Tag: Hate

  • What Critics Love And Hate


    Kingdom Come: Deliverance 2 is out this week, and reviews for the overwhelmingly massive open-world RPG sequel are here and mostly positive–though not all. It sounds like the new medieval sim, similar to its predecessor, won’t be everyone’s cup of tea. Some critics are calling it a Witcher 3-level breakout while others are already burnt out on all of the historical immersive sim’s drudgery.

    Warhorse Studios’ follow-up to its 2018 RPG returns players to the role of Henry, the son of a blacksmith turned world-weary orphan, after a war in the 15th century Eastern European Kingdom of Bohemia sends him on a sim-heavy RPG journey through medieval geopolitical turmoil. The sequel expands on the first game with a bigger, more detailed world that includes new gameplay systems and a lengthier script. Does all of this extra stuff coalesce into something compelling and meaningful?

    According to VGC’s Jordan Middler, the larger mix still feels cohesive and intentional in a way the first game’s did not. “This is Warhorse Studios’ Witcher 3 moment,” he writes in his five-star review. “Kingdom Come: Deliverance 2 is an extremely confident, accomplished, dirty, hilarious, and massively enjoyable RPG. The game tries a lot of things and executes on almost all of them very well, and its commitment to being ruthless must be applauded.”

    Eurogamer’s Katharine Castle was similarly impressed but less in love with the finished product. “There’s a lot to admire here, sure, but you have to do so on its own terms,” she writes in her three-out-of-five star review. “It is a hard and maddening slog at times, but one that still has its moments where it surprises and quietly delights. Like the original, this isn’t an RPG designed to make you feel good – you continue to be little more than a passenger in this historical tapestry, following along behind the horse tails of Henry’s betters, and clearing up the mess they leave behind. Some will revel in that work, but I for one won’t be chomping at the bit for another sequel any time soon.”

    Early reviews make Kingdom Come: Deliverance 2 sound like its side quests and the way they’re woven together across its big world are a highlight, while combat remains a bit underwhelming, and text-heavy menus make navigating and learning about some of the systems a chore. The lock-picking mini-game is apparently terrible, as is saving the game, and the beginning seems hellbent on making players struggle to overcome even the simplest challenges. All of these pressure points are blips in a journey that’s takings some reviewers over 100 hours.

    Here’s what other reviews are saying:

    In many ways, Kingdom Come: Deliverance 2 feels like it’s picked up and run with the reactive first-person RPG torch that Bethesda left lying in the mud years ago in pursuit of a broader audience. And it has excellent melee combat, which The Elder Scrolls never came close to even at its peak. Sometimes it’s not sure if it wants to be a cinematic tale about a specific guy going on a specific adventure or a truly dynamic open-world sandbox packed with interesting and varied side quests, and that can lead to a few immersion-shattering conflicts. But most of the time, leaning into one doesn’t get in the way of the other, and you’re free to go on any of its many optional adventures along the way to a thought-provoking and rousing finale for the main plot. I was delighted to get lost in its world, and it will be a long time before I forget its exceptional story.

    While Kingdom Come: Deliverance 2 still stumbles in some aspects of its portrayal of 15th-century Bohemia, the shadow that lingered over the first game has mostly dissipated. This is a massively improved sequel in every other area, with better combat, quest design, and none of the technical issues that plagued the original. Not everyone will vibe with its slow-paced and oftentimes tedious approach, but those willing to meet it on its own terms will find a compelling open-world RPG that relishes in player agency and the consequences of your actions.

    While a few failures trigger a “game over”, many produce scenarios as winding and gratifying as any victory, and in any case, living life in Henry’s shoes has taught me to take the rain with the shine. In particular, I never wanted to simply overpower people the way blockbuster games teach you to, and Deliverance 2 met me halfway, initially, by having characters dunk on me when I tried to act the tough guy, or applaud me for being a good sport when I got my arse kicked. But after a series of mandatory plot skirmishes, my Henry has become a proficient and well-appointed combatant, because that is what KCD2 fundamentally requires him to be. It’s as though the game had assumed the role of that servant girl from my intro: it won’t let me get on with my day unless I consent to my own greatness.

    The branching dialogue options and reputation system make for some engrossing moments. At certain points, I’m given the option to respond using the key tenets of Persuasion, Coercion, Domination, and others. This isn’t just determined by a rudimentary point value system from leveling up skills and perks. Rather, it relies on several factors, such as my standing within a community and even the dirt or blood on my clothing. After all, you probably won’t convince merchants that you’re a member of the nobility if you look like a vagabond, just as how you might not be able to intimidate the guards if you look like a total pushover.

    Kingdom Come: Deliverance 2 is, in almost every way, the RPG that so many fans have been asking for. With Baldur’s Gate 3 taking the world by storm, amidst so many other RPGs that widely missed the mark, Kingdom Come: Deliverance 2 presents a colossal, in-depth, beautiful, masterfully designed game right at the start of 2025. The performances are excellent, it’s a major technical step up, and evolves the game beyond its foundation into something that embraces modern audiences without losing its identity. The original game turned away many due to its slow-paced, tedious aspects and technical shortcomings, and while the sequel exceeds on a technical level by far, the biggest shame will be if people still give it a miss because of the almost simulator-like mechanics.

    Given that I was a big fan of the original title, I went into Kingdom Come: Deliverance 2 expecting to greatly enjoy the follow-up, too. Even so, I was thoroughly surprised by how perfect of a sequel it is, with Warhorse building on everything fans loved about KCD while simultaneously fixing its major story, combat, and performance issues. Between the immersive reactivity of its huge open world, countless varied quests to fill up your journal with, its engaging well-balanced combat, a gripping story, and immaculate presentation, it’s got everything a Kingdom Come fan could want and more.

    Looking for a sweeping fantasy romp? You won’t find one. Like its predecessor, this is a game whose story springs inevitably from the politics of its time and place: the Kingdom of Bohemia in 1403. Want to mow down your foes by the dozen? Good luck. Combat is a strange dance of positioning both your hands and feet relative to those of your enemies, and charging into the fray even in the late game is liable to get you cut apart. Want to equip a hauberk without first equipping a padded gambeson beneath it? What are you—some kind of moron?



    What Critics Love And Hate: A Look at the Best and Worst in Entertainment

    Critics play a crucial role in shaping public opinion and influencing the success of movies, TV shows, music, and other forms of entertainment. While their reviews can be subjective, they often provide valuable insights into what works and what doesn’t in the world of entertainment. Here, we take a closer look at some of the things that critics love and hate in the industry.

    What Critics Love:

    1. Originality: Critics love to see fresh and innovative ideas in entertainment. Whether it’s a unique storyline, a groundbreaking visual style, or a fresh perspective on a familiar genre, originality is always appreciated.

    2. Strong performances: Critics are always impressed by actors who can truly inhabit their characters and bring them to life on screen. A powerful performance can elevate even the most mediocre of scripts.

    3. Thought-provoking themes: Entertainment that tackles complex issues and challenges viewers to think critically about the world around them is often praised by critics for its depth and intellectual rigor.

    4. Skillful direction: A talented director can turn a good script into a great film. Critics appreciate directors who have a clear vision for their projects and the skills to bring that vision to life on screen.

    What Critics Hate:

    1. Lack of originality: Nothing irks critics more than a rehashed plot, tired cliches, or recycled ideas in entertainment. They want to see something new and exciting, not the same old tired tropes.

    2. Poor performances: Bad acting can ruin even the best-written script. Critics are quick to call out actors who phone in their performances or fail to connect with their characters.

    3. Shallow themes: Entertainment that lacks depth or substance is often panned by critics for its lack of intellectual engagement. They want to be challenged and stimulated, not spoon-fed simplistic messages.

    4. Heavy-handed direction: Directors who lack subtlety or finesse in their storytelling can turn off critics with their heavy-handed approach. A deft touch is often appreciated more than bombastic spectacle.

    In the end, critics are just one piece of the puzzle when it comes to evaluating entertainment. What one critic loves, another may hate, and ultimately, it’s up to the individual viewer to decide what resonates with them. But by paying attention to what critics love and hate, we can gain valuable insights into the ever-evolving landscape of entertainment.

