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Justin Baldoni sends Blake Lively apology voicemail after working on ‘It Ends With Us’ scene
Justin Baldoni admitted he “fell short” of Blake Lively’s expectations in an alleged “rambling” voice note, which appears to have been sent after the actors worked on the rooftoop scene for their movie “It Ends With Us.”
Baldoni, 41, apologized to his co-star in a six-minute message seemingly sent after the pair met to discuss a now-infamous rooftop scene from the movie in which he claimed in legal documents that he felt pressured by Lively’s husband, Ryan Reynolds, and her friend, Taylor Swift, to use Lively’s rewritten scene for the film.
Lively filed a sexual harassment suit in December against Baldoni, his Wayfarer studio and former PR reps. The same day Lively filed her suit, Baldoni filed a $250 million suit against the New York Times for a December article about the alleged smear campaign.
Weeks later, Baldoni then named Lively and Reynolds in a separate $400 million defamation lawsuit in which he accused the Hollywood power couple of attempting to hijack “It Ends With Us” and create their own narrative.
BLAKE LIVELY ACCUSES JUSTIN BALDONI’S LAWYER OF ATTEMPTING TO ‘TORPEDO’ ACTRESS’S CAREER ‘FOR GOOD’
“There’s so much I want to say to you and I hope that we can FaceTime or see each other in person soon and get to talk more, but I’m just going to send you a few thoughts, and hopefully it’s not going to be more than a few minutes, but I don’t have the best track record – I don’t think either one of us have the best records for voice memos – I want to start with an apology,” Baldoni said in a purported voice note obtained by TMZ. “Man … reading the second part of your message, my heart sank, and I’m really sorry. I for sure fell short, and you worked really hard on that, and the way you framed it and how that made you feel, and I just wanted to say thank you for sharing that with me. That takes a lot of trust and vulnerability.”
“I just, I feel really grateful that you feel safe enough to tell me that’s how you feel and share that with me, and I’m really sorry. I f—-d up. That is a fail on my part. One thing you should know about me is I will admit and apologize when I fail. I am far from perfect. I am a very flawed man, as my wife will attest. I’m gonna f–k up. I’m going to say the wrong thing. I’m going to put my foot in my mouth. I’m going to piss you off probably, but I will always apologize and find my way back to center. That is one thing I can assure you of.”
In an attempt to show how Lively allegedly took control of the movie’s production, Baldoni’s legal team claimed in documents that the actress used her friendship with Taylor Swift to threaten him. While working on the film, Lively insisted on rewriting the rooftop scene. Baldoni had been hesitant about the idea but told the 37-year-old actress he would “take a look at what she put together,” according to the complaint.
Afterward, Lively invited Baldoni over to her New York City home, where the actor said he felt Swift and Reynolds pressured him into using the rewritten scene. “Later, Baldoni felt obliged to text Lively to say that he had liked her pages and hadn’t needed Reynolds and her megacelebrity friend to pressure him,” the complaint said.
“And I’m sorry I made you feel that way. That must have felt terrible. I will for sure do better,” he said in the voice note. “That was not my best weekend and I should have given it more time. And, damn right, you’ve got great friends if that’s how you felt, and they knew that and, f–k, we should all have friends like that, aside from the fact that they’re two of the most creative people on the planet. The three of you guys together is unbelievable – talk about energy and just a force, all three of you.”
“But I just wanted you to know that I didn’t need that because it’s really good, and it’s going to make the movie sing like you said,” Baldoni said. “I’m excited to go through the whole movie with you. I’m just excited to spend time with you. I’m excited to be in your sphere and your presence and for us to share creative juices together, although that sounds terrible. I think you and I have been trying to build a relationship, which I think we’ve done successfully. I mean, here we are talking like this, me into my phone at 2 in the morning, but largely via text and voice note, and that, I will be honest, is not my biggest strength.”
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“I love being with people and being in somebody’s space and being face to face,” he said. “And I feel like that’s where I excel and definitely fallen short at times in our text and voice-note exchanges, because there’s so much to communicate and there’s so much happening, and all that to say I’m just really looking forward to spending time together, and I think that’s really going to go a long way for our chemistry, which I believe is there, has been there from the start. That’s why I was so damn excited when you wanted to do this film. I felt it in the room when we met and, yeah, I think it does come from the both of us being so f—ing hard-working and having a vision and not settling, and I’m excited to have a creative partner in that with you, it’s just really exciting.”
Baldoni continued, “There’s so much more to say, there’s so much more I want to say. Oh, there’s one thing that I do need to say, which is, I am so sorry you have been through what you’ve been through with these other filmmakers and producers or whoever the people were that you worked with. It just pissed me off. Those f—heads. I’m just still kind of blown away that this is the industry that we’re in and that you’ve experienced that as a woman, and I know I don’t need to say it, but that’s not at all going to be or will be. Hopefully it’s not been the experience with me. There’s nothing more exciting to me that I get to work with Blake Lively, and I get to have her, all of her. I mean, that’s what I want.
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“And so, there’s been no hesitancy with me sending you the final draft file. I am totally fine with that. The only reason I didn’t send it today was because I was trying to implant and add your notes into my working draft, which is, already, I’m all over that draft right now. So, there’s a whole bunch of new stars that are going to be collated pages, and I just haven’t had a chance to send it to you. But there’s no hesitancy, I’m happy to send it to you, and I’m sorry that has happened to you before. And I hope after this experience there will be a new, I don’t know, I hope it will be healing in some way. That’s all I want.”
WATCH: JUSTIN BALDONI RELEASES UNEDITED ‘IT ENDS WITH US’ FOOTAGE FEATURING BLAKE LIVELY
“I want this movie to be healing,” Baldoni said. “I want this movie to be commercial just like you and affect people and touch people, and I want to walk you through my whole plan and the work that we’re doing with the domestic violence partner that we found, No More, and just my vision. And I just know that this can be really, really special, and it’s going to be special, and you’re the secret sauce. We’re the secret sauce.
