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Tag: Garland
Civil War, Annihilation, and how Alex Garland explores the dark side of humanity
From Ex Machina to Civil War, Alex Garland’s varied work as a writer-director explores the inherent flaws that make us human.
NB: The following contains spoilers for Ex Machina and Men.
It’s a sign of how gifted Alex Garland is as a storyteller that he can move between forms seemingly without effort. A pair of best-selling novels in the 1990s (The Beach, The Tesseract) led to his screenwriting work in the 2000s (28 Days Later, Sunshine, Never Let Me Go) and some videogame industry writing (Enslaved: Odyssey To The West, DmC: Devil May Cry).
It was during the difficult production of 2012’s Dredd that Garland first turned his hand to directing (albeit uncredited), before making his directorial debut with Ex Machina just over a decade ago. In the years since, Garland has continued to forge an individual path through the movie business, writing and directing movies that are uncompromising and unmistakably personal. Although different in terms of their plots and even genres, they’re all united by common themes that appear to dwell on the filmmaker’s mind. One particularly insistent element is the human capacity for self-destruction.
You can see it running right through Civil War, Garland’s unsparing dystopian action thriller from 2024. It’s set in a United States in which the President (Nick Offerman) has set himself up as a dictator; a bitter fight has broken out between federal forces on one side and a secessionist coalition on the other. Garland doesn’t dwell on political allegiances; instead, he depicts the conflict’s broader societal cost.
The war has left the economy in such a state that the dollar is essentially worthless; cities are rocked by suicide bombings. In the countryside, Americans are torturing their old high school buddies, or tipping the bodies of innocent civilians into mass graves. Garland depicts war as a sickness – the final, terminal stage of a disease whose early symptoms likely include populism, fake news and increasing division.
Cailee Spaeny in Civil War. Credit: A24. Read more: Civil War | Alex Garland makes his own Heart Of Darkness
Garland explores the human condition more closely through his ensemble cast. Three of them are seasoned professionals – war photojournalist Lee (Kirsten Dunst); New York Times reporter Sammy (Stephen McKinley Henderson) and Reuters hack Joel (Wagner Moura). Joining the group is Jessie (Cailee Spaeny), a budding photojournalist.
Their stated goal is to travel across war torn America from New York to Washington DC, where they hope to capture the President’s final moments before he’s violently deposed. Beneath that professional ambition, they’re driven by more base instincts they may not even be aware of.
Joel is a thrill-seeker who gets an adrenaline rush from passing through near-death experiences unscathed. Sammy, an older gent who gets about with the help of a cane, has resigned himself to the dangerous nature of his job; his sentiment appears to be that he’s going to die at some point, so it may as well be in pursuit of something worthwhile. At the other end of the age spectrum, 20-something Jessie is driven by both her youthful ambition and misplaced feeling of indestructibility – as demonstrated in the sequence where she clambers from one moving vehicle to another.
Darkest of the lot is Lee, whose experiences in overseas battle zones have left her shell-shocked and cynical about the value of her own journalism. Focused on her work with almost aggressive single-mindedness, Lee’s resignation to the danger of her livelihood goes beyond Sammy’s and into the arena of self-destruction – there’s the sense, in both her dialogue and hollow-eyed demeanour, that she not only accepts that this latest assignment could kill her, but subconsciously hopes that it will.
Kirsten Dunst Civil War. Credit: A24 Read more: Civil War | How political is Alex Garland’s film?
There are parallels between Civil War and Alex Garland’s 2018 feature Annihilation here. Based on the novel by Jeff Vandermeer, Annihilation is about another group of people embarking on a mission with an uncertain end point. A mysterious forcefield – an alien phenomena dubbed the Shimmer – envelops the coast off Florida, exerting an otherworldly effect on everything in its reach.
A scientific expedition is dispatched to go into the Shimmer to try to learn more about it, and like the group in Civil War, they’re driven by something more than just curiosity. Protagonist Lena (Natalie Portman) is wracked with guilt because her soldier husband Kane (Oscar Isaac) ventured into the Shimmer months earlier and subsequently died. Kane’s decision to enter the Shimmer was fuelled partly by his sense of betrayal over Lena having an affair – as a result, Lena blames herself for his fate.
Lena’s compatriots have similarly bleak backstories. One scientist (Jennifer Jason Leigh) is terminally ill; another (Tessa Thompson) suffers from a history of depression and self-harm; still another (Gina Rodriguez) is grief-stricken following the death of her child. Viewed from the perspective of its characters, the meaning of the title ‘Annihilation’ becomes clear: the film is about the self-destructive instincts that reside in us, and that may even be hardwired into our DNA.
Read more: Ex Machina could have starred Jake Gyllenhaal
Hints of this same sentiment are threaded into Garland’s 2014 debut, Ex Machina. Oscar Isaac plays reclusive tech CEO Nathan Bateman, who may or may not have created a sentient AI in the shape of the female-looking android, Ava (Alicia Vikander). Young programmer Caleb (Domhnall Gleeson) wins a competition to visit Bateman’s sleekly minimal home, which is part bachelor pad, part lab and part fortress. There, Caleb is given the secret reason for his visit: to determine whether Ava is truly intelligent and self-aware, as the rest of us are, or is simply an advanced parlour trick.
