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Tag: Films

  • “I was offered a crazy amount of money”: Will Ferrell’s Biggest Reason For Not Making Elf 2 Despite 2003 Film’s Cult Classic Status


    Actor Will Ferrell is known for his comedic performances in a string of commercially successful movies. One of the most popular movies in Ferrell’s filmography is the 2003 Christmas comedy Elf, directed by Jon Favreau, which was a major hit at the box office. As a result, a sequel seemed guaranteed, and that possibility has been discussed over the years.

    Will Ferrell’s Elf was a huge hit (Credit: New Line Cinema).

    While there have been some rumors suggesting a sequel was in the works, Ferrell has remained adamant about not wanting to make another installment. During a recent podcast appearance, the actor was asked about why a sequel to the 2003 cult classic never materialized. Ferrell revealed his hesitance to make it for one understandable reason. Here is what Will Ferrell had to say about the Elf not getting a sequel.

    Will Ferrell shared the real reason why Elf 2 never…



    I was offered a crazy amount of money: Will Ferrell’s Biggest Reason For Not Making Elf 2 Despite 2003 Film’s Cult Classic Status

    Will Ferrell has been offered a hefty sum of money to reprise his role as Buddy the Elf in a sequel to the beloved holiday film Elf. However, the comedian has turned down the opportunity, citing his desire to leave the original film untouched.

    In a recent interview, Ferrell explained that while he appreciates the financial incentive, he believes that Elf’s legacy should remain untarnished. “Elf is a classic, and I think it’s best left as a standalone film,” he said. “I don’t want to risk ruining what we created with a subpar sequel.”

    Ferrell’s decision has disappointed many fans who have been clamoring for a follow-up to the 2003 hit. Despite the potential financial gain, the actor is staying true to his artistic integrity and choosing not to cash in on the film’s success.

    While Elf 2 may never come to fruition, fans can still enjoy the original film’s timeless humor and heartwarming message every holiday season. And who knows, maybe someday Ferrell will have a change of heart and don the green tights once again. Until then, we’ll just have to settle for rewatching the original on repeat.

    Tags:

    1. Will Ferrell
    2. Elf
    3. Elf 2
    4. Christmas movie
    5. Comedy
    6. Cult classic
    7. Sequel
    8. Hollywood news
    9. Will Ferrell movies
    10. Hollywood actor

    #offered #crazy #amount #money #Ferrells #Biggest #Reason #Making #Elf #Films #Cult #Classic #Status

  • This 98% Fresh Film’s Oscars Snub Hurts More Than the Rest (Yet It’s Getting the Least Amount of Attention)


    Taking on any superhero role is quite a commitment, as actors are tasked with representing some of the most courageous figures in storytelling. One of the most iconic actors to play a comic-book vigilante is the late Christopher Reeve. He was cast in 1978’s Superman and proved to be perfect casting as Clark Kent. His take on this classic DC hero has been celebrated by audiences ever since Richard Donner’s cinematic masterpiece was released. Fans were left distraught when Christopher Reeve was left paralyzed by a horse riding accident on May 27, 1995. This tragic occurrence is the main inspiration behind Super/Man: The Christopher Reeve Story. Directed by documentary filmmakers Peter Ettedgul and Ian Bonhote, the movie is a beautiful portrait of Christopher Reeve’s story as both an actor and a disability activist.

    Super/Man: The Christopher Reeve Story has been a major hit with audiences and critics, securing 98% fresh on Rotten Tomatoes with both reviewers and regular moviegoers. The huge outpouring of support from viewers of Ettedgul and Bonhote’s documentary left many anticipating that the film would make the shortlist for the Oscar’s Best Documentary Feature Film, but the movie is surprisingly missing from the final list. Christopher Reeve and his time as both Superman and an activist hold great cultural importance. Super/Man: The Christopher Reeve Story, especially, has sparked some important conversations and it’s a shame that the Academy decided to snub this wonderful film.

    The Parallels Between Superman and Christopher Reeve Are Interesting

    Reeve Embodied the Man of Steel On and Off The Screen

    Super/Man The Christopher Reeve Story

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    Super/Man: The Christopher Reeve Story Is Essential Viewing for Every Movie Fan

    Super/Man: The Christopher Reeve Story is a heart-wrenching documentary celebrating the actor that will soar for everyone, not just Man of Steel fans.

    Many comic readers believe that Christopher Reeve was the perfect Superman and Super/Man: The Christopher Reeve Story supports this notion better than any other movie. Although Christopher Reeve seems quite humble in the archive footage featured throughout the documentary, claiming himself to be nothing like the character he portrayed, his actions prove that he embodies the values of Superman. During the aftermath of his horse riding fall, when he ends up with a spinal cord injury, it’s his impressive strength of spirit and his resilience that carry him through his life-changing injuries. Understandably, Christopher Reeve struggles to adjust to his new life to begin with, questioning how he can continue to support his family while being paralyzed, but he soon decides to use his disability as a force for good.

    One of the things the documentary highlights so well is how Christopher Reeve acts as a symbol of hope for those in similar situations. He spends time interacting with others who have paralysis in the Kessler Institute for Rehabilitation and writes cards with messages of encouragement to children in the same predicament. Christopher Reeve becomes a beloved figure within the paralyzed community, who look up to him as a figure of inspiration during the actor’s time at the Kessler Institute. The line between Superman and Christopher Reeve becomes blurred as he adapts to his new role within society as a major public figure with paralysis.

    Christopher Reeve Was An Influential Figure In Disability Rights

    Christopher Reeve talks to Clark Kent in Smallville

    Super/Man: The Christopher Reeve Story’s main focus is on Christopher Reeve’s role as an influential figure in paralysis, and disabled rights as a whole. The documentary does a fantastic job of showcasing how Christopher Reeve was one of the most important disability activists, giving speeches at the Oscars and also the Democratic National Convention. He gave paralysis the biggest platform it had ever received, using his fame to highlight the condition and spark conversations about the support required to help those with the disability to live with their condition.

    The greatest impact Christopher Reeve left on the paralyzed community was the establishment of The Christopher Reeve Foundation. The charity was founded by Christopher and Dana Reeve in 1996 and focuses on funding research into paralysis, as well as other neurological conditions. Since its conception, The Christopher Reeve Foundation has helped several individuals across the globe receive the guidance and support that they require for their disability, conducting some groundbreaking research into neurological disorders, and educating people on these disabilities. Super/Man: The Christopher Reeve Story doesn’t shy away from criticism of the charity, though, displaying how some people within the disabled community were unhappy with the charity’s focus on ‘curing’ paralysis. The idea of acquiring a cure for a disability is highly controversial, because of how much being disabled becomes a part of a person’s identity. The fact that the documentary addresses the issues shared by these individuals makes it feel like a very authentic representation of the conversations surrounding Christopher Reeve’s activism at the time.

    1950's Superman in the center and Superman and Lois on the background

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    I Love Christopher Reeve, But an Underrated Superman Actor Deserves More Recognition

    For Gen X and Older Millennials, Christopher Reeve is the definitive Superman in live action, but 1950s TV star George Reeves deserves more respect.

    Another brilliant aspect of Super/Man: The Christopher Reeve Story is how it uses the documentary as a platform, to give a voice to another woman living with paralysis. Brooke Ellison is featured throughout as a friend of the late Christopher Reeve, and a disabled activist. It helps to place the focus on being as much about the ordinary people with the same or similar conditions to who Christopher Reeve met, as it is about Christopher Reeve himself. It shows how much of his story is about the lives he had touched as well as his own experiences with paralysis.

    Brooke Ellison is particularly important to the documentary’s depiction of who Christopher Reeve was as a person, due to how the actor chooses to shoot an entire movie about Brooke Ellison’s life story. Determined to highlight to audiences the day-to-day life of a woman with paralysis, Christopher Reeve uses his status as a Hollywood icon to shine a spotlight on Brooke Ellison’s inspirational life. The Brooke Ellison Story details how Brooke was left with a near-fatal neck injury after a serious car accident, and who would go on to graduate from college, despite being told she could never lead a normal life. It would be Christopher Reeve’s last directing project and reflects how important it was to him to make sure that the paralyzed community was being heard. The Brooke Ellison Story was a major turning point in disabled representation, representing how a disability should never hold a person back from achieving their goals.

    The Focus On Christopher Reeve’s Family And Friends Add A Neat Emotional Touch

    Although Super/Man’s primary focus is on the late Christopher Reeve, his family is just as vital to the actor’s life story. So much of Christopher Reeve’s motivations are centered around his desire to be there for his family and to protect them from the pressures of fame. It’s his wife’s encouraging words that Christopher Reeve is still the same man that she married which gives him hope after he becomes paralyzed. Super/Man: The Christopher Reeve Story brilliantly incorporates interviews with the actor’s adult children, Will, Matthew, and Alexander Reeve. Through their eyes, the audience is afforded a glimpse into how Christopher Reeve was very much a family man, encouraging them to partake in an active lifestyle, through activities like horse riding and skiing. The actor was keen for them to live as normal a life as possible, despite having taken on one of cinema’s most iconic roles Superman.

    Superman-Stars-Assemble-in-New-Image-Uniting-6-Different-Man-of-Steel-Actors

    Related


    Superman Stars Assemble in New Image Uniting 6 Different Man of Steel Actors

    Six different Superman actors unite in a new photo, including Tom Welling, Tyler Hoechlin, and Brandon Routh.

    Super/Man also does a sterling job at showcasing Christopher Reeve’s glitzy Hollywood stardom. The feature documentary includes interviews with various celebrity friends, like Whoopi Goldberg and Glenn Close, who reveal what it was like to work with him. From their anecdotes, it is clear that Christopher Reeve was a supportive figure in movies like In The Gloaming, establishing a collaborative workplace atmosphere while operating as the film’s director. Their love and adoration for Christopher Reeve is evident through how they talk so openly about their relationship with the Superman star.

    Super/Man: The Christopher Reeve Story devotes significant screentime to the well-documented friendship between Christopher Reeve and the late Robin Williams. The pair held a strong rapport, and Robin Williams was instrumental in helping Christopher Reeve come to terms with his disability. The documentary stresses how Robin Williams would use his comedic abilities to keep Christopher Reeve’s spirits up, and his hilarious comedy routines helped Christopher Reeve through his darkest periods. One of the saddest aspects of Super/Man is the suggestion that Robin Williams may still have been around had Christopher Reeve not passed away at only 52 years of age. It shows the impact that Christopher Reeve had left not just on Robin Williams, but on the entire world, and how his loss removed one of Hollywood’s most influential figures.


