.

    This limited edition car features a sleek design inspired by the iconic Kool Kombi Van, with a special twist to commemorate this significant milestone for the company. With its premium detailing and eye-catching color scheme, this car is sure to be a standout in any collection.

    Don’t miss your chance to add this special edition Hot Wheels car to your collection and commemorate Mattel’s 80 years of creating iconic toys. Keep an eye out for the 2025 Hot Wheels Premium Pop Culture Kool Kombi Van and make sure to grab yours before they’re gone!
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  • Dan Quinn’s ‘Commander Standard,’ and how it quickly changed a team’s culture


    The Athletic has live coverage of Commanders vs Eagles in the NFC Championship Game.

    “This is how we’re gonna get down.”

    That’s the phrase Washington Commanders coach Dan Quinn always uses with his players as he begins to lay out a plan of attack for their next opponent.

    It’s time to get to work. The message is clear, as is the strategy Quinn, his assistants and players will execute to give themselves their best shot at victory. There are no cakewalks in the NFL, Quinn preaches. Every week, a battle awaits. The game is winnable if everyone executes their portion of the plan, but every contest represents a struggle nonetheless.

    “It’s the humility of fighting,” Washington punter Tress Way said in explaining his coach’s messaging. “He’s not prepping us for a week to go out and play somebody and run them off of the field, like, ‘Hey, let’s just go wax these guys and onto the next.’ This is the NFL. Everybody is really freaking good at football. (Quinn) gets us hyper-focused and has this humble approach of how we are going to fight, our exact plan of what we are going to do to win that fight — but you’d better be ready to freaking fight.”

    An 11-year veteran, two-time Pro Bowler and the longest-tenured member of Washington’s team, Way has played for four head coaches and has heard more than his fair share of game-planning speeches — the majority of which missed their marks.

    Way recognized things had changed for the better the first time he experienced Quinn’s detailed mission statement.

    “The way he comes in, being that clear and how he says the words, ‘This is how we’re getting down this week,’ I’m sitting there as the punter in the seats and I’m like, ‘Cool. This is how we’re getting down this week. Let’s do it.’ And you know you’re not doing it anyway but together,” Way said.

    “Nobody ever feels like they’re on an island. And that’s why guys have found it so easy to get behind Dan.”

    Sunday, Quinn will lead the Commanders against the Philadelphia Eagles in the NFC Championship Game, Washington’s first in 33 years. The Commanders are just one step away from the Super Bowl a season after a 13-loss campaign and yet another franchise reset.

    In only a year, Quinn has managed to do something nine full-time predecessors could not: serve as the catalyst for the culture change of one of the most dysfunctional and disappointing franchises in the NFL and turn Washington into a bona fide winner.

    More on Commanders and NFC Championship Game

    Quinn has delivered change by being a walking, talking example of consistency, accountability, discipline, excellence and authenticity. He took the roster entrusted to him by second-year owner Josh Harris and first-year general manager Adam Peters and, helped by the play of dynamic rookie quarterback Jayden Daniels, made the Commanders one of the biggest surprises of the 2024 season. Washington went 12-5 in the regular season, then beat the Tampa Bay Buccaneers and the Detroit Lions — the NFC’s No. 1 seed — in the first two rounds of the playoffs to advance to Sunday’s NFC Championship Game.

    “Coach Quinn is here just every day, preaching the same mindset, being consistent,” said eighth-year defensive lineman Jonathan Allen, who, like Way, has played under four head coaches in Washington. “He’s been on the same page with Mr. Peters and Mr. Harris, and that’s what it takes to change a culture. From Coach Quinn to Mr. Peters to Mr. Harris — they all have one goal they’re working toward, and that’s the start of any good company, business or team.”

    They say the first step to solving any problem is to acknowledge that there is a problem. But when it came to solving the deep-seated problems that have crippled Washington’s football team for the better part of three decades, Quinn preferred to ignore them.

    Long before his days as coach of the Atlanta Falcons and defensive coordinator of the Dallas Cowboys, Quinn played his college ball at Salisbury University (then Salisbury State) on Maryland’s eastern shore, two hours from the nation’s capital. His first coaching jobs were at William & Mary and Virginia Military Institute, two schools located in areas full of Washington football fans during the franchise’s glory years. Two-plus decades of coaching in the NFL with San Francisco, Miami, the New York Jets, Seattle, Atlanta and Dallas familiarized Quinn with Washington’s bleak years.

    “I knew some of the history,” Quinn said during a recent post-practice interview. “I knew this was at one time a crown-jewel franchise, but they’d been stuck in the mud, and stuck for a while.”

    But when Quinn interviewed for and eventually accepted the Commanders’ head coaching position, he didn’t concern himself with the details of previous owner Daniel Snyder’s 24-year reign of toxicity and futility. He didn’t tally the long list of coaches and GMs who’d promised hope, only to leave with the franchise still in shambles.

    Harris would sign Quinn’s checks and Peters would work “shoulder-to-shoulder” with him to reinvigorate the franchise. That’s what mattered.

    Quinn didn’t dig deep or query players or staffers to learn why his immediate predecessor, Ron Rivera, had failed. That’s because he knew and respected Rivera as a person and coach. But also, all that mattered to Quinn was how the Commanders would operate on his watch.

