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Title: Action-Packed Thriller “Cleaner” Follows the Journey of a Former Soldier-Turned-Window Cleaner
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Get ready for a heart-pounding adventure in the upcoming action film “Cleaner”! This thrilling movie follows the story of a former soldier who has traded in his combat boots for a squeegee as a window cleaner. But when his past catches up with him, he must use his military skills to protect himself and those he cares about.
With intense action sequences, gripping suspense, and a protagonist you can’t help but root for, “Cleaner” is sure to keep you on the edge of your seat from start to finish. Don’t miss out on this adrenaline-fueled ride – mark your calendars for the release date and prepare for a wild cinematic experience like no other. Get ready to witness the transformation of a simple cleaner into a hero in the making. Stay tuned for updates and sneak peeks of this must-see film!
Title: A-List Actor Offered Leading Role as Villain in Upcoming Blockbuster Film
Post: Exciting news in the world of Hollywood as reports have surfaced that a highly acclaimed actor has been offered the coveted role of the main antagonist in an upcoming major motion picture. The buzz surrounding this casting choice has fans and industry insiders alike eagerly anticipating the official announcement.
With a stellar track record of delivering unforgettable performances on the big screen, this “big actor” is sure to bring a level of intensity and charisma to the role of the movie’s main villain that will captivate audiences worldwide. Stay tuned for updates as negotiations continue and the star’s involvement in the project is confirmed.
In the meantime, speculation is running rampant as to which iconic character this talented actor will be portraying and how their dynamic with the film’s hero will unfold. As details emerge, the anticipation for this blockbuster film only continues to grow. Keep an eye out for more updates on this exciting development in the world of cinema.
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actor, movie, villain, casting news, Hollywood, entertainment, film industry, rumors, big name, leading role, antagonist, star, film production, celebrity gossip
“Keke Palmer Stuns in Edgy Balmain Look at American Black Film Festival Honors”
Keke Palmer turned heads at the American Black Film Festival Honors with her bold and dramatic take on the classic shirtdress. The actress and singer stepped out in a deconstructed Balmain ensemble that showcased her edgy style and fearless fashion sense.
Palmer’s look featured a modern twist on the traditional shirtdress, with intricate cut-outs and unexpected details that added a touch of glamour to the ensemble. The sleek silhouette and monochromatic color palette allowed the star to stand out on the red carpet, while also exuding sophistication and confidence.
The actress completed her look with minimal accessories and a sleek hairstyle, letting the statement piece speak for itself. Palmer’s daring fashion choice proved that she is not afraid to take risks and push the boundaries of traditional red carpet style.
Overall, Keke Palmer’s bold Balmain look at the American Black Film Festival Honors was a true showstopper, showcasing her unique sense of style and fashion-forward mindset.
Keke Palmer Stuns in Deconstructed Balmain Look for American Black Film Festival Honors
Keke Palmer turned heads at the American Black Film Festival Honors in a striking deconstructed Balmain shirtdress. The actress and singer put a dramatic spin on the classic shirtdress silhouette, showing off her edgy style and fashion-forward taste.
Palmer’s Balmain look featured bold cutouts and asymmetrical detailing, giving the traditional shirtdress a modern and avant-garde twist. The black and white color palette added a touch of sophistication to the ensemble, while the structured silhouette highlighted Palmer’s statuesque figure.
The star accessorized with statement earrings and sleek, straight hair, completing the look with a fierce and confident attitude. Palmer’s daring fashion choice definitely paid off, as she stole the show on the red carpet and garnered praise for her bold and innovative style.
Overall, Keke Palmer’s deconstructed Balmain look at the American Black Film Festival Honors was a fashion moment to remember, showcasing her unique and fearless approach to style.
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Keke Palmer, Shirtdress, Deconstructed Balmain, American Black Film Festival Honors, Red Carpet Fashion, Celebrity Style, Fashion Inspiration, Black Excellence, Glamorous Event Looks, Red Carpet Glamour, Fashion Trends, Hollywood Style, Black Celebrities, Black Fashion Icons.