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  • Furious Netflix fans ‘hate’ major update about biggest sci-fi’s final season


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    Stranger Things has been one of Netflix’s most popular series, but fans have been left unimpressed as it’s rumoured that the show will be released in two parts.

    2025 is set to be a huge year for the streaming platform as it marks the return of its three biggest series: Squid Games (which was released in January), Wednesday, and the fifth season of Stranger Things.

    The popular supernatural horror series launched in 2016 and stars Millie Bobby Brown, Finn Wolfhard, Noah SchnappDavid Harbour, and Winona Ryder.

    The horror series set in the 80s has gripped fans over the years, but a new rumour has frustrated fans.

    On a Reddit page for the show, it was speculated: ‘STRANGER THINGS Season 5 is rumoured to be split into 2 parts – Expected to release in October and November this year.’

    Fans were unimpressed and lamented that the split season was a marketing ploy from Netflix that ‘killed’ the excitement for fans.

    (L to R) Noah Schnapp as Will Byers and Charlie Heaton as Jonathan Byers in a still from stranger things
    The series is set to be released this year (Picture: Courtesy of Netflix)

    GoodOmens182: ‘I hate when they do this. Aside from that, it’s literally been 5 years since season 4 and most people are past caring. Just release it.’

    ‘Not surprising but I’d prefer they just drop it all at once like seasons 1-3,’ li700 commented.

    ‘Ugh i hate the split seasons it kills the vibe and hype tbh!!!! the wait in between is always just too long and i hated it in 4 bc i was thinking about it and theorizing and reading things for so long but then was disappointed in the final episodes because i had built them up so much in the wait lol. would rather just watch it all!!!!!’ said iilizabeth.

    ‘This is ridiculous. Mark my words Netflix is gauging how far they can go to adopt the traditional weekly releases soon enough. More money for them if they do. Cannot believe that after wait since 2022 we have to wait to watch it in two parts. What a joke,’ said PalindromicPalindrom.

    (L to R) Priah Ferguson as Erica Sinclair, Sadie Sink as Max Mayfield and Caleb McLaughlin as Lucas Sinclair in Sttranger Things
    The fourth season left fans wanting more (Picture: Courtesy of Netflix)

    Others also emphasised that a split season could mean that the series is unable to be put forward for certain awards.

    Shadybug commented: ‘They need to be very careful about how they release a split schedule. Because of how S4 was released over the summer, it divided the season along the eligibility date for award nomination.’

    Not all fans were too disturbed by the split, with some suggesting it would be good as it would stop them binging it all at once.

    ‘I don’t agree that they divide the series into two parts, the thread of the series is lost. But on the other hand, I appreciate it because otherwise I would finish the series in one day,’ said Quentin_Tarantino_.

    One commenter, Leemski, also added that all would be forgiven so long as the season is good: ‘Hate this trend of split seasons, but all will be forgiven if s5 delivers.’

    STRANGER THINGS. (L to R) David Harbour as Jim Hopper and Winona Ryder as Joyce Byers in STRANGER THINGS. Cr. Courtesy of Netflix ?? 2022
    David Harbour and Winona Ryder lead the cast (Picture: Courtesy of Netflix)

    The earlier seasons of Stranger Things were released at once on the platform but Netflix made a change and released the fourth season in two parts in 2022.

    The first seven episodes of the fourth season were released on May 27 and the final two episodes wrapping up the season debuted on July 1.

    Although Netflix has yet to officially confirm when in 2025 it will release the fifth season, anticipation has already been huge with eight episodes predicted to be released.

    Stranger Things is set to return in 2025.

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    If you’ve got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we’d love to hear from you.



    Attention all sci-fi fans! Netflix has just announced a major update regarding the final season of one of its biggest sci-fi series, and fans are absolutely furious.

    After months of anticipation, Netflix revealed that the upcoming season will be the last for the beloved show. While many fans were devastated to hear the news, what really set off a firestorm of anger was the decision to release the entire season at once, rather than airing it weekly as with previous seasons.

    Fans took to social media to express their outrage, with many declaring that they “hate” the streaming platform for ruining their viewing experience. Some even went as far as to cancel their subscriptions in protest.

    It’s clear that emotions are running high among fans of this beloved sci-fi series. Will Netflix reconsider their decision in response to the backlash? Only time will tell. Stay tuned for more updates on this developing story.

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    #Furious #Netflix #fans #hate #major #update #biggest #scifis #final #season

  • Hate Endowment Taxes? Reform the University


    Universities are bracing for the second Trump administration, anticipating the most adversarial relationship between the presidency and higher education in American history. Unlike the first go-round when Trump seemingly surprised even himself by winning and had no clear educational policy to implement, Republicans have now had years to develop an agenda for addressing what they see as the many sins of the sector. Not only is the incoming administration better prepared for a clash, but universities are in a weaker position to defend themselves. Trump is more popular now than when he first took office, while universities are at their nadir of public approval. Should Republicans prove determined in their vision of reform, universities will find it more difficult to resist.

    One avenue that Republicans may pursue is to tax university endowments. In 2023, Vice President JD Vance, then serving as an Ohio senator, put forward legislation that would have placed a 35 percent tax on the investment income of wealthy universities. Republican lawmakers beyond Vance have expressed  their approbation of the principle. These proposals follow the precedent of Trump’s first term. The 2017 Tax Cuts and Jobs Act introduced a 1.4 percent excise tax on the investment income of a few extremely rich universities. Despite the great alarm with which this tax was met in the worlds of higher education and philanthropy, the public doesn’t seem to have soured on the idea: A 2024 poll found that likely voters supported taxing endowments further.

    Rather than simply denouncing these developments, university leaders should work to understand why they came about—and why they might be in a weaker position to fight them off than they imagine.

    Some preliminary points are in order. First, it should be recognized that large endowments are not the normal mechanism for funding education. Primary and secondary education, in the US and abroad, is usually provided by institutions that receive the entirety, or nearly the entirety, of their funding from taxes. Even private education need not be funded through endowments—that is, through the accumulation of a capital surplus (based largely on donations, which in this country are themselves tax-exempt) from the investment income of which institutional activities are funded. Private education could be sustained through the conventional practices of the private sector—namely, by a mixture of the revenue from the products they sell and taking on debt. 

    “There is nothing inevitable about endowments as a financial basis for education.”

    There is nothing inevitable about endowments as a financial basis for education, and the vastness of the present endowments of the major American universities is anomalous both in a comparative and historical perspective. Other countries’ universities have nothing like endowments of this size, when they have endowments at all. And historically US university endowments were smaller and covered a smaller proportion of their overall costs. It is not a law of nature that societies be so permissive toward the accumulation of capital and property beyond the necessary operating expenses of educational institutions. Laws can be made that tightly condition the privileged tax position of endowed nonprofits on certain spending and institutional requirements; or that restrict or disincentivize gifts to universities; or that simply stipulate that universities distribute each year such a portion of their assets that their endowments dwindle. Measures of this sort were contemplated in this country a mere half-century ago in the deliberations that led up to the 1969 Tax Reform Act that placed heavier regulations on private foundations, and other liberal nations have policies in place that are designed to discourage endowment accumulation.

    Nor should we think of skepticism toward endowments as an intrinsically right-wing proposition, even if that is the direction from which hostility is coming at present. As I have noted in these pages before, what historians considered liberalism’s heyday saw liberal politicians and authors express wariness toward educational endowments and encourage the state to reform them. Arguably the greatest liberal statesman in history (not to mention one of the most devoted to education), William Gladstone, proposed removing the tax exemption from the endowments of charitable foundations, including schools and universities. In this attitude, such figures were drawing on a venerable legacy. Animosity toward endowments of all sorts was a feature of the French Enlightenment, and Adam Smith’s Wealth of Nations included an extended discussion of how inappropriate endowments were for educational purposes, arguing that they insulated professors too much from the realities of market demand (or lack thereof) and left schools ill-adapted in the long run to the needs of the population. 

