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Unrivaled unveils 1-on-1 format with $250,000 top prize
Unrivaled will crown its first one-on-one champion on Feb. 14.
The new 3-on-3 women’s basketball league announced the rules for the tournament that will be played over three days. Thirty players will be divided into four pods with the eventual champion winning $250,000. The runner-up will get $50,000, and each semifinalist will earn $25,000. Players on the winner’s 3-on-3 team will each receive $10,000.
Fans will vote for where players will be seeded in their pods, which were determined by distributing talent, position and compelling matchups.
Rounds up until the finals will be single elimination with games played to 11 points or 10 minutes, whichever is reached first.
The finals will be a best-of-three series with the winning score for each game also to 11. It will be traditional scoring with baskets worth either two or three points.
There will be a seven-second shot clock for each possession, and a player keeps the ball after scoring.
Players have unlimited fouls, though if they foul on consecutive possessions in non-shooting situations a point will be awarded to the player on offense. That player will also keep possession of the ball.
Similar to the league, a foul on a shot will result in one free throw worth the same as the attempt. So a foul on a 3-pointer would be worth three points and a 2-pointer would be worth two. A foul on a made basket would result in one extra point being awarded on a made free throw.
Brittney Griner, Stefanie Dolson, Sabrina Ionescu, Cameron Brink, Courtney Vandersloot and Angel Reese aren’t participating in the tournament.
Exciting news for all esports fans! Unrivaled, the premier gaming tournament organizer, has just announced their latest innovation in esports competition – a 1-on-1 format with a jaw-dropping $250,000 top prize.This new format is set to revolutionize the way competitive gaming is played, offering players the chance to showcase their skills in intense head-to-head matchups. With such a substantial prize pool on the line, the stakes have never been higher for esports competitors.
Unrivaled has always been at the forefront of pushing the boundaries in esports, and this new format is no exception. The organization is committed to providing the most thrilling and competitive gaming experiences for both players and fans alike.
Stay tuned for more updates on Unrivaled’s upcoming tournaments and be sure to mark your calendars for the chance to witness some of the best esports action yet. Don’t miss out on the opportunity to see who will emerge victorious and claim the coveted $250,000 top prize.
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Unrivaled, 1-on-1 format, $250,000 top prize, esports tournament, gaming competition, competitive gaming, online gaming, esports event, gaming championship, prize money, gaming industry, esports news, competitive gaming tournament
#Unrivaled #unveils #1on1 #format #top #prizeHow to Watch, Start Time, Format Explained
The Champions League league phase is nearing its conclusion as teams, players and fans all around the world prepare for the next stage of competition.
The league phase ends on Jan. 29 with all 36 teams in action on the final day with every game kicking off at 3 p.m. ET to ensure competitive integrity. By the final whistle, 24 teams will have moved on to the next stage. Of those 24, eight will advance directly to the round of 16 while the other 16 battle it out in a two-legged playoff to earn a spot in the next round of the bracket.
The draw will consist of the 16 teams that finished between ninth and 24th in the league phase. teams that finished ninth through 16th will be seeded while the teams that finished 17th through 24th go into an unseeded pool.
Opponents for the playoff are determined by final league positions. Teams that finished ninth and 10th, in an example described by UEFA, will play a team that finished 23rd or 24th.
The Champions League knockout stage bracket format. / Sports Illustrated Per UEFA, eight bowls will be prepared for the draw with balls containing the names of seeded and unseeded teams placed in pairs in corresponding bowls based on league phase placings. The draw will start with the unseeded teams being drawn to pre-determined positions in the bracket detailed above.
The draw will work backwards from the two teams that finish 23rd and 24th. The first team drawn is allocated to their reserved spot on the left side of the bracket. The other team associated with that pairing is placed on the right side of the bracket. This format will continue until all teams are paired for the playoffs.
The seeded teams will play the second leg of the playoff round at home. Teams from the same national association can play each other in the playoffs and they can also play against a team they previously faced in the league phase.
The knockout phase draw will take place Jan. 31.
The draw will take place at the House of European Football in Nyon, Switzerland.
The draw will be streamed life on UEFA’s website at 6 a.m. ET/12 p.m CET.
Each team, per UEFA, in principle will play once on a Tuesday and a Wednesday corresponding with the dates listed above.
READ THE LATEST SOCCER NEWS, PREVIEWS, PREDICTIONS, TRANSFER RUMORS AND MORE
Are you ready to watch your favorite event but not sure how to tune in or what to expect? Don’t worry, we’ve got you covered with all the information you need to know.How to Watch:
To watch the event, simply tune in to the designated channel or streaming platform that is airing the event. If you’re not sure where to find it, a quick online search or checking the event’s official website should point you in the right direction.Start Time:
The start time of the event will be clearly stated on the event’s official website or promotional materials. Make sure to double-check the start time in your local time zone to avoid missing any of the action.Format Explained:
The format of the event refers to how it will be structured and what to expect throughout the broadcast. This could include the number of rounds, heats, or matches, as well as any special rules or regulations that will be in place. Familiarizing yourself with the format will help you better understand the flow of the event and keep you engaged from start to finish.So there you have it – everything you need to know to watch, start time, and format explained. Sit back, relax, and enjoy the show!
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- Start Time
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#Watch #Start #Time #Format #Explained
Pass or fail? Did the new Champions League format work?
After eight matches played across four months, we finally know the 24 teams that will continue in the new UEFA Champions League format through to the knockout rounds.
It’s been a big departure from the old way, with those eight four-team groups having become like a trusted old friend over more than 20 years.