    “I wanted to recognize that regardless of how the team had done ‘XYZ’ before, this is how we’re going to do it moving forward,” Quinn said. “I didn’t want to say, ‘The team didn’t do well,’ because I wasn’t here for that. I knew Ron, so there was zero reason for me to make any judgement on that. But I had ways I knew we were going to execute going forward. … I had really high standards I wanted our players and coaches to have, and I was clear on that.”


    Dan Quinn’s Commanders went 12-5 one season after the team suffered 13 losses under a different regime. (Amber Searls / Imagn Images)

    Quinn, 54, learned about high standards from his three most influential NFL mentors. He still leans heavily on lessons learned from Steve Mariucci while with the San Francisco 49ers, Nick Saban with the Miami Dolphins and Pete Carroll with the Seattle Seahawks — all three successful yet very different coaches.

    Mariucci taught Quinn the importance of maintaining a standard of excellence while directing the franchise built to prominence by Bill Walsh. From Saban, Quinn learned the importance of demanding the same unwavering toughness and physicality in every single practice that he would in games. From Carroll, he learned how to prepare players for Sundays by building competition into everything the Seahawks did on a daily basis.

    Despite folding all of those lessons into his coaching philosophies, Quinn has remained mindful to go about the job in his own way rather than trying to imitate his mentors.

    “Coach Quinn has been so organic and just himself, and he’s just a guy you want to play hard for,” said Allen, who also played for Saban at Alabama. “He just gets it. He’s one of the guys, but he’s also just a great leader and a great coach to play for. I love it. Whenever you get an opportunity to play for a coach and organization that all they care about is winning, that’s the goal of an NFL player, so it’s awesome.”

    As Quinn explained his expectations for his new players and his goals for the team, he also made it clear that for Washington to succeed, some of the loudest voices and strongest displays of leadership had to come from the locker room.

    To help fill those roles, he identified three highly successful veterans for Peters to acquire in free agency: linebacker Bobby Wagner, whom Quinn had coached in Seattle; tight end Zach Ertz, who, like Wagner, had a Super Bowl ring and multiple Pro Bowl selections; and running back Austin Ekeler, a second-team All-Pro kick returner in 2024 and member of the NFL Players Association’s leadership team.

    “I didn’t bring Wags here to coach,” Quinn said of Wagner, the future Hall of Fame middle linebacker who has consistently ranked among the league leaders in tackles during his 13-year career. “I brought him here to play, but I knew the standards he would have, and I thought he didn’t have to do anything, just be himself turnt up. And I thought the same thing with Zach and Austin Ekeler, who both had really high standards as ballplayers and teammates.”

    When he got all of his veterans together for their first offseason conditioning sessions before the draft, Quinn invited a group of Navy SEALs to team headquarters for bonding exercises to help the Commanders begin to develop a strong sense of brotherhood. Quinn then split his players into groups and challenged them to compose a list of standards by which they believed successful teams operate. When the players reconvened, they compared notes and formed their tenets for the season — a list strong on commitment, accountability, dedication, unity and consistency. They called the document “The Commander Standard.”

    This, according to Quinn, was how they laid the foundation for Washington’s new culture.

    “Culture for a group,” Quinn said, “is all about how they do business together, because it has to be an everyday thing. … Environment is different from culture. Like, I’m upbeat by nature, and if you’re around here, you’ll feel an energy in people, and that’s how I live. I am positive. But that doesn’t make it your culture. The culture is the way you do everything together. It’s the meetings; it’s the discipline at the practice; it’s the way we communicate together and the standards you have for one another. So, sometimes I think people think of a happy place and assume that’s culture. No, that’s our environment.

    “But we’re strict about what we do. We correct and teach a lot,” he continued. “I don’t think you have to be an (a–hole) to do it right, but you can’t look the other way either. So if Zach drops a pass, that’s on the tape. Bobby misses a tackle, that’s on the tape.”

    And those gaffes are pointed out in front of the whole team, even if they are committed by esteemed leaders.

    “That is the consistency any ballplayer or coach would want,” Quinn said.

    That consistency further strengthened Quinn’s credibility in a Washington locker room where, in the past, some players struggled to trust and respect coaches and other team officials because of double standards they say they observed.

    As the Commanders navigated offseason practices, training camp preseason and the regular season, Quinn’s messaging never changed. As expected, his leaders set a strong tone for the type of work ethic, professionalism and unquenchable thirst for improvement his players adopted throughout the season.

    “We have a lot of leaders, but we do it in our own way,” wide receiver Jamison Crowder, a 10-year veteran, said. “I’m more a lead-by-example-type guy, and we have some more vocal, like the Bobby Wagners and the Zach Ertzes and those guys, but we have a lot of guys just helping out young guys with some things to do on the field, off the field, locker room or the training room, whatever it may be, giving them advice. You see that a lot, and that’s huge. Guys see that, and they just kind of follow suit.”

    Player leaders certainly have set a strong tone for the Commanders. They have helped them weather adversity, like a lopsided 37-20 loss to the Bucs in the season opener, or the three-game losing streak from Weeks 10-12 that may have fractured previous Washington locker rooms. But players also credit Quinn’s leadership for their ability to pull their way out of that hole and reach the playoffs as a wild-card team after closing the regular season with five consecutive wins.

