Two people a year, or maybe three, used to buy Jacqueline Harpman’s novel I Who Have Never Known Men. Her story of a girl locked in a cage with 39 women in an underground bunker on a nameless world was published in 1995 then slid into obscurity.
Something has changed since then, because the novel’s tale of sisterhood and survival has become one of the hottest reads this year, drawing comparisons to Margaret Atwood’s The Handmaid’s Tale and Octavia E Butler’s Parableseries of novels.
IWHNKM, as it is known in hashtags on BookTok, the community of TikTok users who have made reading cool again, is in such demand that bookshops in the US have struggled to keep it in stock.
In the UK it has become “a bestselling staple of fiction sections across our bookshops”, according to Waterstones’ head of books, Bea Carvalho. Its publisher, Vintage, which reissued the novel in 2019, sold 45,000 copies last year, an elevenfold rise on 2022.
“It’s described as speculative fiction/sci-fi, but it’s quite desolate in its writing in a way I haven’t found with other books,” said Hali Brown, who runs the Books on the Bedside TikTok account with her sister Hana.
BookTok reviewer Hali Brown. Photograph: @booksonthebedside/TikTok
The narrator is the youngest of 40 captives and too young to remember her past. “All the guards are men,” Brown said, “and that’s all the women know about gender. They never really understand why they are there or how long they would be kept for.” Or any sense of time at all.
They may be on Earth. They may discover the reasons why they are there. They may find other people. Or they may not.
“It’s quite bleak but incredibly powerful,” Brown added. “It was unbelievably gripping for something so desperate.”
Rather like the questions posed by the post-apocalyptic novel, there are few clear answers to why it has become so successful. Harpman was a Belgian writer who died in 2012 aged 82. Her family fled to Casablanca during the second world war in fear of persecution for their Jewish roots.
The novel’s translator, Ros Schwartz, said she was gobsmacked by the turnaround of the book’s fortunes. “I guess it just strikes a chord with the younger generation, which it didn’t at the time – and whether that’s to do with publicity or whether it’s completely random, I don’t know. That’s one of the wonderful things about publishing – you never know.”
Brown lists the book’s qualities as being “accessibly written” and “not very long” (about 200 pages), as well as resonating with the modern political context of attacks on women’s rights and diversity at work.
“There’s lots happening in terms of women feeling like things are going backwards and not really understanding why or how that’s able to happen,” she said. The politics of Harpman’s world are sparse, unlike other dystopian fiction such as The Handmaid’s Tale or The Hunger Games. “Its political understanding of the world, I think, is relatable to a lot of young women,” Brown added.
Perhaps another reason for the book’s success second time round is that Schwartz revised her translation with the benefit of two decades’ more experience as a translator, with works including a fresh version of Antoine de Saint-Exupéry’s The Little Prince and honours such as becoming a chevalier in the French Ordre des Arts et des Lettres.
Schwartz’s first attempt in the mid-90s used words that were often similar to their French counterparts. The effect of the more direct translation was to make the narrator seem too erudite for a young girl kept in a cage without education and no ability to read or write. “So I went through it and got rid of all the Latinate language. It was about finding the right voice for the narrator that didn’t make her sound over-educated but without making her sound stupid or a caricature.”
Another factor may be a title change. Nick Skidmore, publishing director at Vintage, said the book was originally published in translation as The Mysteries of Silence, rather than the French title, Moi Qui N’ai Pas Connu Les Hommes.
“A colleague of mine found this book at the time when Trump was in [his first term] and The Handmaid’s Tale was back in the bestsellers’ list. So we read it and we were mesmerised by it,” Skidmore said. The book was print-on-demand, selling only “two or three a year”.
A scene from the 2020 TV adaptation of Margaret Atwood’s dystopian novel, The Handmaid’s Tale. Photograph: Landmark Media/Alamy
Switching titles to a more direct translation of the French may be “one of the markers of its success”, he added. “I think the book captures this sense of the world where people are feeling bewildered. It’s a profoundly existential book, like some of the classics resonating with gen Z right now – Dostoevsky’s White Nights, for example. The type of stories that engage with very weighty questions of our existence.”
Susan Watkins, professor of women’s writing at Leeds Beckett University, said that dystopian fiction was often popular because it allowed readers to “identify with someone who’s resisting the totalitarian or authoritarian world in which they’re placed”.
