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Tag: Familiar
Fun but Overly Familiar Rom-Com Horror
Ever since the genre was created, the “meet cute” has been a staple of romantic comedies. So it makes sense that in the new “romantic comedy horror film” from director Josh Ruben (Werewolves Within), couples should die cute. Well, not cute exactly, unless you think of spears going through eyeballs or heads being crushed into bloody pulp as cute. Of course, for the target audience of Heart Eyes, that’s exactly what they are. They relish the gruesome deaths, the more graphic the better, the way audiences used to relish spectacular production numbers in musicals.
If movie musicals had their heyday in the 1930s and ‘40s, the equivalent for slasher movies was the 1980s. Like the Scream franchise, which it closely resembles, Heart Eyes both pays homage to and parodies its inspirations, which, considering that it’s set on Valentine’s Day, must include My Bloody Valentine (the 1981 original, of course, not the remake).
Heart Eyes
The Bottom Line
Fun enough but familiar to a fault.
Release date: Friday, Feb. 7
Cast: Olivia Holt, Mason Gooding, Gigi Zumbado, Michaela Watkins, Devon Sawa, Jordana Brewster
Director: Josh Ruben
Screenwriters: Phillip Murphy, Christopher Landon, Michael Kennedy
Rated R,
1 hour 37 minutesThe story revolves around an annual murder spree conducted on the holiday in different cities by a killer wearing a mask featuring, you guessed it, heart-shaped eyes. Not only do they send the right anti-social message, they also have a utilitarian value, capable of night vision while glowing red in the dark. The “Heart Eyes Killer,” or “HEK” as the media has dubbed him, only attacks romantic couples, suggesting that things have gone badly for him in the dating department. So pretty much everyone should be considered a suspect.
The central characters in the film, Ally (an appealing Olivia Holt) and Jay (Mason Gooding), aren’t a romantic couple. At least yet. They’re thrown together when forced by their tyrannical boss (Michaela Watkins, doing a send-up of Meryl Streep’s Miranda Priestly in The Devil Wears Prada) to collaborate on an ad campaign. After dinner, Ally makes the mistake of passionately kissing Jay after she spots her ex with his new girlfriend. It makes them Heart Eyes’ new target.
The killer proves pretty resourceful, even managing to show up inside Ally’s closet just a few minutes later. In the ensuing battle that spills outside, Ally flees, and when the police arrive, Jay is arrested as a suspect. The detectives investigating the murders, played by Devon Sawa and Jordana Brewster, are named Hobbs and Shaw, which is an example of the general level of wit in the screenplay penned by Phillip Murphy, Christopher Landon and Michael Kennedy, whose collective credits include such horror films as Freaky, It’s a Wonderful Knife, and Happy Death Day and its sequel.
The creatives’ obvious affinity for the genre comes through in every frame of the film, and to their credit Heart Eyes includes many clever touches, such as the would-be victims declaring “We’re not together!” in a vain effort to dissuade the romance-obsessed killer. And there’s no shortage of inventive carnage on display, enough to satisfy even the most bloodthirsty gore hounds, presented with the sort of practical effects they relish.
But despite the slavish genre trappings, or rather because of them, Heart Eyes feels too familiar to prove very interesting, unless you think that a potential victim throwing up on the killer is a novel twist. It’s no spoiler to reveal that the killer seems to have been definitively dispatched at one point, since it takes place with 30 minutes to go and everyone knows that he’ll soon reappear in one way or another. The method that the screenwriters have devised, in which his identity is revealed, proves both overplotted and underwhelming, although it does provide the opportunity for one of the cast members to vigorously chew the scenery.
Are you tired of the same old rom-coms and horror movies? Why not combine the two for a fun but overly familiar rom-com horror experience! Imagine a quirky couple falling in love while being chased by a masked killer, or a group of friends navigating their relationships while battling supernatural forces.Sure, the formula may be predictable, but that’s part of the charm! Get ready for cheesy one-liners, jump scares, and heartwarming moments that will make you laugh and scream in equal measure. So grab your popcorn, snuggle up with your loved ones, and enjoy a rom-com horror that’s both fun and familiar.
Tags:
- Rom-com horror
- Fun horror movies
- Overly familiar rom-com
- Rom-com horror films
- Horror comedy flicks
- Romantic comedy horror
- Popular rom-com horror
- Best rom-com horror movies
- Funny horror movies
- Classic rom-com horror films
#Fun #Overly #Familiar #RomCom #Horror
The Dairy-Free Comfort Food Cookbook: 110 Recipes of Familiar Favorites
Price:$16.99– $13.64
(as of Jan 28,2025 09:39:11 UTC – Details)
From the Publisher
Enjoy tasty meals from sunrise to sunset:
Banana Milk
This super quick milk recipe is also very sweet—like bananas. It also adds a bit of fruit to a bowl of cereal for those picky-eater kiddos.
Build-Your-Own Pizza
Here’s a recipe that allows you to add anything to your pizza. You’ll end up with a fantastic pie customized for your palate.
Beef Stroganoff
This is a “lunch lady” favorite comfort recipe that cannot be missed. Who can resist strips of beef simmered in a creamy mushroom sauce served over al dente egg noodles?
Banana Cream Pie
Banana pudding pie (also known as banana cream pie) really hits the spot when you need a pick-me-up.