    Every Monday starts the same way for Quinn and his players.

    The coach leads a meeting he calls “Tell the Truth Mondays.” During that session, the coach and his charges review their game from the day before. Good plays draw praise. Bad plays draw scrutiny and correction. The coach — and the tape — tell the truth, even if said truths are uncomfortable. Once the session ends, Quinn encourages his players to either savor the win for a few more hours or let themselves feel the anguish of defeat further. Tuesdays are a day off for rest, recovery, family time and the final flushing of any feelings over the previous game’s outcome.

    By Wednesday morning, the book on that game has closed. Win or lose, it’s never mentioned again. The attention shifts to the upcoming opponent, and Quinn again sets the tone for how the Commanders will take the next step of a quest that once felt so improbable, but now feels much closer to reality.

    After three decades of suffering, change has finally come to the Commanders. Is a trip to the Super Bowl the next step? Perhaps, but Quinn hasn’t allowed his players to discuss that, because the Eagles await on Sunday, and that’s all that matters.

    Instead, when the Commanders filed into the meeting room Wednesday morning and took their seats, they heard a familiar refrain.

    “This is how we’re gonna get down.”

    (Top Scott Taetsch / Getty Images)



    Dan Quinn’s ‘Commander Standard,’ and how it quickly changed a team’s culture

    In the world of professional sports, culture is often seen as a crucial element in determining a team’s success. And for the Atlanta Falcons, that culture was dramatically transformed when head coach Dan Quinn introduced his ‘Commander Standard.’

    The ‘Commander Standard’ was more than just a set of rules or guidelines – it was a philosophy that emphasized accountability, discipline, and teamwork. Players were expected to hold themselves and their teammates to a higher standard, both on and off the field.

    Quinn’s emphasis on the ‘Commander Standard’ quickly resonated with the Falcons players, who bought into the new culture wholeheartedly. The team began to hold each other accountable, push each other to perform at their best, and work together towards a common goal.

    The results were almost immediate. The Falcons went from a struggling team to a force to be reckoned with in the NFL. They made it to the Super Bowl in 2016 and have consistently been a playoff contender ever since.

    The impact of Dan Quinn’s ‘Commander Standard’ on the Falcons’ culture cannot be overstated. It turned a group of talented individuals into a cohesive, motivated team that was willing to put in the work and make the sacrifices necessary to succeed.

    So, the next time you hear about a team’s culture being transformed, remember the story of the Atlanta Falcons and Dan Quinn’s ‘Commander Standard.’ It’s a reminder of the power of a strong, unified culture in achieving success in sports – and in life.

    Tags:

    Dan Quinn, Commander Standard, team culture, leadership, transformation, NFL coach, motivational tactics, success strategies, team dynamics, inspirational leadership, coaching techniques, positive change, winning culture

    #Dan #Quinns #Commander #Standard #quickly #changed #teams #culture

  • Willy Chavarria Resurrects Cholo Culture Through Sartorial Elegance


    Willy Chavarria is redefining the global perception of Cholo culture through his designs, blending West Coast streetwear influences with high-fashion tailoring. At the A/W ‘25 collection, for his first go-round for Paris Fashion Week, Chavarria’s collection breathes new life into silhouettes with deep roots in Chicano heritage. Balancing street authenticity with a refined edge, from relaxed Chino cuts to meticulously tailored opera coats, Willy Chavarria creates a dialogue between cultural homage and contemporary elegance.

    Exaggerated shoulders made room for a new physique in silhouette on the runway as Chavarria’s sartorial language inseparably ties to his Mexican-American heritage and the West Coast communities he calls home. “I am from the San Joaquin Valley, Fresno, LA area—my roots are there,” he says. Drawing inspiration from his upbringing, he incorporates staple Chicano pieces, such as oversized Chinos, flannels, and suits into his collections.

    “Cholo culture started in the ’40s with the Pachucos and evolved into what we now see in hip-hop and skate culture,” he explains. By embracing these origins, Chavarria’s designs preserve the essence of the Chicano aesthetic and its linear subcultures to hip-hop displayed in the recent Adidas collaboration, while expanding its influence into new realms.

    Chavarria explains, “We’re paying homage to classic styles by elevating them to their most premium form. There’s a lot of influence from that era, paired with fine tailoring, luxurious fabrics, and meticulous pattern development with my design team. Every detail is considered, from the curve of the sleeve, to how the fabric interacts with light.”

    He continues, “For instance, this fabric changes depending on how it’s cut—one direction gives it a darker tone, while another makes it brighter. Even these subtle fabric details affect how the pieces are sewn and ultimately presented.”

    Chavarria’s collections are both an ode to humble beginnings and a showcase of premium craftsmanship seen in cropped hoodies, oversized denim, and bomber jackets that cater to streetwear-luxe aficionados. “The styles born of lower-income demographics create amazing fashion,” the passionate designer reflects.

    His approach honors these origins by elevating everyday streetwear staples with luxurious materials like crushed velvet, washed silk, SUPIMA Cotton, 100% fully recycled fishnet fiber by RECYCTEX, as well as Italian wool. “Taking those styles and making them in Italy with Italian fabrics is my way of paying homage,” he adds.