Top-level football in Europe had never seen anything like this before: 36 teams in one massive league table, playing only eight opponents and not on a mirrored home-and-away basis.
But has it delivered a better competition? Our writers assess its impact.
Did you love or hate the new-look Champions League?
Gabriele Marcotti: I thought it was really good. Maybe in a few years the novelty wears off and we’ll hate it. But for now, I really enjoyed it. I like the fact that smaller teams actually have winnable games. And we have more games among big teams. I think it’s silly to call it “a slog” (Is the Premier League “a slog”?) or to say all those big-budget clubs who didn’t make the top eight mailed it in (how about some credit to those who beat them?). As for the jeopardy aspect, we won’t really know until we know how the seeds play out in the sense that it’s not clear now that being 20th is much worse than being 13th.
Mark Ogden: It’s been great on Matchday 7 and 8, but that’s the problem — it shouldn’t have taken so long to become exciting. The early matchdays lacked intensity and jeopardy because the bigger clubs were coasting. The likes of Manchester City, Paris Saint-Germain, Real Madrid and Bayern Munich all made the mistake of thinking they could take it easy and cruise through, but they won’t repeat that mis-judgement next season. Credit to Celtic, Feyenoord and Aston Villa, though, for taking it seriously from day one. Qualification was their reward.
James Olley: It’s a money grab by UEFA that diluted the group stage jeopardy to the point it was hard to know what any of it really meant until near the end. That obviously made for a more uncertain climax, and the idea of having all final-round matches kick off at the same time is a good one, but those positives were outweighed by two extra matches making this stage a painfully slow burner, which ultimately contributes to widespread and valid concerns about player welfare.
Rob Dawson: Personally, I am not a fan. There’s nothing wrong with trying to revamp the format, but I’m not sure adding loads more games was the answer. More statement matches are welcome because fans want to see Manchester City against Paris Saint-Germain and Liverpool against Real Madrid. The flip side, though, has been a gruelling league phase with lots of meaningless games and very little jeopardy. The excitement around all the final league phase games kicking off at the same time is one positive. It’s just a shame there wasn’t more at stake to make it a really blockbuster night.
Beth Lindop: The new format has been a little bit of a slog, with even players and managers admitting to being unsure of the permutations of various results. That said, I think the Champions League was in need of a shake-up, and there have been some more exciting matchups thanks to the new format, even if the level of jeopardy going into the final night was perhaps not as high as it might have been.
Dale Johnson: It’s still early days, but I reckon it’s fair to say it’s only the bigger clubs that didn’t really enjoy the slog. For a lot of the clubs it has been a joy to experience a successful campaign in the Champions League, rather than simply expect to finish bottom of a four-team group with your European adventure over before Christmas. A lot of supporters didn’t really understand what was going on this season, and they’re still confused now by the knockout bracket ahead of Friday’s draw. But like all competitions, fans will come to know how it works and how important positions can be amid the drama of the final round of fixtures.
Did you prefer the new format to the old?
Johnson: For all the comments of a slog made up of meaningless games, people maybe forget how much of a ceremonial formality most of the four-team groups were. Most were effectively done and dusted by the time Matchday 4 kicked off. And by Matchday 6, you might have only a couple of positions in a couple of groups with real jeopardy. The old format had just as many, if not more, pointless matches, they were just hidden a little. At least this format has a final day where almost every match matters. That said, I think “more big games” is a false argument, as they are quite ceremonial due to the long nature of the league phase — ergo, what does one win really mean? And it’s definitely a good thing there’s now no safety net to drop into the Europa League.
Olley: No. The old format wasn’t ideal, but don’t let the pursuit of the perfect be the enemy of the good. UEFA is keen to point out the roller-coaster nature of the league table, but it is ridiculous that a team like Manchester City, for example, can still be in the competition after the campaign they’ve had. Only two of Wednesday night’s matches had no bearing on qualification, which, taken in isolation, is an obvious selling point for this format, but the price was too high: weeks of matches with minimal risk is not worth the one-night payoff.
Marcotti: One hundred percent. If you’re a top seed, in the old format, you might stomp a bottom seed, win and lose against the third seed and — presto! — you have nine points and all you need is one point from two games against the second seed. That’s not exciting. Also, with the old format, the focus in each nation used to be on whatever groups had teams from that country in it. Now, it’s more spread out. You see more teams. It feels more like a league. Not to mention the seeding pots give you less of an advantage than they did before. And that’s a good thing.
Ogden: No, because there are too many games that feel like they don’t matter and it enables clubs to qualify by doing the bare minimum. I accept we are never going back to the jeopardy of knockout games from the first round, or when we had mega groups such as Bayern, Barcelona and Manchester United in the same four-team group in 1998-99, but the new format was sadly a non-event until January.
Dawson: Not particularly. The general principal of the new format — having more big teams playing each other — is the right idea. You wouldn’t have had top seeds playing each other this early in the old format and they’re the games that generate the most excitement. The problem is that to increase the number quality of matches without significantly expanding the schedule, you have to reduce the number of participants. UEFA is never going to do that because it means fewer games and less money. Regardless of whether UEFA wants to admit it, the driving force behind the switch in format was the increased revenue.
Lindop: I do think the old format had become a little bit tired. There are definite drawbacks to the new format, chiefly that teams who have performed poorly in the league phase have been able to seal a place in the top 24 relatively comfortably. However, the group stage always felt like something of a formality for many of the top clubs, so I’m not convinced that was a better model.
2:08
Why Real Madrid wouldn’t be thrilled to face Man City in knockout stage
Alex Kirkland discusses the possibility of another Real Madrid vs. Man City showdown in the Champions League.