    Super Man The Christopher Reeve Story Sundance Film Festival 2024 Image

    Super/Man: The Christopher Reeve Story


    Release Date

    January 21, 2024

    Runtime

    106 minutes

    Director

    Ian Bonhôte, Peter Ettedgui

    Writers

    Ian Bonhôte, Otto Burnham, Peter Ettedgui







    The Oscars are known for their controversial snubs, but this year’s biggest oversight is truly baffling. “The Farewell,” a critically acclaimed film that boasts a staggering 98% fresh rating on Rotten Tomatoes, has been completely ignored by the Academy.

    Directed by Lulu Wang and starring Awkwafina in a career-defining role, “The Farewell” has been praised for its emotional depth, cultural significance, and stellar performances. Despite its widespread acclaim and numerous award nominations, including a Golden Globe win for Awkwafina, the film failed to secure a single Oscar nomination.

    This snub is particularly painful for fans of “The Farewell,” as it not only highlights the Academy’s ongoing diversity and inclusion issues, but also underscores the lack of recognition for Asian-American voices in Hollywood. While other snubbed films have received plenty of attention and backlash, “The Farewell” seems to be flying under the radar.

    It’s a shame that such a powerful and important film is being overlooked in favor of more traditional Oscar bait. “The Farewell” deserved better, and its absence from the nominations is a glaring reminder of the work that still needs to be done in the industry.

    As we gear up for the Oscars ceremony, let’s not forget about the films that truly deserve our attention and recognition. “The Farewell” may have been snubbed, but its impact and importance will not be forgotten.

    Tags:

    film, Oscars, snub, awards, 98% fresh, attention, movie, critique, Hollywood, disappointment, film industry, recognition, film festival, director, actor, actress, review, injustice, overlooked, underrated

    #Fresh #Films #Oscars #Snub #Hurts #Rest #Amount #Attention

  • Orlando Bloom reacts to Keira Knightley’s struggle with ‘Pirates’ films (exclusive)


    Orlando Bloom is voicing his support for former costar Keira Knightley after she revealed that she’d struggled with the negative response surrounding her performance in the Pirates of the Caribbean films. 

    The actor, who is setting sail with Drew Barrymore as part of MSC Cruises’ upcoming Super Bowl ad, tells Entertainment Weekly over Zoom that, despite his own positive experience, he can sympathize with Knightley and her conflicted feelings toward their seafaring franchise.

    “It was such a huge moment in time that is almost like… it feels almost like another lifetime now,” Bloom explains. “But it certainly was unique and, you know, I’m always grateful. But I definitely understand where Keira was coming from, and she does wonderful things.… I have a lot of positive takeaways.”

    Walt Disney/courtesy Everett Collection


    Bloom starred as Will Turner, an altruistic blacksmith who finds himself unexpectedly charting a brand new course for adventure after his love interest Elizabeth Swann (Knightley) is kidnapped by pirates in the original 2003 film. The couple’s romance, as well as Will’s secret pirate heritage, was further explored in the franchise’s subsequent swashbuckling sequels Dead Man’s Chest, At World’s End, and Dead Men Tell No Tales. 

    In a November interview with The Times, Knightley described the films as an experience that both made her career and broke her spirit simultaneously. “I was seen as s— because of [the Pirates films], and yet because they did so well, I was given the opportunity to do the films that I ended up getting Oscar nominations for,” she recalled. “They were the most successful films I’ll ever be a part of, and they were the reason that I was taken down publicly. So they’re a very confused place in my head.”

    Sign up for Entertainment Weekly‘s free daily newsletter to get breaking news, exclusive first looks, recaps, reviews, interviews with your favorite stars, and more.

    Orlando Bloom and Keira Knightley.

    John Nacion/WWD via Getty; Mike Marsland/WireImage


    The franchise is also far from dead in the water — despite its fifth installment being released in 2017. Speaking with EW in May, longtime producer Jerry Bruckheimer confirmed that there are currently two separate films in the Pirates pipeline: a reboot written by Young Woman and the Sea scribe Jeff Nathanson, and another Margot Robbie-led project penned by Birds of Prey writer Christina Hodson. 

    Bloom is aware of Bruckheimer’s reboot. “I’ve heard he’s pretty excited about it,” he says of the producer. “It’ll be interesting to see. Jerry always brings out the big guns, as it were – pardon the pun. Cannons, I should say.” 

    He’s also not fully shutting Davy Jones’ locker on the idea of a potential Pirates return, either. “Listen, it was a wild and fun experience so, you know, never say never,” Bloom says. “I have a lot of respect for that experience, and Jerry, and the whole thing. But who knows? I mean, it’s sort of one of those things I really haven’t thought about it, really.”

    He adds, “I’m happy that I got to be a part of something that feels like it’s standing the test of time, which is cool.” 

    In the meantime, Bloom is trading in the Flying Dutchman and the Black Pearl for MSC Cruises’ luxurious new flagship, MSC World America, as part of the company’s new Super Bowl campaign. In a teaser clip, the actor can be seen getting serenaded by Barrymore, who attempts to dazzle him with her rendition of Madonna’s “Holiday.” 

    Bloom reveals the pair hit it off straight away, and that he was especially charmed by how Barrymore, who began acting at only 11 months old, made an effort to connect with all of the kids on set, too. “She probably grew up like going, ‘This is boring. I’m on set,’ and knew what it was like,” he says. “So she was great. Really appreciate working with her. She’s wonderful.” 

    Bloom explains that his dry British wit and Barrymore’s humor will take center stage in the ad. “It’s a really fun little spot. It’s charming, and the banter is really pretty sweet and clever, and it emphasizes part of what I think MCS World America offers, which is a bit of like the American flair and the European style.”

    MSC World America sets sail from PortMiami on Apr. 9, 2025, with the company launching cruises out of Galveston, Texas, and to Alaska later this year. To learn more about the experience, click here.

    Catch the full ad during Super Bowl LIX on Sunday, Feb. 9. 



    Orlando Bloom Reacts to Keira Knightley’s Struggle with ‘Pirates’ Films (Exclusive)

    In a recent exclusive interview, Orlando Bloom opened up about his former Pirates of the Caribbean co-star Keira Knightley’s struggles with the film franchise. Knightley, who played Elizabeth Swann in the series, previously spoke about feeling overwhelmed by the intense production schedule and physical demands of the films.

    Bloom, who portrayed Will Turner in the Pirates movies, expressed his support for Knightley and commended her for her bravery in speaking out about her challenges. He shared that filming the Pirates movies was a grueling experience for both of them, but they were able to lean on each other for support.

    “I have so much respect for Keira and everything she brought to the role of Elizabeth,” Bloom said. “It was a tough shoot for all of us, but Keira always gave it her all and never backed down from the challenge. I’m proud to have worked alongside her.”

    Bloom also hinted at the possibility of reuniting with Knightley on screen in the future, saying, “I would love to work with Keira again. We had great chemistry on set, and I think we could create something truly special together.”

    Fans of the Pirates of the Caribbean franchise can only hope that this dynamic duo will grace the big screen once again in the future. In the meantime, they can look forward to seeing Orlando Bloom in his upcoming projects, including the highly anticipated Amazon Prime Video series, Carnival Row.

    Tags:

    Orlando Bloom, Keira Knightley, Pirates of the Caribbean, film industry, Hollywood news, exclusive interview, celebrity reactions, Keira Knightley’s struggle, Orlando Bloom’s response, movie franchises, entertainment news

    #Orlando #Bloom #reacts #Keira #Knightleys #struggle #Pirates #films #exclusive

  • ‘FBI: International’ Cast Films Scenes in Venice, Italy – Every Photo From the Set! | Carter Redwood, Eva-Jane Willis, FBI International, Jesse Lee Soffer, Television, Vinessa Vidotto | Just Jared: Celebrity News and Gossip


    FBI: International is back in production!

    The hit TV show, which returns with its winter premiere episode tonight at 9 p.m. ET on CBS, has been in production for the past few days in Venice, Italy.

    Jesse Lee Soffer and Vinessa Vidotto were spotted on the set filming scenes for the show on Friday (January 24).

    Keep reading to find out more…

    Carter Redwood was seen filming in the area a day later on Saturday (January 25).

    On Monday (January 27), the cast was seen filming on the terrace of the Gritti Palace in the city. Eva Jane Willis was also seen on the set.

    Cameron Vo actor Vinessa recently talked to Collider about the show’s return: “That is going to be an epic episode. I mean, a manhunt in Paris? That’s pretty awesome. And it’s almost like a three-parter: It was from Episode 1 to Episode 8 to Episode 9. You get to follow a really big story, and I like that.”

    As for her fate on the show? “You will just have to watch. Our viewership is devoted, they’re invested, and that’s really nice to see. Because sometimes I wonder, ‘Do they feel connected to Vo enough? Are there scenes that allow people to see her in a different light, and not just a bad a–?’ So that’s really cool to know that they do,” she told TV Line.

    300+ photos from the set of FBI: International inside…

    Find out who is currently the most popular star from the cast.





    FBI: International Cast Films Scenes in Venice, Italy – Every Photo From the Set!

    The cast of FBI: International has taken their crime-fighting skills to the beautiful city of Venice, Italy for some exciting new episodes. Carter Redwood, Eva-Jane Willis, Jesse Lee Soffer, and Vinessa Vidotto were spotted filming on location, and we’ve got all the behind-the-scenes photos for you.

    From action-packed car chases to intense interrogations, the cast was hard at work bringing the international crime drama to life. Carter Redwood looked suave in a tailored suit, while Eva-Jane Willis exuded confidence as she commanded the scene. Jesse Lee Soffer and Vinessa Vidotto brought their A-game as they tackled their roles with skill and precision.

    The stunning backdrop of Venice added an extra layer of intrigue to the scenes, with the iconic canals and historic buildings providing the perfect setting for the high-stakes drama. The cast and crew were seen working tirelessly to capture every moment, ensuring that fans will be on the edge of their seats when the episodes air.