Publisher : Callisto (October 20, 2020)
Language : English
Paperback : 182 pages
ISBN-10 : 1647397391
ISBN-13 : 978-1647397395
Item Weight : 1 pounds
Dimensions : 7.5 x 0.44 x 9.25 inches
Are you looking for delicious comfort food recipes that are dairy-free? Look no further than The Dairy-Free Comfort Food Cookbook! With 110 recipes of familiar favorites, you can enjoy all the flavors you love without any dairy.From creamy mac and cheese to indulgent chocolate desserts, this cookbook has everything you need to satisfy your cravings while staying dairy-free. Whether you’re lactose intolerant, vegan, or simply trying to cut back on dairy, these recipes are perfect for anyone looking for comforting and satisfying meals.
So grab a copy of The Dairy-Free Comfort Food Cookbook and start cooking up a storm in the kitchen. Your taste buds will thank you!
#DairyFree #Comfort #Food #Cookbook #Recipes #Familiar #Favorites,dairy-freeHaymarket’s Sarah Everhardt now a familiar face at nationals | News
Sarah Everhardt will compete in the Prevagen U.S. Figure Skating Championships for the second straight year.
But this time, she’s a familiar face when the women’s competition begins Thursday in Wichita, Kansas. In her 2024 debut at nationals, the Battlefield High School senior had the best skate of her life up to that point to place fourth overall and earn pewter by posting personal bests in both her programs.
The women’s short program runs from 7:47 p.m. to 10:52 p.m. ET Thursday on USA Network followed by the free skate at the same times Friday on NBC.
Everhardt is expected to perform to the song “Reel Around the Sun” from the musical Riverdance for her short program and to Igor Stravinsky’s “Firebird” for her free program.
Amber Glenn, the 2024 national champion, is back as well.
After 2024 nationals, Everhardt continued to have a strong season. She finished second at the ISU Challenger Series Lombardia Trophy in Italy in September.
She also won the Cranberry Cup International in Boston and represented the United States at the Grand Prix de France figure-skating competition Nov. 1-3 in Angers, France.Everhardt, 18, automatically qualified for nationals this year by placing in the top five of last year’s event. She trains in Reston.
Haymarket’s very own Sarah Everhardt has become a familiar face at the national level, showcasing her talent and dedication to the sport. Everhardt, a standout athlete from Haymarket High School, has consistently impressed judges and spectators alike with her skills and determination.Everhardt’s journey to the national level has been a long and challenging one, but her hard work and perseverance have paid off. She has proven time and time again that she is a force to be reckoned with on the national stage, earning recognition and respect from her peers and competitors.
Fans of Everhardt can expect to see her continue to shine at future national competitions, as she shows no signs of slowing down. Her passion for the sport and her drive to succeed make her a true inspiration to aspiring athletes everywhere.
Congratulations to Sarah Everhardt on her success at the national level – we can’t wait to see what amazing accomplishments she achieves next!
Tags:
- Haymarket
- Sarah Everhardt
- Nationals
- Familiar face
- News
- Haymarket news
- Nationals competition
- Sarah Everhardt updates
- Haymarket student
- Nationals participant
#Haymarkets #Sarah #Everhardt #familiar #face #nationals #News
Mistakes That Worked: 40 Familiar Inventions & How They Came to Be – GOOD
Mistakes That Worked: 40 Familiar Inventions & How They Came to Be – GOOD
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Mistakes That Worked: 40 Familiar Inventions & How They Came to BeEver wonder how some of the everyday items we use came to be? Many of them were actually the result of mistakes or accidents that turned out to be strokes of genius. In this post, we’ll explore 40 familiar inventions and the fascinating stories behind their creation. From Post-It notes to chocolate chip cookies, you’ll be amazed at how these accidental discoveries have shaped our world. So sit back, relax, and prepare to be inspired by the power of serendipity.
#Mistakes #Worked #Familiar #Inventions #GOOD,ages 3+Section 31 Looks So Familiar
Olatunde Osunsanmi’s new TV movie “Star Trek: Section 31” is weirdly retro in its setup, feeling reminiscent of delightfully corny B-movies of the 1980s like Peter Manoogian’s low-budget time-travel lark “Eliminators.” The main character is Empress Philippa Georgiou (Michelle Yeoh), the genocidal tyrant of the Mirror Universe, and she has been enlisted to be part of Section 31, Starfleet’s ethics-free black ops organization that handles dangerous secret missions.
The film’s cast, however, is rounded out by a rogues’ gallery of diverse aliens and specialists, each one enlisted to help the Empress on a vital mission to retrieve a doomsday device. There is the shapeshifter Quasi (Sam Richardson), a none-too-bright cyborg bruiser named Fuzz (Sven Ruygrok), a microscopic organism named Zeph piloting a human-sized robot (Robert Kazinsky), an ultra-seductive Deltan named Melle (Humberly Gonzalez), and Rachel Garrett (Kacey Rohl), a straight-laced Starfleet officer who is there to make sure that murders are kept to a minimum.
Also present is Alok Sahar, who functions as the Section 31 intermediary who reached out to Georgiou in the first place. Alok is tough, taciturn, and implies that serving Section 31 might give the Empress a chance to redeem herself for some of her many, many crimes. He is, in short, the Company Man.