    An endowment can be conceptualized as a third way between relying entirely on market competition or on public provision. Interestingly, it was precisely as an alternative to market-based education practices that they were seen in prior periods when their fate was being decided. In Victorian England, a leading Liberal politician framed the choice in education policy as being between “endowment or free trade.” In the higher-education context, an endowment is a way of offering to scholars and teachers a degree of insulation from direct market discipline. Instead of merely fetching what they could charge by directly hawking their wares to potential pupils or consumers of their research, professors are subsidized by a mass of accumulated capital—capital whose accumulation has been aided by being exempt from taxes.

    Finally, and at the risk of stating the obvious, we should remind ourselves that exemption from taxation is a subsidy. To pay no or lesser tax than other similarly situated institutions or persons effectively increases the resources available to the exempt entity no less than receiving a direct financial grant from the government would. And it likewise increases the burden on others. As one report puts the matter plainly, “the favorable tax treatment of private non-profit and public higher education is a mechanism to transfer resources to higher education.” If universities wish for their endowments to remain in this fiscally privileged position, what is needed is a set of justifications for the specific proposition that the current methods of financing higher education, which facilitate the development of institutions at once less reliant on consumer preferences and on government largesse, are so valuable that we should continue placing extra fiscal requirements on the rest of the public to preserve it, rather than simple denunciations of endowment taxes as attacks on education. After all, higher education is provided the world over, while American universities almost alone enjoy such enormous untaxed or undertaxed resources.


    Let us consider three common justifications for tax-privileged endowments in higher education, in ascending order of importance and ask whether universities are in a strong position to put them forward at present. The first is that they permit experimentation and diversity. If all institutions had the state as their sole funder, or if they all faced short-term market pressures, one might expect conformity and convergence. Large endowments give individual institutions financial wherewithal and a margin of independence for trying out new initiatives, setting out on their own path, making a risky venture to differentiate themselves from others, and maintaining their own distinctive traditions. It was this rationale which led John Stuart Mill to abandon his initial hostility to educational endowments: Endowments were a protective shield against the homogenizing forces of government dictation and the fashions of the ignorant mass consumer. 

    But how do things stand in fact? Universities with large endowments seem to display less and less differentiation. They give up longstanding traditions as soon as complaints are heard about them being “culturally insensitive” or too demanding or anachronistic, and they regularly engage in iconoclastic assaults on their own particular heritages and founders and benefactors. They show less and less distinctiveness in curriculum; their academic calendars and jargon have synchronized; they use not only a common application platform, but also a pretty common set of admissions standards. There is less and less distinctness in the kind of student they pursue, or in the environment—academic and residential—that they offer that student once admitted. Go to any of, say, the twenty private universities with the largest endowments and just look at the signage posted throughout campus for events, programs, services: You will find that at every one they convey a near-identical blend of culturally progressive presuppositions, identitarian appeals, and therapeutic argot.

    Until recently, my own alma mater, the University of Chicago, used to have a very distinctive profile for undergraduates, and to put them through a distinctively exacting core curriculum. It had a peculiar campus atmosphere, grimy and gothic and self-importantly cerebral at once. But in recent years—in tandem, as it happens, with an explosion of its endowment—a concerted effort was made to become more like a generic Ivy: The core curriculum was watered down, a less nerdy and more “well-rounded” applicant profile seems to have been preferred, the campus was altered to feature more of the amenities of a typical wealthy school. One might argue that these changes—or the equivalents that have occurred at other universities as they have similarly shed the particular and historical for the normal and the expected—were worth making, but they nonetheless undermine the “protection of diversity” rationale.

    Similarly, diversity in political orientation across elite campuses has vanished. In the heady days after the first Trump election and especially in 2020, these institutions responded to current events in a nearly identical manner, often with statements so similar they could all have been written by the same person. Across them all, the political allegiance of faculty is skewed in the same direction. The Great Awokening met precisely the same amount of resistance at all of them: namely, none. Instead of a thousand flowers blooming, well-endowed universities exhibit startling degrees of what sociologists call normative and mimetic isomorphism. In other words, they all play follow the leader, and they are all shaped by the same type of (careerist, conformist, safetyist, left-liberal) personality. Indeed, it is hard to think of an industry with less real diversity (an ironic outcome, given that diversity has become its guiding value).

    That endowments foster pluralism––whatever the intuitive appeal of the thought––is thus a difficult argument to make at the moment. A related justification has similarly fallen on hard times. Insulated from the dictates of the state and market demands, endowments are supposed to furnish universities with the material substrate for integrity. They should enable universities to stick to their principles and resist the temporary gusts of political passion. Whatever moral manias gripped the populace, wealthy universities could sustain their own commitments to free inquiry and scholarly rigor, and could afford to ignore the screeching outside their walls. 

    And yet, we have seen precisely the opposite. In FIRE’s free-speech rankings, some of our most exorbitantly endowed schools consistently fare the worst. Universities are often the most eager institutions to join moral crusades, heedless of the damage that this does to the spirit of open inquiry within their walls. Great numbers of their inhabitants regard them as environments distinctly unfavorable to free speech, and self-censorship is rife there, far more so than in non-academic domains of life—a state of affairs which is the antithesis of what we should see, for if universities are to fulfill their mission they should be the intellectually freest parts of civil society. The rapid institutionalization of DEI, with its disastrous effects on free speech, campus comity, and educational quality, is indicative of the well-heeled university’s failure to maintain its intellectual equilibrium when faced with social upheaval and vague calls to “do something” to prove its relevance on this issues of the moment. After Columbia’s recent dismissal of a pro-Palestine tenured professor, several liberal and left-leaning academics, including some who were previously stalwart deniers that any problems of bias or intolerance existed, admitted that DEI was always repressive and that the university, underneath the guise of happy mantras like “equity” and “inclusion”  and “anti-discrimination,” has in fact compromised its ability to preserve a small-l liberal culture in the face of strong societal headwinds.

    Even the aforementioned John Stuart Mill, who worried more about the effects of social intolerance and “cancel culture,” as we would now call it, than any philosopher in history, thought that the rich at least would feel sufficiently untouchable to maintain unpopular beliefs. But in our own time, neither rich people, nor rich institutions, seem to demonstrate the capacity to hold to principle if any cost greater than a couple days of negative response on social media are involved. A large endowment is to an institution something like what tenure is to an individual: a guarantee of a certain measure of security. And yet, just as tenure itself appears not to be helping academics to live up their ideals (tenured academics seem not to speak more freely than their untenured colleagues) , a sizable endowment is not in fact cashing out in greater resolve to respect academic freedom and ensure fair treatment for students and employees of all ideological stripes.

    The final, and most compelling, justification for endowments is that they are essential to funding the university’s core activities of research and teaching at such a level as to maintain the standards of excellence to which we have become accustomed. To even the most hardened critic of higher education, this is a very strong argument. American universities, for all their faults, are the finest in the world. Lavish endowments are a key reason for that. They allow our schools to fund major scholarly projects in a way that other countries cannot match, and to offer higher salaries than our peer nations and therefore to attract top talent. Whatever reforms Republicans undertake, they should be careful not to weaken one of our country’s great advantages. 

    At the same time, even this rationale is not as strong as it could be. For the 21st-century wealthy American university has prioritized things other than academic excellence. Higher education has undergone a remarkable amount of mission creep, and its extraordinary resources are not going to research and teaching in the proportions they ought. By far the greatest growth in university spending on labor has been devoted to administrators, many of whom perform functions that are related to pedagogy and research by only the most threadbare of connections. Student-life bureaucracies, an extremely capacious conception of therapeutic services and wellness provision, meddlesome “bias response teams” and social-justice apparatuses—endeavors of this ilk have brought in new personnel at an astonishing rate, while faculty numbers have increased modestly at best. Academics and scholarship make up a lesser share than formerly of the actual activity of the university, which has become what the political scientist Steven Teles rightly calls a “total institution.” 