Another factor in the appeal of dystopian fiction, Watkins said, is the process of “cognitive estrangement”, a term used by critic Darko Suvin to describe how science fiction writers create unfamiliarity in an invented world so they can examine a social or cultural change in the present day.
“For readers who perceive the threats to women’s reproductive rights and their sexual liberty, and the idea that feminism is being curtailed in large parts of the world, they’re seeing something of that in the text.”
“I Who Have Never Known Men”: the lost dystopia finding new readers after buzz on TikTok
Have you heard of the forgotten dystopian novel “I Who Have Never Known Men” by Jacqueline Harpman? Thanks to the power of social media, this hidden gem is now finding a new audience on TikTok.
Originally published in 1995, this haunting and thought-provoking book explores themes of isolation, identity, and the human experience through the eyes of a young woman who has never encountered men before. With its lyrical prose and powerful storytelling, “I Who Have Never Known Men” has captivated readers for decades.
Now, a new generation of readers is discovering this overlooked classic thanks to TikTok users sharing their love for the book. With its timely themes and timeless appeal, “I Who Have Never Known Men” is resonating with audiences in a whole new way.
If you’re looking for a thought-provoking read that will stay with you long after you turn the last page, be sure to check out “I Who Have Never Known Men” and join the conversation about this hidden literary treasure on TikTok.
This article first appeared in Book Gossip, a newsletter about what we’re reading and what we actually think about it. Sign up here to get it in your inbox every month.
The latest BookTok success story isn’t romantasy, monster smut, or the long-awaited Onyx Storm,but a 160-page novel translated from French that was barely read when it first appeared in 1995. Jacqueline Harpman’s I Who Have Never Known Men is narrated by a girl who’s been raised in captivity with 39 other women in a cage underground, where they’re constantly monitored by a group of male guards. They have no memory of how they got there. When the women miraculously escape, they find a grassy plain denuded of all life, on a planet that might not even be Earth. As the tribe forges their own meager civilization, the narrator slowly reconciles herself to the fact that, as the youngest among them, she will be the last of her cohort to survive. Possibly — she has no way of knowing for sure — her death will mean the end of all humanity. Booksellers can barely keep the book in stock.
Since its re-release in 2022, and especially since the election, countless TikTok reviewers have recommended I Who Have Never Known Men as a “book that will change your life.” It has more than 138,000 ratings on Goodreads — with an average of four stars, while many literary novels are lucky to eke out three — it sold 100,000 copies in the U.S. last year.
No one quite knows how it happened. A few years after it was originally published in Belgium, a U.K. publishing house called Harvill commissioned an English translation of the book and titled it The Mistress of Silence; 20 years on, it was only available as a print-on-demand title, selling one to three copies per year. In 2018, an employee at Vintage U.K., which had subsumed Harvill, dusted off an old copy they’d found on a shelf in the office and brought it to the attention of the editors. Donald Trump was two years into his first presidency, The Handmaid’s Tale was back on best-seller lists, and the idea of a dystopian book about women seemed like a fairly safe bet.The translator, Ros Schwartz, was eager to revisit her earlier work, and Sophie Mackintosh, who’d just been Booker-longlisted for her dystopian feminist-revenge fantasy, The Water Cure, agreed to write an afterword. Anna Morrison created a sleek, slightly menacing cover. Perhaps most important, the title was changed to the enigmatic I Who Have Never Known Men, a more literal translation of the book’s French title Moi Qui N’ai Pas Connu Les Hommes.
Not long after, Transit Press, a small nonprofit publisher in Oakland, California, bought the U.S. rights and published its edition with a vibrant green cover. “It sold what you would expect for a Belgian book in translation that came out 30 years ago,” says Transit publisher Adam Z. Levy, which is to say, a couple thousand copies. A year later, monthly sales began to pick up, starting at 2,000 that June, then doubling or tripling from month to month until it sold 100,000 copies in 2024. By way of comparison, the press’s most popular titles — mostly high literary fiction in translation — tend to sell in the low thousands. The book’s exponential sales growth initially flummoxed Transit, which sometimes struggles to print enough copies to keep up with demand. Still, Levy admits, it’s a good problem to have.
