Tag: Garth

  • Bobby Moynihan reveals he ‘stole so many props’ from “SNL”, including Dana Carvey’s Garth drumsticks

    Bobby Moynihan reveals he ‘stole so many props’ from “SNL”, including Dana Carvey’s Garth drumsticks


    Don’t tell Lorne Michaels.

    Saturday Night Live alum Bobby Moynihan has revealed his kleptomaniac tendencies from the set of the sketch comedy series.

    The comedian, who was a cast member of the show from 2008 to 2017, spilled on what exactly he’s taken during a recent podcast appearance on Thanks Dad with Ego Nwodim. The two were talking about savings when Moynihan admitted he likes to “collect things.”

    “I stole so many props from SNL, it’s stupid,” he said, to which Nwodim joked, “Someone jail this man!”

    “Oh yes, easily. The 40th anniversary [episode of SNL] was me walking around stealing things whenever Dana Carvey would put them down,” he said. “I have his drumsticks from Wayne and Garth literally somewhere within reach.”

    Related: Bobby Moynihan remains mad at Jane Lynch for his SNL sketch getting cut: ‘I still want to kill her to this day’

    He’s referring, of course, to when Carvey and Mike Myers reprised their classic SNL characters in a “Wayne’s World” sketch during the special. During it, Wayne (Myers) and Garth (Carvey) list their “Top 10 Things About SNL.”

    Will Heath/NBC Bobby Moynihan as Jeremy Ganz on 'Saturday Night Live'

    Will Heath/NBC

    Bobby Moynihan as Jeremy Ganz on ‘Saturday Night Live’

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    Back on the podcast, Nwodim then asked Moynihan if he feels like he’s “properly exhaled” from leaving SNL in 2017. He told her that the forthcoming 50th anniversary of the show has stirred up a lot of feelings for him.

    “I can say this honestly now in the moment because I’m a little more present than usual, which is, it was starting to happen, I was starting to calm down, and then the 50th [anniversary of SNL happened],” Moynihan explained. “It’s been like the 50th has kicked up so much stuff. When the 50th is over, I feel like the real healing begins then… I just can’t wait to go watch, and be proud, and then go home.”

    Nwodim, who first joined the show in 2018, agreed, adding she thinks it “will be fun” and “very special.”

    Related: How to watch Saturday Night Live 50th anniversary special and more SNL50 events

    They’re, of course, referring to SNL50: The Anniversary Special, a three-hour live prime-time special celebrating a half-century of Saturday Night Live. Details are scarce, but if it’s anything like the show’s aforementioned 40th anniversary special in 2015, expect exciting cast reunions, revived fan-favorite characters and sketches, tributes to those no longer with us, and more.

    SNL50: The Anniversary Special airs live on Sunday, Feb. 16, from 8-11 p.m. ET/5-8 p.m. PT on NBC and Peacock.

    Read the original article on Entertainment Weekly



    Former “Saturday Night Live” cast member Bobby Moynihan recently admitted to taking several props from the iconic sketch comedy show, including Dana Carvey’s Garth drumsticks. In a recent interview, Moynihan revealed that he “stole so many props” during his time on the show, with Carvey’s drumsticks being one of his most prized possessions.

    Moynihan, who was a cast member on “SNL” from 2008 to 2017, confessed that he couldn’t resist the temptation to take home some mementos from the show. “I stole so many props from ‘SNL,’ it’s not even funny,” he said. “I have Dana Carvey’s Garth drumsticks, which I’m very proud of.”

    The actor and comedian also revealed that he took home other items from the show, including a painting of the Titanic and a fake mustache. “I just couldn’t help myself,” he admitted.

    Despite his penchant for pilfering props, Moynihan has nothing but fond memories of his time on “SNL.” “It was an incredible experience and I’m grateful for everything I learned and everyone I worked with,” he said.

    Fans of Moynihan and “SNL” will surely appreciate this glimpse into the behind-the-scenes antics of the beloved show. And who knows, maybe one day those stolen props will end up in a museum dedicated to the history of “Saturday Night Live.”