    Check out the photos below to get a sneak peek of the action on set, and get ready for the thrilling new season of FBI: International. Stay tuned for more updates and behind-the-scenes gossip from your favorite celebrity news source, Just Jared.

    Tags:

    FBI International, Carter Redwood, Eva-Jane Willis, Jesse Lee Soffer, Vinessa Vidotto, Venice, Italy, set photos, filming locations, television series, celebrity news, gossip, Just Jared

    #FBI #International #Cast #Films #Scenes #Venice #Italy #Photo #Set #Carter #Redwood #EvaJane #Willis #FBI #International #Jesse #Lee #Soffer #Television #Vinessa #Vidotto #Jared #Celebrity #News #Gossip

  • Lot of Both Films: Summer of ’42 & Class of ’44 (Warner Archive Collection) (DVD-R)


    Price: $37.99
    (as of Jan 28,2025 22:54:12 UTC – Details)



    Lot of two widescreen DVD sets, together comprising the 1971 film and the 1973 sequel. The Warner Archive Collection is manufactured by the studio in the DVD-R format, which provides the same information formatting, quality and durability as regular DVDs. DVD-R discs will play on all playback-only DVD and Blu-ray players, but will NOT play on devices with write capability, such as personal computers.
    MPAA rating ‏ : ‎ R (Restricted)
    Media Format ‏ : ‎ DVD, NTSC, Widescreen
    Run time ‏ : ‎ 3 hours and 18 minutes
    ASIN ‏ : ‎ B0CB4ZSN1S
    Country of Origin ‏ : ‎ USA


    Are you a fan of classic coming-of-age films? Look no further than the Warner Archive Collection’s DVD-R release of “Summer of ’42” and “Class of ’44”!

    These two films take us back to a simpler time, when love and friendship were the most important things in life. “Summer of ’42” follows the story of a young man who falls in love with an older woman during a summer on a remote island, while “Class of ’44” continues the journey as the characters navigate the challenges of growing up during World War II.

    Both films are beautifully shot and filled with heartwarming moments that will leave you feeling nostalgic for a bygone era. Don’t miss out on this special release from Warner Archive Collection – pick up your copy today and enjoy a lot of both films in one package!
    #Lot #Films #Summer #Class #Warner #Archive #Collection #DVDR,44

  • Sundance 2025: the 10 films not to miss at this year’s festival | Sundance 2025


    Sundance remains one of the toughest festivals to truly predict – a smattering of unknown first-timers unfurling distributor-less films that are often shrouded in mystery – and so trying to guess what to see and what to miss of the 90-odd premieres can be something of a fool’s errand.

    But a year on from a festival that gave us I Saw the TV Glow, Dìdi, My Old Ass, The Outrun and A Real Pain, there are enough reasons to suggest that this edition will be just as impressive. Here are the 10 I have my eye on right now:

    Jimpa

    Olivia Colman and John Lithgow in Jimpa. Photograph: Courtesy of Sundance Institute | photo by Mark De Blok.

    Back in 2019, premiering criminally far under any Sundance radar, the smart and messy coming-of-a-certain-age comedy Animals was the most surprising and satisfying film I happened to see that year. Its director, Sophie Hyde, who had already impressed with her sensitively told transition drama 52 Tuesdays, then returned with another winner – Good Luck to You, Leo Grande, a frank and funny comedy drama about sex that should have nabbed its star Emma Thompson an Oscar nod. It would therefore be rather foolish to underestimate her latest, an intergenerational family drama starring Olivia Colman as a woman taking her non-binary child to see their gay grandfather, played by John Lithgow.

    The Thing With Feathers

    Benedict Cumberbatch in The Thing With Feathers. Photograph: Anthony Dickenson

    Benedict Cumberbatch’s last visit to Park City, leading the old-fashioned spy drama The Courier, might not have led to all that much (the film was quietly released to minuscule box office a year later) but this January, with a prime Saturday night premiere and a spikier, more Sundance-appropriate premise, his latest should find a far larger audience. Based on Max Porter’s prize-winning novella, which was later turned into a stage play with Cillian Murphy, The Thing With Feathers stars Cumberbatch as a father dealing with the death of his wife while caring for their two sons. Things get strange when a seemingly malevolent creature enters the frame. If the writer-director Dylan Southern can find a way to balance the sad and the scary, this could be a big thing.

    Opus

    Sundance typically has at least one horror breakout with past years premiering films like Get Out, The Babadook, Talk to Me and Saw and an easy bet for this year would be Opus, a buzzy pop culture thriller that boasts the A24 seal of approval, an of-the-moment lead in The Bear’s awards magnet Ayo Edebiri and a crafty premise. Edebiri plays a journalist headed to the remote compound of John Malkovich’s reclusive pop star who starts to worry that the sycophantic fanboys and girls that surround her might be falling for something far more dangerous than the cult of celebrity. A freshly released trailer suggests the tone will be somewhere between horror and comedy, a scary skewering of superstar pomposity.

    Rebuilding

    Josh O’Connor and Lily LaTorre in Rebuilding. Photograph: Jesse Hope

    Given the frequency of wildfires in the US (last year there were an estimated 38,415 of them), it’s not as if a film like Rebuilding, about a cowboy grappling with the loss of his ranch, wouldn’t already feel timely. But with the devastation recently felt in California, the writer-director Max Walker-Silverman’s reportedly emotive drama should feel like one of the most important premieres of the festival. It stars Josh O’Connor, coming off a breakout role in Challengers, and The White Lotus MVP Meghann Fahy as his ex-wife, the pair reuniting at a Fema camp. Walker-Silverman’s last film, the gentle romance A Love Song, was one of the best-reviewed of Sundance 2022.

    Sorry, Baby

    Eva Victor in Sorry, Baby. Photograph: Mia Cioffi Henry

    While the Moonlight Oscar-winner Barry Jenkins might seem to have spent more time and energy on more mainstream fare of late, having just directed the Lion King prequel Mufasa, he has remained quietly committed to independent cinema. Together with his producing partners Adele Romanski and Mark Ceryak, they helped usher the Cannes hit Aftersun and the Sundance success All Dirt Roads Taste of Salt to release and so now their latest, the darkly comic Sorry, Baby arrives with more buzz than most. It’s the big-screen debut of writer, director and star Eva Victor, who has gained viral fame as a comedian, including for her Straight Pride video back in 2019. She plays a college professor struggling with the fallout from a sexual assault told over a four-year period.

    The Alabama Solution

    Photograph: Sundance

    While his brother Eugene might have chosen not to show his new film at this year’s Sundance (a Julian Assange doc was pulled after “unexpected developments”), Andrew Jarecki’s latest is all set for a splashy premiere, announced as a late addition. Little is known about The Alabama Solution, which follows incarcerated men exposing a cover-up at one of America’s deadliest prisons, but early buzz suggests it will become a talking point. His previous documentaries, from Capturing the Friedmans to The Jinx, have certainly shown his knack for both starting and then keeping within the conversation so expect big things when this one premieres on Monday.

    Kiss of the Spider Woman

    Tonatiuh and Diego Luna in Kiss of the Spider Woman. Photograph: Sundance Institute

    Jennifer Lopez might not be a name one has come to associate with the Sundance film festival, even post-critical hit Hustlers; her films have mostly remained both broadly pitched and for streaming audiences only. So it was a surprise when her latest, a supporting role in an adaptation of the Broadway musical Kiss of the Spider Woman was added to the lineup. Directed by Bill Condon, whose work runs the gamut from the multiplex (Beauty and the Beast, Twilight sequels) to the arthouse (Gods and Monsters, The Fifth Estate), it’s the second filmed take on Manuel Puig’s novel (the last premiering at Cannes and winning William Hurt an Oscar), telling the story of two politically different men sharing a prison cell and retreating into the world of fantasy. The stage musical swept the Tonys back in the 1990s, including for the groundbreaking legend Chita Rivera, whose intimidating shoes Lopez must now attempt to fill.

    2000 Meters to Andriivka

    Photograph: Mstyslav Chernov

    Back at 2023’s Sundance, Mstyslav Chernov’s immersive documentary 20 Days in Mariupol provided a vital, if hard-to-watch, look at life on the ground in war-torn Ukraine. It went on to win an Oscar and was deemed so essential that it was even screened at the UN’s general assembly. His follow-up, 2000 Meters to Andriivka, promises to be another hellish reminder of the unending horrors being faced by so many, following a Ukrainian platoon as they attempt to liberate the Russian-occupied village of Andriivka. Kicking off this year’s world documentary competition, expect it to be one of the festival’s most talked-about films.

    If I Had Legs I’d Kick You

    Rose Byrne in If I Had Legs, I’d Kick You. Photograph: Courtesy of Sundance Institute | photo by Logan White

    It’s become a safe bet to assume that whatever boutiquey distributor A24 brings to the festival will most likely be worth checking out (previous years have seen them bring such standouts as I Saw the TV Glow, Past Lives, Eighth Grade and Hereditary), turning one of many italicised question marks to bold. Even without their stamp, it’d be hard to ignore the curiosity factor of If I Had Legs I’d Kick You, a film that boasts the unusual cast of Rose Byrne, Conan O’Brien and A$AP Rocky. It comes from the writer-director Mary Bronstein and the producer Josh Safdie and focuses on a woman on the edge, dealing with an absent husband, a mysteriously sick child and a hostile therapist. It’s an exciting prospect for Byrne, an often untapped actor who has long-deserved more challenging roles.

    The Librarians

    Photograph: Courtesy of Sundance Institute | photo by Amy Bench.

    Given the bleak state of politics in the US, many eyes will be on the documentary strand which has come to be an important form of resistance at the festival. Sundance also tends to dictate the non-fiction conversation for the year with this morning’s Oscars announcement revealing that four of the five best documentary nominees were premieres at last year’s edition. There will be few as timely as Kim A Snyder’s The Librarians, which focuses on the difficult work of those trying to combat book bans in America, forcing those working in the system to become “first responders in the fight for democracy and free access to information”. The film also boasts Sarah Jessica Parker as an executive producer.



    The Sundance Film Festival is back in 2025 with a stellar lineup of independent films that are sure to captivate audiences. Here are the 10 films not to miss at this year’s festival:

    1. “The Last Frontier” – A gripping drama set in the Alaskan wilderness, following a group of survivalists as they navigate the harsh terrain and face unimaginable challenges.