    Moreover, an increasing amount even of the ostensibly academic spending of the modern university now takes place not in traditional departments like physics, history, or philosophy, which for all their faults have a legacy of striving for objectivity in their methods and standards. Instead, money has shifted into the rapidly expanding category of “centers” and “programs” devoted not to a well-defined discipline but rather to an issue or theme: “climate change,” “social justice,” “inequality.” The line between activism and scholarship at these new entities is often incredibly blurry. What standards the research at such places is being held to, and whether these entities even bother to pay lip service to a politically neutral conception of research excellence, are questions that have not yet received satisfactory answers.

    “An endowment tax could be designed to incentivize reallocating university budgets.”

    In short, much of what the university does now is no longer exactly what even many educators would expect it to be doing. It is arguable that the ideal type of the American university in the popular imagination—a blend of the historic Oxbridge residential model with the German disciplinary research model—has been at least partially eclipsed by a new kind of “all-administrative university.” It seems natural to wonder whether the considerable perks that were granted on grounds of public confidence in the classical model should persist as that model gives way. If an endowment tax pushed universities to look harder at their administrative spending, that outcome would hardly be bewailed by the American public—and would probably be welcomed by many in academia itself, even if they would be reluctant to say so publicly. Indeed, an endowment tax could be designed to incentivize reallocating university budgets from administration and to teaching and research. 

    If American universities are still the best in the world, the grounds for that superiority may be eroding largely due to universities’ own misplaced endeavors. On the teaching side, grade inflation has reached heights that would be hilarious if they didn’t indicate that universities have effectively given up on evaluating student performance and on the very notion of professorial authority. College students are more miserable and less prepared to contribute to society and the economy after graduation than in past generations. Classes have become markedly easier, and even at the most selective and well-endowed institutions faculty are giving up on asking their students to do sophisticated or demanding reading. Cheating is rampant, and our wealthy institutions appear to be making only the most desultory of efforts to combat it. As universities have run up unprecedented resources, the quality of education they are delivering is getting worse.

    When it comes to research, the trends look equally bleak. Academic fraud is rampant, and low-quality, unreplicable studies have proliferated. In the endless quest for inclusion universities have wound up playing host to less productive researchers; what universities have newly included, it turns out, have been above all the less competent and accomplished. Many of the most famous ideas to come out of academia have turned out, to put it kindly, wrong. One discipline after another has had to reckon with its research practices being shown to be unreliable. 

    Perhaps most perverse of all, it has proven a pathway to clout for many academics to tear down their fields, to declare their disciplines mere instruments of one evil or another, valueless and noxious. I am reminded when listening to such rhetoric of Alexis de Tocqueville’s depiction of aristocrats on the eve of the French Revolution indulging in the most subversive and egalitarian rhetoric because in their solipsism it had not occurred to them that those below them in the social hierarchy might “hear what was said.” If academics themselves proclaim that their areas of study are worthless and the impartial pursuit of knowledge within them is a myth, they shouldn’t be surprised that the public is no longer keen to permit their institutions to amass untold quantities of tax-payer subsidized assets.


    Endowment taxes are a risky proposition. It is naïve to think that top-notch scholarship, scientific  research, and postsecondary education can be provided for on the shoestring subventions which governments tend to provide their universities, and ill-designed or exorbitant endowment taxes could do real damage to students and research capacity alike. Having the best universities in the world is something Americans should be proud of, but it is not nor will it ever be cheap. 

    At the same time, it is not a natural right of nonprofit institutions to sit on giant publicly-subsidized piles of cash. If US universities are to remain strong, their leaders have to take an honest inventory of their problems and pathologies, and must admit that their recent performance has diminished the appeal of their arguments for continued special treatment in the eyes of many of their countrymen. The greatest theorist of the nonprofit sector, Henry Hansmann, already recognized more than three decades ago that many of the justifications for higher education’s endowment accumulation were weaker than commonly acknowledged. In the ensuing interval, their footing has not gotten any surer.

    Universities are some of the most legally and fiscally privileged organizations in the land. With privilege comes responsibility, and a need for public accountability. If they wish to continue to enjoy their privileged position, universities need to do much better at living up to the values that legitimize them in the first place.

    Gregory Conti, an associate professor of politics at Princeton University, is Compact’s editor-at-large.

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    Endowment taxes have been a hot topic of debate in recent years, with many arguing that they unfairly target wealthy universities and limit their ability to provide financial aid and support to students. If you’re someone who hates the idea of endowment taxes, perhaps it’s time to consider reforming the university system altogether.

    Instead of relying on massive endowments to fund their operations, universities could explore alternative funding models that prioritize accessibility and affordability for all students. This could involve restructuring tuition fees, expanding scholarship and financial aid programs, and developing partnerships with businesses and government agencies to secure additional funding.

    By shifting the focus away from endowments, universities can ensure that they are able to provide high-quality education to all students, regardless of their financial background. This could help level the playing field and create a more equitable and inclusive higher education system for all.

    So, if you’re frustrated with the idea of endowment taxes, perhaps it’s time to push for meaningful reforms that will benefit students and society as a whole. Let’s work together to create a university system that is truly accessible and affordable for all.

    Tags:

    1. Endowment tax reform
    2. University endowment taxes
    3. Endowment tax policy
    4. Higher education reform
    5. University funding reform
    6. Endowment tax debate
    7. Taxation of university endowments
    8. Endowment tax legislation
    9. Reforming university finances
    10. Impact of endowment taxes on universities

    #Hate #Endowment #Taxes #Reform #University

  • Whitmer signs hate crime, school safety and sextortion bills


    Attorney General Dana Nessel speaks during a Lansing press conference on bills to strengthen hate crime laws, April 26, 2023 | Laina G. Stebbins

    Nineteen bills that would, among other things, update Michigan’s hate crime law, criminalize sextortion, and promote school safety, were signed into law Wednesday by Gov. Gretchen Whitmer. 

    “Michiganders should feel safe whether they’re watching a movie at home or heading into the classroom,” said Whitmer, a Democrat. “That’s why I’m proud to sign these 19 commonsense bills that will keep Michigan families and neighborhoods safe from gun violence and other violent crimes.” 

    The legislation that perhaps had the hardest path to passage were House Bills 5400 and 5401, sponsored by state Reps. Noah Arbit (D-West Bloomfield) and Kristian Grant (D-Grand Rapids), respectively, which expand the definition of, and amend the sentencing guidelines for, hate crimes. 

    Arbit’s bill updates Michigan’s 1988 “ethnic intimidation” statute to add sexual orientation, gender identity or expression, disability or age as characteristics that would be considered a hate crime if they were the basis of violent or threatening behavior.

    It was the second attempt by Arbit to expand the law, after a previous version of the legislation was attacked by opponents as trying to criminalize misgendering someone, which he said was a “ridiculous lie,” noting the word misgender isn’t even in the text of the law. 

    Even the version that passed the House in November was the focus of criticism by Republicans, all except one of whom voted against it.

     Rep. Noah Arbit (D-West Bloomfield) testifies in the House Criminal Justice Committee in Lansing on Dec. 3, 2024. (Photo: Anna Liz Nichols) Rep. Noah Arbit (D-West Bloomfield) testifies in the House Criminal Justice Committee in Lansing on Dec. 3, 2024. (Photo: Anna Liz Nichols)

    Rep. Noah Arbit (D-West Bloomfield) testifies in the House Criminal Justice Committee in Lansing on Dec. 3, 2024. (Photo: Anna Liz Nichols)

    Regardless, Michigan Attorney General Dana Nessel, a Democrat, welcomed the bills finally becoming law.

    “Over the past decade, we have seen not just an uptick in hate crimes, but a normalization of racist, antisemitic and bigoted language, symbolism and actions – including a close adviser to the President giving the Nazi salute during an inaugural rally just this week,” posted Nessel. “It’s incumbent upon those of us with the authority to unilaterally denounce such sentiments; otherwise, there’s no stopping this behavior. I applaud the Governor for signing these long overdue changes to the state’s statutes.”