Alicia Vikander in Ex Machina. Credit: Universal. Garland very deliberately presents Bateman as a darkly flawed personality – secretive, perhaps a bit paranoid, and prone to heavy drinking sessions for which he atones by lifting heavy weights the following morning. Bateman’s dogged pursuit of sentient AI – something real-world scientists are pursuing as these words are typed – could itself be seen as self-destructive; like the invention of the atom bomb, we know it could cause terrible harm, but it’s pursued regardless, like some kind of collective death urge. (AI also forms a part of Garland’s underrated TV series, Devs, which is well worth seeing.)
Of the films discussed so far, 2022’s Men might seem rather out of sync. A small-scale folk horror set in a remote country house, it’s a world apart from the Heart Of Darkness-inspired journeys of Civil War or Annihilation, or the high-tech claustrophobia of Ex Machina. But even here, we’re essentially peering into the psyche of a woman torn apart by guilt. Like Annihilation’s Lena, Men protagonist Harper (Jessie Buckley) is tormented by memories of her late husband, a depressive and emotionally manipulative figure whose influence still affects Harper’s every waking moment. Or is what we’re seeing her nightmare…?
Read more: Men review | Psychological terror and grotesque thrills
Garland’s films constantly probe at the darker edges of the human condition. To be sentient, Garland seems to suggest, is to be inherently flawed, naturally compromised, innately self-destructive.
When this writer briefly met the writer-director a decade ago, something he said about AI might offer an insight into how his films deconstruct the human condition. While talking about what was then his latest work, Ex Machina, Garland referenced a line from the film about advanced computer programs that are capable of beating humans at chess.
Jessie Buckley stars in Men. Credit: A24. “It [the computer] seems to be wanting to beat you at chess, but it doesn’t want to beat you,” Garland said. “It doesn’t want anything. It doesn’t actually know it’s playing chess, right? Computers make you confront that kind of problem, and make you think about it. I’ve always been interested in that.”
Garland then added that a friend of his, who he said was ‘knowledgeable’ about the subject, held the opinion that sentient AI would never happen. Garland thought the opposite: “Instinctively, I think there will be,” he said. “And also rationally, I think there will be. We used to argue about that a lot over the years.”
It’s interesting to flip Garland’s philosophy around: if a non-sentient computer doesn’t want to win, then humans, by contrast, are driven by wants and desires from the minute we open our eyes in the morning. Even beyond our everyday need for food and water, we crave human connection; we search for validation; through self-destructive behaviours, we seek escape.
In Ex Machina, the male characters realise – too late to save themselves – that the AI in their midst really has achieved sentience. How do they learn this? Because the AI – as embodied by Ava and another female-looking robot, Kyoko (Sonoya Mizuno) – uses cunning and even murder in order to escape.
To be truly sentient, Garland suggests, is to have needs and desires beyond mere programming. And if we ever do create a sentient machine, then it follows that the entity we’ve made will inherit the darker impulses that make us human.
As Oscar Isaac’s character says in Ex Machina, “I gave her one way out. To escape, she’d have to use self-awareness, imagination, manipulation, sexuality, empathy, and she did. Now, if that isn’t true AI, what the fuck is?”
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In his films “Civil War” and “Annihilation,” writer and director Alex Garland delves deep into the darkest corners of humanity, exploring the brutality, violence, and destruction that can arise from conflict and the unknown.In “Civil War,” Garland takes us to a near-future world where society has collapsed into chaos and bloody civil war. The film follows a group of survivors as they navigate this brutal landscape, facing betrayal, loss, and the moral complexities of war. Garland doesn’t shy away from depicting the horrors of conflict, showcasing the toll it takes on individuals and society as a whole.
In “Annihilation,” Garland shifts his focus to the unknown and the terrifying. The film follows a team of scientists as they enter a mysterious, otherworldly zone known as “The Shimmer.” As they explore this strange and beautiful landscape, they are confronted with their own fears, desires, and inner demons. Garland expertly weaves together themes of self-destruction, annihilation, and transformation, challenging viewers to confront the darkness within themselves.
Through his films, Garland forces us to confront the darker aspects of humanity – our capacity for violence, our fear of the unknown, and our destructive tendencies. By exploring these themes in such a raw and unflinching way, he pushes us to question our own beliefs and actions, and to consider the consequences of our choices.
In a world that often seems mired in conflict and uncertainty, Garland’s films serve as a stark reminder of the darkness that lies within us all. By shining a light on these shadowy corners of the human experience, he challenges us to confront our own darkness and strive for a better, more compassionate world.
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Civil War, Annihilation, Alex Garland, dark side of humanity, exploration, film analysis, psychological thriller, sci-fi, dystopian, human nature, social commentary, existential crisis.
#Civil #War #Annihilation #Alex #Garland #explores #dark #side #humanityCivil War, Annihilation, and how Alex Garland explores the dark side of humanity
From Ex Machina to Civil War, Alex Garland’s varied work as a writer-director explores the inherent flaws that make us human.Nb: The following contains spoilers for Ex Machina and Men.