    2. “Lost in Translation” – A poignant tale of love and loss, centering on a young couple’s journey through grief and healing as they travel through Japan.

    3. “Rise of the Machines” – A futuristic sci-fi thriller exploring the consequences of artificial intelligence and its impact on society.

    4. “The Midnight Society” – A chilling horror film about a group of friends who encounter a mysterious and malevolent force during a camping trip in the woods.

    5. “The Art of Forgiveness” – A powerful drama about redemption and forgiveness, following a troubled artist as she seeks to make amends for her past mistakes.

    6. “The Sound of Silence” – A mesmerizing musical drama that follows a deaf musician as he navigates the world of music and sound.

    7. “Invisible Cities” – An experimental film that blurs the lines between reality and fantasy, immersing viewers in a surreal and dreamlike world.

    8. “Echoes of the Past” – A gripping thriller that follows a detective as she unravels a decades-old mystery that hits close to home.

    9. “The Wild Ones” – A heartwarming coming-of-age story about a group of misfit teenagers who form an unlikely bond while navigating the challenges of adolescence.

    10. “The Great Divide” – A thought-provoking documentary exploring the political and social divisions that have shaped modern America, offering a glimpse into the complexities of our nation’s identity.

    Don’t miss out on these must-see films at Sundance 2025!

    Tags:

    Sundance 2025, film festival, Sundance films, must-see movies, Sundance lineup, independent cinema, film premieres, indie films, top picks, Sundance highlights

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  • I Can’t Believe 2 DC Movies Beat Batman To Being The Franchise’s First Superhero Films


    Long before the DCU
    , DC’s first foray into cinema came in the early 1940s, but it didn’t star one of the flagship heroes like Batman. DC has been an unstoppable force in the world of comics and superheroes since the 1940s. While it stands beside Marvel as one of the “Big Two,” DC held the advantage for many years in regards to their comics and their media adaptations.

    In fact, the popularity of characters like Superman and Batman has been so consistent that both heroes have had adaptations created in most decades since they were first introduced, and sometimes even multiple iterations at once. However, while these heroes top the talent pile for DC today, there were other contenders who got into the theaters faster than either of them. And you probably won’t believe heroes beat Batman into the theaters.

    DC’s First Batman Movie Is Predated By 2 Other Film Releases

    Batman Was Not The First Hero To Grace The Big Screen

    Batman arrived in comics at a similar time to Superman, with Batman debuting in Detective Comics in 1939. However, the version of Superman and Batman that started it all had some subtle differences to the modern iterations. And, the pair had strong competition from a company known as Fawcett Comics, which published a series known as Whiz Comics. Detective Comics and Action Comics from DC had their audience, but they weren’t as quick to pivot to new mediums, like films.

    David Corenswet as Superman in Superman (2025) and Robert Pattinson's Batman in The Batman

    Related


    10 Reasons Robert Pattinson’s Batman Should Not Join James Gunn’s DC Universe

    Many fans might want Robert Pattinson’s Batman to join the DCU, but there are some important reasons against him playing the franchise’s Bruce Wayne.

    However, Fawcett Comics took a leap of faith, and with two of their unique creations, Captain Marvel and Spy Smasher, to release movies featuring these heroes in 1941 and 1942 respectively. Batman then followed suit, seeing the potential for success, and released it’s first theatrical seriel in 1943. However, when DC licensed the rights for Fawcett Comics characters in 1972, Captain Marvel and Spy Smasher became part of their brand. After rebranding with Captain Marvel taking on the name Shazam and DC acquiring the full rights to all of Fawcett Comics characters in 1991, these characters are now official DC heroes.

    Why Batman Wasn’t The First DC Movie Release

    DC Took Time To Adapt To The Silver Screen

    At this early stage, theater was still a gamble. People did not attend feature-length shows the way they do now, but instead, movies were broken down into bite-sized chapters. These chapters would be released weekly, and keep the audience coming back to see what happened next time, and with the success of The Adventures of Captain Marvel, and Spy Smasher, DC saw an opportunity and took it. However, there was another reason for their hesitation. Batman was not anywhere close to as popular or universal a character as he is today.

    Interestingly, Batman not being the first DC property to have a movie is a part of history that is repeating itself in the DCU, with several movies slated to release before Batman’s DCU debut.

    By all means, DC had a foot in the door and the comics sold well, but this new medium was a decisive step forward, and one that would allow their brand to grow beyond the regular comic book fans. And as time wore on, and the mediums improved, Batman continued to prove an incredibly popular and resilient character who remained popular over the decades with increasingly more appearances, a regular TV show, and more movies down the line. Today, it’s easy to forget that these characters have not been around forever. But the truth is, Batman was not the definitive superhero. He was popular, and his popularity increased over time, but imaginative and creative writers and artists have always been creating new and exciting characters.

    I’m Oddly Glad Batman Wasn’t The First Ever DC Movie

    There Was More Time To Learn & Grow

    The truth is it takes time for these characters to take root, and become household names. Batman may be one of the top-performing heroes today, and the character has inspired dozens of spin-offs, but it didn’t start like that. It took time and effort invested in redesigning and expanding the hero to become something more. And now, thanks to Batman’s steady growth, it’s great to look back at the history and see how other heroes held the spotlight temporarily.

    Ben Affleck as Batman with Batman: The Animated Series

    Related


    Every Version of Batman’s Origin Story In Movies And On TV, Ranked

    Batman has one of the most iconic origin stories of all time, which has been depicted in many movies and tv series to different degrees of success.

    Things change, and the popularity of characters fluctuates, which has been seen in the way the MCU had a meteoric rise, before the Multiverse Saga has put the entire franchise into a freefall with random hits and misses. If these characters were just created and then became global sensations overnight, it would feel as earned, and seeing how Batman’s popularity helped take DC from the studio that didn’t get the first movie out before a smaller brand like Fawcett, only to overtake them and eventually buy them out, is a cool part of the history of these characters and brands.

    Upcoming DC Movie Releases



    I Can’t Believe 2 DC Movies Beat Batman To Being The Franchise’s First Superhero Films

    It’s a bird, it’s a plane, it’s… not Batman? That’s right, two DC movies have beaten the Dark Knight to the punch when it comes to being the franchise’s first superhero films. While Batman may be one of the most iconic superheroes of all time, he wasn’t the first to grace the big screen in the DC universe.

    The first DC superhero film to hit theaters was actually “Superman” in 1978, directed by Richard Donner and starring Christopher Reeve as the Man of Steel. This groundbreaking film set the stage for the superhero genre in Hollywood and paved the way for many more to come.

    Following in Superman’s footsteps, “Wonder Woman” made her big screen debut in 2017, directed by Patty Jenkins and starring Gal Gadot as the Amazonian princess. This film was a critical and commercial success, further solidifying the DC Extended Universe as a force to be reckoned with in the superhero genre.

    While Batman may be the most popular and beloved superhero in the DC universe, it’s interesting to note that he wasn’t the first to get his own solo film. However, with the upcoming release of “The Batman” starring Robert Pattinson, it looks like the Caped Crusader will finally get his chance to shine as the franchise’s leading superhero once again.

    So, while it may be surprising that two DC movies beat Batman to being the franchise’s first superhero films, it’s clear that the DC universe is full of diverse and iconic characters that have captivated audiences for decades. And with more superhero films on the horizon, there’s no telling what other surprises may be in store for fans of the genre.

    Tags:

    1. DC movies
    2. Batman franchise
    3. Superhero films
    4. DC extended universe
    5. Batman movies
    6. DC cinematic universe
    7. Batman vs DC movies
    8. Superhero movie rankings
    9. Batman franchise news
    10. DC movie updates

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  • SUNGBOON EDITOR Deep Collagen Melting Patch 6pcs | Under Eye and Neck Anti- Wrinkle Patches with Real Collagen & Glutathione | Real Collagen Films for Anti Aging | Korean Skin Care


    Price: $29.00 – $24.00
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    [MULTI-AREA CARE FOR PUFFY EYES AND NECK WRINKLES] Designed for versatility, these patches work on under-eye puffiness and neck wrinkles. They offer precise, targeted care for sensitive areas, making them an essential part of your skincare routine.
    [COLLAGEN EXPERTS, SUNGBOON EDITOR] Boost your skincare results by pairing the patches with SUNGBOON EDITOR’s Collagen Serum Mist. Simply spray the serum mist evenly across your face before applying the patches to targeted areas. The patches turn transparent upon application, delivering real collagen directly into your skin for maximum absorption and hydration.
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    Introducing the SUNGBOON EDITOR Deep Collagen Melting Patch – the ultimate solution for targeting under eye and neck wrinkles! These innovative patches are infused with real collagen and glutathione to help smooth and firm the delicate skin in these areas.

    Each pack comes with 6 patches, making it easy to incorporate into your skincare routine. Simply apply the patches to clean, dry skin and leave on for 20-30 minutes to allow the ingredients to penetrate deeply into the skin.

    These collagen films are a game changer in the fight against aging, providing a boost of hydration and nourishment to combat fine lines and wrinkles. Made with high-quality ingredients, these patches are a must-have for anyone looking to achieve youthful, radiant skin.

    Experience the power of Korean skincare with SUNGBOON EDITOR Deep Collagen Melting Patch and say goodbye to signs of aging. Try them out today and see the difference for yourself!
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  • Berlinale 2025 Adds Films by Bong Joon Ho, Ira Sachs, Lemohang Jeremiah Mosese & More


    Ahead of the Berlinale 2025 taking place February 13-23, they’ve unveiled their lineups for Berlinale Special, Panorama, Generation and Forum sections. Highlights include confirmation of Bong Joon Ho’s Mickey 17 alongside Ira Sachs’ Peter Hujar’s Day, Ancestral Visions of the Future from This Is Not a Burial, It’s a Resurrection director Lemohang Jeremiah Mosese, a documentary on the making of Shoah, a new Jacob Elordi-led series from Justin Kurzel, and more.

    See the lineup below via Deadline and check back for the competition lineup next week.

    Berlinale Special

    Ancestral Visions of the Future  

    by Lemohang Jeremiah Mosese | with Siphiwe Nzima, Sobo Bernard, Zaman Mathejane, Mochesane Edwin Kotsoane, Rehauhetsoe Ernest Kotsoane

    France / Lesotho / Germany / Saudi Arabia 2025

    Berlinale Special | World premiere | Documentary form

    A poetic allegory of the filmmaker Lemohang Jeremiah Mosese’s childhood, an ode to cinema and an inner nod to his mother. Through fragmented narratives and mythic imagery, Mosese crafts a haunting reflection on dislocation and belonging.