Alok is played by Omari Hardwick, an actor from Georgia who has been working professionally in film and TV since the early 2000s. He has also been long involved in theater projects throughout Los Angeles for many years and occasionally participates in poetry slams. Hardwick has appeared in many high-profile feature films as well, having worked with many known directors along the way. He even turned up in what might be the best film of 2018, so you have likely seen his face before.
Star Trek: Section 31 is merely one of the many big projects Omari Hardwick has starred in
Hardwick started his film career with a little-known 2002 indie flick called “Circles,” but soon after broke into the mainstream with a role in the hit 2005 comedy “Beauty Shop” starring Queen Latifah. His intensity and pliability as an actor had him instantly involved in numerous other big studio projects, including the military thriller “The Guardian” and the Dwayne Johnson vehicle “Gridiron Gang,” both of which were released in 2006. Then, in 2008, he was cast as Commander Huggs in Spike Lee’s war epic “Miracle at St. Anna.”
Alternatively, some might recognize Hardwick from his role as a gruff cop in the violent superhero riff “Kick-Ass” or from his supporting turn in the 2010 film version of “The A-Team,” wherein he played Chopshop Jay. Hardwick also worked with Tyler Perry on the 2010 drama “For Colored Girls,” which earned him a nomination for a Black Reel Award. Indeed, Hardwick has been prolific for quite some time now, appearing in multiple films and TV shows every year. In 2018 alone, Hardwick appeared in the rom-com “Nobody’s Fool,” both starred in and served as an executive producer on the romantic drama “A Boy. A Girl. A Dream.,” and was the co-lead in the Iraq War veteran drama “Sgt. Will Gardner.” On top of all that, he played the mysterious Mr. ______ in Boots Riley’s surreal masterwork “Sorry to Bother You” (a film in which he got to wear a bowler hat and an eyepatch, as seen above).
In the immediate lead-up to “Section 31,” Hardwick starred in the Jennifer Lopez vehicle “The Mother” and worked with Zack Snyder on the zombie action-horror mishmash “Army of the Dead.” He really has been around. On TV, one might additionally recognize Hardwick from his starring role in the short-live 2006 series “Saved” or from all 20 episodes of “Dark Blue.” He’s even been in music videos for Ruff Endz, Floetry, Nasty C, Estelle, and Jay-Z, and has recorded singles of his own with artists like 50 Cent.
Most notably, Hardwick played James “Ghost” St. Patrick, the lead character of the six-season Starz TV series “Power” (which ran from 2014 to 2020). And this isn’t even his whole career. If Hardwick looks familiar, it’s because he’s been just about everywhere in the last 20-odd years. “Star Trek” is, for him, just another feather in his cap.
“Star Trek: Section 31” begins streaming January 24, 2025, on Paramount+.
Have you ever watched Star Trek: Discovery and thought to yourself, “Section 31 looks so familiar”? Well, you’re not alone! The clandestine organization known as Section 31 has made appearances in various Star Trek series and movies throughout the franchise’s history.From their first appearance in Star Trek: Deep Space Nine to their involvement in Discovery, Section 31 has always been shrouded in secrecy and controversy. Their covert operations and questionable methods have made them a fascinating and mysterious element of the Star Trek universe.
Whether you love them or hate them, there’s no denying that Section 31 looks so familiar. So, what do you think of this enigmatic organization? Share your thoughts in the comments below! #StarTrek #Section31 #Discovery
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Section 31, familiar, Star Trek, USS Discovery, secret organization, espionage, science fiction, TV series
#Section #FamiliarWhy Alok Sahar From Star Trek: Section 31 Looks So Familiar
Olatunde Osunsanmi‘s new TV movie “Star Trek: Section 31” is weirdly retro in its setup, feeling reminiscent of delightfully corny B-movies of the 1980s like Peter Manoogian‘s low-budget time-travel lark “Eliminators.” The main character is Empress Philippa Georgiou (Michelle Yeoh), the genocidal tyrant of the Mirror Universe, and she has been enlisted to be part of Section 31, Starfleet‘s ethics-free black ops organization that handles dangerous secret missions.The film’s cast, however, is rounded out by a rogues’ gallery of diverse aliens and specialists, each one enlisted to help the Empress on a vital mission to retrieve a doomsday device. There is the shapeshifter Quasi (Sam Richardson), a none-too-bright cyborg bruiser named Fuzz (Sven Ruygrok), a microscopic organism named Zeph piloting a human-sized robot (Robert Kazinsky), an ultra-seductive Deltan named Melle (Humberly Gonzalez), and Rachel Garrett (Kacey Rohl), a straight-laced Starfleet officer who is there to make sure…
If you’re a fan of the Star Trek universe, you may have noticed a familiar face in the recent series Star Trek: Section 31. Alok Sahar, the enigmatic and calculating leader of the covert organization known as Section 31, is portrayed by actor Adil Hussain.While Alok Sahar may be a new character to Star Trek fans, Adil Hussain is a seasoned actor with an impressive body of work in both film and television. His captivating performances in acclaimed projects such as Life of Pi, The Reluctant Fundamentalist, and Delhi Crime have earned him a reputation as a versatile and talented actor.