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“And, anyways, I have so much more to say, I’m going to stop rambling because, Jesus Christ, it’s been six minutes and 30 seconds, f— me, I’m sorry. You probably have kids all over you and a baby on your boob, and you’re listening to me ramble at 2 in the morning. I hope you’re feeling better and give Ryan my love. Thank you for sending me that. It means the world to me that you trust me with your feelings and your thoughts like that, and I can’t wait to spend more time with you. OK, I’m done, cutting myself off, goodnight.”
Representatives for Baldoni and Lively did not immediately respond to Fox News Digital’s request for comment.
Judge Lewis J. Liman of the U.S. District Court for the Southern District of New York ordered a trial set for March 9, 2026. An originally scheduled pretrial conference for Feb. 12 was rescheduled for Feb. 3.
Justin Baldoni, the director of the upcoming film adaptation of Colleen Hoover’s bestselling novel ‘It Ends With Us’, recently sent co-star Blake Lively a heartfelt apology voicemail after an emotional scene they shot together.In the voicemail, Baldoni expressed his gratitude for Lively’s incredible talent and professionalism on set, but also acknowledged the toll that the intense scene had taken on both of them. He apologized for any discomfort or emotional strain that may have been caused during filming, and reassured Lively that he truly values her as a colleague and friend.
The scene in question is a pivotal moment in the story, where Lively’s character confronts her past trauma and makes a brave decision to stand up for herself. Both actors poured their hearts into the scene, resulting in a powerful and raw performance that left them both emotionally drained.
Baldoni’s gesture of sending Lively a personal apology voicemail highlights the deep respect and camaraderie that exists among the cast and crew of ‘It Ends With Us’. It’s clear that their dedication to telling this important story is matched only by their care and concern for each other’s well-being.
Fans of the book and the actors will undoubtedly be eager to see how this emotional scene translates to the big screen, and the genuine connection between Baldoni and Lively is sure to make it a standout moment in the film.
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Justin Baldoni, Blake Lively, apology voicemail, It Ends With Us, scene, acting, celebrity news, entertainment, Hollywood, emotional scene, heartfelt message, acting collaboration, on-set dynamics, behind the scenes, celebrity apology, film industry.
#Justin #Baldoni #sends #Blake #Lively #apology #voicemail #working #Ends #sceneBlake Lively and Justin Baldoni get March 2026 trial date for her ‘It Ends With Us’ lawsuit
NEW YORK (AP) — A New York judge set a March 2026 trial date on Monday and moved an initial conference from mid-February to next week as the public feud between Blake Lively and her “It Ends With Us” costar and director Justin Baldoni continued to grow and accelerate.
And in a new and separate front in the series of legal battles surrounding the film that became a surprise hit last summer, Lively in a Texas court filed a request for a deposition of a man she says was central to turning online sentiment against her during its release and promotion.
The New York federal judge, Lewis J. Liman, told both sides in an order late Monday to prepare for a March 9, 2026, trial.
He also moved an initial conference from mid-February to next week and told lawyers to be prepared to address complaints about pretrial publicity and attorney conduct.
Liman took the actions after Lively’s lawyers claimed in a filing on Monday that an attorney for Baldoni was trying to taint potential jurors over lawsuits the actors have filed against each other.
The lawyers said Baldoni’s attorney was trying to wreck Lively’s career and turn potential New York jurors against her by creating a website to release selected documents and communications between Lively and Baldoni.
The lawyers said attorney Bryan Freedman, representing Baldoni, was “engaging in this extrajudicial campaign to influence these proceedings and the public perception of legal filings to this Court, and there already is a serious risk that his misconduct is tainting the jury pool.”
They added: “The endless stream of defamatory and extrajudicial media statements must end.”
Freedman said in a statement in response to Monday’s assertions that the “irony is not lost on anyone that Ms. Lively is so petrified of the truth that she has moved to gag it.”
“We will always respect the court; however, we will never be bullied by those suggesting we cannot defend our clients with pure, unedited facts,” the lawyer said. “All we want is for people to see the actual text messages that directly contradict her allegations, video footage that clearly shows there was no sexual harassment and all the other powerful evidence that directly contradicts any false allegations.”
In a letter to the judge on Thursday, Baldoni attorney Kevin Fritz accused Lively of a publicity campaign that left Baldoni and other defendants the “objects of public scorn and contempt.”
He said the actions had damaged those she sued so that they were “exiled from polite society and suffered damages totaling hundreds of millions of dollars due to Ms. Lively’s scorched-earth media campaign.”
In the separate filing in Hays County, Texas, a precursor to another potential lawsuit, Lively asks for an order for a deposition from Jed Wallace, a crisis management specialist she alleges was behind much of the social media manipulation surrounding the film that turned public sentiment against her through posts on Reddit and TikTok.
Wallace and his Texas-based firm Street Relations were brought on as subcontractors by publicists working with Baldoni and his production company, the filing said.
“He weaponized a digital army around the country, including in New York and Los Angeles, to create, seed, manipulate, and advance disparaging content that appeared to be authentic on social media platforms and internet chat forums,” the filing alleges.
Wallace is identified in Lively’s federal lawsuit, but he is not a defendant.
Freedman, who the filing says is Wallace’s lawyer, did not respond to a request for comment on the issue.
Lively sued Baldoni, his production company and others in New York in late December for sexual harassment and attacks on her reputation and asked for unspecified damages. Baldoni sued earlier this month, accusing Lively and her husband, “Deadpool” actor Ryan Reynolds, of defamation and extortion and seeking at least $400 million in damages.
The judge said Monday that he’ll likely combine the lawsuits for trial.
“It Ends With Us,” an adaptation of Colleen Hoover’s bestselling 2016 novel that begins as a romance but takes a dark turn into domestic violence, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni.
Lively came to fame through the 2005 film “The Sisterhood of the Traveling Pants,” and bolstered her stardom on the TV series “Gossip Girl” from 2007 to 2012. She has since starred in films including “The Town” and “The Shallows.”
Baldoni starred in the TV comedy “Jane the Virgin,” directed the 2019 film “Five Feet Apart” and wrote “Man Enough,” a book pushing back against traditional notions of masculinity.
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AP Entertainment Writer Andrew Dalton reported from Los Angeles.