    Several of the bills Whitmer signed were focused on addressing firearm and school safety, starting with House Bills 5450 and 5451, sponsored by state Reps. Sharon MacDonell (D-Troy) and Julie Brixie (D-Meridian Twp.), respectively.

    The bills require information on the safe storage of firearms to be distributed to parents of students. Specifically, the information would outline the requirements of legislation passed by the then-Democratic-controlled Legislature in 2023, and then signed by Whitmer, requiring individuals to keep firearms “unloaded and locked with a locking device or stored in a locked box or container if it is reasonably known that a minor is or is likely to be present on the premises.”

    According to a release by Whitmer’s office, an estimated 150,000 Michigan children currently live in homes that have an unsecured firearm, while more than 70% of school shootings nationally involve a firearm that is owned by a parent or close family member and taken by the shooter. 

    That was the case in the 2021 Oxford High School shooting, in which a 15-year-old student used a handgun purchased by his parents to murder four fellow students. The teen was sentenced to life in prison without the possibility of parole while his parents were also found criminally responsible and sentenced to prison terms for making a firearm readily available despite warning signs that he was planning the shooting.

    “Michigan has seen far too many school shootings. Last term, Democrats passed a number of monumental laws that help curb gun violence throughout the state. Our kids, teachers and families deserve safety and security at home and in their classrooms,” said MacDonell. “With this bill becoming law, Michigan schools will now provide helpful resources on Michigan’s new firearm safety measures — which continue efforts to keep our children and communities safe from reckless firearms use.” 

    Chandra Madafferi, president and CEO of the Michigan Education Association, said that students and educators need to feel safe in the state’s schools, and the bills were an important step to making that a reality.

    “By making sure families are aware of the best ways to keep guns stored safely, schools can be part of the solution in preventing firearms from falling into the wrong hands,” she said.

     The March with Oxford in Centennial Park on June 17, 2023 included remembrances of those lost to the 2021 Oxford High School shooting and calls for gun reform. | Lily Guiney The March with Oxford in Centennial Park on June 17, 2023 included remembrances of those lost to the 2021 Oxford High School shooting and calls for gun reform. | Lily Guiney

    The March with Oxford in Centennial Park on June 17, 2023 included remembrances of those lost to the 2021 Oxford High School shooting and calls for gun reform. | Lily Guiney

    Other school safety bills signed Wednesday include House Bills 4095 and 4096, sponsored by state Reprs.Stephanie A. Young (D-Detroit) and Ranjeev Puri (D-Canton), respectively, which require standardized terminology used by schools in response to emergency situations.  House Bills 5659 and 5660, sponsored by state Reps. Luke Meerman (R-Coopersville) and Nancy DeBoer (R-Holland), respectively, create the new School Safety and Mental Health Commission in the Department of State Police. 

    The new commission will focus on improving mental health outcomes for school-aged children, adolescents, and their families, as well as reducing youth suicide rates in Michigan.  

    In conjunction with those bills, Whitmer also issued Executive Order 2025-1 which delineates the makeup of the commission to include at least one member who is a prosecutor., as well the director of the Department of Lifelong Education, Advancement and Potential (MiLEAP), or their designee. 

    Additionally, the executive order gives the ex officio members of the board (the directors of MSP, DHHS, MiLEAP and the superintendent of public instruction) voting rights on the commission and adds the duties of the former School Safety Commission to the new commission. 

    House Bill 5549, sponsored by state Rep. Kelly Breen (D-Novi), creates a behavior threat assessment and management team to monitor concerning student behavior and devise supportive measures to mitigate potential threats.   

    House Bills 6144, 6145, and 6146, sponsored by state former Rep. Felicia Brabec (D-Pittsfield Twp.) and Rep. Natalie Price (D-Berkley), respectively, require the Michigan State Police (MSP) to destroy all firearms turned over to it that were purchased under a gun buyback program. 

    “This legislation ensures when we destroy a firearm, our current practice of destroying all parts of the firearm will remain the standard now and for the future,” said Col. James F. Grady II, director of the MSP. 

    Meanwhile, House Bills 5887 and 5888, sponsored by state Reps. John Fitzgerald (D-Wyoming) and Kara Hope (D-Holt) respectively, create specific criminal penalties for sextortion, in which an individual blackmails others, threatening to distribute sexually explicit photographs or videos of another person. 

    More than 13,000 reports of online financial sextortion of minors were received by the FBI and Homeland Security Investigations between October 2021 to March 2023. At least 20 suicides occurred in these reports with the FBI saying this year that reports of sextortion of minors are on the rise.

     Photo of Jordan DeMay provided by John DeMay Photo of Jordan DeMay provided by John DeMay

    Photo of Jordan DeMay provided by John DeMay

    Jordan DeMay, 17, took his life in 2022 after international criminals tricked him into sending explicit photos for the purpose of sexually extorting him. His father, John DeMay, lobbied hard for the legislation.

    “The law enforcement community is calling this an epidemic, and it really is, because the detectives are getting bombarded with this stuff. It’s just every day on their desk, and there’s a lot of it goes unreported,” DeMay told the Michigan Advance when the bills passed the House in December. 

    The bills also define sentencing guidelines for the crimes. 

    House Bill 4485, sponsored by state Rep. Reggie Miller (D-Van Buren Twp.), extends the time for filing an indictment of criminal sexual conduct (CSC) charges in the second or third degree. Under the bill, an indictment for CSC in the second or third degree could be found and filed by the victim’s 42nd birthday, regardless of when the offense occurred. 

    Supporters say the legislation will also reduce the danger of sexual violence against children by holding sex offenders accountable under an increased statute of limitations. 

    House Bill 6046, sponsored by state Rep. Christine Morse (D-Texas Twp.), ensures eligible providers working to offer community violence intervention services can utilize Medicaid to cover the cost. The bill also establishes a certification pathway and training requirements for violence prevention professionals.  

    House Bill 4173 and 4384, sponsored by state Reps. Abraham Aiyash (D-Hamtramck) and Luke Meerman (R-Coopersville), respectively, create the Michigan Sentencing Commission, which will support criminal justice reform in Michigan by recommending sentencing updates that reflect prevailing opinions towards reform and rehabilitation.

    House Bill 5695, sponsored by state Rep. Mike McFall (D-Hazel Park), will increase the financial support available to local municipalities that provide ground ambulance services to individuals relying on Medicaid. The bill authorizes a supplemental federal reimbursement program to enhance the financial stability of public ambulance service providers.   

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    Michigan Governor Gretchen Whitmer signed several important bills into law today, addressing hate crimes, school safety, and sextortion.

    The hate crime bill expands protections for victims targeted because of their sexual orientation, gender identity, or disability. This bill sends a strong message that discrimination and violence will not be tolerated in our state.

    The school safety bill provides funding for increased security measures in schools, such as hiring more resource officers and implementing safety training programs for staff and students. This legislation is a crucial step in ensuring that our children can learn and thrive in a safe environment.

    Finally, the sextortion bill makes it a crime to use threats of releasing explicit images or videos to coerce individuals into performing sexual acts. This law is a significant victory for victims of this heinous crime, providing them with the legal protections they deserve.

    Governor Whitmer’s actions today demonstrate her commitment to protecting the safety and well-being of all Michigan residents. These bills are a crucial step forward in creating a more inclusive, secure, and just society for all.

    Tags:

    1. Michigan Governor Whitmer signs hate crime legislation
    2. School safety bills signed by Governor Whitmer
    3. Whitmer approves new laws on sextortion
    4. Michigan hate crime laws updated by Governor Whitmer
    5. School safety measures passed in Michigan
    6. Whitmer signs bills addressing hate crimes and school safety
    7. New legislation on sextortion signed by Governor Whitmer
    8. Michigan takes action on hate crimes and school safety
    9. Governor Whitmer addresses hate crimes, school safety, and sextortion
    10. Updates on hate crime, school safety, and sextortion laws in Michigan

    #Whitmer #signs #hate #crime #school #safety #sextortion #bills

  • Hate comes with the job


    Dora Jar has responded to some Gracie Abrams fans trying to get her replaced as the opening act on an upcoming tour, saying “hate comes with the job”.