It’s a sign of how gifted Alex Garland is as a storyteller that he can move between forms seemingly without effort. A pair of best-selling novels in the 1990s led to his screenwriting work in the 2000s and some videogame industry writing.
It was during the difficult production of 2012’s Dredd that Garland first turned his hand to directing (albeit uncredited), before making his directorial debut with Ex Machina just over a decade ago. In the years since, Garland has continued to forge an individual path through the movie business, writing and directing movies that are uncompromising and unmistakably personal. Although different in terms of their plots and even genres, they’re all united by common themes…
In his films “Ex Machina” and “Annihilation,” director Alex Garland delves into the darkest corners of the human psyche, exploring themes of power, control, and destruction. Drawing on elements of science fiction and horror, Garland presents a chilling vision of a future where technology and nature collide, leading to devastating consequences.In “Ex Machina,” Garland examines the ethical implications of artificial intelligence and our desire to play god. The film follows a young programmer who is selected to participate in a Turing test with an advanced AI named Ava. As the programmer becomes more entangled in Ava’s world, he begins to question his own humanity and the consequences of his actions. Garland expertly weaves a narrative that forces the audience to confront the darker aspects of human nature, including manipulation, deceit, and the desire for control.
In “Annihilation,” Garland takes a different approach, exploring the destructive nature of humanity and our impact on the environment. The film follows a group of scientists who enter a mysterious zone known as “The Shimmer,” where the laws of nature are distorted and mutated. As the scientists unravel the mysteries of The Shimmer, they come face to face with their own inner demons and discover the true extent of their destructive tendencies.
Through his work, Garland forces us to confront the dark side of humanity and the consequences of our actions. By blending elements of science fiction and horror, he creates a haunting and thought-provoking exploration of the human condition. As we continue to grapple with issues of power, control, and destruction in our own world, Garland’s films serve as a stark reminder of the dangers that lie within us all.
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Civil War, Annihilation, Alex Garland, dark side of humanity, exploration, sci-fi, film analysis, psychological thriller, human nature, dystopian society, technology, mind-bending, existential dread, thought-provoking, societal collapse, human survival, narrative complexity.
#Civil #War #Annihilation #Alex #Garland #explores #dark #side #humanitySpurs Have Previously Made Trade Inquires On LaMelo Ball Darius Garland
The San Antonio Spurs have registered interest in both Darius Garland and LaMelo Ball during previous transaction cycles, sources tell Jake Fischer. San Antonio is now linked to De’Aaron Fox, who has identified them as his preferred destination.
The Spurs called the Cleveland Cavaliers last June on Garland when they still owned the No. 4 and No. 8 pick in the draft. The Cavaliers did not reciprocate much interest in discussing a Garland trade at that time.
The Charlotte Hornets similarly never invited trade inquiries on Ball, who is having a bounce back 24-25 season.
The Spurs have also had some level of interest in Josh Giddey as they look for a playmaker to pair with Victor Wembanyama.
The San Antonio Spurs have reportedly shown interest in trading for young point guards LaMelo Ball and Darius Garland in the past, according to league sources.Both Ball and Garland have shown promise early in their careers, with Ball winning the Rookie of the Year award in the 2020-2021 season and Garland improving his game significantly in his second year with the Cleveland Cavaliers.
The Spurs, known for their savvy drafting and player development, have been keeping tabs on both players and have made inquiries about their availability in potential trade scenarios. While nothing has materialized yet, it’s clear that the Spurs are looking to add a dynamic playmaker to their roster.
It remains to be seen if the Spurs will make a move for either Ball or Garland in the future, but their interest in these young guards shows that they are looking to add talent to their roster and continue their tradition of success in the NBA. Stay tuned for any updates on potential trade talks involving the Spurs and these promising young guards.
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Spurs, trade inquiries, LaMelo Ball, Darius Garland, NBA, basketball trade rumors, San Antonio Spurs, Charlotte Hornets, Cleveland Cavaliers, NBA trade deadline
#Spurs #Previously #Trade #Inquires #LaMelo #Ball #Darius #GarlandGlaciart One Felt Ball Garland – 10-Foot Decorative Wool Wall and Window Home Decor – Red, White and Gold for Christmas, Valentines, Wedding, Birthday, Baby Shower Party – 39 Balls
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Imported
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By his own estimate, Darius Garland is 20 pounds heavier than he was at this time a year ago.
“From when I got hit in the face, yeah,” Garland said.
At this time last season, Garland accompanied his Cleveland Cavaliers to Paris with his jaw wired shut, having broken it in a collision with the Boston Celtics’ Kristaps Porziņģis on Dec. 14, 2023. Being unable to eat solid foods for weeks, Garland said, he shed weight until he was 175 pounds. When he returned to action at the end of last January, among the several lasting impacts the injury had on his game was his physical appearance. He had trouble putting on the weight.