    Tags:

    Bobby Moynihan, SNL, stolen props, Dana Carvey, Garth, drumsticks, comedy, Saturday Night Live, actor, comedian, behind the scenes

    #Bobby #Moynihan #reveals #stole #props #SNL #including #Dana #Carveys #Garth #drumsticks

  • Don Henley and Stevie Nicks’ 2015 Duet, a Ballad Originally Released by Garth Brooks’ ’90s Alter-Ego Chris Gaines


    During the early to mid-1980s, years after Stevie Nicks and Don Henley‘s relationship had ended, the two reconnected on several collaborations, beginning with Nicks’ 1981 solo debut Bella Donna, and thier hit duet on “Leather and Lace,” which peaked at No. 6 on the Billboard Hot 100. Henley also joined on the backing vocals and drums on the Bella Donna track “The Highwayman,” and in 1985, the pair reunited for a cover of Warren Zevon‘s “Reconsider Me,” which ended up on Nicks’ 1998 box set Enchanted.

    Both reconnected again 30 years later for Henley’s 2015 album Cass Country on an unlikely cover. Featured as a bonus track for Target, “It Don’t Matter to the Sun” was released 16 years earlier on Garth Brooks‘ album, released under his alter-ego moniker Chris Gaines.

    [RELATED: Garth Brooks Channeled His Sex-Addicted Rock Alter-Ego Chris Gaines]

    ‘The Life of Chris Gaines’

    Initially, the character of Chris Gaines was created for a film called The Lamb, which starred Brooks as a rock star chronicling different periods throughout his life. The film was never released, but Brooks went ahead nad took on the persona of Gaines and his music with the 199 release of Garth Brooks in…The Life of Chris Gaines. Born in Brisbane, Australia to a mother who was an Olympic swimmer, and his father, who was her coach, the raven-haired Gaines survived a tragic car crash in the early1990s, which altered his appearance.

    Produced by Don Was, The Life of Chris Gaines went to No. 2 and featured “It Don’t Matter to the Sun,” which was covered by singer and comedian Rosie Thomas and Glee star Matthew Morrrison years before Nicks and Henley’s version.

    Written by Gordon Kennedy, Wayne Kirkpatrick, and Tommy Sims, “It Dont’ Matter to the Sun” follows a severed love and how the sun, the moon, and life still move on.

    It don’t matter to the sun
    If you go or if you stay
    I know the sun is gonna rise
    Shine down on another day
    There will still be a tomorrow
    Even if you choose to leave
    ‘Cause it don’t matter to the sun (oh baby)
    It matters to me

    It ain’t gonna stop the world
    If you walk out that door
    This old world will just keep on turning ’round
    Like it did the day before
    ‘Cause see to them it makes no difference
    It just keeps on keepin’ time
    ‘Cause it ain’t gonna stop the world
    But it’ll be the end of mine

    What can I say
    What can I do
    I’m still in love
    So without you

    It don’t matter the moon
    If your not in my life
    No the moon will just keep hangin’ ’round
    Like it’s just another night
    Find another place to shine on down
    On some other lovers dreams
    ‘Cause it don’t matter the moon
    But is sure do matter to me
    No it don’t matter to the moon
    But it matters to me

    Don Henley (l) and inductee Stevie Nicks perform at the 2019 Rock & Roll Hall Of Fame Induction Ceremony – Show at Barclays Center on March 29, 2019 in New York City. (Photo by Jamie McCarthy/Getty Images For The Rock and Roll Hall of Fame)

    [RELATED: The Heart Hit Written for Don Henley That Ann Wilson Considered “Hideous”]

    Henley and Nicks

    First connecting in the mid-1970s, Nicks and Henley dated for a few years before calling it off by the late ’70s. During their union, Nicks became pregnant with Henley and had an abortion, which may have been the partial inspiration behind the lyrics of “Sara,” released on Fleetwood Mac‘s Tusk.