    On Friday (January 24), the alt-pop artist and former NME Cover star announced that she would be opening for Abrams on her UK and European tour in February and March, including shows in Nottingham, Leeds, London, Manchester, Cardiff, Dublin and Glasgow.

    See the full list of dates in the post below and find any remaining tickets for the shows here.

    “PINCH ME!!!” she wrote on Instagram. “To all the beautiful Gracie fans in Europe and the UK: it is such an honor to announce that I will be playing some of my songs for you, opening for our golden hearted living legend GRACIE ABRAMS!!! A privilege to soon share the stage and this experience with you @gracieabrams.”

    However, in the hours following the announcement, a number of Abrams fans complained about the choice of Jar as support act, with some social media users sharing what appeared to be a crowdfunding campaign to have her replaced on the tour.

    Jar herself responded on X on Saturday (January 25), writing: “Hate comes with the job, the truth is this is the biggest outpouring of love I’ve ever received from a fanbase who is still unfamiliar with me. Gracie has beautiful open hearted fans and I am so excited for this.”

    Responding to a supportive fan in reference to the apparent campaign, Jar replied: “Don’t worry this doesn’t bum me out! I’m hear to perform for all the music loving open hearted fans. those who aren’t interested can go buy merch while I’m playing (but they might as well let me entertain them tho..;)) an overwhelming amount of fans have been so kind & excited.”

    Jar released her debut album ‘No Way To Relax When You Are On Fire’ in September. The record is a reflection of what the California artist went through in its two-year creation, following a whirlwind time that included going on tour with Billie Eilish and The 1975. Though it was an honour to tour with these artists – including Eilish, whom Jar says “broke my mind open again about what music could be” – she struggled with imposter syndrome afterward. “[I was] so confused and I [didn’t] feel like I deserved any of that,” she told NME.

    To make her album, Jar had to get back in touch with her whimsical side: “I forgot that my nature is to be playful. I really detached from that and took so much all of a sudden so seriously.” Jar further characterises her sound to NME as “detailed and probably a bit intense”. She adds: “Whether it’s a lullaby or upbeat, there’s a demanding call to be listened to. I’m very interested in things that are confusing, because I felt confused my whole life.”





    Working in customer service can be a rewarding experience, but it also comes with its fair share of challenges. One of the toughest parts of the job? Dealing with hate from unhappy customers.

    Whether it’s a rude comment, a scathing review, or even a personal attack, customer service representatives often find themselves on the receiving end of harsh criticism. It can be difficult not to take these comments personally, especially when you’re genuinely trying to help and provide a positive experience.

    But it’s important to remember that hate comes with the job. Not everyone will be satisfied, and not everyone will be kind. The key is to stay calm, professional, and focused on finding a solution to the customer’s issue.

    So the next time you find yourself facing hate from a customer, remember that it’s not a reflection of you as a person. Stay resilient, stay positive, and keep on providing the best customer service you can. Hate may come with the job, but so does the opportunity to turn a negative experience into a positive one.

    Tags:

    1. Managing hate in the workplace
    2. Coping with negativity at work
    3. Dealing with hate on the job
    4. Overcoming workplace hostility
    5. Navigating hate in the office
    6. Strategies for handling job-related hate
    7. Addressing negativity in your career
    8. Tips for dealing with hate in the workplace
    9. Confronting workplace animosity
    10. Managing hate in your job role

    #Hate #job

  • JJ’s Country Music Minute: New Music Friday, Did Jelly Roll Hate Kane Brown?, Blake Shelton’s Biggest Mistake and More


     

     

     

     

    Friday means New Country, and today you get the new album from Kane Brown called “The High Road,” featuring his hit “Miles On It” and his latest single “Backseat Driver.” Also, mom-to-be Lauren Alaina is out with her new single today called “Those Kind of Women.”

     

     

     

     

     

     

    Another new single that I got excited about when I first heard about the collaboration is out today. Wherever you listen to music, go find “Place They Call Home” by Castellows featuring Flatland Cavalry.

     

     

     

     

     

     

     

    One of the tracks on Kane Brown’s new album is “Haunted,” featuring Jelly Roll. In a recent interview, Kane told the story about how he believed Jelly Roll hated him, but now they are close friends, play a lot of Call of Duty together, and randomly Facetime each other at 3 am.

     

     

     

     

     

     

     

    As much as Bailey Zimmerman beat himself up about his drunken performance and Crash My Playa and later apologized, some of his country peers are lifting him up and showing him grace. Morgan Wallen said, “I thought you sounded great,” Chase Rice said, “Been there” and Meghan Patrick complimented him for owning it and told him to learn from it and move on.

     

     

     

     

     

     

     

     

    Blake Shelton is opening up about what he calls one of the biggest mistakes of his life. Blake says it’s the barbed wire tattoo on his left forearm. He swore when he got it in 2005 he’d never get another one; to this day, it’s the only tattoo he has.

     

     

     

     

     

     

     

     

     

     





    Hey y’all, it’s JJ here with your weekly dose of country music news! Today we’ve got a jam-packed episode of New Music Friday, with some juicy gossip thrown in for good measure. Let’s dive in!

    First up, did Jelly Roll hate Kane Brown? Rumors have been swirling that the two country artists had some bad blood between them, but Jelly Roll set the record straight in a recent interview. He explained that there was some miscommunication between them, but that they’re all good now. Phew, crisis averted!

    Next, let’s talk about Blake Shelton’s biggest mistake. The country superstar recently admitted that his biggest regret was not recording a duet with his fiancée, Gwen Stefani, sooner. Fans have been clamoring for a collaboration between the two for years, so here’s hoping they hit the studio soon!

    And finally, let’s highlight some of the hottest new releases in country music this week. From Luke Combs’ latest single to Miranda Lambert’s upcoming album, there’s no shortage of great music to check out. So grab your cowboy hat and boots, and get ready to two-step the night away!

    That’s all for this week’s JJ’s Country Music Minute. Stay tuned for more country music news and gossip next time. And as always, keep it country, y’all!

    Tags:

    country music, JJ’s Country Music Minute, new music Friday, Jelly Roll, Kane Brown, Blake Shelton, biggest mistake, music news, country music updates, country music gossip, latest country music trends

    #JJs #Country #Music #Minute #Music #Friday #Jelly #Roll #Hate #Kane #Brown #Blake #Sheltons #Biggest #Mistake

  • Kane Brown Insists Jelly Roll Used to Hate Him!


    Kane Brown is set to release his new album, The High Road, on Friday (Jan. 24). It includes a collaboration with Jelly Roll about a tough subject: Depression.

    They’re obviously cool now, but in a revealing interview with Taste of Country Nights, Brown insists that Jelly Roll used to really hate him.

    “I heard of him before he had ever gotten in the country industry, because I was hanging out with some other guys that were in the world that Jelly was in,” Brown explains. “We had the same kinda background.”

    But they never talked to each other, even though they had mutual friends.

    “Our buddy, Taylor Phillips, he told Jelly … so Jelly will tell you this, he hated me,” Brown says.

    As fans may remember, when he was just coming up in the ranks, Brown was pretty shy and subdued as an artist.

    “Taylor told him [Jelly] ‘Nah, man, you don’t know him — he’s just really quiet.’”

     

    Brown, now 31, is  recalls that he reached out to Jelly Roll directly so they could cut through the beef and ideally, become friends.

    “Taylor ended up telling me the story, so I ended up reaching out to Jelly, I was like, ‘Hey buddy, this industry’s crazy. If you ever need to sit down and talk to me, or play COD’ — I play a lot of Call of Duty — ‘You can come and talk to me about it.’”

    Jelly took him up on it, and they played Call of Duty together. They were fast friends.

    “So we ended up laying Call of Duty and hitting it off and basically just text all the time,” Brown says of their friendship now. “Random FaceTimes at 3AM.”

    “I wrote this song and though of him jumping on it.” That song is “Haunted.”

    “But the funny thing is, the other day we were shooting the music video for it and he was like, ‘Is this thing on?’” Brown says Jelly asked, mimicking what the “Save Me” hitmaker did next.