Who have been the biggest winners and losers of the new format?
Ogden: The biggest winners have been the clubs because they have made a lot more money from the format and that, ultimately, was the reason for the change. On a less cynical note, it’s been good for the teams that struggled to get out of the old group stage, such as Celtic, but it wasn’t designed for the mid-ranking teams to have more fun. The biggest losers? Probably the fans who have to pay for more games, most of which felt insignificant in the early stages.
Marcotti: Damn, Ogden is grumpy. Fans don’t “have to pay more” for more games, Mark. They can choose to pay more to watch the team they love two more times. Or they can choose not to. It certainly feels like midsized and smaller clubs have more of a shot than they did under the old format. And, of course, we have more knockout football. Which is what the traditionalists want, right?
Johnson: Let’s take a look at Pot 4 of this year’s draw. Three teams — Aston Villa, Brest and AS Monaco — have made it through to the UCL knockouts. Under the old format, only three teams made it in the last four editions. But this isn’t only about progress, it’s about being competitive too. Look at Celtic, who won one match in 12 in the last two editions and finished bottom of their group. This year, they won two of their first four matches. Sort of like the UEFA Nations League, giving teams more matches against teams of their own level (Pot 3 and 4) increases general competitiveness. Lille and Aston Villa are straight through to the round of 16, which would have been extremely difficult before, while the likes of Brest and AS Monaco were able to be competitive to the very last matchday.
The losers? Definitely those big clubs who missed out on the top eight and must now play two extra matches. Under the old format, with the round of 16 spread across four weeks, all UCL teams would get two midweeks of rest. But with the new knockout playoff round, AC Milan, Bayern, Borussia Dortmund, Juventus, Man City, Paris Saint-Germain and Real Madrid have to play all four midweeks. Let’s see how they approach the league phase next season.
Olley: One interesting losing group from this format is the club analysts. One high-placed source rightly pointed out to me a couple of months ago that the analysts’ workload has almost tripled, because instead of working on three group stage opponents, they now face eight. That may have been a contributing factor in the number of upsets and high-scoring games in the group stage.
Dawson: Manchester City are the biggest winners. They’ve won three games in the Champions League against Sparta Prague, Slovan Bratislava and Club Brugge and still qualified for the next round. Slovan Bratislava finished 35th in the table, Sparta Prague finished 31st and Club Brugge scraped into the playoffs by finishing 24th. The way City played in the competition, they probably deserve to be out. But UEFA has built in a safety net for the big clubs with the sheer volume of games, and City managed to save themselves at the crucial moment.
Lindop: In terms of winners, it’s nice to see some clubs that previously struggled to get out of the group stage, like Celtic and Feyenoord, have a chance to get through to the round of 16. For Champions League debutants Brest, too, the new format will surely be viewed as a big success. The biggest losers are probably the players, many of whom have had to play two extra games for very little payoff.
2:03
Why didn’t Barca rest stars vs. Atalanta?
Alex Kirkland criticizes Barcelona for poor roster management against Atalanta, arguing that the club could have benefitted from resting its star players.
What would you change to make it better?
Marcotti: I think the only people who like what I’m about to say are me and Theo Theodoridis, the UEFA general secretary. But if we want to make the seeds really relevant, we should let the top seed pick whatever opponent they like (and whether they want to play home or away first.) Second seed gets next pick and so on. Not only would it enhance the narrative, but it would also avoid freak situations where a team does well and then get stuck playing Manchester City or someone like that who happen to have underachieved and drawn a lower seed.
Lindop: The playoff concept could yet yield some interesting matchups, but the fact a team could finish 24th and end up qualifying for the round of 16 at the expense of one that finished ninth doesn’t sit quite right. It won’t happen but I would prefer it if the top 16 just went through automatically.
Ogden: Maybe find a way to cram all the games into the calendar before Christmas so that it gives the competition more momentum. I know that will cause havoc for some countries with too many games and cup competitions — hello, England! — but by making it more intense, it would help grab the attention better. The knockout stage looks great, so the tennis-draw model has worked, but it’s the journey before that which needs a tweak.
Olley: Reduce the group stage to 24 teams. Then, top eight go through, middle eight face a playoff and bottom eight are relegated. More jeopardy, higher quality, better product. Except of course that will never happen because the television revenue from more matches is too great to pass up. Which is the entire point of the change.
Dawson: The number of teams should be reduced and all the league-phase games played before Christmas. Matchday 8 was an exciting night, but it took too long to get there. It has felt like the Champions League has ambled along for months only to speed up at the last minute. The problem is that if it’s money UEFA is after, then it is going to want more and more games. That dilutes the product and serves up just as many poor games as good ones.
Johnson: I’d remove the safety net that UEFA gives to the big teams by avoiding any marquee games on Matchday 8. It appeared to give all those teams an extra insurance policy to get through. Why couldn’t we have PSG vs. Man City on the final day?
The UEFA Champions League recently underwent a major format change, with the introduction of a new Swiss model system for the group stage. This format saw teams play 10 group matches against different opponents, rather than the traditional six matches against the same teams.Now that the group stage is complete, it’s time to evaluate whether this new format was a success or a failure.
On one hand, the increased number of matches allowed for more variety in opponents and potentially more exciting matchups. It also gave smaller clubs the opportunity to face off against bigger teams, which could lead to more surprises and upsets.
However, some critics argue that the new format led to an overload of matches, causing fatigue and injuries for players. Additionally, the complexity of the Swiss model system may have confused fans and made it harder to follow the tournament.
So, did the new Champions League format pass or fail? Let us know your thoughts in the comments below.