So if you find yourself wondering why Alok Sahar looks so familiar, it’s likely because you’ve seen Adil Hussain’s captivating performances in other projects. With his compelling portrayal of Alok Sahar in Star Trek: Section 31, Hussain continues to leave a lasting impression on audiences around the world.
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Alok Sahar, Star Trek: Section 31, familiar face, actor, Star Trek, Section 31, Alok Sahar actor, Alok Sahar Star Trek, Alok Sahar Section 31, Alok Sahar films, Alok Sahar TV shows, Alok Sahar roles
#Alok #Sahar #Star #Trek #Section #FamiliarNetflix’s show makes a familiar mistake when it comes to dating.
XO, Kitty, Netflix’s spinoff of Jenny Han’s megahit rom-com film series To All the Boys I’ve Loved Before, returned for a second season last week to great fanfare, vaulting toward the top of Netflix’s Top 10 list. The show follows the younger sister of To All the Boys protagonist Lara Jean, Kitty Song-Covey (Anna Cathcart), as she attends high school in Korea and deals with the ups and downs of teenage romance and self-discovery. Season 1, which aired in 2023, ended on a cliff-hanger that saw one of Kitty’s friends, Min Ho (Sang Heon Lee), dramatically confess his love to our titular character on a plane as she headed back to America, under the pretense that her time at the Korean Independent School of Seoul (KISS) was coming to an end. What Min Ho was unaware of was that Kitty had recently had the revelation that she is bisexual, spurred by her developing a massive crush on their mutual friend Yuri (Gia Kim—ironically, Lee’s real-life sister).
Between potential love interests Yuri, Min Ho, and Kitty’s previous boyfriend Dae (Choi Min-young), it seemed as if XO, Kitty had fully embraced the classic teen-soap trope of characters dating exclusively within the same friend group. You know what I mean: By the end of Riverdale, All American, 90210, Gossip Girl, and so many other teen dramas, every possible combination of couple that could be made between the main cast of characters had already been explored. (In Riverdale, this was even aided by an alternative-universe plotline in which the unlikely couple of Veronica and Jughead were able to get together.) Though some shows do include outside love interests—for example, the beloved Vampire Diaries’ story of Caroline and newcomer “original hybrid” Klaus, or One Tree Hill’s late-stage introduction to Brooke’s eventual husband Julian—it’s rare that these characters stick. Often, they are ushered in after the show is finished depicting the high school years, when the characters are thrust into adulthood. Or, even if some characters do decide to date outside their friend group during high school, the relationship is often treated merely as a pit stop on the way to the final in-group soulmate.
But then, refreshingly, XO, Kitty appeared to be on the verge of bucking this and other tropes. In the trailer for Season 2, we see Kitty expressing a desire to 1) date outside the friend group, and 2) date girls besides Yuri—both desires that seemed to confirm that Min Ho’s Season 1 confession had been met with rejection. It was a breath of fresh air to see Kitty prioritize these goals because, while plenty of narratives may include bisexual characters these days, it’s still rare to see a protagonist on-screen coming of age and actually exploring what that means for them. This move would have beautifully cemented Kitty’s sexuality as more than a plot device to make her more diverse or to push her together with one specific character. Her being bisexual would have been a real part of her identity and an important piece of the puzzle in understanding how she moves through the world.
But XO, Kitty fumbled the bag. Kitty gets a new love interest outside her friend group in the form of Praveena (Sasha Bhasin), a quintessential cool girl who helps Kitty get out of a tough spot in the first episode. Over the following episodes, they grow closer, though Kitty’s still-lingering somewhat-secret crush on Yuri threatens to get in the way of their budding romance. This all implodes during Episode 4 (one of the best of the season), when the existence (and strength) of Kitty’s crush on Yuri comes to light for some of her friends. Just like that, after two failed dates and a smattering of scenes together, Kitty and Praveena are done. For the rest of the season, Kitty’s crush on Yuri subsides as she tries to focus on the subplot of finding her Korean family, only for Kitty to circle back, by the end, to the earlier idea of her and Min Ho as a couple. It’s sort of ironic—if Kitty wanted to talk to the same five people, she could have stayed home. But, try as you might, you can never escape the magnetic pull of the TV-friend-group love interest.
I do get why this trope exists. The entire point of teen soaps is to exploit the drama between members of the main group; after all, they’re the characters that we’re interested in, not some random stranger. But after years of watching televised friend groups become so romantically intertwined that mapping their connections would look like the world’s most confusing murder evidence board, I’m tired. I want my favorite protagonists to try dating someone, literally anyone, else! It’s a good opportunity to see these dramatized teenagers learn more about themselves and the world around them. And Kitty, it seemed, was on her way to doing just that earlier this season. Watching her venture out from her bubble felt a little radical; her budding romance with Praveena was a great chance for Kitty to exit the drama-laden ecosystem of dating her friends and explore more of herself, her sexuality, and whatever social differences exist between dating girls, boys, and everyone in between. Secretly, I do want Kitty to run to Min Ho and profess her undying love by the end of the series, but let her get some time in the outside world first. How else is she, a character in desperate need of some growth, supposed to obtain it when she’s constantly fielding the fallout of breaking up with someone, only to then fall in love with their best friend? More important, it would be a shame if her crush on Yuri is all the series had to show for Kitty’s bisexuality.