    “Had I married Don and had that baby, and had she been a girl, I would have named her Sara,” said Nicks. “But there was another woman in my life named Sara [Recor], who shortly after that became Mick’s wife, Sara Fleetwood.”

    Released December 5, 1979, “Sara” went to No. 7 on the Billboard Hot 100. Nicks later revisited the name in 1987 on the Fleetwood Mac Tango in the Night track “Welcome to the Room…Sara” — When you hang up that phone / Well, you cease to exist / Welcome to the room, Sara.

    By the ’80s, Nicks also talked openly about her relationship with Henely and their continued friendship. “Well, Don always treated me very special,” said Nicks. “He always kinda treated me like we were married, in that strange sorta way, he still does, whenever I see him. I think he found in me something that he has not probably found since, and that was somebody that was very… .”

    Nicks continued, ”It was 1976, this was right after the beginning of when Fleetwood Mac really made it, and The Eagles had been big for a long time. So, he found a very different kind of girl in me than in most of the women that he was used to hanging out with, and we had a very special relationship because of that.”

    Photo: Jamie McCarthy/Getty Images For The Rock and Roll Hall of Fame





    In 2015, music legends Don Henley and Stevie Nicks teamed up for a powerful duet that left fans in awe. The song they chose to cover was a ballad originally released by Garth Brooks’ ’90s alter-ego, Chris Gaines.

    The hauntingly beautiful track, titled “Lost in You,” was a departure from the country sound that Brooks was known for. With Henley’s soulful vocals and Nicks’ ethereal tone, the song took on a new life and resonated with listeners in a whole new way.

    The collaboration between these two iconic artists was a match made in music heaven. Their voices blended seamlessly, creating a mesmerizing and emotional performance that captivated audiences around the world.

    While the original version of “Lost in You” by Chris Gaines may have flown under the radar, Henley and Nicks’ rendition brought new attention to the song and showcased the timeless talent of both artists.

    If you haven’t had the chance to listen to Don Henley and Stevie Nicks’ 2015 duet of “Lost in You,” do yourself a favor and give it a listen. It’s a truly magical musical moment that you won’t want to miss.

    Tags:

    Don Henley, Stevie Nicks, 2015 duet, ballad, Garth Brooks, Chris Gaines, ’90s music, country music, collaboration, iconic artists, classic ballad, music history, memorable duet, legendary singers, rock and country fusion

    #Don #Henley #Stevie #Nicks #Duet #Ballad #Originally #Released #Garth #Brooks #90s #AlterEgo #Chris #Gaines

  • The Passion of Garth Brooks


    Garth Brooks in… The Life of Chris Gaines

    Stephen Deusner

    Bloomsbury Academic

    November 2024

    Stephen Deusner’s new entry in the acclaimed 33 ⅓ series examines the megastar’s failed pivot to pop.

    The 1990s belonged to American country singer and songwriter Garth Brooks, but his dominance was more or less confined to that decade. He hasn’t faded into obscurity, but one aspect of his decade has: his failed attempt to launch an alter ego for himself as pop star Chris Gaines with the 1999 album Garth Brooks in…the Life of Chris Gaines. (There was also a 1999 TV movie of the same title, directed by Jon Small.)

    The lone Gaines release, more or less a lost album, is the subject of music critic Stephen Deusner’s new book, part of the 33 ⅓ series that focuses on deep dives into one release from a noteworthy artist. This enjoyable read doesn’t require the reader to be a Garth Brooks superfan. Countless books are revisiting signature 1990s rock acts, but far fewer take a deep dive into country music, let alone look at a signature artist’s self-inflicted undoing. It’s an interesting angle to revisit the 1990s – a decade that has been strip-mined for book content.

    Deusner, whose 2021 book Where the Devil Don’t Stay is the definitive statement on Drive by Truckers, has long been fascinated by the Chris Gaines project. He takes this point of entry to analyze the duality of Garth Brooks, the country superstar and megawatt brand, and Garth Brooks, the KISS-loving slacker who contributed a cover of “Hard Luck Woman” in a 1990s tribute compilation and who would rather spend his days dreaming than doing.