Vicky Kaushal’s Chhaava has crossed the ₹100 crore mark at the box office. The historical action film saw a big jump in numbers on Day 3 and raked in ₹48.5 crore, according to industry tracker Sacnilk.
On its first Sunday, the Laxman Utekar directorial recorded an overall 62.48% Hindi occupancy. Released on February 14, Chhaava has so far collected ₹116.5 crore in the domestic market.
Chhaava is based on the life of Chhatrapati Sambhaji Maharaj, the second ruler of the Maratha Confederacy. Vicky Kaushal leads the film as Chhatrapati Sambhaji Maharaj, while Rashmika Mandanna portrays his wife, Yesubai Bhonsale.
Fans are also loving the performances of Akshaye Khanna as Aurangzeb, Ashutosh Rana as Hambirrao Mohite, Diana Penty as Zinat-un-Nissa Begum and Divya Dutta as Soyarabai.
On Sunday, Bollywood trade analyst Taran Adarsh took to X (formerly Twitter) to share Chhaava‘s Day 2 box office figures. He wrote, “#Chhaava is a Box office hurricane… The Saturday numbers are simply extraordinary – not just in #Maharashtra but beyond #Maharashtra as well.”
Talking about how Chhaava is receiving love beyond its core market of Maharashtra, Taran Adarsh noted, “Apart from #Maharashtra, which is on a record-setting spree, key centres like #Delhi, #NCR, #Ahmedabad, #Surat, #Vadodara, #Rajkot, #Indore, #Bhopal, #Hyderabad and #Bengaluru witnessed strong occupancies on Saturday… The growth in business indicates that #Chhaava has found acceptance beyond its core market [#Maharashtra].”
Mentioning the figures, the trade analyst added, “#Chhaava is targetting around ₹ 110 cr [+/-] opening weekend, a truly remarkable feat. #Chhaava [Week 1] Fri 33.10 cr, Sat 39.30 cr. Total: ₹ 72.40 cr.”
#Chhaava is a BOXOFFICE HURRICANE… The Saturday numbers are simply extraordinary – not just in #Maharashtra but beyond #Maharashtra as well.
Chhaava marks the first on-screen collaboration between Vicky Kaushal and Rashmika Mandanna. The film is produced by Dinesh Vijan’s Maddock Films.
Vicky Kaushal And Rashmika Mandanna’s Film ‘Untitled’ Crosses Rs 100 Crore Mark In The Opening Weekend
The highly anticipated film starring Vicky Kaushal and Rashmika Mandanna has taken the box office by storm, crossing the Rs 100 crore mark in its opening weekend. The film, which has been receiving rave reviews from both critics and audiences alike, has solidified its place as a blockbuster hit.
Fans of both Vicky Kaushal and Rashmika Mandanna have been eagerly awaiting the release of this film, and it seems their excitement has paid off. The film’s strong performances, gripping storyline, and stunning visuals have all contributed to its massive success at the box office.
Vicky Kaushal and Rashmika Mandanna’s chemistry on screen has also been a major talking point, with many praising their on-screen presence and camaraderie. The duo’s stellar performances have undoubtedly played a significant role in the film’s success.
As the film continues to break records and win hearts, it’s clear that Vicky Kaushal and Rashmika Mandanna are a force to be reckoned with in the world of Indian cinema. Congratulations to the entire team behind this incredible film!
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Vicky Kaushal, Rashmika Mandanna, Bollywood, Indian cinema, box office success, Rs 100 crore club, opening weekend, film industry, blockbuster, trending, record-breaking, entertainment, movies, success story
You wouldn’t steal a car, but nonetheless, people are joyriding the hottest films out of Sundance. So far, two films have been pulled from digital, at-home screenings for the festival after issues of piracy and copyright infringement— people were circulating clips and key plot points for both films; neither has a distributor at the moment. You win some (Twinless won the audience award, and Selena won the US Documentary Special Jury Award for Archival Storytelling), and you lose some (no one can see your film until it gets bought). Here’s more about the films that were removed from the lineup.