Actress Blake Lively and actor Justin Baldoni have been given a March 2026 trial date for the lawsuit filed against them by author Colleen Hoover over their upcoming film adaptation of her book “It Ends With Us.”Hoover alleges that Lively and Baldoni’s production company did not properly obtain the rights to adapt her book and that they have infringed on her copyright. The lawsuit has been ongoing for several years, with both parties unable to reach a settlement.
Lively and Baldoni have denied the allegations, stating that they followed all necessary legal procedures and obtained the rights to adapt the book. They are both looking forward to the trial in March 2026 to finally put the matter to rest.
Fans of the book are eagerly awaiting the outcome of the trial, hoping for a fair resolution that respects Hoover’s work while also allowing Lively and Baldoni to bring their vision of the story to the screen. Stay tuned for updates on this developing legal battle.
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Blake Lively, Justin Baldoni, March 2026 trial date, It Ends With Us lawsuit, celebrity news, legal updates, Hollywood lawsuit, entertainment industry, court proceedings, celebrity court cases
#Blake #Lively #Justin #Baldoni #March #trial #date #Ends #lawsuitAn Intimacy Coordinator’s Take on That Awkward It Ends With Us Video
Leaked behind-the-scenes footage of a seemingly innocuous slow-dance scene from the set of It Ends With Us is quickly becoming the Zapruder tape for followers of the feud between the movie’s star, Blake Lively, and her director and co-star, Justin Baldoni.
Baldoni’s legal team, who provided the video to The Daily Mail, say it disproves several key allegations Lively made against Baldoni in a lawsuit she filed in New York in December accusing Baldoni of sexual harassment and of orchestrating a smear campaign. Baldoni filed his own complaint last week against Lively and husband Ryan Reynolds, seeking at least $400 million in damages for waging their own alleged smear campaign, amid other actions.
The nearly 10-minute video shot in May of 2023 shows three takes of a scene from It Ends With Us, which is based on a 2016 Colleen Hoover novel, when Lively and Baldoni’s characters, Lily and Ryle, are beginning their romance. A script excerpt that flashes on screen at the start of the video reads, “EXT BAR – NIGHT. Lily and Ryle slow dance in the bar. Patrons around them drinking and watching sports. Completely in their own world.”
The Hollywood Reporter asked Mia Schachter, an intimacy coordinator who has worked on Apple TV+’s Lessons in Chemistry and FX’s American Crime Story, to watch the footage and share their thoughts.
What stands out to you as an intimacy coordinator when you watch this scene?
The first thing is that he is trying to kiss her, and they clearly haven’t discussed that ahead of time, and she keeps pulling away and clearly doesn’t want to do that.
Normally if you were going to shoot a scene where characters are kissing, would you discuss that beforehand?
An intimacy coordinator would. But there’s two main reasons why people bring on an intimacy coordinator: either simulated sex or nudity. Anything else that could be considered intimate, we’re not always present or required. In a scene like this, it’s really common that you wouldn’t bring on an intimacy coordinator because there’s no simulated sex or nudity, and there’s not even kissing written into the scene. We saw that from that script excerpt. I know that there were two intimacy coordinators credited on this film, but it doesn’t surprise me at all that they wouldn’t have had an intimacy coordinator present for this scene. An intimacy coordinator would have been very clear: “We’re not doing any kissing. This is the kind of touch that is on the table. Nothing else is, we’re not going to bring anything into the scene that we haven’t discussed prior.”
What do you think the power dynamic is between Blake Lively and Justin Baldoni in this scene?
Even though she’s Blake Lively and can say no and isn’t going to be fired for speaking her mind the way that somebody else might fear, she still has to keep working with him and keep the peace and play nice. I can just see her trying to stay lighthearted and in good spirits about it and not upset him or anybody, and not waste anybody’s time. But of course, she is trapped between a rock and a hard place. I can see her appeasing him and trying to keep a smile on her face.
In terms of the hierarchy on a set, he is in charge. But it can be very murky. Obviously, she’s the star, the household name on the project. I didn’t know who he was until this movie, but I have known who she is for many years, and so she’s not powerless. I would say she has a significant amount of power here. But regardless, he is the director and she’s supposed to take direction from him. I was sort of surprised that this is the clip that his team leaked.
Baldoni’s team sees this clip as vindicating of him.
Right. And I see the opposite. When someone has [Lively’s] level of fame and recognition, they do have a certain amount of power, but there’s always the actor-director relationship, and the director’s in charge.
If you were an intimacy coordinator during this scene, how would you handle this?
In prep, we would have discussed what we wanted it to look like. I would have spoken to him about, “As a director, what are you hoping to see?” And hopefully he would have said, “I would love to see them kiss. I would love to see my character kiss her neck and brush her hair out of her face” and things like that. And then I would have a conversation with her about her comfort and what she was OK with doing. For an actor, if they know the plan ahead of time and they’re not caught off guard, they’re often open to trying things. The problem here was that none of this was planned or discussed.
A scene like this looks so harmless on the page. What could go wrong?
I wouldn’t even have flagged it to discuss with a director based on what that excerpt says of the scene description. They’re just slow dancing. There’s not any mention of any kind of physical intimacy.
I guess that’s why she’s so taken by surprise. This is really improv. Some of what is contested is what they’re saying to each other as well. This is not scripted dialogue that they’re having. This is a conversation between two people out of character, which is not intended for the audience to hear. Would you intervene on something like that?
If I were hearing what’s in this clip, none of it stands out to me as something where I would need to intervene. I even thought it was kind of sweet that they were talking about their own real-life partners. It was kind of awkward, but it was not inappropriate. And it was sort of reminding each other, we have lives outside of this.
But if I heard someone saying the things that I read that he had said [in Lively’s lawsuit], jokes about dick size and things like that, I would have to intervene. But that even puts an intimacy coordinator in a really difficult position because he is also the director. Then it’s like, who do you go to? If you’re afraid that he has an ego that would lead him to have any kind of reaction that could stall shooting, then you become the villain. I would be afraid to be fired, quite honestly.
They have this exchange where he apologizes for his beard, and then she apologizes for her spray tan, and then he says that it actually smells good. According to her lawsuit, him saying that she smelled good bothered her. Do you have any reaction to that?