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Champions League format review, Champions League changes assessment, UEFA Champions League update, European football tournament analysis, Soccer competition evaluation, Champions League success analysis, Soccer tournament format review, European league tournament review, Soccer competition format evaluation
#Pass #fail #Champions #League #format #workLo Mejor De La Animación WB: DC Cómics (44 Episodios) (Import Movie) (European Format – Zone 2) (2013) Dibu
Price: $29.95
(as of Jan 30,2025 17:11:19 UTC – Details)
Aspect Ratio : 1.78:1
Product Dimensions : 5.35 x 0.59 x 7.56 inches; 4.2 ounces
Media Format : DVD
Dubbed: : English, Italian, Castilian
Language : Italian (Dolby Digital 1.0), Castilian (Dolby Digital 1.0), English (Dolby Digital 1.0)
ASIN : B00CY9RWBK
Los fanáticos de la animación y los cómics estarán encantados con este increíble lanzamiento: “Lo Mejor De La Animación WB: DC Cómics”. Con un total de 44 episodios llenos de acción, aventura y emoción, esta colección es un tesoro para cualquier seguidor de DC Comics.Desde clásicos como Batman y Superman hasta personajes más recientes como Wonder Woman y Green Lantern, esta colección presenta lo mejor de lo mejor en cuanto a animación de superhéroes. Cada episodio está lleno de increíbles batallas, intrigantes tramas y personajes inolvidables que te mantendrán pegado a la pantalla.
Además, esta versión importada viene en formato europeo (Zone 2) y está disponible en DVD para que puedas disfrutar de tus superhéroes favoritos en la comodidad de tu hogar. ¡No te pierdas la oportunidad de tener esta colección en tu biblioteca de películas!
Ya sea que seas un fanático de toda la vida de DC Comics o simplemente un amante de la animación de alta calidad, “Lo Mejor De La Animación WB: DC Cómics” es una adición imprescindible a tu colección. ¡Hazte con ella hoy mismo y sumérgete en el emocionante mundo de los superhéroes de DC!
#Mejor #Animación #Cómics #Episodios #Import #Movie #European #Format #Zone #Dibu,44Champions League’s new format explained: How league phase finale will fill in the knockout bracket
The UEFA Champions League’s first-ever league phase comes to a close on Wednesday when 18 games will kick off at the same time as the push for knockout berths approaches a frenetic finish.
A series of dramatic events on Matchday 8 would be a fitting finale for the league phase, which has so far delivered a healthy dose of surprise results to the point that Manchester City and Paris Saint-Germain face elimination. Wednesday’s action will not solely be about which teams are into the next round and which ones will pack their bags and go, though. The picture for the knockout phases will become very clear once Matchday 8 comes to a close, and Friday’s draw will make the path to the Champions League final at Munich’s Allianz Arena on May 31.
Champions League expert picks, predictions, best bets on Matchday 8: Man City, PSG qualify; Barca top Atalanta
Pardeep Cattry
As the action comes thick and fast, Paramount+ will be a one-stop shop for the matchday mayhem that will come in the league phase finale. In addition to showing every game live, Paramount+ will also be the exclusive home of The Golazo Show, the whiparound show that will have eyes on all 18 games on Wednesday.
Ahead of the Matchday 8 mayhem, here’s what to know about how the new format will impact the rest of the Champions League season.
How do teams qualify for the knockouts?
In the 36-team league phase, the teams that finish in the top eight will earn a bye and qualify directly for the round of 16. Those ranked ninth through 24th will enter the first-ever knockout phase playoffs, while the teams ranked 25th or lower will be eliminated. Unlike previous editions of the Champions League, no teams will drop down to the UEFA Europa League.
Who advanced to round of 16 with top-eight finish?
- Liverpool
- Barcelona
- Arsenal
- Inter
- Atletico Madrid
- Leverkusen
- Lille
- Aston Villa
Who is playing who in playoffs?
- AS Monaco vs. Brest
- Sporting CP vs. Club Brugge
- Celtic vs. Man City
- Feyenoord vs. Juventus
- PSG vs. Benfica
- Atalanta vs. Dortmund
- Real Madrid vs. Bayern
- Milan vs. PSV
How do the knockout phase playoffs work?
Teams ranked ninth through 16th at the end of the league phase will be seeded and will be drawn against one of the unseeded teams. Each seeded team will have two potential opponents and will find out their actual foe in Friday’s draw before participating in a two-legged series.
The seeded team will host the second leg and the team with the greater aggregate score will advance to the round of 16, with extra time and penalties looming if the aggregate score is tied.
Here are the predetermined pairings for the teams that will play in the knockout phase playoffs.
- Pairing I: 9/10 vs. 23/24
- Pairing II: 11/12 vs. 21/22
- Pairing III: 13/14 vs. 19/20
- Pairing IV: 15/16 vs. 17/18
Are there away goals, and can teams from same country meet?
The away goals rule will not apply, and there will be no restriction on teams from the same country playing each other.
How does the round of 16 work?
Teams that finished the league phase ranked first through eighth will be seeded in this round, while the teams that advanced through the knockout phase playoffs will be unseeded. The rules of the previous round apply and there will also be predetermined pairings that will create the bracket. There is an added reward for the teams that finished the league phase in the top four, though – they will essentially have their own quadrants of the bracket and would not face each other until the latter stages of the competition.
Here are the predetermined pairings for the round of 16.