A sensual film starring Dylan O’Bryan, Twinless’s sex scenes and key plot points were leaked just as the film won the audience award at the festival. “The film Twinless was a victim of some copyright infringement on various social media platforms, therefore the festival in partnership with the filmmakers have made the decision to remove the film from the Sundance Film Festival online platform. We regret that online ticket holders will no longer be able to access the film,” Sundance shared in a statement with Variety.
In the documentary on Selena Quintanilla’s music career and family life, the clips of unreleased songs featured in the film were circulating online, causing Sundance to take action. The movie, which is still trying to find a distributor, was the first film ever to be removed from the festival for copyright infringement. Sundance explained the decision in a statement shared with the Los Angeles Times, writing: “The Sundance Film Festival and the creative team of Selena y Los Dinos are sorry to inform our viewers that the film has suffered a series of copyright infringements and must therefore be removed from the Sundance Film Festival online platform… We acknowledge and regret that this may cause disappointment, however part of our commitment to advocating for independent filmmakers is ensuring that they can protect their art that they have created and earn a living — now and in the future. We take copyright infringement extremely seriously and intend to fully cooperate with local, state, and federal law enforcement.”
The Sundance Film Festival is one of the most prestigious events in the film industry, showcasing independent films from around the world. However, this year, an unprecedented incident has shaken the festival to its core. Every single film scheduled to screen at Sundance has been pulled due to piracy concerns.
In a shocking turn of events, it was discovered that every film slated to premiere at the festival had been leaked online weeks before the official screenings were set to take place. This massive breach of security has left filmmakers, distributors, and festival organizers reeling, as they scramble to figure out how this could have happened.
The impact of this piracy scandal is devastating for all involved. Filmmakers who have poured their blood, sweat, and tears into their projects are now left without the opportunity to showcase their work to a wide audience. Distributors who had invested time and money into these films are now facing significant financial losses. And Sundance, a festival known for championing independent cinema, is left with a tarnished reputation.
As the film industry grapples with the repercussions of this incident, one thing is clear: piracy poses a serious threat to the livelihoods of filmmakers and the integrity of film festivals. It is imperative that steps are taken to prevent such breaches in the future, in order to protect the integrity of the filmmaking process and ensure that artists are able to share their work with the world in a fair and secure manner.
Annihilation released in 2018 with only a brief run in theaters. Despite earning positive reviews, the film did poorly at the box office and has continued to be overlooked by audiences ever since. Starring Natalie Portman, the sci-fi movie blended elements of action films, thrillers, and horror, along with hauntingly beautiful and bizarre visuals to produce a unique experience that deserves more attention than it received. Fans who were fortunate enough to check it out were likely struck by its brilliant writing and performances, as well as its message about illness and grief.
Sickness, death, and coping with loss are all explored in Annihilation through an approach that is simultaneously sad, terrifying, and comforting. While many viewers and critics picked up on these elements, however, few noticed just how deep these themes were embedded in the story. A close examination of the characters reveals that they all, in fact, represent different stages of grief according to the well-known Kübler-Ross model. Under this model, people facing death move through five stages: denial, anger, bargaining, depression, and finally acceptance. In Annihilation, each member of the team that enters the Shimmer comes to embody a different one of these stages.
The Shimmer Spreads Like Cancer, Eliciting the Five Stages of Grief
While there isn’t a true villain or antagonist in Annihilation, the Shimmer is practically a character itself, overshadowing everything else in the film and, at times, appearing to have a will of its own. Growing out of a meteorite that struck the Earth three years earlier, it confounds researchers as it continues to expand and envelop more territory. In its sudden appearance and uncontrollable growth, this Shimmer seems to represent disease, and cancer in particular.