    Deusner spent the 1990s as a Garth Brooks fan, bringing a depth of firsthand experience to Garth Brooks in…the Life of Chris Gaines. It is not an outsider’s finger-point-and-chuckle but a nuanced portrait of the essential 1990s music superstar who is spoken of far less often outside of country music circles than other key artists from that decade – despite outselling all of them.

    If remembered at all, the Chris Gaines project is often cited as a reason for Garth Brooks’ crest and break. After the project failed, it was all but erased from Brooks’ legacy, unavailable on streaming sites, and absent from Greatest Hits packages. The only reason it comes up at this point in his career is due to Brooks himself, who still speaks wistfully about the project. 

    The journey begins in 1997, with Deusner covering a Garth Brooks press conference. At that point, the megastar was working on the Gaines character between tours, planning a move into film, and signing with the San Diego Padres. Brooks was working with Kenneth “Babyface” Edmonds on a film called The Lamb, where he was potentially going to play the lead (or not. The project was a perfect example of Brooks’ skittishness at the time). 

    The randomness of these pursuits, Deusner posits, is evidence that Brooks was bored with his bulletproof run of tours and albums that had already reached a wider audience than just diehard country fans. Music critic Neil Strauss argued that these moves indicated that Brooks was getting too big for his britches and asked why Brooks needed to pursue the small group of people who weren’t fans by pivoting to pop.

    Regardless, by the end of 1999, Garth Brooks’ hot streak was over, and the Gaines project was a major flop that still appears to haunt him, even though he is proud of taking such a big swing. Part of that must surely be the effort he put into creating the Gaines character, who was a brooding Australian with an overtly sexual side and soul patch and bangs that hid some of his face. His love of 1970s rock inspired the album’s music, but the look was inspired by 1990s alt-rocker Johnny Rzeznik of the Goo Goo Dolls. Brooks worked on the backstory for Gaines between tours and recording, developing a plan to release multiple albums culminating in a box set.

    Deusner points out several ways Garth Brooks failed to be successesful with the Gains project. For example, his press about it was marked by confusion about the division between Brooks and Gaines. Brooks was not good at explaining why he was doing this and who Gaines was. In interviews, he seemed unclear about how he wanted the project to be received by fans. At one point, he considered releasing it anonymously, which might have been a better move, considering that this set of songs took aback fans who loved Brooks’ country anthems. Deusner conducts a thorough and thoughtful reassessment of the record, making a case for it to be at least more readily accessible.

    Even though fans and the press were perplexed, Garth Brooks was hardly the only artist at the time seeking to blur the lines between fiction and reality. In 1999, Daniel Myrick and Eduardo Sánchez’s The Blair Witch Project initially perplexed audiences with its meticulously created lore, and soon after, comedian Sacha Baron Cohen’s lineup of characters lived in a blurry space, creations that operated in the real world. Long before Brooks grew his soul patch, David Bowie had a series of identities, including Alladin Sane and the Thin White Duke.

    The Life and Times of Chris Gaines is an irresistible subject for a 33 ⅓ book. This is a fascinating look into the life of a megastar and his conflicted nature, a struggle for an artist to reconcile himself as a brand and as an individual. As recently as 2021, Garth Brooks claimed to be working on more Gaines material, so we may not have heard the last of this. As current country music is more willing to swirl in contemporary pop, a renewed Chris Gains project could conceivably be a way back to the spotlight for Brooks. Indeed, a Chris Gaines comeback would be a fun way to end this story, but for now, exploring the wreckage is mightily entertaining.



    Garth Brooks is a country music legend whose passion for music knows no bounds. From his humble beginnings in Oklahoma to selling out stadiums around the world, Garth’s love for performing and connecting with his fans is evident in every note he sings.

    His iconic hits like “Friends in Low Places” and “The Dance” have touched the hearts of millions, and his energetic live shows leave audiences in awe. Garth’s passion for music is infectious, and his dedication to his craft is unwavering.