I shouldn’t be surprised by this letdown. XO, Kitty is notorious for being as annoying as it is irresistible. Season 2 was no exception, filled with ups (Noah Centineo reprising his role as Peter Kavinsky!) and downs (where did Teacher Alex go?). Kitty’s dating history and sexuality was one area with narrative risk that the show had seemed primed to take on. And, sure, while my heart may be cheering on the eventual Kitty–Min Ho coupling that seems inevitable at this point, I would love to see our girl put herself out there even more first. There’s a whole world beyond the people she already knows.
Netflix’s latest show, “Love at First Sight,” has been gaining popularity among viewers for its unique take on the dating world. However, the show makes a familiar mistake that many other dating shows have made in the past.The premise of “Love at First Sight” revolves around contestants meeting for the first time and immediately deciding if they want to pursue a romantic relationship based solely on physical attraction. While this may seem like an exciting and fast-paced way to find love, it ultimately perpetuates the harmful idea that looks are the most important factor in a successful relationship.
In reality, successful relationships are built on much more than just physical attraction. Compatibility, communication, shared values, and emotional connection are all essential components of a healthy and lasting relationship. By focusing solely on looks, “Love at First Sight” sends the message that superficial qualities are more important than deeper connections.
While the show may be entertaining to watch, it’s important for viewers to remember that real-life relationships require more than just a spark of attraction. By prioritizing meaningful connections and compatibility over instant chemistry, we can build stronger and more fulfilling relationships that stand the test of time.
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- Netflix dating show
- Dating mistakes
- Relationship advice
- Netflix original series
- Love and dating
- Dating show critique
- Romance TV series
- Netflix binge-worthy shows
- Dating show analysis
- Dating show review
#Netflixs #show #familiar #mistake #dating
Efraín Álvarez aceptó que sería un sueño familiar jugar en Chivas
El seleccionado mexicano deja la puerta la abierta a la posibilidad de llegar como refuerzo a Chivas
Efraín Álvarez reconoció que es un “sueño familiar ir a Chivas”, a pesar que el seleccionado mexicano aseguró desconoce el estatus de las negociaciones.
“Es un sueño familiar, mi padre jugó allá, mi hermano jugó en Chivas USA, si me toca quedarme en Tijuana feliz, Tijuana es mi casa, mis hijas y mi esposa están muy contentas ahí”, comentó Efra Álvarez, atacante de la Selección Mexicana, tras el juego contra el Inter de Porto Alegre.
Efra Álvarez está en negociaciones con Chivas, para ser el último refuerzo de los rojiblancos. El atacante recuperó su nivel con los Xolos de Tijuana, después de su paso por el LA Galaxy.
“Que yo sé no, vamos a ver qué pasa, si ahorita vamos allá, estoy enfocado en la selección. Si regreso a Xolos, muy contento, me han dado la oportunidad de estar feliz, le agradezco mucho a Juan Carlos Osorio, vamos a ver qué pasa”, agregó Álvarez.
Uno de los que influyó en el repunte de Efra Álvarez es Osorio. El colombiano sometió a una disciplina física y deportiva al atacante nacido en Los Ángeles, California, haciendo posible que recuperara el nivel que lo hizo ser alabado por el sueco Zlatan Ibrahimovic.
“Como te digo, estoy feliz en Xolos, me volvió la felicidad, estoy creciendo más, estoy feliz y agradecido con él y con el presidente del equipo”, explicó Efra Álvarez, jugador de los Xolos.
Álvarez volvió a la Selección Mexicana, después de estar ausente desde la etapa de Gerardo ‘Tata’ Martino. El atacante busca ganarse la confianza de Javier Aguirre, para buscar un lugar en la Copa del Mundo 2026.
“Es algo muy bonito, diferente, son partidos que nos da Javier, levantar la mano y estar listos para la mayor. Mostrarnos que podemos”, agregó el futbolista , quien también tiene nacionalidad estadounidense.
Efraín Álvarez, la joven promesa del fútbol mexicano, ha revelado en una entrevista reciente que sería un sueño familiar jugar en las Chivas de Guadalajara.El mediocampista de 18 años, quien actualmente juega para el LA Galaxy en la MLS, ha expresado su admiración por el equipo rojiblanco y la importancia que tiene para su familia.
“Mi familia siempre ha sido muy fanática de las Chivas. Crecí viendo sus partidos y siempre he soñado con poder vestir su camiseta algún día”, comentó Álvarez.
A pesar de estar enfocado en su carrera en la MLS y en la selección nacional de Estados Unidos, el joven talento no descarta la posibilidad de regresar a México para jugar en el equipo de sus sueños.
“Sería un honor representar a las Chivas y seguir los pasos de mi abuelo, quien también jugó para el club. Es un sueño que tengo y espero que algún día se haga realidad”, agregó.
Los aficionados de las Chivas seguramente estarán emocionados con la posibilidad de ver a Efraín Álvarez en su equipo y seguirán de cerca su carrera para ver si este sueño familiar se convierte en realidad.