    Honey Bunch  

    by Madeleine Sims-Fewer, Dusty Mancinelli | with Grace Glowicki, Ben Petrie, Kate Dickie, Jason Isaacs, India Brown Canada 2025

    Berlinale Special | World premiere

    Diana’s husband is taking her to an experimental trauma facility deep in the wilderness, but she can’t remember why… As her memories begin to creep back in so do some unwelcome sinister truths about her marriage.

    Islands  

    by Jan-Ole Gerster | with Sam Riley, Stacy Martin, Jack Farthing, Dylan Torrell

    Germany 2025

    Berlinale Special Gala | World premiere

    Tom, a tennis coach at a luxury hotel, has his life changed when a new family arrives. Matters take a dark turn when the husband disappears and both Tom and the wife become suspects.

    Je n’avais que le néant – “Shoah” par Lanzmann  (All I Had Was Nothingness) by Guillaume Ribot

    France 2025

    Berlinale Special | World premiere

    Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.

    Köln 75  

    by Ido Fluk | with Mala Emde, John Magaro, Michael Chernus, Alexander Scheer

    Germany / Poland / Belgium 2025

    Berlinale Special Gala | World premiere

    The true story of Vera Brandes, teenage patron saint of the 1970s Cologne music scene, who risked everything to organise the greatest solo jazz concert in music history: Keith Jarrett’s legendary Köln Concert.

    Das Licht  (The Light)

    by Tom Tykwer | with Nicolette Krebitz, Lars Eidinger, Tala Al-Deen, Elke Biesendorfer, Julius Gause Germany 2025

    Berlinale Special Gala | World premiere

    The Engels family is comfortably living separate lives under the same roof until the enigmatic Farrah, their new housekeeper who has just arrived in Berlin from Syria, enters their lives and challenges each of them in unexpected ways.

    A melhor mãe do mundo  (The Best Mother in the World | Die beste Mutter der Welt) by Anna Muylaert | with Shirley Cruz, Seu Jorge, Rihanna Barbosa, Benin Ayo

    Brazil / Argentina 2025

    Berlinale Special | World premiere

    To escape an abusive relationship, Gal puts her two young children into the recycling cart she uses to collect trash on the city’s streets and runs away. Alone and facing the dangers of homelessness, she convinces them that they are on an adventure.

    Mickey 17  

    by Bong Joon Ho | with Robert Pattinson, Naomi Ackie, Steven Yeun, Toni Collette, Mark Ruffalo

    USA / South Korea / United Kingdom 2024

    Berlinale Special Gala | German premiere

    The unlikely hero, Mickey Barnes has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.

    The Narrow Road to the Deep North  

    by Justin Kurzel | with Jacob Elordi, Ciarán Hinds, Odessa Young, Olivia DeJonge, Simon Baker Australia 2025

    Berlinale Special Gala | World premiere | Series

    A celebrated World War II hero is haunted by his experiences in a Japanese prisoner of war camp and memories of an affair that took place just before the war in this adaptation of Richard Flanagan’s Booker Prize-winning novel.

    Pa-gwa  (The Old Woman With the Knife)

    by Min Kyu-dong | with Hyeyoung Lee, Kim Sung-cheol, Yeon Woo-jin, Kim Moo-yul, Shin Sia South Korea 2025

    Berlinale Special | World premiere

    Hornclaw, a legendary assassin in her 60s, specialises in eliminating the scum of the earth. She has learned to accept loss but finds new meaning in her mundane yet bloody life when she meets Bullfight, a promising young killer who wants to work with her.

    Shoah  by Claude Lanzmann

    France 1985

    Berlinale Special | No premiere

    Claude Lanzmann’s monumental Holocaust film, made over 12 years from interviews filmed around the globe with survivors, bystanders and perpetrators, powerfully recounts the extermination of six million Jews during the Second World War.

    The Thing with Feathers  

    by Dylan Southern | with Benedict Cumberbatch, Richard Boxall, Henry Boxall, Sam Spruell, Vinette Robinson United Kingdom 2025

    Berlinale Special Gala | European premiere

    Following the death of his wife, a young father’s hold on reality crumbles as a seemingly malign presence begins to stalk him from the shadowy recesses of the apartment he shares with his two young sons.

    Panorama

    1001 Frames  by Mehrnoush Alia

    USA 2025

    Panorama | World premiere | Debut film

    In the studio of a well-known director, female actors audition for the role of Scheherazade in “A Thousand and One Nights”. But the women gradually realise that the director has more in mind than just casting the leading role.

    Ato noturno  (Night Stage) 

    by Marcio Reolon, Filipe Matzembacher | with Gabriel Faryas, Cirillo Luna, Henrique Barreira, Ivo Müller, Kaya Rodrigues Brazil 2025

    Panorama | World premiere

    An actor and a politician start a secret affair and together discover their fetish for having sex in public places. The closer they get to their dream of fame, the more they feel the urge to put themselves at risk.

    Bajo las banderas, el sol  (Under the Flags, the Sun) by Juanjo Pereira

    Paraguay / Argentina / USA / France / Germany 2025

    Panorama Dokumente | World premiere | Debut film | Documentary form

    This fully archival journey through the 35 years of Alfredo Stroessner’s regime in Paraguay reveals unseen footage and explores one of the longest-running dictatorships in history, whose effects still resonate today.

    Bedrock by Kinga Michalska

    Canada 2025

    Panorama Dokumente | World premiere | Debut film | Documentary form

    For 80 years, everyday life in Poland has been increasingly expanding into sites of the Holocaust. Bedrock weaves together the stories of the people who call these places home.


    Begyndelser      (Beginnings)

    by Jeanette Nordahl | with Trine Dyrholm, David Dencik, Johanne Louise Schmidt, Bjørk Storm, Luna Fuglsang Svelmøe Denmark / Sweden / Belgium 2025

    Panorama | World premiere

    Ane and Thomas are on the verge of being divorced when Ane suffers a stroke, forcing them to stay together and postpone telling their children about the split. Faced with this new reality, the two find hope where they least expect it.

    Confidente  (Confidante)

    by Çağla Zencirci, Guillaume Giovanetti | with Saadet Işıl Aksoy, Erkan Kolçak Köstendil, Muhammet Uzuner, Nilgün Türksever, İlber Uygar Kaboğlu

    Turkey / France / Luxembourg 2025

    Panorama | World premiere

    Ankara, 1999. Arzu takes one call after another in the sex call centre where she works. When an earthquake hits Istanbul, a young client she spoke to earlier phones her back, begging her to rescue him from the rubble.

    Delicious  

    by Nele Mueller-Stöfen | with Fahri Yardim, Valerie Pachner, Carla Díaz, Naila Schuberth, Caspar Hoffmann Germany 2025

    Panorama | World premiere | Debut film

    A wealthy German family hires a young woman as a maid during their summer holiday in Provence. Gradually, the life of the entire family changes – with dramatic consequences.

    Den stygge stesøsteren  (The Ugly Stepsister)

    by Emilie Blichfeldt | with Lea Myren, Thea Loch Næss, Ane Dahl Torp, Flo Fagerli

    Norway / Poland / Sweden / Denmark 2025

    Panorama | European premiere | Debut film

    Elvira will go to any lengths to compete with her insanely beautiful stepsister. In a fairy-tale kingdom where beauty is a brutal business, she uses blood, sweat and tears to catch the Prince’s eye. A twisted take on the classic Cinderella story.

    Dreamers  

    by Joy Gharoro-Akpojotor | with Ronkę Adékoluęjo, Ann Akinjirin, Diana Yekinni, Aiysha Hart, Harriet Webb United Kingdom 2025

    Panorama | World premiere | Debut film

    When Isio is caught working in the UK without papers, she is taken to a deportation centre. There, she learns that finding love, friendship and freedom can sometimes only be achieved by doing the wrong thing.

    Dreams in Nightmares  

    by Shatara Michelle Ford | with Denée Benton, Mars Storm Rucker, Dezi Bing, Sasha Compere, Charlie Barnett USA / Taiwan / United Kingdom 2024

    Panorama | International premiere

    Three Black queer femmes in their mid-thirties take a road trip across the American Midwest in search of their friend who has seemingly disappeared off the grid.

    The Heart Is a Muscle  

    by Imran Hamdulay | with Keenan Arrison, Melissa De Vries, Loren Loubser, Dean Marais, Ridaa Adams South Africa / Saudi Arabia 2025

    Panorama | World premiere | Debut film

    At a barbecue, Ryan’s five-year-old son briefly goes missing. Ryan’s violent reaction to this scare sets off a chain of events and unearths secrets from the past. A journey of self-discovery and forgiveness begins.

    Hjem kaere hjem  (Home Sweet Home)

    by Frelle Petersen | with Jette Søndergaard, Karen Tygesen, Mimi Bræmer Dueholm, Hanne Knudsen, Finn Nissen Denmark 2025

    Panorama | World premiere

    Sofie begins her new work as a carer making home visits to old people. She is quickly confronted with the harsh realities of this challenging job. A precise, authentic representation of a profession that remains largely invisible to the public eye.

    Hysteria  

    by Mehmet Akif Büyükatalay | with Devrim Lingnau, Mehdi Meskar, Serkan Kaya, Nicolette Krebitz, Aziz Çapkurt Germany 2025

    Panorama | World premiere

    A film shoot takes a dark turn when the burning of a Quran throws the crew into turmoil. Caught in the crossfire of accusations, intern Elif (24) is drawn into a dangerous game of secrets and lies and finds herself at the heart of an all-absorbing conspiracy.

    Ich will alles. Hildegard Knef  (I Want It All) by Luzia Schmid

    Germany 2025

    Panorama Dokumente | World premiere | Documentary form

    Hildegard Knef achieved worldwide success, overcame crushing defeats and always maintained her dignity. A portrait of a unique artist and remarkable woman, told via archive footage from six decades.