    This juxtaposition of casual and couture is evident in every detail. From the precise curvature of a sleeve to the choice of fabric grain, Chavarria’s work embodies meticulous artistry. Emphasizing the different eras of Chicano influence, he details, “I also love that ’80s style with cinched waists and broad shoulders.”

    “I draw inspiration from older Giorgio Armani and designers like Claude Montana. Those strong silhouettes were incredibly influential, and we haven’t seen them embraced in a long time. That ’70s take on the ’40s aesthetic, which carried into the ’80s, is something I’d love to revisit and reinterpret.”

    One of Chavarria’s signatures is his reinterpretation of masculine silhouettes. His designs often play with the balance between voluminous tops and cinched waists, evoking an ’80s aesthetic rooted in ’40s inspiration. “It’s about enhancing the male form—broad shoulders, tight waists. It’s hyper-masculine and bold,” he says.

    Drawing comparisons to designers like Claude Montana and Giorgio Armani, Chavarria brings back strong, structured forms that were once staples of fashion but had faded from modern menswear. “Nobody’s doing that now,” he observes, “so it feels super modern to bring it into today.”

    While Chavarria’s designs often cater to high-fashion clientele, he ensures his work remains accessible. “From a business perspective, it’s important to have fashion people can relate to,” he explains. His collections are carefully curated to include avant-garde pieces for boutiques like Dover Street Market and more democratic options for broader audiences.

    This strategy allows Chavarria to maintain his brand’s cultural authenticity while making it approachable. “Fashion has to be wearable and relatable, even if it challenges silhouettes,” he says. His suiting, for example, merges athletic and formal elements, offering a style that is both bold and adaptable.

    Beyond the clothes, Chavarria’s work serves as a cultural bridge, connecting his Chicano heritage with audiences worldwide. Whether it’s a cropped jacket inspired by hot-rod culture or a reinterpretation of the classic coach jacket, his designs resonate with authenticity. “Lowrider culture, biker culture, it’s all part of who I am,” he shares.

    In his latest collection, Chavarria continues to push boundaries, transforming the Cholo aesthetic into a global statement. “It’s about taking what’s been overlooked or misunderstood and showing its beauty,” he says. And in doing so, he ensures the legacy of Cholo culture thrives, in the streets, on runways and beyond.

    Willy Chavarria has a remarkable ability to bring the essence of Cholo culture to life through fashion. His designs are a language of identity, heritage, and rebellion. At the core of his work is a celebration of a style that carries cultural significance seen in his latest casting of the A/W ‘25 runway show, making it resonate with diverse audiences while staying authentically rooted.

    “I like to dress people of color. I like to dress queer people,” Chavarria says in a tangent. His designs transcend the traditional and are crafted for those whose philosophies align with his. Whether it’s Billie Eilish, Kendrick Lamar, YG, or Colman Domingo, Chavarria’s approach is deeply personal, ensuring that every piece worn is an extension of the wearer’s values and his own.

    Chavarria’s reinterpretation of classic Cholo silhouettes—oversized trousers, structured jackets, and cropped tops—carries the cultural pride and rebellious energy of the original style. “That trouser is so sick,” he shared, pointing to a signature look on the rack of his latest lookbook shoot. “It’s that silhouette we were talking about – jacket [with] big ol’ baggy pants.” The structured elements he incorporates refine what might be considered casual into something couture.

    Even his flannels tell a story. “It’s those quilted flannel shirts you buy at Walmart,” he said before adding “but this one is super tailored. Super structured.” The juxtaposition of raw cultural inspiration with high-end craftsmanship is part of Chavarria’s acclaimed genius.

    Chavarria’s deliberate choices go beyond aesthetics. His designs amplify representation, celebrating the stories and communities often overlooked in fashion. He envisions a world where diversity isn’t a trend but a permanent fixture.

    Blending elements of Cholo culture with the sophistication of dandyism, Chavarria has positioned his brand as a beacon of innovation. “This is very ‘40s, like the Dandy era,” he said, highlighting how his collection bridges eras and aesthetics. It’s this versatility that makes his work suitable for anything from streetwear to red carpet-looks.

    As Chavarria continues to push the boundaries of fashion, his commitment to authenticity and inclusivity ensures that every design is a piece of culture. Through his work, Cholo culture finds a new home on the global stage, celebrated with the reverence it deserves.

    Willy Chavarria is collaborating with influential organizations such as the ACLU, the United Farm Workers Union, and the Human Rights Campaign (HRC) to bring a “pro-love campaign” to Paris. Highlighting their partnerships, Chavarria shared that they are a “Big supporter of the ACLU, the United Farm Workers Union – working closely with the Human Rights Campaign (HRC).” The initiative, supported by Tinder and includes a photography exhibition.





    Willy Chavarria Resurrects Cholo Culture Through Sartorial Elegance

    Renowned fashion designer Willy Chavarria is making waves in the industry with his bold and innovative designs that pay homage to Cholo culture. Chavarria’s collections are a fusion of streetwear and high fashion, blending elements of urban style with traditional tailoring to create a unique and powerful aesthetic.