- Pairing A: 1/2 vs. Winner IV
- Pairing B: 3/4 vs. Winner III
- Pairing C: 5/6 vs. Winner II
- Pairing D: 7/8 vs. Winner I
Key Champions League dates
- Jan. 31: Draw for the knockout phase playoffs
- Feb. 11-Feb. 19: Knockout phase playoffs
- Feb. 21: Draw for the round of 16, quarterfinals, semifinals and final
- March 4-12: Round of 16
- April 8-16: Quarterfinals
- April 29-May 7: Semifinals
- May 31: Final
The UEFA Champions League is set to undergo a major format change starting from the 2024-2025 season. The new format will see the introduction of a league phase finale, which will determine the final teams that make it to the knockout stage of the competition.So how exactly will this new format work?
The league phase finale will consist of two groups of eight teams each, with the top four teams from each group advancing to the knockout stage. These teams will be determined based on their performance in the league phase, where all teams will play each other once.
The top two teams from each group will automatically qualify for the quarter-finals, while the third and fourth-placed teams will play in a playoff to determine the final two teams in the knockout bracket.
This new format aims to increase the competitiveness of the Champions League by ensuring that only the best-performing teams make it to the knockout stage. It also adds an extra layer of excitement and drama to the competition, as teams will have to fight until the very end to secure their spot in the next round.
Overall, the league phase finale promises to bring a new dimension to the Champions League and will undoubtedly keep fans on the edge of their seats as they watch their favorite teams battle it out for a spot in the knockout stage.
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Champions League, new format, league phase, finale, knockout bracket, UEFA, European football, soccer, tournament, group stage, quarterfinals, semifinals, final, format explained, football fans, sports news
#Champions #Leagues #format #explained #league #phase #finale #fill #knockout #bracketEuropa League knockout draw: Date, time, format, bracket
The draw for the knockout playoff round of the new-look UEFA Europa League is upon us.
But who is taking part in this draw? Why are the league phase positions so important? And when is the next draw?
Here’s how it’s going to work.
When is the draw for the knockout playoff round?
The draw for the knockout playoff round will take place on Friday at 7 a.m. ET / midday U.K. at the House of European Football in Nyon, Switzerland.
Which clubs are in Friday’s draw?
Only the 16 teams that finish in positions 9 to 24 will have an interest.
The clubs who finish in the top eight go directly through to the round of 16.
Clubs finishing 25th to 36th are eliminated.
Does it matter where you finish in the table?
Yes, because the league placings create the knockout bracket. Unlike in previous seasons, where there would be open draws, paths will be set after this phase has been completed.
The new “seeding” system means the highest-placed teams can’t face each other until the latter stages of the knockout round.
For instance, if we look at the table right now, Lazio and Eintracht Frankfurt are in first and second, and they would not be able to play each other until the final. The teams in third and fourth — currently Athletic Club and Manchester United — can’t play Lazio and Eintracht Frankfurt until the semifinals.
Finishing seventh or eighth could be seen as creating a more difficult path than being 11th or 12th, as it would mean facing first or second in the quarterfinals. Teams in 11th and 12th avoid this until the semifinals, but do have to play an extra round.
How does the knockout draw work?
In the knockout playoff round draw, teams are paired by their final position, in order (e.g. 9 and 10, 11 and 12, etc).
Of each pair, teams will be drawn into opposite halves of the bracket. For instance, 15th (Union St.-Gilloise), 16th (Ajax) will split off and cannot play each other until the final (which is the case for all pairs).
Before the draw, paired teams will have two possible opponents. If we take Union St.-Gilloise and Ajax again, they will be drawn to play either 17th (PAOK) or 18th (Real Sociedad).
The eight unseeded teams are drawn first into a position in the bracket. This starts with 23rd and 24th, and moves down to 17th and 18th. In each case the first team drawn goes into the first half of the bracket (let’s say PAOK), meaning the other club in the pair (which would be Real Sociedad) goes into the second half.
The draw then moves on to the seeded teams, continuing with 15th and 16th down to ninth and 10th. Again, the first team drawn goes into the first half of the bracket (so if that’s Ajax, they’d be playing PAOK) — which automatically creates a knockout playoff round fixture — and so on with the other paired team into the second half (which makes Union St.-Gilloise vs. Real Sociedad).
The seeded clubs will play the second leg at home.
So there’s no country protection?
Correct. Clubs from the same country can play each other from the knockout playoff round onward.
It’s also possible to draw one of the eight teams you’ve already faced — including the most recent opponents from Matchday 8.
What dates are the knockout playoff round?
First legs: Feb. 13
Second legs: Feb. 20So what about the top eight clubs?
After the knockout playoff round draw, the teams who finish inside the top eight will still have four possible opponents.
For instance, third (Athletic Club) and sixth (Man United) would still be able to play any of 13th, 14th, 19th or 20th (Rangers, AZ Alkmaar, Midtjylland, Elfsborg). This is because Athletic and Man United could yet be drawn into either half, but only into the specific paths for those fixtures.
Once the knockout playoff round is complete, and two of those clubs have been knocked out, Athletic and Man United would have two possible opponents remaining: the winners of the knockout playoff round ties.
When is the draw for the round of 16?
The round of 16 draw then takes place on Friday, Feb. 21, when Athletic and Man United would simply be drawn into opposite halves of the bracket — which would create a fixture against one of the winners of the ties involving Rangers, AZ Alkmaar, Midtjylland, Elfsborg.
The teams placed first to eighth are seeded and will be at home in the second leg.
First legs: March 6
Second legs: March 13The knockout bracket is now set through to the final.
Who gets home advantage in the quarterfinals and semifinals?
There will be one more draw, straight after the round of 16 is set, to determine the home teams in the second leg for the quarterfinals and semifinals. This is not done on league phase seeding.