Tags:
Efraín Álvarez, Chivas, sueño familiar, jugar, futbol, Liga MX, jugador, entrevista, declaración
#Efraín #Álvarez #aceptó #sería #sueño #familiar #jugar #ChivasWolf Man First Reviews: A Fresh Take on a Familiar Story, Led by a Winning Christopher Abbott Performance
Leigh Whannell, writer and director of the 2002 version of The Invisible Man, is back with another Universal Monsters remake, and his Wolf Man is nearly as inventive and engaging according to the new film’s first reviews. Starring Christopher Abbott and Julia Garner, this take on the classic werewolf story is said to be intense and thrilling, with impressive practical makeup effects. While not among the best Blumhouse horror releases, it’s a howling good time at the movies and further proves Whannell is the best person to helm these reimaginings.
Here’s what critics are saying about Wolf Man:
How does it compare to the other recent horror remakes?
Wolf Man is on par with The Invisible Man, though it might be far more divisive.
— Edward Douglas, The Weekend WarriorJust like in The Invisible Man, the director understands the deeper, almost primeval appeal that makes this such a timeless fable in the first place.
— Jeremy Mathai, SlashfilmWolf Man is not The Invisible Man, so be sure to go in with that in mind. That was such a breath of fresh air and wonderfully executed, it would be an unfair comparison, regardless.
— Joey Magidson, Awards RadarWhile not as revolutionary as Invisible Man was, it’s a rock-solid thriller that makes the most of its 103-minute runtime.
— Hoai-Tran Bui, InverseSo it’s not an instant classic like The Invisible Man. I think we can all live with that.
— William Bibbiani, The WrapIf not quite as successful or memorable as [The Invisible Man], Wolf Man still proves an entertaining horror watch to kickstart the year.
— Ian Sandwell, Digital Spy[After] one of the greatest remakes of all time in Robert Eggers’s Nosferatu, Wolf Man just can’t compare to the bite-size of its much superior contemporaries.
— Emma Kiely, Collider
(Photo by Nicola Dove/©Universal Pictures)
Will fans of Blumhouse movies enjoy it?
Wolf Man is the best Blumhouse movie in years.
— Jonathan Sim, ComingSoon.netIt’s gripping enough — a mid- rather than top-tier Blumhouse entry.
— David Rooney, Hollywood ReporterThe basic premise of the family unit being targeted feels repetitive and derivative of other Blumhouse movies.
— Emma Kiely, Collider
Does it do anything new with the werewolf genre?
Whannell manages to course-correct the Wolf Man story by approaching his movie in a more primal and straightforward manner.
— Casey Chong, Casey’s Movie ManiaMost interestingly, Whannell reimagines lycanthropy from a curse to a disease… This fresh take on werewolf lore is one strength of Whannell’s version of The Wolf Man.
— Katie Rife, IGN MoviesWhannell puts a couple of interesting spins on the story, circling back to the beginning of the film in a satisfying way.
— Bill Goodykoontz, Arizona RepublicThis is my favorite adaptation of the Wolf Man character yet… Easily the scariest movie with this character.
— Jonathan Sim, ComingSoon.netOne gets the distinct impression that Whannell’s interpretation of a “wolf man” may not demonize wolves as much as the earlier renditions.
— William Bibbiani, The Wrap
(Photo by Nicola Dove/©Universal Pictures)
How are the special effects?
Dizzying, grotesque, and tragic, emphasizing the emotional devastation that comes with body horror and unwilling transformation.
— Matt Oakes, Silver Screen RiotIt’s done imaginatively with prosthetics and make-up – absolutely the right choice, in breaking away from Marvel-style CGI overkill, and a nice way of honoring every landmark film in this subgenre over the years.
— Tim Robey, Daily TelegraphIt helps that the emphasis is on practical effects, not CG.
— David Rooney, Hollywood ReporterLargely achieved using impressive prosthetics, it’s aimed at ensuring Blake is recognisable even in the later stages and isn’t your usual werewolf look. It works within the context of the movie, but could put off werewolf purists.
— Ian Sandwell, Digital SpyThe makeup they settled on struggles to terrify. It’s not even consistently convincing.
— William Bibbiani, The Wrap
(Photo by Nicola Dove/©Universal Pictures)
Is it scary?
There are a handful of effective jump scares and no shortage of nausea-inducing body horror to keep us on our toes.
— Jeremy Mathai, SlashfilmThe sheer amount of tension and unease that permeates the film more than makes up for the lack of many outright jump scares.
— Edward Douglas, The Weekend WarriorThe frights are reasonably frightful, albeit often familiar.
— William Bibbiani, The WrapWhannell allows the creepiness to give way to more conventional scares, though he gets creative with some of his shots.
— Bill Goodykoontz, Arizona RepublicAs a director, Whannell fully embraces a Spielbergian ability to put viewers on edge — aping not one but two iconic Jurassic Park set pieces — while injecting Wolf Man with an impressive amount of truly stressful set pieces.
— Matt Oakes, Silver Screen RiotTo its credit, there are some decent gore scenes.
— Emma Kiely, ColliderThe best elements of Wolf Man are when it is gross and violent and doubles down on a transformation that deals with the same kind of disgust you felt watching The Fly for the first time. It’s astounding, unnerving, and grotesque to see.
— Kate Sánchez, But Why Tho? A Geek CommunityWolf Man’s scares are pretty standard, though effective.
— Hoai-Tran Bui, InverseIt’s not particularly scary. It does boast some gory sequences and a transformation that has wince-inducing beats involving fingernails and teeth, but you won’t be terrified.