    Cholo culture, which originated in the Chicano communities of Los Angeles in the 1960s, is often misunderstood and misrepresented in mainstream media. Chavarria seeks to challenge these stereotypes by celebrating the rich history and unique style of Cholo culture through his designs.

    With a focus on quality craftsmanship and attention to detail, Chavarria’s pieces exude a sense of sartorial elegance that is both sophisticated and edgy. From oversized leather jackets to tailored suits with intricate embroidery, each garment tells a story and pays tribute to the resilience and creativity of the Cholo community.

    Through his work, Chavarria is not only redefining the way we think about Cholo culture, but also pushing the boundaries of fashion and challenging conventional norms. By embracing and celebrating diversity, he is paving the way for a more inclusive and vibrant industry.

    Willy Chavarria’s commitment to authenticity and representation is truly inspiring, and his designs serve as a powerful reminder of the beauty and strength that can be found in cultural heritage. As he continues to push the boundaries of fashion, we can’t wait to see what the future holds for this visionary designer.

    Tags:

    Willy Chavarria, Cholo Culture, Sartorial Elegance, Fashion Design, Streetwear, Latino Fashion, Chicano Style, Urban Fashion, Contemporary Menswear, Cultural Resurgence

    #Willy #Chavarria #Resurrects #Cholo #Culture #Sartorial #Elegance

  • Guelph softball teammates to appear on Pop Culture Jeopardy


    What is a gameshow that will feature a trio of men from Guelph and Waterloo?

    The answer: Pop Culture Jeopardy.

    George Hutchinson, Eric Sipkens, and Tom Minard make up “The Bullpen,” a team competing in an episode of the latest twist on Jeopardy next week.

    The American gameshow is hosted by popular comedian Colin Jost, known for his role as the Weekend Update anchor on Saturday Night Live.

    “We did deep dives into the bowels of TikTok, George was memorizing lists of Tony and Oscar award winners, I was watching the first episodes of a bunch of different recent TV shows that had won Emmys and what-not to get a sense of them,” said Minard about the training regiment the team underwent to prepare for the show.

    The three have already travelled to Culver City, Calif. to film the show, which will air the knockout round episode on Amazon Prime on Wednesday.

    (Pop Culture Jeopardy)



    Exciting news for fans of both softball and pop culture – two of Guelph’s very own softball teammates will be appearing on an upcoming episode of Pop Culture Jeopardy!

    These talented athletes not only excel on the field, but also have a wealth of knowledge when it comes to all things pop culture. From music and movies to TV shows and celebrity gossip, these teammates are ready to put their skills to the test in this fun and challenging game show.

    Be sure to tune in to see if they can outsmart their competition and come out on top in the world of pop culture trivia. Let’s cheer them on and show our support for our fellow Guelph softball players as they take on this exciting new challenge!

    Tags:

    1. Guelph softball
    2. Pop Culture Jeopardy
    3. Softball teammates
    4. Guelph athletes
    5. Pop Culture trivia
    6. Jeopardy contestants
    7. Softball stars
    8. Guelph sports
    9. Pop Culture game show
    10. Jeopardy appearance

    #Guelph #softball #teammates #Pop #Culture #Jeopardy

  • Q&A: Chatting Comedy with Tom Segura | Arts & Culture


    Navigating comedy in the age of social media and keeping an audience engaged are things comedian and podcast host Tom Segura gets his practice in for. Segura spoke to The Red & Black as he gears up for his current tour, “Come Together,” which will come to Akins Ford Arena on Thursday, Jan. 30.

    The Red & Black: What inspired you to get into comedy, and who were your early influences?

    Tom Segura: I was a big fan of stand-up. I liked laughing, obviously, like making people laugh. I thought I was into comedy acting more, but I kind of fell into stand-up. There were a lot of early influences, you know, [Bill] Cosby, Eddie Murphy, [George] Carlin, Bob Newhart. As you age, you start to consume more of it, you know, it went into Robin Harris. As I started doing it, David Attell, [Dave] Chappelle and Louis C.K..

    R&B: Do you have a favorite bit or a favorite joke that you have written over the years, and if so, why is it so special to you?

    TS: I wouldn’t say I have one. Usually, when you look back on your different hours, you have a few things that stand out from each hour. They can be your favorites for different reasons. I think oftentimes the ones that are ones that you look back favorably on, for me, at least, are ones where I go, I took that from life, I had an interaction, or I experienced something, and I just took that to the stage and talked about it and built it into a strong bit.

    R&B: What is your perspective on how comedy has changed in the age of social media, if you think it has changed at all?

    TS: I mean, comedy is broader and more consumed in different mediums than ever before; we’ve never seen anything like this. So anybody can grab a phone and upload any type of video, and it’s good in that the truly talented will stand out, you’ll notice them. And then you’re also bombarded with just, obviously, so many awful things, but that’s just kind of the nature of it, like you have to deal with the bad to get the good. With stand-up, we’ve never had a more popular era for stand-up. We’re literally in an unprecedented golden age, and it’s for sure because of accessibility and the internet and some of that is social media too. But you kind of have to remind people that there’s nothing wrong with being great at it on social media, but you’re not in the same category as people who get on stage. If you want to get on stage, you’ve got to do it.

    R&B: How do you navigate feedback or criticism, especially with how personal comedy can be?