This clip really shows how complex it is, because obviously to say that in character makes sense. To say that out of character, it’s not inherently wrong or inappropriate, but when there has been mounting discomfort and mounting line crossings, I can see how that becomes yet another thing that was out of line.
Talk to me more about the distinction between being in character and out of character. We hear about actors staying in character for a whole shoot, even when they’re at craft services. Here, they’re talking as Blake and Justin, not as the characters they’re playing. But they’re also being shot by a camera for a scene where they’re supposed to be two people falling in love. What do you make of the idea of perhaps he’s bringing an element of this character that he’s supposed to be playing?
The headline of the [Daily Mail] story with that video is “Who’s Lying?” I don’t think either one of them is lying. I think they’re both talking from their own experience. They are really strongly disagreeing about things like professionalism, etiquette, what’s appropriate, what’s not, what it means to be an actor. There are actors still who are like, “This should all be organic.” And “Oh, I’m sorry I pushed you. I was in the moment.” Most, if not all, intimacy coordinators and stunt coordinators would say, “You just don’t do that. You don’t kiss someone if you haven’t talked about it ahead of time.” In Hollywood, in the not too recent past, that was not out of the ordinary. That doesn’t mean that it was OK, but we were operating with a different set of standards.
In terms of the smell comment, to me, it’s less about that particular comment and whether or not it was a straw that broke the camel’s back type of situation. It’s like she’s got a running list of moments where she felt uncomfortable and pushed, and that things that were inappropriate were happening. That line to me is something that you may not even notice if you feel comfortable and safe.
Is there anything else you want to say about this video?
In a scene like that, without an intimacy coordinator, I think it was his responsibility to ask Blake, “Hey, what do you think about kissing in this scene?” if that’s what he wanted to see. But he didn’t ask her or even mention that it was something he wanted to shoot — he just went for it. She pulled away, and then he did it again. He definitely should have communicated that that was what he wanted to shoot, but he didn’t. To me, that’s pretty damning, both as an actor and a director.
Intimacy coordinators play a crucial role in ensuring that intimate scenes in film and television are respectful, safe, and authentic. So when a recent video titled “It Ends With Us” went viral for its awkward portrayal of intimacy, it’s no surprise that many in the industry were left shaking their heads.As an intimacy coordinator myself, I can’t help but cringe at the lack of communication and professionalism displayed in the video. Intimate scenes are not meant to be taken lightly or glossed over – they require careful planning, clear boundaries, and ongoing consent from all parties involved.
It’s important to remember that intimacy coordinators are there to advocate for the actors, to ensure that their boundaries are respected, and to create a safe and comfortable environment for everyone on set. This video serves as a reminder of why our role is so vital in the industry.
So next time you see a cringeworthy portrayal of intimacy on screen, remember that there are professionals working behind the scenes to make sure it’s done right. And if you’re ever in a position where you feel uncomfortable or unsure during an intimate scene, don’t be afraid to speak up – your safety and well-being should always come first.
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- Awkward Video
- It Ends With Us
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- Consent in Film
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#Intimacy #Coordinators #Awkward #Ends #Video
Justin Baldoni’s 2am Voice Note To Blake Lively Leaked, Sheds Light On ‘It Ends With Us’ Legal Battle
The “It Ends With Us” drama continues to unfold with one of its most explosive revelations yet: Blake Lively allegedly comparing herself to “Game of Thrones” character Khaleesi and referring to husband Ryan Reynolds and best friend Taylor Swift as her “dragons” in a dispute with co-star and director Justin Baldoni.
At the center of the controversy is a rooftop scene in the romantic drama “It Ends With Us,” which Blake Lively revised to align with her creative vision.
Justin Baldoni’s Voice Note To Blake Lively Unveils Shocking New Details In ‘It Ends With Us’ Saga
While the changes were praised by Reynolds and Swift, Baldoni’s initial lukewarm response reportedly led to tension between the two.
Exclusive text messages included in Baldoni’s $400 million lawsuit against Lively, obtained by Daily Mail, reveal her disappointment in his reaction. Baldoni later admitted he “felt obliged” to send her a text message expressing support, adding, “I would have felt that without Ryan and Taylor.”
Lively responded with a lengthy text, stating, “They [Reynolds and Swift] also know I’m not always good at making sure I’m seen and utilized for fear of threatening egos, or fear of affecting the ease of the process. They don’t give a sh-t about that. And because of that, everyone listens to them with immense respect and enthusiasm. So I guess I have to stop worrying about people liking me.”
Leaked Voice Note From Justin Baldoni To Blake Lively
In response, Baldoni sent a six-and-a-half-minute voicemail, now published for the first time, apologizing to Lively and addressing her “dragon” remark directly.
“Damn right, you got great friends,” Baldoni said in the voicemail. “If that’s how you felt and they knew that. F-ck. We should all have friends like that, aside from the fact they’re two of the most creative people on the planet… The three of you guys together is unbelievable. Talk about energy. Force. All three of you.”
Baldoni continued to praise Lively’s work ethic and creativity, emphasizing that he didn’t need Reynolds and Swift’s input to recognize the value of her changes. “I just wanted you to know, I didn’t need that. It’s really good and it’s going to make the movie sing like you said and I’m excited to go through the whole movie with you,” he said.
Justin Baldoni Speaks On His Relationship With Blake Lively
The voicemail also highlighted Baldoni’s belief in their shared vision and his excitement about their creative partnership.
“You and I have been trying to build a relationship which I think we’ve done successfully. Here we are talking together at 2am in the morning,” he said. “But largely via text and voicemail and I will admit, that’s not my biggest strength. I love being with people and being in somebody’s space and being face-to-face and I think that’s where I excel.”
Baldoni went on to say:
“But I’ve definitely fallen short at times in our texts and voicemail exchanges because there’s so much to communicate and so much happening. All I have to say is I’m really looking forward to spending time together and I believe that’s going to go a long way for our chemistry, which I believe is there. It’s been there from the start so I was so damn excited when you agreed to do this film. I believe it comes from us both being so hard working and having a vision. I’m excited to have a creative partner in that with you.”
The release of the audio comes as tensions continue to escalate between Lively, Reynolds, and Baldoni. Baldoni’s legal team is reportedly preparing subpoenas for both Lively and Reynolds as part of the ongoing legal dispute.