    Whether he’s singing about love, heartache, or just having a good time, Garth Brooks’ passion shines through in every song he sings. His music has stood the test of time, and his influence on the country music industry is undeniable.

    So here’s to Garth Brooks, the man whose passion for music has inspired generations of fans and musicians alike. Cheers to the passion of Garth Brooks, and may he continue to rock the stage for years to come.

    Tags:

    Garth Brooks, country music legend, Garth Brooks passion, Garth Brooks music, country music icon, Garth Brooks career, Garth Brooks hits, Garth Brooks concert, Garth Brooks fanbase, Garth Brooks songs, Garth Brooks legacy

    #Passion #Garth #Brooks

  • Garth Hudson Of The Band: Bob Dylan Pays Tribute


    The Band’s legacy is intertwined with that of Bob Dylan, so it’s good and right that Dylan has chimed in with a tribute to Garth Hudson, the last living member, who died last week. “Sorry to hear the news about Garth Hudson,” Dylan writes on X. “He was a beautiful guy and the real driving force behind The Band. Just listen to the original recording of The Weight and you’ll see.” (more…)

  • Garth Brooks’ Catalogue Still Isn’t on Spotify, After Fans Get Their Hopes Up Due to Brief ‘No Fences’ Appearance

    Garth Brooks’ Catalogue Still Isn’t on Spotify, After Fans Get Their Hopes Up Due to Brief ‘No Fences’ Appearance


    Garth Brooks fans thought the moment they’d been dreaming of since he cut that exclusive deal with Amazon Music in 2016 had finally arrived, with the country megastar’s beloved sophomore album, No Fences, briefly being made available on Spotify.

    The internet became rife with speculation as to whether Garth Brooks had revised his deal with Amazon Music, and was now beginning to upload his catalogue to other platforms.

    Alas, this fleeting appearance of 1990’s No Fences on Spotify appears to have been a mistake, with some suggesting it might be the result of the latest wave of streaming fraud.

    Whoever it was that uploaded No Fences, it seems, did not have the approval of Brooks’ team, with one track – ‘New Way to Fly’ – being a live recording, and three other songs that feature on the original album, ‘Unanswered Prayers’, ‘Same Old Story’ and ‘Wolves’, nowhere to be seen on the since-deleted Spotify tracklist.

    Garth Brooks has had a deal to make his discography exclusively available on Amazon Music for almost a decade now, with the only album you can stream on Spotify Live in Germany 1995.

    Although you certainly can’t blame Brooks for selling his catalogue to the highest bidder, his move has meant that younger generations of country fans often don’t realise just how influential the ‘Friends in Low Places’ hitmaker has been on the genre, as his music is generally absent from the likes of Spotify, YouTube and Apple Music.

    Earlier in the week, Garth Brooks took to Instagram to offer a heartfelt tribute to former president Jimmy Carter, following Carter’s death on December 29th, 2024, “President Carter, the legacy you and Rosalynn have left us is as beautiful as the life you lived. Thank you for your lifetime of service to our country and the world. You inspired us not just by what you said, but by what you built. We love you”.

    If it had been legitimate, the timing of this mysterious No Fences upload would have been strange, given Garth Brooks is currently facing charges of rape, sexual assault and battery as part of a California lawsuit. Brooks has dismissed the accusations, sharing, “I do not fear the truth, and I am not the man they have painted me to be”.

    After a packed month of shows as part of his Caesars Palace Plus ONE Las Vegas residency, Garth Brooks is preparing for the final run of that stint in Sin City, with performances lined up at The Colosseum Theater throughout February and March.

    For more on Garth Brooks, see below:

    Author - Garth Brooks





    Country music fans were left disappointed once again as Garth Brooks’ catalogue is still not available on Spotify, despite a brief appearance of his iconic album ‘No Fences’ on the streaming platform.

    Fans of the legendary country artist were excited when ‘No Fences’ briefly appeared on Spotify, leading many to believe that Brooks’ entire discography would finally be available for streaming. However, their hopes were quickly dashed as the album was soon removed from the platform.