    TS: The thing that most comedians probably listen to the most when it comes to feedback or criticism is usually if it’s from another comedian. You’ll never please everybody. There’s this thing you learn about doing stand-up, there’s the idea that you’re going to make everybody happy, or make everybody laugh. It’s not real, it doesn’t matter who you talk about. There’s no comedian, no matter their level, that everybody goes, “Yes, I agree that person is the best.” The audience also dictates without telling you with words, you kind of know when something is working or not.

    R&B: Has podcasting shifted the way you approach comedy and storytelling while on stage?

    TS: Podcasting kind of works a little bit almost like minor leagues for your stand-up material, because you’re just kind of chatting, and then all of a sudden, you realize that there’s something there for the stage. You’re not conscious of it a lot of times, it just kind of happens and then you give yourself a little note, like, oh, that thing that we talked about in the podcast — I think that’s a bit, I think I could actually make that work.

    R&B: You have over two million followers on TikTok, the future of which is extremely uncertain right now. If TikTok does get banned, what does that mean for you and other comedians with strong social media followings?

    TS: I would not be concerned. I know that everybody always does when they have their favorite platforms and the reality is that if that were to not exist tomorrow, other platforms would pop up, the ones that already exist would see an uptick in their growth. There’ll always be someone, so somebody will come and fill a void if any of these places go away, and honestly, I wish they would all go away. I hate it.

    This Q&A has been edited for length and clarity.



    Q&A: Chatting Comedy with Tom Segura | Arts & Culture

    We had the pleasure of sitting down with comedian Tom Segura to discuss all things comedy, from his early days in the industry to his latest projects. Here’s a sneak peek into our conversation:

    Q: How did you first get started in comedy?

    A: I always loved making people laugh, so I decided to give stand-up comedy a try. I started doing open mics and gradually worked my way up to performing at clubs and theaters.

    Q: Who are some of your biggest comedic influences?

    A: I’ve always been a big fan of comedians like George Carlin, Richard Pryor, and Dave Chappelle. They all have a unique way of looking at the world and tackling tough subjects with humor.

    Q: What do you think sets your comedy apart from others in the industry?

    A: I think my comedy is very honest and raw. I like to talk about real-life experiences and observations in a way that’s relatable to audiences. I also like to push boundaries and challenge societal norms.

    Q: Can you tell us about your latest projects?

    A: I recently released a new comedy special on Netflix called “Ball Hog,” which has been getting great feedback from fans. I’m also working on some new material for future projects and hopefully touring again soon.

    Q: What advice do you have for aspiring comedians?

    A: Just keep grinding and honing your craft. Comedy is a tough business, but if you’re passionate about it and willing to put in the work, you can succeed. Don’t be afraid to fail and keep pushing yourself to be better.

    Stay tuned for more updates on Tom Segura’s comedy journey and be sure to check out his latest special “Ball Hog” on Netflix.

    Tags:

    Tom Segura, comedy, stand-up comedy, Q&A, Arts & Culture, comedian, interview, comedy special, funny, humor, podcast, comedy show, comedian interview, entertainment, laughter, comedy scene.

    #Chatting #Comedy #Tom #Segura #Arts #Culture

  • 2022 Hot Wheels Car Culture 2-Pack BMW M1 Procar Motul & Lancia Stratos Group 5



    2022 Hot Wheels Car Culture 2-Pack BMW M1 Procar Motul & Lancia Stratos Group 5

    Price : 32.61 – 17.28

    Ends on : N/A

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    Attention Hot Wheels collectors! The highly anticipated 2022 Hot Wheels Car Culture 2-Pack featuring the BMW M1 Procar Motul and Lancia Stratos Group 5 is here!

    This limited edition 2-pack showcases two iconic racing cars from the 1980s, with stunning details and authentic decals. The BMW M1 Procar Motul is a sleek and powerful sports car that dominated the track during the Procar Championship, while the Lancia Stratos Group 5 is a legendary rally car known for its agility and speed.

    Don’t miss your chance to add these two incredible vehicles to your Hot Wheels collection. Get your hands on the 2022 Hot Wheels Car Culture 2-Pack today and bring a piece of racing history into your home!
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  • Sharelle Rosado on new reality show with ex Chad Ochocino and Taylor Swift’s impact on WAGs culture (Video)



    Sharelle Rosado on new reality show with ex Chad Ochocino and Taylor Swift’s impact on WAGs culture (Video) | Page Six






    Exciting news for reality TV fans! Sharelle Rosado has been announced as a cast member on the new reality show featuring her ex, former NFL player Chad Ochocinco. The show promises to give viewers an inside look at the lives of athletes and their significant others, and with Sharelle’s presence, drama is sure to follow.

    But that’s not the only buzz surrounding WAGs (Wives and Girlfriends of athletes) lately. Taylor Swift’s impact on WAGs culture has been making waves, with many WAGs looking up to the pop superstar as a role model. From her empowering lyrics to her successful career, Swift has become a symbol of strength and independence for women in the sports world.

    Check out the video below for more on Sharelle Rosado’s new reality show and Taylor Swift’s influence on WAGs culture:

    [Insert video link here]

    Are you excited to see Sharelle Rosado on the new reality show? What are your thoughts on Taylor Swift’s impact on WAGs culture? Share your thoughts in the comments below!