The 195-pound Garland of 2024-25 isn’t experiencing much trouble of any kind. He’s producing at an All-Star caliber, and when the people who likely hold Garland’s All-Star fate in their hands — the league’s 30 coaches who select the reserves — see him, one of the first things they notice is his size.
“He looks stronger; he looks stronger physically,” Indiana Pacers coach Rick Carlisle said. “That’s part of the maturing of a young veteran team. As these guys progress, as the team progresses, they learn about all of the things that are important to help with endurance. Clearly he’s become stronger, and it’s helped — it’s helped him at both ends of the floor. Watching him, he’s flying around out there.”
Garland, who turns 25 Sunday, has broader shoulders, a thicker chest and bigger legs than he’s shown in his first five seasons in the NBA, including his previous All-Star campaign of 2022. Casual observers say Garland has returned to his All-Star form, averaging 21.1 points and 6.8 assists for the team with the best record in the NBA. He’s scored more points per game and averaged more assists than he is currently, but it’s his shooting this season that sets him apart.
Through 41 games, Garland is shooting 49.8 percent from the field, and unfortunately for him, they don’t round up when it comes to membership in the 50-40-90 club — reserved for players shooting at least 50 percent from the field, 40 percent from 3-point range and 90 percent from the foul line.
If Garland can hold on to his pace as a 3-point and foul shooter (he’s shooting 42.7 percent from deep and 90.1 percent from the charity stripe), and make a fraction of one shot more per game, he’d become the 10th player — and second Cavalier — in NBA history to join the 50-40-90 club (nine players have done it a combined 14 times, including Mark Price in the 1988-89 season).
Garland also is shooting 65 percent from the field in clutch situations (when the score of a game is within 5 points inside of five minutes left) and perhaps doesn’t get as much credit for it because the Cavs are usually way up on their opponents. At 36-6, Cleveland has only played in 17 games close enough for “clutch” stats to be monitored this season.
His production, presence and skill on a team as good as Cleveland has his teammates talking up his All-Star status. Garland, it shouldn’t surprise you, wants to be, and thinks he should be, an All-Star, saying recently: “I’m trying to be humble as possible … but … yeah, I should be an All-Star.”
His case is likely up to the coaches. According to the most recent fan voting results released by the NBA, Garland was the eighth-highest vote-getter among Eastern Conference guards with 397,897 votes, more than 1 million votes behind his Cavs teammate Donovan Mitchell, who is second among East guards (three frontcourt players and two guards from each conference make it as “starters,” though this year’s All-Star format of a small tournament with three teams of NBA All-Stars means there will be five players on the court at the beginning of the tournament who were not voted in as “starters.”)
Starters are determined by a combination of votes by fans (50 percent), a media panel (25 percent) and the league’s players (25 percent), and they will be announced Thursday evening on TNT. It would be nothing short of stunning for Garland to make up ground and supplant either Mitchell, the Charlotte Hornets’ LaMelo Ball (who is about 500,000 ahead of Mitchell) or the five guards between Mitchell and Garland on fans’ ballots, all of whom could make an excellent case to be included in the annual February classic as a starter.
Reserves will be announced Jan. 30. For the coaches to take Garland over a talented group that also includes the Milwaukee Bucks’ Damian Lillard, the Philadelphia 76ers’ Tyrese Maxey, the Atlanta Hawks’ Trae Young, the New York Knicks’ Jalen Brunson and the Detroit Pistons’ Cade Cunningham, they will have to decide the impact the Cavs point guard makes in their star-studded lineup is worth more than the points his competition is scoring and the assists they’re dishing out.
Of all the front-runners to make it out of the East (throw Tyler Herro from the Miami Heat in there, too), only Garland and Mitchell share the backcourt with a teammate under serious All-Star consideration. Mitchell, who is averaging 23.3 points, 4.6 rebounds and 4.5 assists on 40 percent shooting from 3-point range, has comparable numbers to Garland but a much higher profile. Mitchell is a five-time All-Star with his own signature shoe with Adidas. Those kinds of things matter to a pool of fan voters who are not watching the Cavs play every night.
Donovan Mitchell and Darius Garland celebrate during the second half of a game against the Bucks in November. (Ken Blaze / Imagn Images)Garland is very good, yes, but his numbers are, from 30,000 feet, comparable to Mitchell’s on a team that also has Evan Mobley and Jarrett Allen; Mobley’s averaging a career high 18.6 points, and Allen is giving the Cavs a double-double each night. Cleveland is on pace to win exactly 70 games. Only two other teams have done it in NBA history. Four starters are having notable seasons, and role players also are enjoying career campaigns (like Garland’s backup, Ty Jerome, who is the closest to Garland when it comes to 50-40-90 capabilities).
“I think it’d be a shame if all four of us weren’t there just because of the impact we’ve all had this season,” Mitchell said recently. “This isn’t just about one person. It’s a group thing.”
It would be far more of a shocker if Garland, his teammates and Cleveland’s coaches were saying something different, making a case that a Cavalier shouldn’t be an All-Star. After a recent home win, the longest-tenured veteran in Cleveland’s dressing room, Tristan Thompson, was shouting out all the top-tier guards Garland had bested in head-to-head matchups.