More On The ‘It Ends With Us’ Legal Drama
In a case riddled with allegations and counterclaims, one of the most shocking claims comes from Blake Lively, who accused co-star and director Justin Baldoni of sexual harassment on the set of “It Ends With Us.”
Lively’s civil rights complaint alleged that Baldoni acted inappropriately during the filming of a romantic dance scene, dragging his lips down her neck and whispering, “It smells so good.” According to Lively, no one overheard the remark as the microphones were switched off for the silent scene.
However, newly surfaced, unedited footage appears to challenge Lively’s claims.
Unedited Footage Surfaces
The footage depicts a candid and professional dynamic between Lively and Baldoni, with lighthearted banter and collaborative discussions. Around the seven-minute mark, Baldoni can be heard asking, “Am I getting beard on you?” to which Lively laughs and replies, “I’m probably getting spray tan on you.”
Baldoni responds, “It smells good,” eliciting more laughter from Lively, who explains that the scent is from her body makeup. The tone remains lighthearted throughout, suggesting a stark contrast to Lively’s allegations.
The “It Ends With Us” saga has captivated Hollywood, with fans and industry insiders closely following every twist and turn. While the new audio sheds light on the dynamic between Lively and Baldoni, the fallout from the lawsuit is far from over, leaving many wondering how this high-profile feud will ultimately play out.
Recently, a shocking revelation has come to light as a 2am voice note from Justin Baldoni to Blake Lively has been leaked. In the voice note, Baldoni discusses the legal battle surrounding the adaptation of Colleen Hoover’s novel “It Ends With Us” and sheds light on the behind-the-scenes turmoil.The voice note captures Baldoni’s frustration and disappointment with the legal battles that have been hindering the production of the film. He expresses his admiration for the story and the impact it has had on readers, and emphasizes the importance of bringing it to the screen in a faithful and powerful way.
The leak of this voice note has sparked controversy and speculation about the future of the film adaptation of “It Ends With Us”. Fans of the novel and supporters of Baldoni and Lively are eagerly awaiting further updates on the situation.
Stay tuned for more developments on this story as it unfolds.
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Justin Baldoni, Blake Lively, It Ends With Us, Voice Note, Leaked, Legal Battle, Justin Baldoni Voice Note, Blake Lively Legal Battle, Celebrity News, Entertainment News
#Justin #Baldonis #2am #Voice #Note #Blake #Lively #Leaked #Sheds #Light #Ends #Legal #BattleAkron SWAT standoff ends after 4 hours; man arrested for brutal beating of woman
AKRON, Ohio — Akron police said one man caused a lot of chaos in the Highland Square neighborhood for several hours on Monday.
Investigators believe Thomas Blanton, 37, brutally attacked a woman before barricading himself inside a building for more than four hours.
The ordeal forced a couple from their apartment and led to the closure of Portage Path Elementary School for the day.
According to Captain Michael Miller, Blanton attacked a woman he knows around 2:40 a.m. outside of a Highland Square business on West Market Street.
The woman went to an Akron hospital, and staff reported her injuries to police, Miller said.
“The suspect punched her multiple times in the face. We’re told she sustained multiple serious facial injuries,” Miller said.
After the assault, Blanton entered a former barber shop on the first floor of a building on Highland Avenue, according to investigators.
Kendra Strickland, who lives on the second floor directly above the old barber shop, first heard police around 4 a.m. yelling on a megaphone that the place was surrounded and for someone named “Thomas” to come outside.
About an hour later, a SWAT team urged Strickland and her boyfriend to leave their apartment.
“The came at 5 a.m. and told us to probably leave the building because there’s going to be tear gas to try to get the suspect out,” Strickland said.
The couple went outside and got into a police cruiser while they listened to the drama continue to unfold.
“They had said, ‘OK, we’re releasing the tear gas. OK, he’s down by the back door. We’re gonna see if we can get a shot,’” Strickland recalled.
After trying to negotiate with the suspect for several hours, police tossed tear gas into the building and knocked down a front door.
Blanton tried to get out the back door before returning to the front door and running into the long ramming device on the police department’s “community rescue vehicle,” which had breached the door, Miller explained.
Miller said officers wrestled a gun away from Blanton and arrested him more than four hours after the standoff started.
“It was a very, very volatile situation in that he came out with a firearm— very easily could be a different conversation we’re having,” Miller said
Blanton was taken to a hospital for injuries. According to Miller, he’s facing multiple charges, including felony strangulation, domestic violence and felonious assault.
The victim suffered serious but non-life-threatening injuries, police said.
For Strickland, the frustration continued hours after the incident was under control because she was unable to stay in her apartment.
“We can only run in briefly and then come back out because the tear gas is making us cry and cough,” she said.
Police said Blanton was involved in a similar standoff with Akron police that started on New Year’s Eve in 2015.
In that case, police tried to serve warrants for kidnapping, domestic violence and assault when Blanton barricaded himself inside a Seward Avenue apartment.
Nearly seven hours later— on New Year’s Day— he surrendered peacefully with the help of his family, police said.
According to court records, he was sentenced to five years in prison in 2016.
Following the Monday standoff in Highland Square, Strickland said she’s grateful things didn’t end even worse.
“They kept us safe, and so we thank them, but it’s still not a great way to start off the week,” Strickland said.
In a recent incident in Akron, a SWAT standoff came to an end after four hours, resulting in the arrest of a man accused of brutally beating a woman. The standoff began when police responded to a domestic violence call at a residence in the area. The suspect barricaded himself inside the home, leading to a tense standoff with law enforcement.After several hours of negotiations, the SWAT team was able to peacefully resolve the situation and take the suspect into custody. The victim, who had suffered serious injuries in the assault, was taken to the hospital for treatment.
This incident serves as a reminder of the dangers of domestic violence and the importance of taking swift action to protect victims and hold perpetrators accountable. The Akron Police Department is continuing to investigate the case and provide support to the victim.
If you or someone you know is experiencing domestic violence, please seek help immediately. You can contact the National Domestic Violence Hotline at 1-800-799-SAFE (7233) for assistance and resources. Let’s work together to end the cycle of violence and ensure the safety and well-being of all individuals.