    Tags:

    1. Sharelle Rosado
    2. Chad Ochocinco
    3. Taylor Swift
    4. Reality show
    5. WAGs culture
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  • 2025 Barbie Aaliyah Signature Pop Culture Doll HRM80 Presale Free Shipping



    2025 Barbie Aaliyah Signature Pop Culture Doll HRM80 Presale Free Shipping

    Price : 144.74

    Ends on : N/A

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    Introducing the 2025 Barbie Aaliyah Signature Pop Culture Doll HRM80!

    We are thrilled to announce the presale of this highly anticipated Barbie doll, paying homage to the iconic singer and actress Aaliyah. This special edition doll features Aaliyah’s signature style and flair, making it a must-have for fans and collectors alike.

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  • Denis Leary Military Sitcom ‘Going Dutch’ Is a Culture Clash Farce That Could Be Something More: TV Review


    More than a decade after the swift cancellation of the underrated show “Enlisted,” Fox has taken another bite at the apple of a broadcast workplace sitcom set within the United States military. As with its predecessor, the midseason premiere “Going Dutch” counters the global scope of its central employer with the intimate one of immediate family. What it adds to this shared premise is a long litany of jokes about bikes, tulips, prostitution, bluntness as a cultural value and cheese.

    Created by Joel Church-Cooper (“Brockmire”), “Going Dutch” stars Denis Leary — also an executive producer, alongside his son Jack — as Colonel Patrick Quinn, a career officer who finds himself exiled to Stroopsdorf, “the least important army base in the world.” The Netherlands outpost’s bowling alley, laundry facilities and world-class fromagerie are under the interim command of Patrick’s estranged daughter Maggie (Taylor Misiak), who defends her colleagues’ lavender-picking, silent-disco-having ways…



    Denis Leary Military Sitcom ‘Going Dutch’ Is a Culture Clash Farce That Could Be Something More: TV Review

    Denis Leary is back on the small screen with his new military sitcom, “Going Dutch,” which follows the misadventures of a group of American soldiers stationed in the Netherlands. The show is a culture clash farce that has the potential to be something more, but falls short in its execution.

    Leary stars as Sgt. Jack O’Malley, a gruff and sarcastic army veteran who is tasked with leading a group of misfit soldiers in a foreign country. The premise of the show is ripe with comedic potential, as the clash of American and Dutch cultures leads to plenty of misunderstandings and awkward situations.

    While the show has its moments of hilarity, it often relies too heavily on tired stereotypes and predictable jokes. The characters are one-dimensional and the writing lacks the depth and nuance needed to truly explore the complexities of the culture clash at play.

    That being said, there is still hope for “Going Dutch” to grow into something more. Leary is a talented actor and comedian, and with some tweaking and a more nuanced approach to the material, the show could find its footing and become a standout in the crowded world of military sitcoms.

    Overall, “Going Dutch” is a fun and entertaining watch, but it falls short of reaching its full potential. With some fine-tuning and a deeper exploration of its themes, the show could evolve into something truly special. Only time will tell if “Going Dutch” can rise above its initial missteps and become a must-watch sitcom for fans of military comedy.

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    1. Denis Leary
    2. Military sitcom
    3. Going Dutch
    4. Culture clash
    5. Farce
    6. TV review
    7. Comedy series
    8. Denis Leary TV show
    9. Military comedy
    10. Culture clash sitcom

    #Denis #Leary #Military #Sitcom #Dutch #Culture #Clash #Farce #Review

  • Roy Wood Jr. Captures Our Fractious Culture in an Insightful New Special


    Three days before Donald J. Trump becomes president again, Roy Wood Jr., a crafty progressive-leaning comic, has released a special, “Lonely Flowers,” that begins with this ominous line: “We ain’t going to make it.”

    It gets your attention and raises questions. Who is “we”? What aren’t we going to make? Is this going to be funny or bleak?

    Wood, who has described his comedy as a kind of journalism, likes teasing introductions that throw you into the middle of a thought. His 2017 hour, “Father Figure,” opens with this great joke: “But if we get rid of the Confederate flag, how am I going to know who the dangerous white people are?”

    “Lonely Flowers,” on Hulu, is not directly about Trump, but it’s the first major special since the election to capture the fractious mood in the culture that gave him a victory. This hour, both funny and bleak, does not specialize in topical political bits, but jokes that build a broader, deeper argument: Less newspaper editorial, more magazine essay.

    As the title hints, the new special focuses on the implications of the growing solitude of Americans. It’s comedy that echoes perfectly with the Atlantic cover story “The Anti-Social Century,” by Derek Thompson, who makes the case that the radical decline in time we spend with other people is the hallmark of our era. But while that article deploys facts, statistics and reportage to illustrate the repercussions of this lack of connection, Roy Wood cracks wise about the grocery store cashier. He gets across the same cautionary point.

    Wood’s gift is melding small-bore observational humor into a resonant metaphor. Americans used to be known for our customer service. Now, he says, you can’t even expect an amiable reception at a gun range. “How you going to be rude to someone who showed up to practice murder?” he asks, flabbergasted.