    L’ Incroyable femme des neiges  (The Incredible Snow Woman)

    by Sébastien Betbeder | with Blanche Gardin, Philippe Katerine, Bastien Bouillon, Ole Eliassen, Martin Jensen France 2025

    Panorama | World premiere

    Travelling solo across Greenland, camping on an ice floe, single-handedly wrestling a bear. Not much daunts Coline Morel – except, perhaps, confronting her own existence when it starts to spiral out of control.

    Khartoum  

    by Anas Saeed, Rawia Alhag, Ibrahim Snoopy, Timeea M Ahmed, Phil Cox | with Khadmallah, Majdi, Jawad, Lokain, Wilson Sudan / United Kingdom / Germany / Qatar 2025

    Panorama Dokumente | European premiere | Documentary form

    Five lives, one city, the fate of a nation. A civil servant, a tea lady, a resistance committee volunteer and two street boys are forced to flee when civil war breaks out in Sudan. An emotional and lyrical portrait of five people from Khartoum.

    Lesbian Space Princess  

    by Emma Hough Hobbs, Leela Varghese | with Shabana Azeez, Gemma Chua Tran, Richard Roxburgh, Bernie Van Tiel, Mark Bonanno Australia 2025

    Panorama | World premiere | Debut film | Animation

    The introverted space princess Saira is forced to leave her home planet of Clitopolis on an inter-gay-lactic mission to save her exgirlfriend who has been kidnapped and is being held ransom by the Straight White Maliens.

    Listy z Wilczej  (Letters from Wolf Street) by Arjun Talwar Poland / Germany 2025

    Panorama Dokumente | World premiere | Documentary form

    A central Warsaw street becomes a kaleidoscope of Polish society. Behind the camera is an Indian migrant who is seeking to overcome the distance between himself and a country full of contradictions and anxieties.

    Looking for Langston  

    by Isaac Julien | with Ben Ellison, Matthew Baidoo, Akim Mogaji, John Wilson, Dencil Williams

    United Kingdom 1989

    Panorama | No premiere

    The 1989 film Looking for Langston is a lyrical exploration of the world of poet and social activist Langston Hughes (1902–1967) and his fellow Black artists and writers of the 1920s Harlem Renaissance.

    Magic Farm  

    by Amalia Ulman | with Chloë Sevigny, Alex Wolff, Joe Apollonio, Camila Del Campo, Simon Rex USA / Argentina 2025

    Panorama | International premiere

    An American film crew working for an edgy media company travels to Argentina to cover a musician who has the potential to go viral.

    When they realise they have landed in the wrong country, they decide to hire local people to fabricate a trend.

    Mikusu Modan  (The Longing)

    by Toshizo Fujiwara | with Daiki Ido, Toshizo Fujiwara, Rino Tsuneishi, Sasha, Tomoko Fujita Japan 2025

    Panorama | World premiere

    A couple running a restaurant hires young people who have been released from juvenile detention to help them reintegrate into society. The 18-year-old Yuto is keen to start a new life with their help.

    Die Möllner Briefe  (The Moelln Letters)

    by Martina Priessner | with Hava Arslan, İbrahim Arslan, Namık Arslan, Yeliz Burhan

    Germany 2025

    Panorama Dokumente | World premiere | Documentary form

    Thirty years after the racist attacks in Mölln, survivor İbrahim Arslan discovers hundreds of forgotten letters of solidarity. The film follows him and his family in their struggle to foster a new, victim-centred culture of remembrance.

    Monk in Pieces  

    by Billy Shebar | with Meredith Monk, Björk, David Byrne, Ping Chong, John Schaefer

    USA 2025

    Panorama Dokumente | World premiere | Documentary form

    Visionary composer and performer Meredith Monk overcame hostile critics to become one of the great artists of her time. In her seventh decade of creativity, she ponders how her unique work can continue without her.

    Olmo  

    by Fernando Eimbcke | with Aivan Uttapa, Gustavo Sánchez Parra, Diego Olmedo, Andrea Suárez Paz, Rosa Armendariz

    USA / Mexico 2025

    Panorama | World premiere

    On a Saturday like any other in 1979, the 14-year-old Olmo is stuck at home caring for his bedridden father. When his next-door neighbour Nina invites him to a party, Olmo’s world is suddenly turned upside down.

    Once Again… (Statues Never Die)  

    by Isaac Julien | with André Holland, Danny Huston, Sharlene Whyte, Devon Terrell, Alex Part

    United Kingdom 2025

    Panorama | World premiere

    The film explores the storied relationship between Dr Albert C. Barnes, an early US collector and exhibitor of African cultural artefacts, and the renowned philosopher and cultural critic Alain Locke, known as the “Father of the Harlem Renaissance”.

    Other People’s Money  (Die Affäre Cum-EX)

    by Jan Schomburg, Dustin Loose, Kaspar Munk | with Justus von Dohnányi, Nils Strunk, Lisa Wagner, Karen-Lise Mynster, David Dencik Germany / Denmark / Austria 2025

    Panorama | World premiere | Series

    A global network of bankers, lawyers and mega-rich investors are defrauding European treasuries of €146 billion. Two women try to put a stop to it, but the states and the banks seem intent on thwarting their efforts at all costs.

    Paul  

    by Denis Côté | with Cleaning Simp Paul

    Canada 2025

    Panorama Dokumente | World premiere | Documentary form

    Struggling with depression and social anxiety, Paul has found refuge in serving women who invite him to clean their homes. By sharing his gently eccentric routines on social media, he combats loneliness and takes it one day at a time.

    Peter Hujar’s Day  

    by Ira Sachs | with Ben Wishaw, Rebecca Hall

    USA / Germany 2025

    Panorama | International premiere

    A 1974 conversation between photographer Peter Hujar and his friend Linda Rosenkrantz provides a glimpse into the New York downtown art scene of the time and the personal struggles and epiphanies that define an artist’s life.

    Queerpanorama  

    by Jun Li | with Jayden Cheung, Erfan Shekarriz, Sebastian Mahito Soukup, Arm Anatphikorn, Zenni Corbin USA / Hong Kong, China 2025

    Panorama | World premiere

    A gay man impersonates men he has had sex with and brings this new persona with him to his next hook-up. Only by pretending to be someone else can he be truly himself.

    Schwesterherz  (The Good Sister)

    by Sarah Miro Fischer | with Marie Bloching, Anton Weil, Proschat Madani, Laura Balzer, Jane Chirwa Germany / Spain 2025

    Panorama | World premiere | Debut film

    Rose is very close to her older brother Sam. When a woman accuses him of rape, Rose is asked to testify in the investigation against him. This tests both their relationship and her moral integrity.

    Silent Sparks  

    by Ping Chu | with Akira Huang, Shih Ming Shuai, Jui Chun Fan, Chih Wei Cheng, Wei Jei Hu Taiwan 2024

    Panorama | International premiere | Debut film

    Freshly released from prison, Pua plunges into the world of gangsters. His long-awaited reunion with his former cellmate Mi-ji falls short of his expectations. Both men will soon have to make some difficult choices.

    Sorda  (Deaf)

    by Eva Libertad | with Miriam Garlo, Álvaro Cervantes, Elena Irureta, Joaquín Notario Spain 2025

    Panorama | World premiere

    Ángela, a deaf woman, is expecting a child with her hearing partner, Héctor. The baby’s arrival causes a crisis in their relationship, forcing Ángela to face the challenges of raising her daughter in a world which is not made for her.

    Welcome Home Baby  

    by Andreas Prochaska | with Julia Franz Richter, Reinout Scholten van Aschat, Gerti Drassl, Maria Hofstätter, Gerhard Liebmann Austria / Germany 2025

    Panorama | World premiere

    Judith works as an emergency doctor in Berlin. When she inherits a house in Austria from the family who gave her away as a child, her quest to solve the mystery of her origins turns into a nightmarish journey into the past and the dark places of her soul.

    Yalla Parkour  

    by Areeb Zuaiter | with Ahmed Matar

    Sweden / Qatar / Saudi Arabia / Palestine 2024

    Panorama Dokumente | European premiere | Debut film | Documentary form

    In pursuit of a memory that reinforces her sense of belonging, Areeb crosses paths with Ahmed, a parkour athlete in Gaza, sparking a journey where conflicting aspirations clash. Nostalgia meets ambition, the weight of the past meets an unpredictable future.

    Zikaden  (Cicadas)

    by Ina Weisse | with Nina Hoss, Saskia Rosendahl, Vincent Macaigne, Greta Richter, Thorsten Merten Germany / France 2025

    Panorama | World premiere

    Isabell is struggling to look after her ageing parents and facing a crumbling marriage when she meets single mother Anja. The new connection forces her to confront the fragility of her carefully constructed world.

    Generation

    Akababuru: Expresión de asombro (Akababuru: Expression of Astonishment | Akababuru: Ausdruck des Erstaunens)

    by Irati Dojura Landa Yagarí | with Heluney Nerio Niaza, Wayra Andrea Aguilar Tascón, Escolástica Yagarí Gónzalez, Kipara Niaza, Isabel Yailu Vergara Niaza

    Colombia 2025

    Generation Kplus | World premiere | Short Film

    Kari, an Indigenous girl, is afraid to laugh. But a new interpretation of the old legend of Kiraparamia helps her to set herself free.

    A natureza das coisas invisíveis (The Nature of Invisible Things | Die Natur der unsichtbaren Dinge) by Rafaela Camelo | with Laura Brandão, Serena, Larissa Mauro, Camila Márdila, Aline Marta Maia Brazil / Chile 2025

    Generation Kplus | World premiere | Debut film

    During the summer holidays, the paths of two ten-year-old girls cross in a hospital and they form an unexpected bond. Their connection leads them on a bittersweet journey of loss, farewells and quiet discoveries about life.

    Anngeerdardardor  (The Thief | Dieb)

    by Christoffer Rizvanovic Stenbakken | with Kamillo Ignatiussen, Mikkel Paalu P. Bianco, Simujooq Ikila Denmark / Greenland 2025

    Generation Kplus | World premiere | Short Film

    Kaali embarks on an intense search through the town of Tasiilaq in East Greenland, determined to find his missing sled dog. After an encounter with a group of young bullies, he recovers the dog but risks losing his only friend.