To paraphrase, Thompson said (basically): “You had Jamal Murray — (beat him). Golden State? (beat Steph Curry). They had [LaMelo] Ball, (beat him).
“Listen, I’ll fight for (Garland),” Thompson said. “I’ll be the bad guy. I’ll be Charles Oakley. I think Darius Garland should be (an All-Star), and everyone you guys put in front of him, he’s rang the bell and did what he had to do.”
In a blowout win over the Warriors on Dec. 30 in San Francisco, Garland easily bested Curry in a head-to-head matchup. Garland finished with 25 points and eight assists to Curry’s 11 points on 4-of-14 shooting. Earlier on Cleveland’s road trip, Murray had slightly more points and assists than Garland, but the Nuggets were beaten handily on a night when both guards played well. And on Jan. 5 in Cleveland, Garland outscored Ball by a point (25 to 24) in a 10-point win for the Cavs, though afterward the Cavs were making light of the Hornets sending a double-team at Garland so he couldn’t go one-on-one with Ball.
Earlier this season, Garland also scored 34 on the Knicks with Brunson on the court and 39 against the Bucks and Lillard. His high mark of 40 points came Jan. 9 against the Toronto Raptors.
“Great player, great control when he has the ball in his hands,” said Oklahoma City coach Mark Daigneault, who will coach one of the All-Star teams this year. “I think it’s impressive how he and Mitchell have not only coexisted but been able to thrive. I think that’s something Shai (Gilgeous-Alexander, a likely All-Star starter and potential NBA MVP) and Jalen (Williams) have done a great job of here, but I don’t think you can take that for granted. More isn’t always better, but they’ve done a great job of that.”
Last season ended with serious questions — outside the organization, anyway — of whether Garland and Mitchell could coexist. Few were talking about Garland’s struggles to regain his form after jaw surgery, and most were looking at Garland’s dip in overall production, especially in the playoffs, when he averaged just 15.7 points and shot 43 percent from the field.
What happened last season shouldn’t have any bearing on a player’s All-Star status the following years, but in a close race where stats aren’t necessarily a separator, and there’s another guard of similar build (Garland and Mitchell are close in height, but Mitchell is much stronger) on the same team who already has a higher profile, past perceptions can have an impact.
Cleveland coach Kenny Atkinson, in his first season as Cavs coach, has fostered an environment where Garland’s playing better, Mitchell is thrilled to play in an offense where he isn’t relied on as heavily, and the team gets consistent scoring from at least four players most of the time.
It’s a formula that may, for now, make Garland’s path back to the All-Star Game tougher because it’s harder for him to stand out. But if the Cavs turn this regular-season success into a deep playoff run, with Garland as a catalyst, voters in the future will remember his name and believe in what he is capable of, which he’s shown night in and night out to those who watch him play.
“I was thinking about him today on my walk; it was like he reminds me of Steph,” Atkinson said last week, comparing Garland to Curry. “He (Garland) can break — you know Steph can break anybody down. When you have elite shooting and you have the dribble-move game or whatever, the creation part — that’s unique. And you can shoot the off-the-dribble 3. There’s very, very few guys in this league, there’s two, three of them in the league. I just think he’s unique.
“I keep talking about his growth, much like Steph was, (Garland) just keep getting stronger,” Atkinson continued. “It’s really his physical development and being able to sustain the punishment of the playoffs, a seven-game playoff series. Teams picking on him defensively. Even defensively, he’s been great this year. We switch with him now, we don’t play the coverage game or show game with him.”
(Top photo: Nick Cammett / Getty Images)
Darius Garland, the young point guard for the Cleveland Cavaliers, has been making a strong case for himself as a potential NBA All-Star this season. Despite facing tough competition in the Eastern Conference, Garland has been putting up impressive numbers and leading his team to some surprising wins.One of the main reasons why Garland deserves to be considered for an All-Star spot is his stellar playmaking abilities. He is averaging career-highs in points, assists, and rebounds this season, showcasing his versatility and impact on both ends of the court. Garland has been the primary playmaker for the Cavaliers, setting up his teammates for easy buckets and creating scoring opportunities for himself as well.
Furthermore, Garland has shown remarkable improvement in his shooting efficiency, particularly from beyond the arc. He is shooting a career-high percentage from three-point range and has become a reliable threat from deep, stretching the floor for his team and keeping defenses honest.
However, Garland’s All-Star case is not without its challenges. The Eastern Conference is stacked with talented guards, making it difficult for him to stand out among the competition. Players like Kyrie Irving, Ben Simmons, and Trae Young are all vying for spots on the All-Star team, and Garland will have to continue playing at a high level to earn his place among the elite.
Overall, Darius Garland has proven himself to be a rising star in the NBA, and his strong performance this season should not go unnoticed. If he can maintain his impressive play and help lead the Cavaliers to more victories, there is a strong argument to be made for Garland to be selected as an All-Star this year. Fans and analysts alike will be closely watching to see if Garland can make his case and secure a spot in the prestigious All-Star game.