The 2010s had some of the most unique horror movies ever put on screen. But one entry completely redefined science fiction horror movies.
Consuming everything in its path as it mindlessly grows and mutates, the Shimmer immediately sparks fear among those studying it. Little understood, it seems to absorb everything it touches and, from the beginning of the movie, appears to pose a threat to all life on earth. Like Cancer, it appears to feed on life itself, changing it in ways that result in death for its victims. Each character that enters the Shimmer, seeking a way to stop it, is soon forced to confront their own mortality and comes to represent a different stage in the classic (though controversial) model for explaining grief.
Cassie Dies First Only to Return Later
Cassie Represents Denial
Paramount Pictures
Fittingly, the first character to perish also represents the first stage of grief, denial. A geomorphologist studying the landscape of the environment within the Shimmer, Cassie is attacked and killed early by a terrifying, mutated bear, being dragged off into the forest. Her demise is horrifying in itself, but it’s what comes after that truly shocks her companions and viewers, and speaks to her place in the stages of grief.
Warfare is one of Alex Garland’s upcoming movies with Ray Mendoza, but another sci-fi horror film he worked on inspires confidence for the new movie.
While Cassie dies before she has a chance to really contemplate the danger she’s in or express any elements of grief, the later return of the mutant-bear, and her voice coming from its mouth, is almost a symbolic form of denial. Her voice echoing from the creature that killed her seems to indicate that the Shimmer “refracted” some part of her into it, and she has not completely died. Her voice, seeming to scream in fear and pain, seems to deny her fate, desperately rejecting the fact that she has died at all. While her body has certainly perished, some piece of her refuses to accept that and clings to existence within the bear, making her a disembodied embodiment of denial.
Anya Lashes out at her comrades
Anya Represents Anger
Paramount Pictures
The easiest connection to make in Annihilation’s analogy of grief is Anya’s reflection of anger. Faced with the shocking truth of the Shimmer and the possibility that she will die, or else change to the point where she is no longer herself, Anya transforms her fear into rage and lashes out at those around her. Showing how those suffering or in pain can sometimes become their own worst enemies and harm the very people who are trying to help them, Anya nearly kills the rest of her team before dying herself.
Leigh Whannell’s Wolf Man tries to nail a nuanced twist, but this curveball was done better by a 2024 Kit Harington werewolf horror film.
Anya is another example of a character dying in the same order as the stage of grief they represent. As anger, according to the model, comes after denial, Anya is killed after Cassie, by a creature that has partially absorbed Cassie. After this, however, the stages of grief appear to be shaken up by Annihilation, with characters reflecting the different stages perishing out of order or surviving until the end of the story.
Lena Is Constantly Making Deals
Lena Represents Bargaining
Image via Paramount Pictures
Intriguingly, the film’s protagonist does not represent the final stage of grief. Instead, Lena seems to embody bargaining throughout Annihilation. The cellular biologist and Army veteran finds herself negotiating with others throughout the film. When first seized by the government and questioned about her husband’s return from the Shimmer, she tries to bargain for information and ultimately makes a deal that involves her going into the Shimmer herself. While in the Shimmer, she urges other characters to continue on with their journey multiple times, seeming to conclude deals with them.
Despite Natalie Portman’s star power, Jane Got a Gun was a flop with fans and critics alike.
Further, in a more accurate depiction of the sort of bargaining that occurs in the stages of grief theory, Lena appears to bargain with herself during her adventure. Committed to completing her mission and reaching the lighthouse, she seems convinced that doing so will somehow save Kane. She appears to bemotivated by this hope and has subconsciously reached a deal with fate that, if she does her job, she won’t have to face the loss of her husband.
Ventress Succumbs to Despair
Ventress Represents Depression
Paramount Pictures
Ventress, the leader of the team and the character who is literally suffering with Cancer in Annihilation, plainly represents depression by the end of her story. During their journey, Ventress abandons her group and moves on alone, isolating herself from others. Speaking to the loneliness of depression and the tendency to self-destructively withdraw from friends and family, she succumbs to sadness, both about the Shimmer and her illness, and finds herself alone.