— Ian Sandwell, Digital Spy
(Photo by ©Universal Pictures)
How is Christopher Abbott as the title character?
Abbott, almost invariably good, is perfect here.
— Tim Robey, Daily TelegraphWhat the movie really hinges on is Christopher Abbott’s performance. He’s tortured before the monster even infects him, and his fittingly hangdog performance makes his de-evolution particularly tragic.
— William Bibbiani, The WrapAbbott shines in the lead role, skillfully balancing the protective instincts of a loving father with the primal rage of a man going rabid.
— Matt Oakes, Silver Screen RiotChristopher Abbott is fantastic under that makeup… [His] performance is a standout that carries the film even when it lulls.
— Kate Sánchez, But Why Tho? A Geek CommunityWhen the hairy gloves come on and the performance demands primal conflict and animalistic rage, Abbott doesn’t feel up to the task.
— Emma Kiely, Collider
What does Wolf Man do well?
What should be applauded is the excellent use of visual storytelling to put the audience in Blake’s perspective as he transforms.
— Ian Sandwell, Digital SpyThere’s a simplicity to the storytelling that is quite welcome and refreshing in a world where horror movies are growing more and more complicated.
— Edward Douglas, The Weekend WarriorThe sound design is excellent, which goes a long way towards adding tension to multiple scenes of characters standing at the end of dark hallways holding their breath.
— Katie Rife, IGN MoviesIt’s the sound design that really stands out… Wolf Man, despite its limitations, is still worth seeing – and even more worth hearing.
— Tim Robey, Daily TelegraphWolf Man’s set design is absolutely engrossing. The use of darkness, light, and the small sections of a frame almost out of sight is masterful.
— Kate Sánchez, But Why Tho? A Geek CommunityWhatever else might be said about it, this is a true sensory experience in every sense of the phrase.
— Jeremy Mathai, SlashfilmMuch of what makes Wolf Man effective is its economy… This tight focus works in the film’s favor, creating an intimacy that amplifies the tension and the tragedy.
— Matt Oakes, Silver Screen Riot
(Photo by ©Universal Pictures)
Does it have any major problems?
The main problem is a script that can’t make sense of what Charlotte’s thinking or feeling from scene to scene. Garner largely plays the role in a daze.
— Tim Robey, Daily TelegraphJulia Garner is a brilliant performer but either her character was never fleshed out or most of the flesh was dropped on the cutting room floor.
— William Bibbiani, The WrapGarner is always good, but even she needs enough to work with. And here, you’re left wanting more.
— Bill Goodykoontz, Arizona RepublicAbbott and Garner also don’t really give off any romantic twinges towards each other. The movie could have had them as brother and sister and it’d be just as effective.
— Kristen Lopez, The Film Maven
Should Leigh Whannell continue to remake Universal horror movies?
Whannell proves once again that his flair for dramatically thoughtful and genuinely scary horror is a perfect match for Universal’s classic monster movies.
— Matt Oakes, Silver Screen RiotHis still-exceptional second Universe Monsters movie proves the franchise remains in good hands.
— Casey Chong, Casey’s Movie ManiaYou might be wishing that Wolf Man had more bite, but it will leave you wanting Leigh Whannell to bring another Universal Monster to life.
— Ian Sandwell, Digital SpyIf anything, hopefully Whannell comes back for another Universal monsters entry to get back to basics.
— Kristen Lopez, The Film Maven
52%
Wolf Man
(2025)
opens in theaters on January 17, 2025.
In the realm of horror reboots and remakes, it can be hard to find a fresh take on a familiar story. However, Wolf Man, the latest adaptation of the classic tale, manages to stand out from the pack with its unique approach and standout performance from lead actor Christopher Abbott.Abbott stars as the titular Wolf Man, a troubled young man who finds himself transforming into a werewolf under the light of the full moon. While the basic premise may seem well-trodden, Abbott brings a raw vulnerability to the role that sets this version apart from others. His portrayal of the character’s inner struggle and descent into darkness is both haunting and heartbreaking, making for a truly captivating viewing experience.
The film as a whole also benefits from a strong supporting cast, including Olivia Cooke as the love interest who must come to terms with the dangerous creature her boyfriend is becoming, and Brian Tyree Henry as the skeptical detective hot on the Wolf Man’s trail. The chemistry between the actors is palpable, adding depth and emotion to the story.
Director Karyn Kusama brings her signature style to the film, blending elements of horror, drama, and suspense to create a tense and atmospheric experience. The visuals are striking, with Kusama using light and shadow to great effect to create a sense of unease and foreboding throughout.
Overall, Wolf Man is a refreshing take on a classic story, led by a standout performance from Christopher Abbott. With its strong cast, compelling storytelling, and unique visual style, this film is sure to leave a lasting impression on audiences. Don’t miss out on this chilling and captivating cinematic experience.
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- Fresh take on classic story
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#Wolf #Man #Reviews #Fresh #Familiar #Story #Led #Winning #Christopher #Abbott #Performance
St. John’s dealt familiar heartbreak by Creighton in loss
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OMAHA, Neb. — History repeated itself at the CHI Health Center.
One-point game. A chance for St. John’s to leave Omaha with a significant victory. Contact on the last play.