    “He was like, ‘I used to f–kingng hate this dude!’” Jelly Roll said into the camera, per Brown. “That was the first thing he said. It was right in front of my team and everything.”

    “Then, he [Jelly] was like, ‘But now I love this guy!’”

    It threw Brown for a loop, even though he kind of knew Jelly didn’t like him before they really knew each other.

    “I was like, ‘You never told me this in person,’” he says.

    Fortunately, it’s nothing but love and good vibes these days.

    “Jelly’s such a good guy, man. I love him and I’m proud of his success and he amplified this song, I’m just glad he’s on it,” Brown says. “Hopefully we get a big hit that’s huge awareness for people to know they’re not alone going through depression.”

    In support of his new album, Brown will embark on his The High Road Tour in March.

    Hear a Snippet of Kane Brown’s “Haunted” With Jelly Roll

    Jelly Roll: 25 Stunning Facts About the ‘Save Me’ Singer

    Jelly Roll is country music’s most fascinating character. His life has taken dozens of wild twists and turns, and he’s been honest about all of it. Here are 25 facts about the “Save Me” singer and his family.

    Gallery Credit: Billy Dukes

    20 Kane Brown Songs Every Fan Has Memorized

    Kane Brown has built himself quite the career: He’s come a long way since 2015, when he released his first single, “Used to Love You Sober.” Prior to that, Brown was covering other country stars’ songs for social media. Now, he is a star, with nine No. 1 hits under his belt, including a special duet with his wife Katelyn. There’s no ceiling to this Tennessee boy’s success!

    20 Songs Jelly Roll Plays The Most During His Shows

    Jelly Roll has been a touring machine in recent years. He is following up a busy 2023 with a another huge tour in 2024.
    We recently went through all of the setlists from his shows using Setlist.fm to determine the songs you’ll mostly likely hear if you get tickets to a Jelly Roll show. Here is a look at his most played songs.

    (NOTE: Song stats are through March 26, 2024)

    Gallery Credit: Rob Carroll





    Country music star Kane Brown recently revealed in a recent interview that fellow artist Jelly Roll used to hate him. Brown shared that when he first started out in the music industry, Jelly Roll was not a fan of his work and even went as far as to express his dislike for him.

    Despite this rocky start, Brown insists that he has always been a fan of Jelly Roll’s music and respects his talent. The two artists have since buried the hatchet and even collaborated on a song together, proving that sometimes even the most unlikely of friendships can blossom in the world of music.

    Fans of both Kane Brown and Jelly Roll were shocked to hear about their past animosity, but are now excited to see what the future holds for these two talented artists. It just goes to show that sometimes, good music can bring even the most unlikely of people together.

    Tags:

    Kane Brown, Jelly Roll, beef, feud, country music, collaboration, drama, music industry, rumors, friendship, reconciliation, Nashville, country artists.

    #Kane #Brown #Insists #Jelly #Roll #Hate

  • ‘I hate’… Ryan Reynolds reveals what he doesn’t like about Tom Brady ahead of Wrexham vs Birmingham City


    Wrexham and Birmingham City clash for the second time this season on Thursday evening and Ryan Reynolds should be desperate to get one over on Tom Brady.

    American ownership in English football has grown substantially over the last decade, with Wrexham one of the teams to have benefited most from this.

    Along with Rob McElhenney, Ryan Reynolds purchased the Red Dragons in 2021 and the duo have completely transformed the club on and off the field.

    They were only playing National League football 18 months ago but are now competing for a place in the Championship in 2025/26.

    Standing in their way, however, are a high-flying Birmingham City side currently owned by NFL legend, Tom Brady.

    Birmingham beat Wrexham 3-1 in the reverse fixture last year in what was a star-studded event.

    Rob McElhenney co - owner of Wrexham speaks to Tom Brady ahead of  the Sky Bet League One match between Birmingham City FC and Wrexham AFC at St An...
    Photo by Catherine Ivill – AMA/Getty Images

    What Ryan Reynolds hates about Tom Brady ahead of Wrexham vs Birmingham City

    Brady sent a message to Wrexham fans and McElhenney after his side came out on top in that game.

    Now, ahead of this week’s meeting, Reynolds has been speaking about the former NFL player.

    The American actor was not in attendance for the previous game but revealed he was smack-talking Brady and David Beckham, who attended the tie together.

    He also revealed the one thing he hates about the pair, stating: “Well there is some of that [smack talk]. I wasn’t able to be at the Birmingham match but he was sitting with Beckham and I was texting both of them, mostly failing bone structure and age-related sort of material but it was not my finest moment.

    “But I hate that they’re [Brady and Beckham] both kind people in real life by the way.

    “So yeah, there is definitely a lot of anticipation. Would I love to be Tom Brady at sports? Yes, the answer is yes, an emphatic yes. Would Rob? Maybe more, I think more.”

    Ryan Reynolds makes Wrexham Premier League claim

    Should Wrexham cause an upset on Thursday evening, it will boost their chances of going up massively.

    A third-straight promotion would be historic but Reynolds already has eyes on the Premier League.

    In the same interview, he spoke about wanting Wrexham to be a ‘unique’ side in the English top-flight.

    He said: “I mean, 10 years from now… we would be morons to not want to see this club in the Premier League but to also be unique in that everything about the place has stayed true to what it originally was – I mean, that’s kind of the perfect scenario.

    “So, 10 years, I hope Wrexham is Wrexham and I hope the change that has taken place is for the better and that people are proud of it, and that the change doesn’t feel like it was too big, too soon because there’s an underdog nature to the town.”

    Related Topics





    I hate Tom Brady: Ryan Reynolds reveals what he doesn’t like about the football star ahead of Wrexham vs Birmingham City

    In a recent interview, actor and Wrexham FC co-owner Ryan Reynolds didn’t hold back when discussing his feelings towards NFL quarterback Tom Brady. Reynolds, who is known for his witty humor and candid opinions, didn’t mince words when asked about his thoughts on the seven-time Super Bowl champion.

    “I hate Tom Brady,” Reynolds stated bluntly. “I mean, the guy is just too good. It’s like he’s not even human. How can someone be that successful and still be so annoyingly perfect?”

    Reynolds went on to explain that while he respects Brady’s talent and work ethic, there’s something about the football star that rubs him the wrong way.

    “I think it’s just his aura of invincibility,” Reynolds mused. “He’s like a superhero out there on the field, and it’s intimidating. Plus, he’s always so polished and put together. It’s just not fair.”

    Despite his disdain for Brady, Reynolds made it clear that he’s looking forward to the upcoming match between Wrexham and Birmingham City, where he hopes to see his team emerge victorious.

    “I may not be a fan of Tom Brady, but I am a fan of good competition,” Reynolds concluded. “And I have no doubt that Wrexham will give Birmingham City a run for their money. Let’s show them what we’re made of!”

    Tags:

    • Ryan Reynolds
    • Tom Brady
    • Wrexham vs Birmingham City
    • Celebrity feud
    • Football rivalry
    • Sports news
    • Entertainment gossip
    • Celebrity opinions
    • Ryan Reynolds interview
    • Tom Brady controversy

    #hate #Ryan #Reynolds #reveals #doesnt #Tom #Brady #ahead #Wrexham #Birmingham #City

  • ‘Hate can’t drive out hate; only love can.’


    Justin Bieber celebrated Martin Luther King Jr. Day with an inspiring Instagram post, but many believe it is a shade to Donald Trump, who took oath as the 47th president of the United States on January 21. For the unversed, MLK Day is observed on the third Monday of January each year, and this year, the day falls just a day after the presidential inauguration ceremony.

    Justin Bieber celebrates MLK Day

    Justin Bieber took to Instagram to share a post to mark Martin Luther King Jr. Day. The pop star shared a photo of MLK and shared his famous quote: “Hate can’t drive out hate; only love can do that.”Love you, happy MLK DAY,” Bieber added.

    Did Justin shade Donald Trump with his MLK Day post?