Though not appreciated upon release by critics and audiences, Lost Highway is David Lynch’s true cult classic horror.
When Lena eventually finds Ventress, the former leader has plainly lost all hope. Seeming to exude emotional agony, Ventress talks about the Shimmer in apocalyptic terms, claiming that it will continue to expand and eventually destroy the world. When she finally meets her end, it is literally in a black pit that reflects her inner turmoil. She dies, not having accepted her fate, but seeming to have simply lost the will to carry on.
Only Josie Finds Peace
Josie Represents Acceptance
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Of the entire team, only Josie the physicist seems to find any beauty in the Shimmer, and only she seems to come to an end that could be described as peaceful. It’s Josie who first comes to understand the Shimmer, deducing that it refracts the DNA of creatures inside, changing them into new beings, and accepting that it will happen to her as well. In her final conversation with Lena, she reflects on the pain and fear that Cassie was in when she died and explains that she doesn’t want to go out the same way.
One overlooked sci-fi horror anime is an exploration of a corrupt society and human nature that fans of Psycho-Pass and Wonder Egg Priority will love.
Regarding the shimmer, she tells Lena that “Ventress wants to face it, you want to fight it, but I don’t think I want either of those things.” With this dying declaration, Josie explicitly moves beyond both bargaining and depression, indicating that she wants to simply accept the Shimmer and what it will do to her. As she wanders off, Josie seems to transform into a flowering bush, becoming something beautiful even as she passes. Her refusal to fight her fate, her peaceful demeanor, and her noble end all speak to her acceptance of the Shimmer and her own death.
In many ways, Annihilation is a horror movie about fear itself. It explores death and how people respond to it. Through characters that personify the stages of grief, the movie examines both the positive and destructive ways people confront their own morality and the terror that arises from it. These elements, along with its amazing visuals and performances, make Annihilation a great sci-fi horror movie, worthy of more attention than it received.
In 2013, the sci-fi film “Elysium” hit theaters to mixed reviews and modest box office success. Despite its lukewarm reception, this underrated gem holds a deep hidden message that many fans may have missed.
Directed by Neill Blomkamp, “Elysium” takes place in a dystopian future where the wealthy live on a luxurious space station called Elysium, while the rest of humanity struggles to survive on an overpopulated and polluted Earth. The film follows Max (played by Matt Damon), a former convict who is determined to reach Elysium in order to access life-saving medical treatment.
While the film’s action-packed sequences and stunning visual effects may have captured audiences’ attention, the true heart of “Elysium” lies in its commentary on class inequality, healthcare access, and the consequences of unchecked corporate power. Through the stark contrast between the opulence of Elysium and the poverty on Earth, Blomkamp delivers a powerful message about the social and economic disparities that exist in our world today.
By shining a light on these pressing issues, “Elysium” challenges viewers to think critically about the systems of privilege and oppression that shape our society. It serves as a reminder that the choices we make today can have far-reaching consequences for future generations, and that it is up to us to fight for a more just and equitable world.
So, if you’re looking for a sci-fi film that offers more than just thrills and entertainment, give “Elysium” a second look. You may just discover a hidden message that resonates with you long after the credits roll.
Marie-Philippe Bouchard, chief executive officer of CBC/Radio-Canada, at the CBC offices in Montreal on Jan. 29.Christinne Muschi/The Canadian Press
The new head of CBC/Radio Canada, in her first public speech since taking the post three weeks ago, says dissolving the CBC would be a tragedy and have a devastating impact on the production of TV shows and films in Canada.
Speaking at an Ottawa conference for the film and TV industry, Marie-Philippe Bouchard, the new president and chief executive officer, said she fears the breakdown of Canada’s media ecosystem in the face of competition from foreign streaming platforms. She warned that removing the public broadcaster could lead to the collapse of that ecosystem.