    This isn’t the first time that Brooks’ music has been absent from Spotify, as the singer has famously kept his catalogue off streaming services in the past. Despite the growing popularity of streaming platforms, Brooks has chosen to release his music exclusively through his own digital platform, GhostTunes.

    While many fans are eager to have access to Brooks’ music on Spotify, it seems that they will have to continue waiting for now. In the meantime, they can still enjoy his music through other platforms and live performances as the country music icon continues to tour and entertain audiences around the world.

    Tags:

    Garth Brooks, Spotify, No Fences, music streaming, country music, Garth Brooks catalogue, streaming services, music industry, digital music, music fans, country music legend

    #Garth #Brooks #Catalogue #Isnt #Spotify #Fans #Hopes #Due #Fences #Appearance

  • Garth Brooks’ “No Fences” Appears on Spotify in Streaming Scam



    Fans of Garth Brooks were rejoicing Thursday evening (1-2) as it appeared that Garth was finally giving in and starting to upload his catalog to Spotify. Tracks from his second album No Fences from 1990 appeared on the streaming service after Garth previously swore it off for an exclusive deal with Amazon Music in 2016.

    But it’s pretty clear that Garth didn’t have a change of heart, or was enacting a New Year’s resolution to finally evolve with the rest of the music world. Instead it appears he’s the victim of streaming fraud, which has become more and more pervasive on Spotify and other streaming services over the years.

    Not only is the Spotify version of No Fences missing three tracks (“Unanswered Prayers,” “Same Old Story”, and “Wolves”), if you listen to “New Way To Fly,” it’s actually a live track. Most of the tracks sound like they’re at a lower bit rate than normal, or something has been augmented with their sound, likely to circumvent Spotify’s fraud detection. All songs were also marked as “explicit.”

    Furthermore, the copyright is not Capitol Nashville, but “Garth Brooks,” and all the songs are credited to “Garth Brooks, Stephanie Davis” as opposed to the actual songwriters.


    It’s likely the album will be taken down shortly as soon as Spotify finds out about the malfeasance. But it does illustrate just how easy it is for virtually anyone to upload someone else’s tracks to streaming services, and start earning money from spins.

    In 2020, Saving Country Music exposed a sweeping song theft scheme that included over 112 artists, and some 831 total songs where the thieves took tracks from other performers, and distributed under fake artist names. In April of 2024, Saving Country Music also reported on country artist Grant Langston having his unreleased album released on Spotify, ostensibly resulting in him losing control of his own music even before it was released.

    The brazenness of thieves redistributing Garth Brooks material proves it can happen to anybody, and how lax the protocols continue to be for uploading songs. Garth is notorious for keeping his music off of anything except for Amazon, including YouTube. A Live in Germany album is on the platform, and was added in 2024, probably in a separate deal.

    Unfortunately for Garth Brooks fans without Amazon music accounts, it means they’ll have to wait a little longer to stream Garth’s music.



    Attention all Garth Brooks fans! It has recently come to light that the country superstar’s iconic album “No Fences” has appeared on Spotify in what appears to be a streaming scam.

    Fans who have stumbled upon the album on the popular streaming platform have been quick to point out that the tracks are not the original recordings from the album, but rather poor quality cover versions. This has led many to believe that someone is trying to profit off of Garth Brooks’ music without permission.

    As of now, it is unclear who is behind this scam or how long the fake album has been on Spotify. However, fans are urged to report the fraudulent tracks and stick to legitimate sources when listening to Garth Brooks’ music.

    In the meantime, let’s all continue to support Garth Brooks by listening to his music through official channels and purchasing his albums from reputable sources. Let’s not let scammers tarnish the legacy of this country music legend.
    Tags:
    Garth Brooks, No Fences, Spotify, streaming scam, country music, music industry, digital streaming, music streaming, Garth Brooks albums, music news
    #Garth #Brooks #Fences #Appears #Spotify #Streaming #Scam