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Half of millennials depend on tax refund to make ends meet: Survey
Tax refunds have become a financial lifeline for many Americans, and according to a new report, half of millennials depend on their refunds to make ends meet.
A recent Credit Karma survey found that 37 percent of taxpayers rely on their refund to get by, rising to 50 percent among millennials. Nearly half of those respondents who count on their refund said it’s because of the rising cost of living and necessities.
For many, tax season can’t come soon enough. A third of those surveyed said they would pay a fee, or plan to pay a fee, to access their tax refund early. And nearly half, 47 percent, plan to use their refund to pay down debt, which rises to 59 percent for millennials, per the survey.
The 2025 tax filing season kicks off Monday, Jan. 27, and the federal deadline is Tuesday, April 15.
According to the latest IRS data, the average federal tax refund in 2024 was $3,138.
While receiving a big refund check can feel good, it also means you overpaid during the year, essentially giving the government an interest-free loan.
If you’re consistently getting a sizeable refund, it’s worth looking at how much money is being withheld from your paycheck. You can adjust your withholding by completing a new W-4 form with your employer.
The IRS has a federal tax withholding calculator to help you figure out how much should be withheld from your paycheck.
Last year, the government issued nearly 105 million refunds totaling roughly $330 billion.
Tax season has others feeling stressed
Others are less excited about tax season and willing to go to extreme lengths to avoid filing.
Nearly a fifth of millennials, 18 percent, said they would rather drive 20 hours straight, according to the Credit Karma survey. Almost as many, 15 percent, said they would take a vow of celibacy for one year to avoid filing their taxes.
“Whether you’re expecting a refund this year or you think you might owe money, my number one tip is to make a plan and leverage the plethora of online resources and tools that can help you do things like estimate how much you might owe or receive, as well as ways to access your refund early, at no cost,” Courtney Alev, consumer financial advocate at Credit Karma, said in a statement.
This Credit Karma survey was conducted online by Qualtrics from Dec. 20, 2024, to Jan. 4, 2025, and included 1,000 adults who plan to file their taxes this tax season.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
For the latest news, weather, sports, and streaming video, head to The Hill.
According to a recent survey, half of millennials rely on their tax refunds to make ends meet. This highlights the financial struggles that many young adults are facing in today’s economy.The survey found that 50% of millennials use their tax refund to cover essential expenses such as rent, groceries, and bills. This reliance on tax refunds underscores the challenges that this generation is facing when it comes to saving and budgeting.
Many millennials are struggling to make ends meet due to factors such as student loan debt, rising housing costs, and stagnant wages. The need to rely on a lump sum of money from their tax refund to cover basic expenses is a clear indication of the financial strain that many young adults are under.
As tax season approaches, it is important for millennials to plan ahead and budget wisely to ensure that they are not solely dependent on their tax refund to make ends meet. Finding ways to increase income, reduce expenses, and save money throughout the year can help alleviate some of the financial stress that comes with relying on a tax refund for financial stability.
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#millennials #depend #tax #refund #ends #meet #Survey2PCS Adjustable Car Battery Terminal Connectors,Galvanized Negative/Positive Battery Terminal with Insulating Pad,Universal Automotive Replacement Battery Terminals & Ends
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Leaked behind-the-scenes footage of a seemingly innocuous slow-dance scene from the set of It Ends With Us is quickly becoming the Zapruder tape for followers of the feud between the movie’s star, Blake Lively, and her director and co-star, Justin Baldoni.
Baldoni’s legal team, who provided the video to The Daily Mail, say it disproves several key allegations Lively made against Baldoni in a lawsuit she filed in New York in December accusing Baldoni of sexual harassment and of orchestrating a smear campaign. Baldoni filed his own complaint last week against Lively and husband Ryan Reynolds, seeking at least $400 million in damages for waging their own alleged smear campaign, amid other actions.
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The nearly 10-minute video shot in May of 2023 shows three takes of a scene from It Ends With Us, which is based on a 2016 Colleen Hoover novel, when Lively and Baldoni’s characters, Lily and Ryle, are beginning their romance. A script excerpt that flashes on screen at the start of the video reads, “EXT BAR – NIGHT. Lily and Ryle slow dance in the bar. Patrons around them drinking and watching sports. Completely in their own world.”
The Hollywood Reporter asked Mia Schachter, an intimacy coordinator who has worked on Apple TV+’s Lessons in Chemistry and FX’s American Crime Story, to watch the footage and share their thoughts.
What stands out to you as an intimacy coordinator when you watch this scene?
The first thing is that he is trying to kiss her, and they clearly haven’t discussed that ahead of time, and she keeps pulling away and clearly doesn’t want to do that.
Normally if you were going to shoot a scene where characters are kissing, would you discuss that beforehand?
An intimacy coordinator would. But there’s two main reasons why people bring on an intimacy coordinator: either simulated sex or nudity. Anything else that could be considered intimate, we’re not always present or required. In a scene like this, it’s really common that you wouldn’t bring on an intimacy coordinator because there’s no simulated sex or nudity, and there’s not even kissing written into the scene. We saw that from that script excerpt. I know that there were two intimacy coordinators credited on this film, but it doesn’t surprise me at all that they wouldn’t have had an intimacy coordinator present for this scene. An intimacy coordinator would have been very clear: “We’re not doing any kissing. This is the kind of touch that is on the table. Nothing else is, we’re not going to bring anything into the scene that we haven’t discussed prior.”
What do you think the power dynamic is between Blake Lively and Justin Baldoni in this scene?
Even though she’s Blake Lively and can say no and isn’t going to be fired for speaking her mind the way that somebody else might fear, she still has to keep working with him and keep the peace and play nice. I can just see her trying to stay lighthearted and in good spirits about it and not upset him or anybody, and not waste anybody’s time. But of course, she is trapped between a rock and a hard place. I can see her appeasing him and trying to keep a smile on her face.
In terms of the hierarchy on a set, he is in charge. But it can be very murky. Obviously, she’s the star, the household name on the project. I didn’t know who he was until this movie, but I have known who she is for many years, and so she’s not powerless. I would say she has a significant amount of power here. But regardless, he is the director and she’s supposed to take direction from him. I was sort of surprised that this is the clip that his team leaked.