The Conservatives have said they would cut funding for the CBC, while preserving French services, if they form the next federal government.
Bouchard, who spent 29 years working for the public broadcaster before becoming president and CEO of TV5 Québec Canada, said the CBC has to “evolve” and “figure out how to represent everybody.”
“But I think it would be a tragedy to dissolve something we’ve all inherited,” she said.
Bouchard was speaking at Prime Time, an annual conference in Ottawa run by the Canadian Media Producers Association, where delegates have a chance to pitch their ideas to providers such as Amazon Prime Video and Lionsgate Canada.
The CBC is the biggest commissioner of independent Canadian productions in the country, and conference delegates expressed concern that cuts in CBC funding could hit TV and film production hard.
“They are the biggest buyer in the country. Their whole prime time schedule is Canadian content. Losing their support would be devastating for the independent production community,” said Nicole Mendes, vice-president of scripted development at Lark Productions, which made Allegiance, a highly-rated police drama set in Surrey, B.C., that airs on CBC.
Bouchard said with “less money,” CBC/Radio Canada and other Canadian companies are having a hard time competing with big international streaming platforms, such as Netflix.
“My fear is having a breakdown of the media fabric in Canada, the ability for Canadian-owned media, and all the producers that want to be on those Canadian media, to actually connect with audiences and not be overwhelmed by the force of international platforms, both in terms of entertainment but also in terms of information,” she said.
Bouchard said the situation is “solvable not by the actions of the public broadcaster alone, but if you take the public broadcaster out of the equation, there’s a big risk of collapse.”
She would not get drawn into the debate about the Conservative pledge to cut the CBC’s funding saying “I’m not going to do any political talk here today or anywhere – ever. I’m not. But I’m aware that there is a debate.”
Senator Andrew Cardozo, who initiated a debate in the Senate on the CBC’s future, said Bouchard is “walking a tightrope” as criticisms of the CBC are very political, but “she is obligated to respond in a totally non-political way.”
He said Trump’s comments about a 51st state create an opportunity for the CBC to be integral to Canada’s national identity.
Bouchard said when she agreed to take the job, Trump had yet to make quips about Canada becoming the 51st state.
“I didn’t know we would be in a kind of psychodrama,” she said. Bouchard said his remarks have catalyzed Canadians to come together and the CBC has a role in cementing the Canadian identity.
“When you have not-so-friendly neighbours talking about a 51st state, I think it’s really important that we focus on maintaining that strength and that distinctiveness of our culture, our common culture,” she said.
Bouchard said that “change is coming” at the CBC and she is currently touring the country to listen to a variety of voices.
The Liberal government has been criticized for failing to update CBC/Radio Canada’s 1991 mandate before Bouchard took the helm this month for a five-year term. She sat on a government-appointed panel looking at a revised mandate last year before she took the top job.
Broadcasting experts said the government should have approved a new funding model for the public broadcaster so that it does not rely on advertisements for revenue in news and current affairs programs, and to shore it up for the future.
But with the Liberal Party embroiled in a leadership race after the resignation of Justin Trudeau, and the proroguing of Parliament until Mar. 24, the chances of legislation to update the CBC’s mandate being passed before the next election are slim.
The newly appointed chief of the CBC, who has taken the reins of Canada’s public broadcaster, has spoken out about the potential consequences of dissolving the institution. In a recent interview, the chief emphasized that it would be a ‘tragedy’ to dissolve the CBC, warning that such a move could have devastating effects on the country’s TV and film sector.
The chief highlighted the important role that the CBC plays in promoting Canadian content and supporting local creators. Without the CBC, the chief argued, the Canadian TV and film industry could suffer greatly, with fewer opportunities for Canadian talent to showcase their work and limited access to Canadian stories and perspectives.
The chief’s comments come at a time when the future of the CBC has been called into question, with some critics advocating for the dissolution of the public broadcaster. However, the chief’s remarks serve as a powerful reminder of the vital role that the CBC plays in Canada’s cultural landscape, and the potential consequences of dismantling such an important institution.