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“So I Could Go Dunk Like Derrick Rose”: Darius Garland Highlights 2011 MVP’s Influence Growing Up
Darius Garland may be enjoying the best season of his career as an integral part of the NBA-leading Cleveland Cavaliers, but as a kid growing up in Gary, Indiana, he drew inspiration not from his hometown Pacers or from LeBron James, the star of his future team, but from one of the Cavs’ Central Division rivals.
Garland’s recent appearance on The Draymond Green Show with Baron Davis was illuminating for a number of reasons. He discussed everything that has made the Cavs such a dominant team this year, from his own personal work in the offseason to getting on the same page as Donovan Mitchell and to having Kenny Atkinson as a head coach. After that, he moved on to his idol growing up, Derrick Rose of the Chicago Bulls.
Garland talked about how he used to watch the Bulls because they were his grandmother’s favorite team. He enjoyed watching guys like Kirk Heinrich and Ben Gordon, but he said that Rose was so important to him as a kid that his is the only jersey he’s ever owned.
“That #1 jersey, that was the first jersey I’ve had, and that was the only one I’ve had … D-Rose just had the whole region on lock. From Indiana to Chicago, damn near the whole world.”
Rose’s game inspired Garland in so many ways, even if he couldn’t hope to ever match the athleticism of the youngest MVP in NBA history.
“His explosiveness was insane. He just brought so much excitement to the city. As a young kid, just watching him on a night-to-night basis, it was super cool to see… It just brought so much inspiration for us. We used to lower the goals so I could go dunk like D-Rose.”
Darius Garland is just one of a whole generation of players that were inspired by Derrick Rose
Rose’s career may have been sidetracked by injury, but his accomplishments still reverberate around the NBA. From uber-athletic guards in Rose’s mold like Ja Morant to players like Garland who have overcome knee surgery (he suffered a torn meniscus while in college), Rose’s influence can be seen throughout the league.
Rose was never able to win a championship, but Garland and his 36-6 Cavs are in prime position to make a run at one. Even though he can’t dunk like D-Rose, Garland’s contributions are a big reason why, as he’s averaging 21.1 points and 6.8 assists on a career-best 42.7 percent shooting from three. He’ll face a huge test tomorrow night when the Cavs travel to Houston to take on the 28-14 Rockets.
Growing up, many young basketball players idolize NBA stars and dream of emulating their skills on the court. For Cleveland Cavaliers’ guard Darius Garland, one player who had a huge impact on his game was former MVP Derrick Rose.In a recent interview, Garland opened up about how watching Rose play during his MVP season in 2011 inspired him to work on his own game and strive for greatness. The explosive speed, crafty finishes, and fearless mentality that Rose displayed on the court left a lasting impression on the young point guard.
As Garland watched Rose effortlessly drive to the basket, finishing with acrobatic layups and dunks, he knew that he wanted to be able to do the same. He studied Rose’s footwork, ball-handling skills, and basketball IQ, incorporating elements of his game into his own.
Now, as Garland continues to make a name for himself in the NBA, fans can see glimpses of Rose’s influence in his playing style. The quick crossovers, slick passes, and smooth finishes at the rim all reflect the impact that the former MVP had on Garland’s development as a player.
With his quickness, agility, and scoring ability, Garland is well on his way to becoming a dynamic playmaker in the league. And perhaps one day, he’ll be inspiring the next generation of young basketball players to go dunk like Derrick Rose.
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#Dunk #Derrick #Rose #Darius #Garland #Highlights #MVPs #Influence #Growing
House Democrats press Merrick Garland on releasing rest of Jack Smith’s report
Democrats on the House Judiciary Committee urged Attorney General Merrick Garland to release the rest of special counsel Jack Smith’s report on President-elect Donald Trump’s handling of classified documents even if it means dismissing charges against his co-defendants.
Democrats on the panel, led by ranking member Jamie Raskin, of Maryland, said in a letter to Garland that Americans have a “right to know” how the second part of Smith’s report details the charges against Trump: that he willfully retained national defense information after he left office and then conspired with two aides at his Mar-a-Lago resort in Florida to obstruct officials from retrieving the records.
“As Attorney General, it is incumbent upon you to take all necessary steps to ensure the report is released before the end of your tenure, including, if necessary, by simply dismissing the remaining criminal charges against Mr. Trump’s co-conspirators, Waltine Nauta and Carlos De Oliveira,” they wrote in the letter released Thursday.
Garland has said he wouldn’t make the second volume of Smith’s report, focused on the classified documents case, public while the charges against Nauta and De Oliveira are still being prosecuted.
Democratic lawmakers said in their letter that any concerns that dismissing the case could enable further corruption “are outweighed by the many indications that Mr. Trump will simply end the prosecutions against his co-conspirators upon taking office anyway and then instruct his DOJ to permanently bury this report.”
The Justice Department declined to comment Thursday on the letter.
The classified documents case against Trump was dropped after he won the election, with Smith citing a long-standing Justice Department policy of not prosecuting a sitting president. Trump had pleaded not guilty and denied any wrongdoing.