    Wood tells us that stores once employed many more people, including greeters whose only job was to say hello to customers. “You were extra special if you were Black because they had an employee who followed you around,” he said, one of many times in this hour he deploys mock innocence to sell a punchline.

    But it’s the cashier Wood makes the most of, in part because the changing nature of the job reflects one of the dominant causes for our lack of connection, the push of technology, like self-checkout. The whole point of having a person take your money, Wood argues, is not convenience or assistance; it’s to make lonely people feel seen. The case against self-checkout is usually about the loss of jobs, but Wood focuses on the other side of the interaction: What are the implications of those vanished smiles, the absence of eye contact, the loss of small talk?

    This subject must be in the zeitgeist, because it factors in another new comedy release this week that finds the positive side of automation: that it makes it easier to steal from Whole Foods. “You ever use those self checkout things?” Ari Shaffir asks in his irreverent special “America’s Sweetheart” before adding: “Where you pay for some of your things.”

    Like Shaffir, Wood is a lopingly casual, cerebral comic. When he’s animated, his delivery evokes a bit of the stand-up style of Bill Cosby. But Wood displays more lyricism and vulnerability. With a receding hairline, he allows his insecurity about his age or career or romantic choices to become the joke. When he tells a sentimental love story, he makes you feel it, using so much specificity and emotion that you forget you are watching standup comedy. That’s when he makes his pivot. His jokes are full of surprising shifts. And you might even say this special is one, too.

    Not long ago, Wood, who worked as a correspondent on “The Daily Show” on Comedy Central, seemed like a good bet to become its next host. I thought he would get the job — so did he. Midway through his new special, he describes telling his mother that she didn’t need to worry about working anymore because Trevor Noah told him he was stepping down as host of “The Daily Show” and this meant Wood would take over.

    It was one of several jokes encouraging the audience to laugh at his naïveté. Comedy Central went with a rotating cast of hosts (before bringing back Jon Stewart on Mondays), and Wood left the show. He describes calling his mother back, a bit humbled. “You didn’t quit, did you?” he said. “Got to go to Plan B.”

    So far, that has meant hosting a CNN panel show on the news and, according to a recent interview with NPR, selling a few scripts and writing a book. There’s also this special, a warmer, more wandering effort than his previous work and one that flexes different muscles than those he displayed on “The Daily Show.”

    Nightly topical humor involving Trump requires agility and directness. That kind of state-of-the-nation comedy is more layered, mixing political stories with personal ones. He makes elusive references to romantic relationships, and by the end of the special, the thought occurred to me that the opening line about not making it had as much to do with those relationships as it did with society.

    Wood puts all of himself in this special. When he talks about how hard it is to make friends in your 40s, you get the sense that the difficulty of connecting is something he understands.

    Comedians today react to the news quicker than ever. And there’s already been work that speaks directly to what’s coming in the second Trump term. Josh Johnson released a thoughtful set on the tensions between Elon Musk and the MAGA movement that featured a sharp section about the obvious unhappiness of the richest man in the world. Yamaneika Saunders put out a riotous, visceral special that indulges extreme pessimism, strategizing about slavery’s return.

    In Wood’s stories, people today come off as exceedingly fragile, one misstep away from violence. We’re always pingponging between progress and backlash, he says, but what’s new is how isolation has changed us. His jokes about angry types who snap and write manifestoes feel timely.

    What keeps us from giving in to our violent tendencies is not politics or even purpose, but simple human gestures you could get from the cashier. Talk to one, he says, and a whole life can shift: “I got a friend at the grocery store,” he says, acting out the thought process. “I can’t be out here murdering.”



    In his latest comedy special, “Roy Wood Jr.: Imperfect Messenger,” comedian Roy Wood Jr. takes on the complexities and contradictions of our modern society with wit, charm, and unapologetic honesty. From politics to race relations to social media, Wood fearlessly tackles the hot-button issues that divide us, offering sharp insights and hilarious observations along the way.

    With his signature blend of sharp humor and keen social commentary, Wood deftly navigates the minefield of our fractured culture, shining a light on the absurdities and injustices that often go unnoticed or unexamined. Through his incisive wit and relatable storytelling, Wood challenges us to confront our own biases, assumptions, and blind spots, while also providing much-needed comic relief in the face of overwhelming uncertainty and turmoil.

    Whether he’s skewering the hypocrisy of politicians, dissecting the absurdities of everyday life, or exploring the complexities of race and identity, Wood’s sharp wit and insightful perspective make “Imperfect Messenger” a must-watch for anyone looking to laugh, think, and perhaps even learn a thing or two about the world we live in.

    In a time when the world feels more divided than ever, Roy Wood Jr. reminds us that laughter can be a powerful tool for bridging the gaps that separate us, offering a much-needed dose of levity and perspective in a world that often feels too heavy to bear. With “Imperfect Messenger,” Wood proves once again that he is not just a comedian, but a cultural commentator and truth-teller, using his platform to challenge, provoke, and entertain in equal measure.

    Tags:

    Roy Wood Jr., comedy special, cultural commentary, social commentary, stand-up comedy, satire, current events, societal issues, comedy analysis, comedy review, Roy Wood Jr. special, cultural critique, insightful comedy, political humor, racial issues, American culture, social satire.

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