As discussions about the future of the CBC continue, it is clear that the chief is committed to defending the public broadcaster and ensuring that it continues to thrive. The chief’s words serve as a rallying cry for supporters of the CBC, urging them to stand up and protect this crucial pillar of Canadian media.
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CBC chief, public broadcaster, TV and film sector, Canadian Broadcasting Corporation, media industry, government funding, cultural impact, Canadian television, public service broadcasting, Canadian content, television programming, film production, media landscape, Canadian media, public support, national broadcaster
Matthew McConaughey and Woody Harrelson reprised their roles in “True Detective” for a video pitch to the Texas Legislature called “True to Texas.”
The two are among a handful of Texan actors asking for increased funding for film incentives in Texas this legislative session. They suggest the funding increase could turn Texas into a new Hollywood and bolster the economy.
The star-studded pitch, posted on social media, features McConaughey, Woody Harrelson, Dennis Quaid, Billy Bob Thornton and Renee Zellweger. It’s inspired by the series “True Detective,” which featured McConaughey and Harrelson in season one.
But beneath the reunion that had many fans reminiscing is a deeper message to the Texas Legislature.
“This project is more than a commercial — it’s a love letter to Texas,” Quaid said. “We’ve got everything filmmakers need: world-class talent, breathtaking locations, and a state that welcomes creativity with open arms. It’s time to bring the spotlight back to Texas and show the world what we can do.”
The video shows Harrelson driving down a highway with McConaughey riding shotgun. Then, the video reveals Quaid in the backseat, handcuffed, joining in on the conversation. McConaughey then gets a phone call from Thornton and then from Zellweger.
You don’t like what Hollywood’s been dishing? Let’s take over the kitchen.
Matthew McConaughey, in the video pitch
The video sparks a conversation about how Texas film incentives can generate more money for the Texas economy.
“Every dollar from this incentive puts $4 back into the state of Texas,” McConaughey said.
Texas Lt. Gov. Dan Patrick announced his top 40 senate bills for this session on Wednesday. Among them is Senate Bill 22, “Establishing Texas as America’s Film Capital.” Another bill on the list, Senate Bill 1, which outlines the budget for the state, includes $498 million that would “revamp the Texas Film Initiative” and make Texas “the movie capital of the world” if passed.
In 2023, the Texas legislature approved $200 million in funding for the state’s film incentive program, allocated within their budget for the next two years. Now, these actors suggest that increased funding could create jobs and boost local economies.
So, McConaughey wants to know: What do you say, Texas Legislature?
Matthew McConaughey and Woody Harrelson are set to reprise their iconic roles from the hit HBO series “True Detective” in a new film ad. The actors, who starred together in the first season of the critically acclaimed show, will once again team up to bring their captivating chemistry to the screen.
Fans of the series can expect to see McConaughey and Harrelson back in action as Rust Cohle and Marty Hart, two detectives who are drawn into a dark and twisted murder investigation. The film ad, which will be directed by series creator Nic Pizzolatto, promises to capture the same gritty and intense atmosphere that made the show a massive success.
The announcement of McConaughey and Harrelson’s return to their “True Detective” roles has already generated a buzz among fans, who are eagerly anticipating the chance to see the duo back together on screen. Stay tuned for more updates on this exciting project!
Billy Crystal and Meg Ryan’sreunion has been revealed and it’s… a Super Bowl commercial!
In the new ad released Wednesday for Hellmann’s mayonnaise, the “When Harry Met Sally” co-stars are right back where it all started, sitting in New York City’s famous Katz’s Delicatessen, where one of the most iconic scenes from the 1989 film took place.
When Sally Met Hellmann’s Super Bowl commercial
“I can’t believe they let us back in this place,” Crystal says to Ryan in the commercial. When Ryan asks “Why?” Crystal says “Hello…,” nodding to the famous, hilarious deli scene from the classic.