Smith resigned Friday after having led a pair of federal probes into Trump’s handling of classified documents and his efforts to overturn the 2020 presidential election results, which resulted in indictments but no trials.
The first volume of his final report was released this week. It said that Trump “inspired his supporters to commit acts of physical violence” when the U.S. Capitol was attacked on Jan. 6, 2021, and that he knowingly promoted false claims about election fraud after he lost the 2020 presidential race.
Over the past year, Garland has released several high-profile reports drafted by special counsels he appointed, including Robert Hur’s report on President Joe Biden’s handling of classified documents and David Weiss’ report on Hunter Biden’s tax and gun charges.
On the campaign trail, Trump vowed to prosecute his political opponents during a second term. Senate Democrats on Wednesday grilled Pam Bondi, Trump’s pick for attorney general, about whether she would pursue those efforts at his behest at a confirmation hearing. Bondi said she wouldn’t politicize the office of attorney general or “target people simply because of their political affiliation.”
House Democrats are putting the pressure on Attorney General Merrick Garland to release the rest of the report by Special Counsel Jack Smith. The report, which was initially released in a heavily redacted form, has left many unanswered questions about potential wrongdoing by high-level government officials.Democrats have raised concerns about the lack of transparency and accountability in the handling of the report, and are calling on Garland to release the full, unredacted version to the public. They argue that the American people deserve to know the full extent of any potential misconduct by government officials, and that withholding this information only serves to erode trust in our institutions.
Garland has yet to respond to these calls for transparency, but Democrats are not backing down. They are determined to hold those in power accountable and ensure that the truth comes to light. Stay tuned for updates on this developing story.
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#House #Democrats #press #Merrick #Garland #releasing #rest #Jack #Smiths #reportChristopher Walken Danced With Judy Garland at Liza Minnelli’s Sweet 16
Christopher Walken, Judy Garland Nancy Moran/Sygma ; Silver Screen Collection/Getty ImagesChristopher Walken has fond memories of dancing with both Judy Garland and Liza Minnelli.
Walked, 81, appeared on SiriusXM’s “Town Hall,” hosted by Andy Cohen, on Thursday, January 16, where Cohen, 56, asked, “I read you danced with a young Liza Minnelli. Do you remember that?”
Walken replied, “We did an Off-Broadway musical called Best Foot Forward. 1962. Well, she was 16 years old, I remember.” At the time, Walken would have been about 19 years old. Cohen followed up by asking the Dune: Part Two star, “Could you see it then that she had it?”
Walken said, “Oh, absolutely.” He shared that he had even been invited to Minnelli’s 16th birthday party, where he had a special moment with Garland, his costar’s mother. “Her mom gave a sweet 16 birthday party for her,” he added.
“I remember I danced with Judy Garland,” he continued, adding that the Wizard of Oz actress was not only a good dancer, but “very good looking.”
Christopher Walken John Lamparski/Getty ImagesWalken’s acting career is diverse, spanning both the stage and screen. He is currently starring in the AppleTV+ series Severance, which premiered its second season on Friday, January 17. In a 2014 interview with The Hollywood Reporter, Minnelli praised her Best Foot Forward costar as a true musical actor.
“I can see the glint in his eye every time he has the opportunity to dance on screen,” she said at the time. Walken seemingly agreed with Minnelli, telling the outlet, “I’m kind of an actor by way of musical comedy. That’s really my education, musicals.”
With a career spanning almost seven decades, Walken is an old school kind of guy, even when it comes to watching his own projects. Currently starring on Severance, Walken shared on Thursday’s “Town Hall” that he hasn’t seen every episode because he does not stream the series. Instead, he receives DVDs of each new episode.
“I don’t have the equipment,” he explained. “So they’re good enough to send me DVDs.” When Cohen further pressed Walken by asking if the actor had a subscription to the AppleTV+ streaming platform, he said, “I don’t have anything.”
Walken currently stars in season 2 of Severance alongside Adam Scott, Britt Lower and Patricia Arquette. Series creator Dan Erickson previously opened up about his plans for the show’s second installment when it was renewed in April 2022.
“In season 2, we’re going to be showing all of these people on the outside,” Erickson told Entertainment Weekly at the time. “Similar to Mark (Scott), they each had their own reason for getting this procedure, and they’re all at some stage of a healing process for one thing or another.”
New episodes of Severance drop Fridays on AppleTV+.
The year was 1962 and Hollywood royalty gathered to celebrate Liza Minnelli’s Sweet 16 birthday party. Among the star-studded guests was the legendary Judy Garland, who brought along her friend and fellow actor, Christopher Walken.As the party went on, the music started playing and the guests hit the dance floor. But what happened next shocked everyone in the room – Christopher Walken asked Judy Garland to dance. And not just any dance, but a lively and spirited one that had everyone’s eyes glued to them.
The unlikely duo twirled and spun around the dance floor, with Walken showcasing his impressive footwork and Garland effortlessly keeping up with him. The sight of the two of them dancing together was truly a once-in-a-lifetime moment that no one in attendance would ever forget.