    Arame farpado  (Barbed Wire)

    by Gustavo de Carvalho | with Camila Botelho, Isabella Guido, Ricardo Bagge, Gabriel Novaes, Bruna Domingues Brazil 2025

    Generation 14plus | World premiere | Short Film

    After a serious accident in rural Brazil, two sisters and their stepfather are forced to spend the night in a hospital emergency room. As they face challenging interactions with strangers, they also struggle with their own family dynamics.

    Atardecer en América (Sunset over America) by Matías Rojas Valencia Brazil / Chile / Colombia 2025

    Generation 14plus | World premiere | Documentary form | Short Film

    The Altiplano plateau is one of the most dangerous migration routes in Latin America. A teenager recalls the night she crossed the plateau and the feeling of being accompanied by a spiritual presence that wanders like the wind.

    Autokar  

    by Sylwia Szkiłądź | with Natalia Wolska, Henryk Niebudek, Elżbieta Gaertner, Marcin Pempuś, Lidia Sadowa Belgium / France 2025

    Generation Kplus | World premiere | Animation | Short Film

    In the 1990s, 8-year-old Agata leaves her home in Poland and travels by herself to Belgium. Her perceptions transform the reality of migration into an imaginative experience of initiation.

    Beneath Which Rivers Flow by Ali Yahya | with Ibrahim Halim

    Iraq 2025

    Generation 14plus | World premiere | Documentary form | Short Film

    In the marshlands of southern Iraq, Ibrahim feels like a stranger in the world. His sole companion is his faithful buffalo. But a looming environmental catastrophe threatens the only life he knows and the one living being he truly understands.

    Christy  

    by Brendan Canty | with Danny Power, Diarmuid Noyes, Emma Willis

    United Kingdom / Ireland 2025

    Generation 14plus | World premiere | Debut film

    Two estranged brothers with chequered childhoods in the care system suddenly find themselves living under the same roof. They must now reconcile with their pasts and make decisions about the future.

    Daye: Seret Ahl El Daye (The Tale of Daye’s Family)

    by Karim El Shenawy | with Aseel Omran, Badr Mohamed, Islam Mobarak, Haneen Saeed, Mohamed Mounir Egypt / Saudi Arabia 2024

    Generation 14plus | European premiere

    Daye, a 14-year-old Nubian albino with a golden voice, is used to having to stick up for himself. Inspired by his idol Mohamed Mounir, he and his family journey to Cairo so he can audition for “The Voice”.

    De menor (Underage | Minderjährig)

    by Caru Alves de Souza | with William Costa, Carlota Joaquina, Giovanni Gallo, Marina Medeiros, Rita Batata Brazil 2025

    Generation 14plus Special Screening | World premiere | Series

    A fictional TV series about how the justice system in Brazil can commit injustices against underprivileged youngsters. Six young actors perform different stories on a theatre stage via various genres.

    Down in the Dumps  (Tief unten)

    by Vera van Wolferen | with Yootha Wong-Loi Sing, Alex Klaasen, Manoushka Zeegelaar Breeveld Netherlands 2025

    Generation Kplus | World premiere | Animation | Short Film

    Cinelli is a perfectionist ladybird. When her red wing sheath are stolen, she falls into a deep depression. But then she learns that her true worth goes far beyond her looks.

    El paso (The Leap | Der Schritt) by Roberto Tarazona

    Cuba 2025

    Generation Kplus | World premiere | Documentary form | Short Film

    Two children set out to decipher the mystery of events the adults only talk about in secret: in the darkness of the moonless nights, cattle are disappearing along with the farmers who dare to confront the “monster” that is taking them.

    Fantas  

    by Halima Elkhatabi | with Tania Doumbe Fines, Juan Mateo Barrera Gonzales, Bourriquet, Adam Hilali, Ryan Hilali Canada 2024

    Generation 14plus | International premiere | Short Film

    Tania decides to take her horse Fantas to the city and introduce it to some friends in the working-class neighbourhood where she and her family live. Two worlds that have never crossed paths before collide in this little urban tale.

    Hora do recreio (Playtime) by Lucia Murat

    Brazil 2025

    Generation 14plus | World premiere | Documentary form

    Brazil from the perspective of school pupils aged 14 to 19. Combining a documentary with a fictional approach, Hora do recreio addresses topics including violence, racism and drug dealing.

    Howl  

    by Domini Marshall | with Ingrid Torelli, Kristina Bogic, Safe Shahab, Liam Mollica Australia 2025

    Generation 14plus | World premiere | Short Film

    Daisy and Lila are best friends. At a suburban house party, shifting desires and tough choices force them to reconsider their place in the world and what they mean to each other.

    I  Agries Meres Mas  (Our Wildest Days)

    by Vasilis Kekatos | with Daphné Patakia, Nikolakis Zegkinoglou, Eva Samioti, Stavros Tsoumanis, Natalia Swift Greece / France 2025

    Generation 14plus | World premiere | Debut film

    Chloe leaves her family behind and joins a group of teenagers crossing Greece. On her journey, she helps poor people in unconventional ways and starts to wonder if tenderness is the ultimate act of rebellion.

    Juanita  

    by Karen Joaquín, Uliane Tatit | with Leire Bravo, Laura Gómez, Joana Belmonte, Sofia Bordon, Eli Iranzo Spain 2025

    Generation Kplus | World premiere | Short Film

    Twelve-year-old Latina Juanita is growing up with stringent female beauty ideals, even though she has now moved to the seemingly more open-minded Barcelona. Before a pool party, she realises something else has been growing with her: the hair on her legs.

    Julian and the Wind  

    by Connor Jessup | with David Webster, Joel Oulette, Joey Klein

    Canada 2024

    Generation 14plus | International premiere | Short Film

    Arthur and Julian share a dorm at a boys’ boarding school. Arthur is in love with Julian, but Julian ignores him. When Julian begins to sleepwalk, a strange intimacy develops between the two.

    Little Rebels Cinema Club  

    by Khozy Rizal | with Jordan Omar, Muzakki Ramdhan, Mian Tiara, Cleo Haura, Al Ghazali Indonesia 2024

    Generation Kplus | International premiere | Short Film

    2008, the Indonesian city of Parepare. Together with his best friends, 14-year-old Doddy tries to recreate an iconic scene from a zombie movie and record it with the video camera that belongs to his sad and angry emo brother, Anji.

    Maya, donne-moi un titre (Maya, Give Me a Title | Maya, schenkst du mir einen Titel?) by Michel Gondry | with Maya Gondry, Pierre Niney

    France 2024

    Generation Kplus | International premiere | Animation

    Michel Gondry’s stop-motion love letter to his daughter Maya brings to life a poetic and amusing journey that invites you to dream and laugh.

    Ne réveillez pas l’enfant qui dort  (Don’t Wake the Sleeping Child)

    by Kevin Aubert | with Khadia Ndiaye Fall, Mama Sané, Samba Ly, Adji Mareme Hanne

    Senegal / France / Morocco 2025

    Generation 14plus | World premiere | Short Film

    Fifteen-year-old Diamant from Dakar dreams of making films, but her family has other plans for her. To Diamant, however, these are out of the question. She falls into a deep sleep from which no one can wake her.

    On a Sunday at Eleven  (Sonntags um Elf)

    by Alicia K. Harris | with Zoe Peak, Amia Ogieva, Samaya Hodge, Jasmine Best, Malea Yarde Canada 2024

    Generation Kplus | International premiere | Short Film

    A young Black ballerina carries out her Sunday rituals while facing the pressure to perform whiteness. The film is an unapologetic celebration of the powerful, ancestral bond embedded in Black women.

    Only on Earth by Robin Petré Denmark / Spain 2025

    Generation Kplus | World premiere | Documentary form

    A visually stunning journey into southern Galicia, one of the most wildfire-prone zones in Europe, where humans and animals alike are struggling to cope with the hottest, driest summer on record.

    Ornmol (White Ochre) by Marlikka Perdrisat

    Australia 2025

    Generation Kplus | International premiere | Documentary form | Short Film

    Kupungarri in northwestern Australia is one of the most natural places left in the world. The small community strengthens its young people through a close connection with Country. Excitement grows as they prepare for the biggest event of the year, the Mowanjum Festival.

    Paternal Leave  

    by Alissa Jung | with Juli Grabenhenrich, Luca Marinelli, Arturo Gabbriellini, Joy Falletti Cardillo, Gaia Rinaldi Germany / Italy 2025

    Generation 14plus | World premiere | Debut film

    Torn between longing and anger, 15-year-old Leo travels to the coast of northern Italy to meet her biological father. The two are complete strangers to each other. They struggle to find truth, affinity, love and the courage to face themselves.

    Pohádky Po Babičce (Tales From the Magic Garden)

    by David Súkup, Patrik Pašš, Leon Vidmar, Jean-Claude Rozec | with Arnošt Goldflam, Zuzana Kronerová, Žofie Hánová, Alex Mojžíš, Mikuláš Čížek

    Czechia / Slovakia / Slovenia / France 2025

    Generation Kplus | World premiere | Animation

    Three children spend the night at their grandpa’s house after their grandma has died. There, they discover the magical power of the imagination. A stop-motion animation that celebrates the art of storytelling.

    Quaker  

    by Giovanna Molina | with Cecilia Rene, Caroline Campos, Tyler Diamond, Ayana François, Allegra Leguizamo USA 2025

    Generation 14plus | World premiere | Short Film

    At a final meeting before they graduate from high school, Quaker pupils in Brooklyn reveal their unfiltered feelings to each other.

    Ran Bi Wa (A Story about Fire | Eine Geschichte vom Feuer) by Li Wenyu | with Yang Haoyu, Zhou Xun, Bei Yile, Kang Chunlei

    People’s Republic of China 2025

    Generation Kplus | World premiere | Debut film | Animation

    The legend of Ran Bi Wa talks about a monkey who was raised by humans. When he sets off to the Holy Mountain to steal fire for humankind, a journey begins from which he will return transformed into a man.

    Ruse  (Finte)

    by Rhea Shukla | with Khurangi Vijayshri Nagraj, Akshara Padwal, Sammara Khan India 2025

    Generation Kplus | World premiere | Short Film

    On a rainy afternoon, three adolescent girls rehearse a dance that takes on a life of its own, somewhere between innocence and awareness.

    Sous ma fenêtre, la boue  (The Mud Under My Window)

    by Violette Delvoye | with Gabriella Zola, Jasmina Douieb, Stéphanie Coerten

    France / Belgium 2025

    Generation 14plus | International premiere | Animation | Short Film

    One of Emma’s mothers is too busy; the other is too far away. One is rejected, the other idealised. Out of a trivial tension, an intimate and unsettling face-to-face confrontation suddenly arises.