The Europa League knockout draw is set to take place on Friday, December 14th at 12:00 PM CET. The draw will determine the matchups for the Round of 32, with the first legs scheduled to be played on February 14th and the second legs on February 21st.The format of the draw will see the 24 group winners from the Europa League group stage, along with the 8 third-placed teams from the Champions League group stage, drawn against each other. Teams from the same country or group cannot be drawn against each other in the Round of 32.
The knockout stage will be played in a two-legged format, with away goals and extra time used to determine the winners if the aggregate score is tied after the second leg. The winners of the Round of 32 will advance to the Round of 16, which will be drawn after the Round of 32 matches have been completed.
Stay tuned for the Europa League knockout draw to see which teams will face off in the next stage of the competition!
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#Europa #League #knockout #draw #Date #time #format #bracketCBS Evening News Unveils Its New Two-Anchor Format — How’d They Do in Their Debut?
Generate Key TakeawaysThe CBS Evening News is figuring two heads are better than one.
The Eye Network’s long-running national newscast shook up its format on Monday, introducing not one but two new anchors, with John Dickerson and Maurice DuBois each taking a seat behind the desk. It was mostly business as usual, as Dickerson and DuBois got right to work highlighting stories about artificial intelligence, the ongoing conflict in the Middle East and the L.A. wildfires. But the two joined forces at the end for an emotional editorial highlighting the bravery of firefighters across the country, with DuBois lauding their willingness “to lay down their lives for neighbors they’ve never met. There is no greater love.”
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Dickerson and DuBois were first announced as the two new anchors of the CBS Evening News in August, taking over for Norah O’Donnell, who exited the anchor’s chair earlier this month after a five-year run. Production also moved back to New York City after O’Donnell’s stint in Washington, D.C. The switch marks the first time CBS has tried two Evening News anchors since 1995, when Connie Chung ended a two-year run as co-anchor alongside Dan Rather.
O’Donnell will move into an expanded role as a CBS News senior correspondent, focusing on long-form reporting and interviews across CBS News platforms. She said goodbye to CBS Evening News last Thursday, with Oprah Winfrey popping in to congratulate O’Donnell on her tenure and narrate a highlight reel featuring interviews with everyone from Pope Francis to Dolly Parton.
How are you liking the new dual-anchor format? Give the new anchors a grade in our poll, and share your first impressions in a comment below.
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CBS Evening News made a major change this week by introducing a new two-anchor format, featuring Norah O’Donnell and John Dickerson. The decision to have two anchors leading the broadcast is a departure from the traditional solo anchor format that has been the norm for decades.The debut of the new format was met with mixed reviews from viewers and critics. Some praised the chemistry between O’Donnell and Dickerson, noting that their dynamic brought a fresh energy to the broadcast. Others, however, felt that the two-anchor setup was a bit awkward and caused the show to feel disjointed at times.
One of the main criticisms of the new format was that it seemed to lack a clear division of labor between the two anchors. Some viewers felt that O’Donnell and Dickerson were stepping on each other’s toes and struggling to find their rhythm together.
Despite the mixed reviews, CBS Evening News with Norah O’Donnell and John Dickerson did manage to hold its own in the ratings on its debut night. It will be interesting to see how the new format evolves over time and whether the network will stick with the two-anchor setup or revert back to a solo anchor in the future.
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‘CBS Evening News’ returns to NYC with collaborative format, reimagined Studio 47
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Six decades after Edward R. Murrow broadcast from CBS News’ Manhattan headquarters, Studio 47 springs back to life as the home of the “CBS Evening News.” The January 27 relaunch returns the broadcast to New York City, where anchors John Dickerson and Maurice DuBois will present from a space that connects past and present.
Inside the CBS Broadcast Center, traditional studio architecture has been replaced with an LED volume that wraps Studio 47, adjacent to the broadcaster’s main newsroom. This display technology enables anchors to interact with visual elements in real time, creating dynamic environments that adapt to each story’s needs.
The anchor desk, which incorporates design elements from Studio 57 and the program’s former Washington, D.C. home, serves as a physical bridge between audiences. It faces viewers at home and the CBS News Hub, where journalists work across digital and broadcast platforms, placing the evening news team at the heart of the network’s daily operations.
The changes extend beyond the physical space.
Dickerson and DuBois step into roles that reimagine the traditional evening news anchor, operating as collaborators who guide viewers through an extended analysis of the day’s events. The format shifts away from headline recaps toward contextual reporting that borrows storytelling techniques from “60 Minutes.”
People familiar with the new show noted to NewscastStudio that it will offer an intentional snapshot of what is happening while incorporating deeper reporting.
The source noted that viewers will see a different pace in the program, with more conversation, analysis and context.
This approach emphasizes coverage that extends beyond the coasts to tap into CBS News’ network of journalists, focusing on the implications behind major stories rather than simply recounting events.
A distinct and elegant vision guides the new design
The program’s new broadcast design supports this mission through visual elements that simplify information delivery while maintaining visual sophistication.
The overall look is best described as elegant and distinct. Deep blue hues are used in the package with a recurring dot motif that transforms into shorthand for a world map in the studio’s main video wall, a nod to the Cronkite map that has adorned multiple CBS studios.
Light leak gradients add pops of color while hinting at the CBS Eye, with golds and purples rounding out the color palette.
The graphics package employs consistent visual elements to guide viewers, such as lower thirds for correspondent names, story locations and content origins across CBS News platforms. These design elements create a systematic approach to establishing authenticity and credibility within each broadcast segment.
People familiar with the new show noted the motion graphics system takes an additive approach, building information layers while maintaining visual accessibility.