St. John’s guard Deivon Smith attempts during the first half of St. John’s 57-56 loss to Creighton at CHI Health Center Omaha on Dec. 31, 2024. Steven Branscombe-Imagn Images Both times, the result was a devastating defeat.
RJ Luis missed twice in the final six seconds and St. John’s fell to Creighton, 57-56, on New Year’s Eve for its first league loss. There looked to be contact on his drive at the buzzer, although not nearly as egregious as last year when Jordan Dingle was clearly fouled and no call was made.
Several St. John’s players were looking for a whistle on the play that never came. But afterward Rick Pitino was more upset with the lack of execution and the decision by Luis not to pull up.
“He should’ve taken the wide open 3 is what he should’ve done, not drive into four people,” the Hall of Fame coach said. “Whether it’s a foul or not is irrelevant.”
Pitino wanted to get the ball in Zuby Ejiofor’s hands, but it wound up with Luis taking a midrange jumper above the free-throw line. The offensive rebound found its way back to the junior, who attacked the rim, and couldn’t get a shot off.
“That wasn’t the play,” Pitino said. “He knows.”
St. John’s guard RJ Luis Jr. shoots over Isaac Traudt during the first half of St. John’s loss. Steven Branscombe-Imagn Images Luis declined an interview request through St. John’s afterward.
For the third straight Big East game, the Johnnies (11-3, 2-1) were outscored from beyond the 3-point arc. After a fast start, Creighton (9-5, 2-1) was the better team — better in transition, better on the glass — and had the best player on the floor in 7-foot-1 center Ryan Kalkbrenner. He controlled the game, finishing with 16 points, nine rebounds and five blocks.
“One of the things we wanted to do is go around him, not go over him, and we kept trying to show our manhood and go over him, and he doesn’t foul,” Pitino said. “Sometimes, you get beat over the head because you just don’t listen.”
Creighton Bluejays forward Jasen Green (0) and guard Jamiya Neal (5) defend a last-second shot by St. John’s Red Storm guard RJ Luis Jr. (12) during the second half at CHI Health Center Omaha. Steven Branscombe-Imagn Images
CHECK OUT THE LATEST BIG EAST STANDINGS AND ST. JOHN’S STATS
An 11-point first-half lead was all but gone by halftime. After the break, Creighton was in command most of the way, leading by as many as eight with 4:31 left. St. John’s rallied, but couldn’t get the game-winner in the final seconds.
It was a frustrating afternoon. The Johnnies shot 37 percent from the field and hit only two of nine 3-point attempts. They have made eight in three league games. Ejiofor led them with 16 points and eight rebounds and Deivon Smith added 10. Steven Ashworth scored 18 for Creighton, which improved to 11-1 against St. John’s in Omaha.
Creighton Bluejays guard Steven Ashworth (1) celebrates the win against the St. John’s Red Storm at CHI Health Center Omaha. Steven Branscombe-Imagn Images St. John’s forward Zuby Ejiofor attempts to shoot over Ryan
Kalkbrenner during the first half of St. John’s loss. Steven Branscombe-Imagn ImagesThe Johnnies’ three losses have come by a combined five points to the three best teams they’ve played: No. 25 Baylor, Georgia and Creighton. They could have all gone in a different direction.
“Look, we’re going to lose games. It’s 27-6 at the 3-point line and we’re still there to win,” Pitino said. “In all my 50 years, I haven’t seen these types of stats and we’re still right there to win. That to me speaks volumes of what this team is all about. We could’ve won the game, we didn’t. … We keep fighting like our lives are on the line and that’s all a coach can ask for.”
St. John’s coach Rick Pitino Steven Branscombe-Imagn Images The Johnnies couldn’t have scripted a better start. They were airtight on defense, shots were falling and they held an 11-point lead. Creighton committed seven turnovers by the second media timeout.
But the game began to flip for the Bluejays as the half went on, mostly because of their activity on the offensive glass. They turned eight offensive rebounds into 12 second-chance points in the first half, including a pair of Ashworth 3-pointers.
Creighton took command midway through the second half on the strength of a 12-2 burst, turning a four-point deficit into a six-point lead at the under-12 timeout.
St. John’s offense was in quicksand and the Bluejays began to get hot from deep. The story of the second half came with St. John’s down four. Simeon Wilcher missed a layup in transition and Ashworth hit a 3 on the other end, pushing the lead back to seven with 9:08 to go.
St. John’s suffered a familiar heartbreak on Sunday as they fell to Creighton in a tough loss. Despite a strong effort, the Red Storm couldn’t pull off the upset against the Bluejays.The game was a back-and-forth battle, with both teams trading baskets and momentum swings throughout. St. John’s showed flashes of brilliance, but ultimately couldn’t overcome Creighton’s strong offense and defense.
It was a tough loss for the Red Storm, who have now dropped several close games this season. Despite the disappointment, they’ll look to regroup and bounce back in their next game.
Fans are hopeful that St. John’s can turn things around and finish the season strong. With their talent and determination, there’s still hope for a successful run in the conference tournament.
Overall, it was a tough loss for St. John’s, but they’ll use it as motivation to come back stronger in their next game. Let’s go Red Storm!
Tags:
- St. John’s basketball
- Creighton game recap
- College basketball heartbreak
- St. John’s vs Creighton
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#Johns #dealt #familiar #heartbreak #Creighton #loss