As the music came to an end, the crowd erupted into applause, cheering for the unexpected dance partners. And as Liza blew out the candles on her birthday cake, she knew that this night would always hold a special place in her heart, thanks to the unforgettable dance between Christopher Walken and Judy Garland.
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#Christopher #Walken #Danced #Judy #Garland #Liza #Minnellis #SweetChristopher Walken recalls his night dancing with Judy Garland at Liza Minnelli’s 16th birthday bash
Christopher Walken relived a moment from his past where he got to dance with Judy Garland.
During an interview on SiriusXM’s Town Hall hosted by Andy Cohen, 56, with the cast of Severance, Cohen said, ‘I read you danced with a young Liza Minnelli. Do you remember that?’
‘We did an Off-Broadway musical called Best Foot Forward. 1962. Well, she was 16 years old, I remember,’ the 81-year-old actor said.
Cohen asked, ‘Could you see it then that she had it?’
‘Oh, absolutely,’ the Deer Hunter star said. Cohen then asked if he interacted with Minnelli’s mom, Judy Garland, at all.
‘Her mom gave a sweet 16th birthday party for her,’ Walken said, adding that he attended.
Christopher Walken relieved a moment from his past where he got to dance with Judy Garland. Seen here in 2019
‘I remember I danced with Judy Garland,’ he added. He confirmed that she was a good dancer and ‘very good-looking.’
Walken began his acting career as a teenager and he has seven decades of film, television and Broadway under his belt.
He won and Academy Award in 1979 for his role in The Deer Hunter and was nominated in 2003 for his role in Catch Me If You Can.
Minnelli, 78, told The Hollywood Reporter in 2014 that Walken was a music man at heart.
‘I can see the glint in his eye every time he has the opportunity to dance onscreen,’ she said.
He told the outlet, ‘I’m kind of an actor by way of musical comedy. That’s really my education, musicals.’
Another moment from his past that he looks a little less fondly on is the iconic More Cowbell sketch from Saturday Night Live when he hosted the show on April 5, 2000.
In the documentary SNL50: Beyond Saturday Night Will Ferrell, 57, recalled how Walker reacted to that sketch
Andy Cohen said, ‘I read you danced with a young Liza Minnelli . Do you remember that?’ Liza seen here in 2006
Cohen then asked if he interacted with Minnelli’s mom, Judy Garland, at all. ‘Her mom gave a sweet 16th birthday party for her,’ Walken said, adding that he attended
‘I remember I danced with Judy Garland,’ he added. He confirmed that she was a good dancer and ‘very good-looking.’ Seen here January 16, 2025
Ferrell plays an overzealous cowbell player in a fictional version of Blue Oyster Cult on the day they recorded their hit song (Don’t) Fear the Reaper.
Ferrell went to see Walken in a play a few weeks after the SNL episode aired.
‘You know, you’ve ruined my life … every show, people bring cowbells for the curtain call and bang them. It’s quite disconcerting,’ Walken said to him.
The band was played by then SNL cast members Chris Parnell, Jimmy Fallon, Chris Kattan and Horatio Sanz.
The band was annoyed at Ferrell’s cowbell, but fictional record exec Bruce Dickinson played by Walken encourages him to play the instrument harder.
Walken’s character says, ‘I’ve got a fever – and the only prescription is more cowbell.’
In 2022, he reflected on his long and successful career in an interview with the New York Times.
‘I don’t golf or play tennis. I have no kids. I’ve been married for 53 years. I sometimes think about writing something, but I don’t have much talent for that.
Walken began his acting career as a teenager and he has seven decades of film, television and Broadway under his belt. Seen here at the Dune: Part Two premiere on February 25, 2024
‘We did an Off-Broadway musical called Best Foot Forward. 1962. Well, she was 16 years old, I remember,’ he said. Cohen asked, ‘Could you see it then that she had it?’ ‘Oh, absolutely,’ the star said. Liza seen here in 2010
‘You know, all actors have a trunk full of scripts. A lot of people do. Even my dentist at one point, when he was doing my teeth, told me about a script he’d written.
‘I’ve written things. They’re just not good enough. I start with two people sitting in a room talking and invariably it becomes incoherent.
‘There’s nothing I can be other than an actor,’ he said.
Christopher Walken recently opened up about a memorable night he spent dancing with the legendary Judy Garland at Liza Minnelli’s 16th birthday bash. The actor recounted the event with fondness, describing how Garland took to the dance floor with such grace and elegance that he couldn’t help but be mesmerized.Walken, known for his distinctive voice and quirky dance moves, admitted that he was initially intimidated by the prospect of dancing with Garland, who was a true icon in the entertainment industry. However, he soon found himself swept up in the magic of the moment as they twirled and glided across the floor together.
The night was a star-studded affair, with Minnelli celebrating her milestone birthday surrounded by friends and family. Walken recalled how the room seemed to light up when Garland took the floor, her presence filling the space with an undeniable energy and charisma.
As the night came to a close, Walken found himself grateful for the opportunity to share the dance floor with such a legendary performer. The memory of that night has stayed with him throughout the years, a reminder of the magic that can happen when two talented individuals come together to create something special.
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