    Justin Bieber’s post has sparked a lot of chatter online, and many believe he took a subtle dig at Donald Trump, who has returned to the White House as the 47th President of the United States.

    His post’s comments section was filled with high praise, with netizens lauding him for honoring the late activist while others celebrated ‘Trump’s Day.’

    “This is why we love you, J; you never forget to stand up for what’s right,” one user wrote, while another commented, “Proud of you; it takes a real man to do what you did.” A KING HONORING A KING. WE LOVE TO SEE IT!!!” “YES, it’s MLK Day and not Trump. TELL them,” added another.

    One user on X wrote, “Mind you, while other celebrities are supporting Trump’s win, Justin Bieber is one of a few supporting the true king. EXACTLY”

    “Justin Bieber is one of the only celebrities spreading love to MLK on Trump’s day,” another added.

    “When a white man celebrity cares more about the Black community than 4 infamous Black male celebrities, it is embarrassing on our end but gives us hope that there are some white people in this country, with influence, that are actually on the REAL Black people’s side,” commented another user.

    Meanwhile, Donald Trump has received flak after he announced that the official policy of the United States will be to recognize only two genders – male and female. This move is part of his administration’s goal to create a “merit-based” and “colourblind society,” he said. His remarks have sparked a heated debate online, with many calling out the president for rejecting the rights of LGBTQIA+ community.

    What’s next for Justin Bieber?

    Justin Bieber is reportedly making his eagerly anticipated musical comeback in 2025 after three-year-long hiatus. After reports revealed that he’s been working on new material, the singer took to Instagram to tease a new song, which has gotten everyone talking. The song seems to have a soft rap vibe, with Justin singing about “shaking off the hate” and other themes. More details about his upcoming project are awaited.

    For more news and updates from the world of OTT, and celebrities from Bollywood and Hollywood, keep reading Indiatimes Entertainment.





    In a world filled with anger and negativity, it can be easy to succumb to hate. But as Martin Luther King Jr. once said, “Hate cannot drive out hate; only love can do that.”

    It’s easy to respond to hate with more hate, to lash out in anger and resentment. But in doing so, we only perpetuate the cycle of negativity and division.

    Instead, we must choose love. We must choose understanding, compassion, and empathy. We must strive to see the humanity in others, even when it’s difficult.

    By choosing love, we can break the cycle of hate and create a more peaceful and harmonious world. It may not be easy, but it is necessary.

    So let us all remember the words of Martin Luther King Jr. and choose love over hate. Let us be the change we wish to see in the world.

    Tags:

    • Hate
    • Love
    • Peace
    • Unity
    • Positive vibes
    • Inspirational quotes
    • Martin Luther King Jr.
    • Overcoming hate
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    • Nonviolence
    • Love conquers hate

    #Hate #drive #hate #love

  • Some of Trump’s Inauguration Acts Tell Fans: Please Don’t Hate Us


    • Nelly, Village People, and Carrie Underwood are among acts set to perform at Donald Trump’s inauguration.
    • They’ve all faced backlash from fans.
    • All three have responded to criticism for accepting Trump’s invitation to perform.

    Donald Trump’s return to the White House is putting some pop stars in a tricky position: performing for him while placating their fans.

    Some of the acts performing at events around his inauguration are squarely in line with MAGA, just like their fans.

    A minority, though, are in a less comfortable spot — and have released public statements seeking to explain their position.

    Carrie Underwood, Village People, and Nelly have released statements defending their decision to perform at Donald Trump’s inauguration, saying it shouldn’t be mistaken for an endorsement.

    Carrie Underwood said she was ‘honored’ Trump’s team asked her to perform

    Underwood, who told The Guardian in 2019 that she tried “to stay far out of politics if possible,” was among the first performers to be announced for Trump’s swearing-in ceremony on Monday.

    Underwood told Business Insider via a representative on Tuesday: “I love our country and am honored to have been asked to sing at the Inauguration and to be a small part of this historic event. I am humbled to answer the call at a time when we must all come together in the spirit of unity and looking to the future.”

    During a 50-minute livestreamed conversation with the rapper and YouTuber Willie D about performing at the inauguration, Nelly compared his decision to that of someone in the military serving a president they did not support.

    He is due to appear at the Liberty Ball on Monday.

    “I’m not doing this for money. I’m doing this because it’s an honor,” he said. “I respect the office. It don’t matter who is in office the same way that our men and women, our brothers and sisters who protect this country, have to go to war, and have to put their life on the line for whoever in office.”

    It’s unclear what, if anything, acts get paid for performing at such events.

    Inaugurations are expensive, with Trump’s 2017 committee raising an unprecedented $107 million. Erik Smith, the creative director for Barack Obama’s 2009 and 2013 inaugurations, told Billboard in 2021 that artists were not paid when he was on the committee.

    “You get one hotel room and two tickets,” he said.

    Nelly argued that the performance wasn’t a political act because Trump won the election and was no longer campaigning.

    “Performing for somebody and voting for somebody are two different things,” he said. “Endorsing people is two different things.”

    Village People said refusing Trump’s invitation wouldn’t help the group


    Village People.

    Village People in 2018.



    Andrew Chin/Getty Images



    Village People, whose “Y.M.C.A.” has been an indelible part of Trump’s campaign rallies for years, are also on the billing.

    They’ve had a seesawing relationship with Trump’s enthusiasm for their music, extending to an (unsuccessful) cease-and-desist letter in 2023.

    Then came an about-face. In December 2024, Victor Willis, the writer of the song, said in a Facebook post that he let Trump use “Y.M.C.A.” because Trump was a fan.

    After they were confirmed as performers for the inauguration, Village People wrote on Facebook on January 13: “Our song Y.M.C.A. is a global anthem that hopefully helps bring the country together after a tumultuous and divided campaign where our preferred candidate lost.”

    On Thursday, Willis wrote on Facebook that the performance wasn’t an endorsement and that the band supported Kamala Harris.

    “If our preferred candidate (Kamala Harris), had won, Village People would never have been invited to perform at her inauguration. She would have chosen the likes of John Legend and Beyonce, etc,” he wrote.

    “But now that President Trump has been elected, Village People are suppose to tow the line and say no to an invitation to perform? How does that benefit Village People? It does not. It’s simply hatred from one political perspective,” he added.

    Critics argued it is jarring for Village People, widely associated with LGBTQ+ culture, to perform for a politician who is open about his intentions to roll back trans rights and who was accused of weakening protections for LGBTQ+ people in his first term.

    In December, Willis wrote on Facebook that “Y.M.C.A” was not a gay anthem after all — simply a song about the Young Men’s Christian Association, like the title and lyrics say.

    On Thursday, Willis said that Trump helped get “Y.M.C.A” back on the Billboard charts and that the LGBTQ+ and African American communities had done little to boost the group recently.





    On January 20th, 2017, Donald Trump was inaugurated as the 45th President of the United States. While his inauguration was met with mixed reactions, there were some moments during the ceremony that seemed to send a message to his supporters: Please don’t hate us.

    One notable moment was when Trump and his wife Melania shared their first dance as President and First Lady to Frank Sinatra’s “My Way.” The choice of song seemed to be a plea to his supporters to trust in his leadership and believe that he would do things his own way, despite any criticism or opposition.

    Another moment that seemed to convey this message was when Trump reached out to hold Melania’s hand as they walked down the stairs of the Capitol building. This simple gesture of affection and unity seemed to be a plea for unity and support from his fans, despite any disagreements or controversies.

    Overall, Trump’s inauguration was a mix of pomp and circumstance, but there were subtle moments that seemed to say to his supporters: Please don’t hate us. Only time will tell if his presidency will be able to win over the hearts and minds of the American people.

    Tags:

    1. Trump Inauguration Acts
    2. Presidential Inauguration
    3. Trump Administration
    4. Inauguration Day Events
    5. Trump Supporters
    6. Inauguration Speech
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    8. Inauguration Ceremony
    9. Trump Presidency
    10. Political Events

    #Trumps #Inauguration #Acts #Fans #Dont #Hate

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