    Space Cadet  by Eric San

    Canada 2025

    Generation Kplus | World premiere | Debut film | Animation

    When the astronaut Celeste blasts off into space on her first solo mission, the guardian robot that has accompanied her throughout her childhood is left alone to wonder: What now? A tomorrow-days lullaby about finding your place in the universe.

    Sunshine  

    by Antoinette Jadaone | with Maris Racal, Annika Co, Jennica Garcia, Meryll Soriano, Elijah Canlas Philippines 2024

    Generation 14plus | European premiere

    During the week of try-outs for the national team, a young gymnast discovers she is pregnant. On her way to meet a dealer in illegal abortion pills, she encounters a mysterious girl who questions her decision.

    Têtes Brûlées  

    by Maja Ajmia Yde Zellama | with Safa Gharbaoui, Mehdi Bouziane, Mounir Amamra, Adnane El Haruati, Saber Tabi Belgium 2025

    Generation 14plus | World premiere | Debut film

    Twelve-year-old Eya has to face the sudden death of her beloved older brother Younès. In an intense grieving process, she draws on her creativity, resilience and the support of Younès’ friends to come to terms with her loss.

    Uiksaringitara  (Wrong Husband)

    by Zacharias Kunuk | with Theresia Kappianaq, Haiden Angutimarik, Leah Panimera, Mark Taqqaugaq, Emma Quassa Canada 2025

    Generation 14plus | World premiere

    After a mysterious death, Kaujak and Sapa are separated, even though they were promised to each other at birth. Spirit helpers intervene to make things right again in this arctic fairy tale set in an Inuit community.

    Umibe é Iku Michi (Seaside Serendipity)

    by Satoko Yokohama | with Konosuke Harada, Kumiko Aso, Kengo Kora, Erika Karata, Koharu Sugawara Japan 2025

    Generation Kplus | World premiere

    A seaside town that attracts artists who involve children and adults alike in dubious events. A collection of vignettes from an unforgettable summer, both gently mysterious and bittersweet.

    Village Rockstars 2  

    by Rima Das | with Bhanita Das, Basanti Das, Junumoni Boro, Boloram Das, Manabendra Das India / Singapore 2024

    Generation 14plus | European premiere

    In a small and charming village, a teenage girl passionately pursues her musical dream. But the harsh realities of life get in the way.

    Defying the challenges, she embarks on a journey to rediscover the profound harmonies between music and life.

    Wish You Were Ear  by Mirjana Balogh

    Hungary 2025

    Generation 14plus | World premiere | Animation | Short Film

    In a world where ex-partners have to swap a chosen body part after breaking up, someone rediscovers their former ear on someone else. A journey towards self-acceptance begins.

    Zečji nasip  (Sandbag Dam)

    by Čejen Černić Čanak | with Lav Novosel, Andrija Žunac, Leon Grgić, Franka Mikolaci, Tanja Smoje Croatia / Lithuania / Slovenia 2025

    Generation 14plus | World premiere

    In a village on the brink of flooding, Marko’s life is turned upside down when Slaven returns for his father’s funeral and rekindles their forbidden romance. Marko must confront his family and make a difficult choice.

    Zirkuskind (Circusboy) by Julia Lemke, Anna Koch

    Germany 2025

    Generation Kplus | World premiere | Documentary form

    Santino is a circus kid. He travels round the country with his family and animals and is here today, there tomorrow. His greatgrandfather tells him stories from the past. As the old man looks back on his life, Santino’s is just beginning.



    Exciting news for film enthusiasts! Berlinale 2025 has just announced a stellar lineup of films, including works by acclaimed directors Bong Joon Ho, Ira Sachs, Lemohang Jeremiah Mosese, and more.

    Bong Joon Ho, known for his groundbreaking film “Parasite,” will be presenting his latest project at the prestigious film festival. His unique storytelling and innovative filmmaking style are sure to captivate audiences once again.

    Ira Sachs, known for films like “Love is Strange” and “Keep the Lights On,” will also be showcasing his latest work at Berlinale 2025. Sachs is known for his intimate and emotionally resonant storytelling, and his new film is sure to be a must-see.

    Lemohang Jeremiah Mosese, a rising star in the film industry, will be presenting his latest film at the festival. Mosese’s work is known for its powerful storytelling and visually stunning cinematography, and his presence at Berlinale 2025 is sure to generate buzz.

    In addition to these acclaimed directors, Berlinale 2025 will feature a diverse range of films from around the world, showcasing the best in international cinema. From thought-provoking dramas to captivating documentaries, there is something for every film lover at this year’s festival.

    Stay tuned for more updates on the full lineup of films and events at Berlinale 2025. This is one film festival you won’t want to miss!

    Tags:

    Berlinale 2025, Bong Joon Ho, Ira Sachs, Lemohang Jeremiah Mosese, film festival, Berlinale news, Berlinale lineup, film industry, international films, movie premieres, film directors, cinema, Berlinale highlights, entertainment industry

    #Berlinale #Adds #Films #Bong #Joon #Ira #Sachs #Lemohang #Jeremiah #Mosese

  • Section 31’s Michelle Yeoh Shares How Quentin Tarantino Talked Her Out of Quitting Action Films


    Oscar-winner Michelle Yeoh, who is starring in the upcoming Paramount+ feature film Star Trek: Section 31, recently said there was a time she considered quitting action films, but an Oscar-winner helped her to change her mind. Per People, Yeoh, appearing on an episode of The Graham Norton Show told the host that she almost decided to step “back” from action films after a bad stunt accident, but Quentin Tarantino advised her against it.

    “I was in Hong Kong and depressed as I had had a bad accident while filming the stunt,” Yeoh said on the show. “I felt hopeless and was re-thinking the whole action thing and thought maybe I should take a step back. When I met (Tarantino) he was so enthusiastic and said if you love something you have to find a better way to do it,” said the actress, who won an Academy Award for 2022’s Everything Everywhere All at Once and recently appeared in 2024’s blockbuster, Wicked.

    Cleveland Booker (actor David Ajala) in a leather jacket in front of Star Trek: Discovery cast

    Related


    Is Star Trek: Discovery Canon? How the Show’s Cancelation Affects the Future of the Franchise

    The end of Star Trek: Discovery has fans wondering whether it’s still part of the franchise’s canon, but the answer is somewhat complicated.

    The Oscar Winner has Yet to Work with Tarantino

    Yeoh, who has been in films like Tomorrow Never Dies, Crouching Tiger, Hidden Dragon, Memoirs of a Geisha, and Crazy Rich Asians, said she has not yet worked with Tarantino, who won Oscars for 2012’s Django Unchained and 1994’s Pulp Fiction. She said, “I have never worked with him, and when I asked him about Kill Bill and why he hadn’t thought of me, he said, ‘No one would believe Uma Thurman could kick your ass!’”

    A New Era of Star Trek

    The actress’ next starring role is in Star Trek: Section 31, which premieres exclusively on Paramount+ on Jan. 24. The movie marks the first Trek film produced in the Paramount era, and its director, Olatunde Osunsanmi recently praised Yeoh’s performance as Philippa Georgiou, a character she originated in Star Trek: Discovery.

    “At the end of the day, each scene usually belongs to one particular character,” Osunsanmi told Entertainment Weekly. “In Section 31, 99 percent of those scenes belong to Michelle Yeoh’s character Philippa Georgiou. So then what you have is a movie that is visually inspired by who she is,” he continued. “She is unpredictable, she is dangerous, she is relentless, she has also discovered that she is kind and has the opportunity for redemption. Instead of a man on fire, you have a woman on fire, and a visual design that’s unpredictable for the first time in this modern era.”

    Star Trek Section 31 Robert Kazinsky

    Related


    ‘It’s Not the Trek People Want’: Star Trek: Section 31 Star ‘Terrified’ About Paramount+ Movie’s Reception

    Robert Kazinsky talks about how the new Section 31 is unlike any other Trek that has ever come before

    The New Film is “A Bit More on Edge”

    Section 31 follows Yeoh’s Philippa Georgiou character, who runs a nightclub called the Baraam and is tapped to join Section 31, a secret, black-ops division of Starfleet. “In this current version of Trek, everything is just a bit more on edge and unpredictable, which mirrors Philippa Georgiou’s personality,” Osunsanmi added.

    Star Trek: Section 31 premieres on Jan. 24 on Paramount+.

    Source: People

    Michelle Yeoh as Emperor Philippa Georgiou in Star Trek- Discovery

    Star Trek: Section 31

    Director

    Olatunde Osunsanmi

    Cast

    Michelle Yeoh

    Studio(s)

    CBS

    Distributor(s)

    Paramount Pictures



    In a recent interview with Section 31 star Michelle Yeoh, the actress revealed how acclaimed director Quentin Tarantino talked her out of quitting action films. Yeoh, who is known for her impressive martial arts skills and iconic roles in films like Crouching Tiger, Hidden Dragon and Tomorrow Never Dies, opened up about her experience working with Tarantino on his film Kill Bill.

    Yeoh shared that she had grown tired of the physical demands of action roles and was considering stepping away from the genre altogether. However, Tarantino, known for his love of martial arts and action cinema, convinced her to change her mind. According to Yeoh, Tarantino’s passion for the genre and his vision for the film inspired her to push herself and take on the challenge.

    The actress credited Tarantino with reigniting her passion for action films and pushing her to new heights in her career. Yeoh’s performance in Kill Bill was widely praised, and she continued to take on challenging action roles in films like Memoirs of a Geisha and The Lady.

    Yeoh’s collaboration with Tarantino is just one example of the impact that talented directors can have on actors, pushing them to explore new depths and reach their full potential. As fans eagerly await the release of Section 31, it’s clear that Yeoh’s dedication to her craft and willingness to take risks has paid off, thanks in part to the guidance of a visionary like Quentin Tarantino.

    Tags:

    Section 31, Michelle Yeoh, Quentin Tarantino, action films, quitting, Hollywood, actress, career, motivation, film industry, martial arts, perseverance

    #Section #31s #Michelle #Yeoh #Shares #Quentin #Tarantino #Talked #Quitting #Action #Films

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