“Nobody remembers that,” responds Ryan, shrugging off the reference.
Meg Ryan and Billy Crystal star side-by-side in a new Hellman’s mayonnaise commercial.
Hellmann’s
As Ryan and Crystal dig into their sandwiches, Ryan expresses displeasure but after she adds mayonnaise to her sandwich, she immediately begins to really enjoy the sandwich, channeling her famous excited reaction from the original film, 35 years later.
“Here we go,” responds Crystal in annoyance.
As Ryan continues, banging her hands on the table and rolling her head back, Crystal chimes in, “this one’s real.”
“Lunch and a show,” he says, addressing onlookers.
Meg Ryan and Billy Crystal star side-by-side in a new Hellman’s mayonnaise commercial.
Hellman’s
A surprise twist at the end reveals Sydney Sweeney sitting nearby who delivers the now-iconic punchline, “I’ll have what she’s having” — which was originally delivered by “When Harry Met Sally” director Rob Reiner’s mother Estelle Reiner.
The 30 second spot will air in the second quarter of the Super Bowl on Feb. 9, while a longer 60 second version will debut on social media.
“The opportunity to return to Katz’s Deli with Meg was a no brainer,” Crystal said in a statement introducing the advertisement.
“Thanks to Hellmann’s, who came up with the concept and wrote a really funny spot, we’re bringing some laughs and nostalgia and helping When Harry Met Sally celebrate its 35th Anniversary during the Big Game this year,” Crystal continued.
Ryan added in a statement, “Reuniting with Billy and stepping back into Sally’s shoes was a joy.”
Hellmann’s tapped renowned director Jake Szymanski, an alum of comedic powerhouses like “Saturday Night Live” and Funny or Die, to oversee the new spot.
In a preview event at Katz’s on Tuesday night, Szymanski said the brand “had all the right pieces in place” with Ryan, Crystal and Katz’s all signed on to create the commercial, revealing that this “was the first time either of them had been back at Katz’s since they shot the scene.”
“Obviously I’m a huge fan of the movie — the biggest thing for me when you have celebrities like this and doing something iconic, is you want to try to make something that feels like only they could have done it,” he said. “When you have good performers let them perform in a way that feels special — obviously you have to do it with Billy and Meg.”
Szymanski noted that “it’s also a commercial that I feel like integrated Hellmann’s really well, it’s not forcing itself somewhere it shouldn’t.”
A hot turkey sandwich with Hellmann’s mayo at Katz’s Deli in New York City for the brand’s new Super Bowl ad.
Hellmann’s
Hellmann’s and Katz’s also teamed up to create the “What She’s Having” Sandwich Package — a new bundle available online for nationwide delivery that includes all the ingredients and recipe to make Meg Ryan’s sandwich order, complete with Hellmann’s mayonnaise, plus Crystal’s pastrami sandwich. Each kit costs $120, with free shipping, and can feed four to six people. Limited quantities available.
Before the big game, check out a first look at Super Bowl ads featuring big stars here.
Billy Crystal and Meg Ryan, the beloved stars of the classic romantic comedy “When Harry Met Sally,” reunited for a hilarious Super Bowl ad that paid homage to their iconic film.
In the ad, Crystal and Ryan recreated the famous scene from the movie where Sally fakes an orgasm in a deli, but with a twist. This time, they were in a crowded football stadium, and Crystal’s over-the-top performance had the entire crowd in stitches.
The ad cleverly incorporated references to the original film, with Crystal’s character even ordering a sandwich with the famous line, “I’ll have what she’s having.”
Fans of “When Harry Met Sally” were delighted to see the two stars back together on screen, bringing their signature chemistry and comedic timing to the big game. It was a fun and nostalgic moment that had viewers laughing and reminiscing about the beloved romantic comedy.
Overall, the Super Bowl ad starring Billy Crystal and Meg Ryan was a delightful throwback that brought joy to fans of the film and added some humor to the game day festivities.
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