Baldoni’s team sees this clip as vindicating of him.
Right. And I see the opposite. When someone has [Lively’s] level of fame and recognition, they do have a certain amount of power, but there’s always the actor-director relationship, and the director’s in charge.
If you were an intimacy coordinator during this scene, how would you handle this?
In prep, we would have discussed what we wanted it to look like. I would have spoken to him about, “As a director, what are you hoping to see?” And hopefully he would have said, “I would love to see them kiss. I would love to see my character kiss her neck and brush her hair out of her face” and things like that. And then I would have a conversation with her about her comfort and what she was OK with doing. For an actor, if they know the plan ahead of time and they’re not caught off guard, they’re often open to trying things. The problem here was that none of this was planned or discussed.
A scene like this looks so harmless on the page. What could go wrong?
I wouldn’t even have flagged it to discuss with a director based on what that excerpt says of the scene description. They’re just slow dancing. There’s not any mention of any kind of physical intimacy.
I guess that’s why she’s so taken by surprise. This is really improv. Some of what is contested is what they’re saying to each other as well. This is not scripted dialogue that they’re having. This is a conversation between two people out of character, which is not intended for the audience to hear. Would you intervene on something like that?
If I were hearing what’s in this clip, none of it stands out to me as something where I would need to intervene. I even thought it was kind of sweet that they were talking about their own real-life partners. It was kind of awkward, but it was not inappropriate. And it was sort of reminding each other, we have lives outside of this.
But if I heard someone saying the things that I read that he had said [in Lively’s lawsuit], jokes about dick size and things like that, I would have to intervene. But that even puts an intimacy coordinator in a really difficult position because he is also the director. Then it’s like, who do you go to? If you’re afraid that he has an ego that would lead him to have any kind of reaction that could stall shooting, then you become the villain. I would be afraid to be fired, quite honestly.
They have this exchange where he apologizes for his beard, and then she apologizes for her spray tan, and then he says that it actually smells good. According to her lawsuit, him saying that she smelled good bothered her. Do you have any reaction to that?
This clip really shows how complex it is, because obviously to say that in character makes sense. To say that out of character, it’s not inherently wrong or inappropriate, but when there has been mounting discomfort and mounting line crossings, I can see how that becomes yet another thing that was out of line.
Talk to me more about the distinction between being in character and out of character. We hear about actors staying in character for a whole shoot, even when they’re at craft services. Here, they’re talking as Blake and Justin, not as the characters they’re playing. But they’re also being shot by a camera for a scene where they’re supposed to be two people falling in love. What do you make of the idea of perhaps he’s bringing an element of this character that he’s supposed to be playing?
The headline of the [Daily Mail] story with that video is “Who’s Lying?” I don’t think either one of them is lying. I think they’re both talking from their own experience. They are really strongly disagreeing about things like professionalism, etiquette, what’s appropriate, what’s not, what it means to be an actor. There are actors still who are like, “This should all be organic.” And “Oh, I’m sorry I pushed you. I was in the moment.” Most, if not all, intimacy coordinators and stunt coordinators would say, “You just don’t do that. You don’t kiss someone if you haven’t talked about it ahead of time.” In Hollywood, in the not too recent past, that was not out of the ordinary. That doesn’t mean that it was OK, but we were operating with a different set of standards.
In terms of the smell comment, to me, it’s less about that particular comment and whether or not it was a straw that broke the camel’s back type of situation. It’s like she’s got a running list of moments where she felt uncomfortable and pushed, and that things that were inappropriate were happening. That line to me is something that you may not even notice if you feel comfortable and safe.
Is there anything else you want to say about this video?
In a scene like that, without an intimacy coordinator, I think it was his responsibility to ask Blake, “Hey, what do you think about kissing in this scene?” if that’s what he wanted to see. But he didn’t ask her or even mention that it was something he wanted to shoot — he just went for it. She pulled away, and then he did it again. He definitely should have communicated that that was what he wanted to shoot, but he didn’t. To me, that’s pretty damning, both as an actor and a director.
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In a recent viral video, the cast of the upcoming film adaptation of Colleen Hoover’s novel “It Ends With Us” faced criticism for their awkward attempts at portraying intimacy on screen. As an intimacy coordinator, I wanted to share my perspective on the importance of proper communication, consent, and professionalism when it comes to filming intimate scenes.Intimacy coordinators are trained professionals who work with actors, directors, and crew members to ensure that intimate scenes are filmed safely and respectfully. Our role is to create a comfortable and supportive environment for all involved, and to help choreograph and guide the actors through intimate scenes in a way that is authentic and true to the story.
In the case of the “It Ends With Us” video, it is clear that there was a lack of communication and preparation on set. Intimate scenes can be awkward and uncomfortable for actors, but it is the responsibility of the intimacy coordinator to help them navigate these moments with sensitivity and professionalism. This includes discussing boundaries, establishing consent, and providing support throughout the filming process.
It is essential that actors feel empowered to speak up if they are ever uncomfortable or unsure about a scene. As an intimacy coordinator, I always strive to create a safe and welcoming space for actors to express their needs and concerns. This ensures that the final product is not only authentic and believable, but also respectful of the actors’ boundaries and well-being.
In conclusion, the “It Ends With Us” video serves as a reminder of the importance of proper communication, consent, and professionalism when it comes to filming intimate scenes. As an intimacy coordinator, I am dedicated to helping create a positive and supportive environment for actors to explore these moments on screen, and I hope that future productions will prioritize the well-being and comfort of their cast members.
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#Intimacy #Coordinators #Awkward #Ends #VideoAustin, the first Black defense secretary, ends his term marred by Afghanistan but buoyed by Ukraine
WASHINGTON (AP) — Defense Secretary Lloyd Austin bid farewell Friday to the forces and personnel he has led through a tumultuous term that had three major military crises, a global pandemic and a personal brush with cancer that became a flashpoint for the way it was mishandled.
In a ceremony tinged with emotion, Austin heralded his troops as the “most lethal fighting force on Earth” and told the packed crowd at Joint Base Myer-Henderson Hall that, “for the past four years, we’ve stood up to our rivals. We’ve weakened our foes, strengthened our friends, invested in our future and done right by our people.”