This translates into a less busy look compared to other evening newscasts, creating a sophisticated presentation style similar to those often seen outside the United States.
The design also includes transitions, with elements guiding viewers between segments.
Typographically, the updated visual identity combines two distinct elements. CBS’s Eye logo, a network signature since 1951, is paired with Commercial Type’s Publico typeface.
The combination appears throughout the broadcast and extends across CBS News digital properties, including CBSNews.com and the mobile app, creating visual continuity across all platforms.
Of course, the new graphics also draw from the “deconstructed eye” brand standard that was first rolled out in 2020.
A revamped Studio 47
The new set in Studio 47 was a collaboration between CBS News and AE Live Group, The Lighting Design Group, Jack Morton and Showman Fabricators.
The set design is relatively minimal, relying on three primary LED walls to create the space. Those walls become a canvas that can adapt to the story.
Virtual set extensions fill the video walls with warm wood tones and the wood slat motif found in other CBS studios. Faux backlit elements create a header piece with integrated can lights, adding realism and depth to the extensions while integrating the gradient colors.
The overall footprint of the studio was designed with conversation and intimacy in mind, prioritizing interaction between the anchors and reporters in the field.
These changes to Studio 47 bridge two eras: the network’s storied past in news and its vision for delivering contextual journalism in a multi-platform environment.
The relaunch of the “CBS Evening News” will reveal whether this combination of new technology, collaborative anchoring and deeper storytelling approach connects with viewers seeking more than traditional headline coverage from their evening news.
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After nearly a decade in Washington D.C., the CBS Evening News is finally returning to its roots in New York City. The iconic news program is taking on a new collaborative format, featuring multiple anchors and correspondents from different backgrounds and perspectives to deliver the most comprehensive and diverse coverage possible.In addition to the new format, CBS has also reimagined Studio 47, the home of the Evening News. The studio has been completely redesigned to provide a more immersive and interactive experience for viewers, with state-of-the-art technology and a sleek, modern aesthetic.
This exciting change marks a new chapter for the CBS Evening News, as it continues to evolve and adapt to the ever-changing media landscape. Stay tuned for more updates and be sure to tune in to the new and improved CBS Evening News for all your daily news updates.
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CBS Evening News Returns to NYC with a New Team and Format: Exclusive Behind the Scenes
CBS Evening News is returning to its New York City roots as the network reimagines its legacy broadcast in a modern era.
After more than five years in Washington, D.C., with Norah O’Donnell at the desk, the weeknight broadcast is moving back to the CBS Broadcast Center’s historic Studio 47 in Manhattan, where Dan Rather led the show for 24 years.
CBS veterans John Dickerson and Maurice DuBois were tapped to succeed O’Donnell as co-anchors of the new CBS Evening News, which premieres on Monday, Jan. 27. But the duo will be part of a regular ensemble that also includes political insight from Face the Nation moderator Margaret Brennan and immersive weather reports from chief weathercaster Lonnie Quinn.
PEOPLE spoke with the new reporting crew ahead of the show’s launch to get the inside scoop on the return to the Big Apple, the revamp of Studio 47 and the players who will bring the show to life with a bold new format each evening.
‘CBS Evening News’ co-anchors John Dickerson and Maurice DuBois in Studio 47.
CBS/Gail Schulman
The network used CBS Evening News‘ latest transition as an opportunity to refocus its storytelling approach and make high-tech upgrades to the studio, which has been out of commission and operating as a workspace since 2016.
“People have the news all day in their pockets, and we’re not trying to compete with that,” Dickerson, 56, tells PEOPLE of the team’s vision. “What we can share is the perspective that comes from the deep reporting that our correspondents do.”
He adds: “That’s a CBS News strength — our experienced correspondents and the people working on the show who have spent their lives trying to figure out how to make a complicated world understandable.”
While nightly newscasts have historically been structured as a series of packaged segments presented by a lead anchor at the desk, CBS Evening News — under the direction of incoming executive producer Guy Campanile and supervising producer Bill Owens — will put less weight on the talent in the studio and more emphasis on the stories that Dickerson and DuBois explore in live time with correspondents around the world.
“John and I will debrief our correspondents each night,” DuBois, 59, explains. “You’ll get context and insight. It will feel like people you know describing incredible things that they just witnessed. I’m excited to give our viewers nuggets of info that they won’t get anywhere else.”
The new ‘CBS Evening News’ desk in Studio 47.
CBS/Gail Schulman
As Dickerson notes, New York City is a logical place for the broadcast to be stationed. “So much flows through New York,” he says, including “finance, culture, and international stories.”
But while the CBS Broadcast Center may be home once again, the show has no plans to abandon its Washington perspective during a turbulent time in politics. That’s where Brennan, who remains deeply embedded in the nation’s capital, comes in.
“I’ve spent a good portion of my career reporting in both cities. Washington is the center of political power, where decisions are made that impact the lives of people watching our broadcasts all over the country,” Brennan, 44, says. “An educated electorate is essential to a functioning democracy, and our mission as journalists is to help inform that electorate.”
As the chief foreign affairs correspondent and moderator of Face the Nation, Brennan will share her findings from conversations with government power-players and be the broadcast’s first string for political analysis.
“I’m excited about us being able to get more in-depth pieces on the air,” she says. “This conversational new format allows our correspondents to open their reporter’s notebook and be able to explain the ‘how’ and ‘why’ of the day’s headlines.”
‘Face the Nation’ moderator Margaret Brennan will offer regular political analysis on the ‘CBS Evening News’.