In a subtle note to his successor, he said the job as Pentagon chief “demands calm, judgment and humility. It tests you, it tempers you.” But he also offered a warning against any plans by the next administration to try to fire so-called “woke” generals who back diversity programs, or remove women from combat jobs and transgender troops from service.
“We don’t lower our standards for our recruits. We take good people and make them even better. And those who want to join us must raise their game,” said Austin. “But any military that turns away qualified patriots who are eager to serve is just making itself smaller and weaker.”
Austin, 71, spent 41 years of his life in a military uniform. He retired as a highly decorated four-star general who earned a Silver Star — an award given for gallantry in action — for leading troops from the front in the initial 2003 invasion of Iraq.
He is one of the many Pentagon leaders who have served in combat and has “dust on his boots” — something President-elect Donald Trump’s choice for defense secretary, Pete Hegseth, has falsely claimed is his distinction and why he is needed to restore a military hollowed out by “woke” diversity initiatives.
“There have been a lot of narratives out there about how capable, how weak our military is,” Austin said in an interview with The Associated Press. “You’ve just got to look at the things we have done, that we continue to do, at a moment’s notice.”
Austin retired from the Army in 2016 only to be asked to return to the Pentagon by President Joe Biden in 2021, making history as the nation’s first Black defense secretary.
He took the helm of the Pentagon at the height of COVID-19 and just weeks after the Jan. 6, 2021, attack on the Capitol by a mob of Trump’s supporters. His early months saw the department working through a divisive COVID-19 vaccine mandate for the force and a deep dive to determine whether there was a wider extremism problem in the ranks. More than 230 people with a military background were arrested in connection with the deadly Jan. 6 insurrection.
Austin repeatedly said he believed extremism was not a problem. Indeed, service members and veterans who radicalize make up a tiny fraction of a percentage point of the millions who have honorably served, though an Associated Press investigation last year found it was on the rise.
But it would be the shocking collapse of the Afghan government to the Taliban that would forever mar Austin’s tenure. The U.S. withdrawal had been previously negotiated by Trump, and, because of that, there were only 2,500 U.S. forces in Afghanistan when Biden took office.
To this day, there’s a deep sense of betrayal among some veterans over the loss of Afghanistan, which became a key part of Trump’s return to office.
Biden’s decision to move forward with the withdrawal led to a chaotic two weeks in August 2021, when the Air Force evacuated more than 124,000 people from Afghanistan in just 17 days.
Air Force C-17s and chartered aircraft landed at Kabul airport in a non-stop operation, but then 13 U.S. service members and 170 Afghans were killed by a suicide bomber just days before the last U.S. service member left.
All the hard-won gains by women and for democracy began being dismantled by the Taliban.
“There was a lot of speculation on what would happen if we left Afghanistan. The world was going to come to an end. We were going to get attacked every day, and that just hasn’t happened,” Austin said. “Some horrible things have happened in terms of women’s rights. We’ll just have to continue to work on those things.”
The Biden administration was still reeling from the withdrawal when it began warning that Russian President Vladimir Putin was assembling hundreds of thousands of troops along Ukraine’s border and was preparing to invade. In response to the invasion, Austin created the Ukraine Defense Contact Group, a coalition of more than 50 partner nations that have sent more than $126 billion in weapons and training to Kyiv in the three years since.
Then Hamas launched its Oct. 7, 2023, attacks on Israel.
Austin directed two aircraft carriers to sail immediately to the region, and in the year since, the widened conflict has spilled into the Red Sea, disrupting trade and engaging the U.S. Navy in the most intense running sea battle since World War II.
The Navy has engaged not only drones but also anti-ship ballistic missiles fired by Iranian-backed Houthi rebels in Yemen and ballistic missiles fired at Israel directly by Iran.
Austin touted U.S. accomplishments surrounding those challenges in his final remarks on Friday.
“We’ve rallied the free world to help Ukraine fight for its freedom against Putin’s imperial aggression. We’ve led a NATO alliance that is stronger, larger and more united than ever,” he said. “We’ve prevented an all out war in the Middle East, seen Iran’s proxies gutted across the region and worked tirelessly to save Palestinian civilians in Gaza.”
On one of Austin’s final days in office, the Defense Department’s inspector general released a report on his mishandling of his prostate cancer diagnosis in late 2023, when he failed to inform the White House of being hospitalized and incapacitated following complications with his treatment.
Austin is known as a deeply private man, and that desire for privacy came to a head in his diagnosis and hospitalization.
“I don’t want my health to be a media circus,” Austin texted his chief of staff while hospitalized. It became just that, and after revelations that he had not notified Congress for days that he was incapacitated, new processes were instituted to prevent the lack of notification from happening again.
Austin, the first Black defense secretary, has come to the end of his term with a mixed legacy. The debacle in Afghanistan will undoubtedly overshadow much of his time in office, but the recent conflict in Ukraine may offer a glimmer of hope for his legacy.Despite the chaos and tragedy in Afghanistan, Austin worked tirelessly to evacuate thousands of Americans and Afghan allies from the country. The images of desperate people clinging to planes as they took off from Kabul will forever be etched in our memories, but Austin’s leadership in navigating this crisis cannot be overlooked.
On the other hand, the situation in Ukraine has shown a different side of Austin’s leadership. As tensions with Russia continue to escalate, Austin has been a strong advocate for supporting Ukraine and deterring further aggression from Moscow. His tough stance on Russia has been praised by many, and may ultimately be seen as a highlight of his time as defense secretary.
As the first Black person to hold this position, Austin faced unique challenges and obstacles during his tenure. Despite the difficulties, he has proven to be a capable and dedicated leader, working tirelessly to protect the interests of the United States and its allies.
As Austin prepares to step down, he leaves behind a complex legacy that will be debated and analyzed for years to come. While Afghanistan will undoubtedly cast a long shadow over his term, his efforts in Ukraine may ultimately be seen as a bright spot in an otherwise tumultuous time. Whatever the final verdict may be, Austin will forever be remembered as a trailblazer and a dedicated public servant.
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