CBS/Gail Schulman
With natural disasters and inclement weather becoming an increasingly important aspect of national news, Quinn — who earned local recognition as the lead weather anchor for CBS New York — will also play a core role in the broadcast’s weather coverage, utilizing a virtual reality studio to immerse viewers into the scenes that he’s describing.
“It allows me to break the mold of just pointing at maps, to interacting with state-of-the-art visuals that illustrate the weather as I report what’s happening on-the-ground,” Quinn, 61, says. “For example, when there was unimaginable snow that fell across New Orleans, I didn’t just tell the viewers about it. Because of augmented reality and virtual reality, I stood over the Louisiana coastline and walked viewers through what occurred.”
“For the last 25 years, I have been in love with my job, but I never imagined I would have the chance to explain the weather with tools like this,” he adds, calling this new opportunity the “pinnacle” of his career. “It is a weathercast that is visually stunning and interactive.”
Weathercaster Lonnie Quinn stands in the virtual reality studio used by ‘CBS Evening News’.
CBS/Gail Schulman
The dynamic new team has never worked together in quite this way, but the experience won’t be entirely new. All have contributed to the CBS Evening News before, and many have crossed paths throughout their careers.
DuBois, a longtime co-anchor at CBS News New York, has worked alongside Quinn, who did the weather reports for the local network.
Dickerson — whose mother, Nancy Dickerson, made broadcasting history in 1960 as CBS’ first female correspondent — preceded Brennan as moderator of Face the Nation.
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Most recently, in the final days before their premiere, DuBois, Dickerson and Brennan anchored a special primetime report together for the inauguration on Jan. 20.
Maurice DuBois and John Dickerson chat inside the CBS Broadcast Center.
CBS/Gail Schulman
“Everything feels organic and natural,” Quinn says of the dynamic between co-anchors Dickerson and DuBois. “I’ve been captivated just watching our rehearsals.”
“Having a partner think through the delivery of the news, what’s required to get it right, is a real benefit,” adds Dickerson, who describes himself as nervous but excited for what’s in store. “Plus, [Maurice] is very easy company. I expected him to be smart and broad-minded, but the wry wit is such a joy.”
“We’ve spent the last couple months rehearsing and planning the broadcast and learning that we’ve got a lot in common in life and in terms of what we believe matters to our viewers,” DuBois says of Dickerson. “Couldn’t ask for a better partner as we set out on this journey!”
The all-new CBS Evening News launches on Monday, Jan. 27, on CBS. Tune in at 6:30 p.m. ET or check your local listings.
CBS Evening News is making a grand return to New York City with a fresh team and revamped format. As the iconic news program prepares to take on a new chapter, we have exclusive behind-the-scenes access to give you a glimpse of what viewers can expect.The new team at CBS Evening News is led by anchor Norah O’Donnell, who brings her years of experience and journalistic expertise to the forefront. Joining her are correspondents who will provide in-depth reporting on the day’s top stories, bringing a new level of insight and analysis to viewers.
In addition to a new team, CBS Evening News will also feature a revamped format that promises to deliver a more engaging and informative viewing experience. From in-depth interviews with newsmakers to on-the-ground reporting from around the world, viewers can expect a fresh take on the day’s events.
With the return to New York City, CBS Evening News is set to bring a new energy and perspective to the world of broadcast journalism. Stay tuned for more exclusive behind-the-scenes looks at the new team and format as we count down to the premiere of CBS Evening News in its new home.
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Moon 44 (1990) ( Moon Forty Four ) [ NON-USA FORMAT, PAL, Reg.0 Import – Spain ]
Price: $26.00
(as of Jan 27,2025 19:25:49 UTC – Details)
Spain released, PAL/Region 0 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: German ( Dolby Digital 2.0 ), Spanish ( Dolby Digital 2.0 ), English ( Subtitles ), Spanish ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Interactive Menu, Scene Access, SYNOPSIS: Year 2038: The mineral resources of the earth are drained, in space there are fights for the last deposits on other planets and satellites. This is the situation when one of the bigger mining corporations has lost all but one mineral moons and many of their fully automatic mining robots are disappearing on their flight home. Since nobody else wants the job, they send prisoners to defend the mining station. Among them undercover agent Stone, who shall clear the whereabouts of the expensive robots. In an atmosphere of corruption, fear and hatred he gets between the fronts of rivaling groups. …Moon 44 (1990) ( Moon Forty Four )
MPAA rating : Unrated (Not Rated)
Package Dimensions : 7.48 x 5.31 x 0.55 inches; 3.03 ounces
Director : Roland Emmerich
Media Format : PAL, Import, Subtitled, Widescreen
Run time : 95 minutes
Actors : Malcolm McDowell, David Williamson, Michael Paré, Lisa Eichhorn, Dean Devlin
Subtitles: : English, Spanish
Producers : Moon 44 (1990) ( Moon Forty Four ), Moon 44 (1990), Moon Forty Four
Language : Spanish (Dolby Digital 2.0), German (Dolby Digital 2.0)
ASIN : B0DBNL8S84
Country of Origin : Spain
Number of discs : 1
Moon 44 (1990) is a science fiction film directed by Roland Emmerich. Set in the future, the film follows a group of convicts sent to a remote mining outpost on the moon, only to discover a sinister conspiracy that puts their lives at risk.This non-USA format, PAL, Region 0 import from Spain offers fans of the film the chance to experience it in a different viewing format. With its thrilling action sequences and dystopian setting, Moon 44 is a must-watch for any sci-fi enthusiast.
Don’t miss out on this unique import version of Moon 44, available now for purchase. Get ready to embark on a thrilling journey to the moon and uncover the secrets that lie within its dark, mysterious surface.
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