There doesn’t seem to be one big bookfluencer who started it all, but confluence of like-minded readers from the U.S. and the U.K. @bigbooklady recommended it to her 318,000 followers in honor of Women in Translation Month a couple Augusts ago.Another TikToker interrupted her usual hairstyling content to post an effusive review of the book. “If I had to summarize this book, I’d say it’s so fucked up but so beautiful,” she said. “If you want to rethink your entire life and find a newfound appreciation for living, I recommend.” Malissa, who posts on TikTok as @bewareofpity, knew she would have to review the book after receiving so many comments and messages about it.“My favorite aspect was the importance of community and support among the women,” she told me. “They only take action once they start communicating with one another, and they’re able to design a self-sufficient community by sharing ideas and knowledge.” Her favorite line in the book is a short one: “Talking is existing.”
Bookstores have also helped nurture the book’s steady sales growth, though Levy says they’ve learned about the book from customers, rather than the other way around. Jack Kyono, who manages McNally Jackson’s Prince Street location in New York, says the store’s employees got so many requests for I Who Have Never Known Men that it moved from Dutch and Belgian Literature in Translation (“an unjustly undershopped section”) to Customer Favorites. He attributes the book’s success not just to BookTok but to the rising popularity of dystopian fiction and fiction by women in translation, which has gained traction since the blogger Meytal Radzinski called for a Women in Translation Month back in 2014.Plus, the title is just fun to say. “Maybe funky syntax is the key to a sleeper hit,” Kyono says. “I love the way it sounds at the register when customers ask ‘Do you have I Who Have Never Known Men?’”
Not to paint with too broad a brush here, but I was initially surprised that the BookTok girlies had taken up an obscure literary title, since their tastes tend to run more to romance, romantasy, and generic women’s fiction. It’s tempting to see the book’s appeal as ideologically linked to the 4B movement, a feminist ethos that rejects relationships with men, and which briefly trended online after the November election.(One TikToker recommended reading I Who Have Never Known Men alongside Civil Disobedience, by Hannah Arendt; Race and Reunion, by David W. Blight; and Freedom Is a Constant Struggle, by Angela Y. Davis to make sense of Trump’s win.)But the women in the novel are not separatists; their all-female society is the result of imprisonment and oppression. While some of them eventually couple up, the narrator seems to hint that this is because they’re making the best of what they’ve got. Instead, what I found the most compelling was the narrator’s journey from extreme naïveté to profound intellectual curiosity. Maybe the BookTokers, like me, were drawn in by this thought experiment: How, the book asks, would one make sense of existence if concepts like time, written language, and the bonds of friendship and family all had to be learned in a vacuum, slowly, over the course of a mostly solitary lifetime? Reading I Who Have Never Known Men forces the reader to contemplate what an immense privilege it is to be able to read books at all, not to mention eat food that doesn’t come from cans.
In the coming year, both the book’s U.S. and U.K. publishers will offer it in giftable hardcover for the first time, prompted by the phenomenon they’ve seen of customers buying four or five copies at a time to give to their friends. Transit’s hardcover will be timed to the winter holidays, while Vintage’s will come out in the summer. “It will be suitably special,” says Vintage Classics’s publishing director Nick Skidmore, “and we’re mindful of publishing a book that thanks the BookTok community for their support.” What he’s learned from the long road that led to I Who Have Never Known Men’s popularity, he says, is to never take for granted that the best books will surface and stay surfaced. “Seeing reading as a communal — rather than insular — act can, for books, be a matter of their life over death.”
How ‘I Who Have Never Known Men’ Took Over BookTok
The latest literary sensation to take over BookTok is the debut novel “I Who Have Never Known Men” by Jacqueline Harpman. Originally published in 1995, this dystopian novel has found new life on the popular social media platform, captivating readers with its hauntingly beautiful prose and thought-provoking themes.
The story follows a young woman named Elie who wakes up in a mysterious underground bunker with no memory of how she got there. She soon discovers that she is one of the last surviving women on Earth, surrounded by a group of men who have never seen a woman before. As Elie navigates this strange and oppressive world, she grapples with questions of identity, autonomy, and the nature of humanity itself.
“I Who Have Never Known Men” has struck a chord with BookTok users, who have been drawn to its feminist themes, lyrical writing, and powerful storytelling. Readers have been sharing their favorite quotes, fan art, and theories about the book, sparking lively discussions and debates about its meaning and significance.
As more and more readers discover the hidden gem that is “I Who Have Never Known Men,” it’s clear that this timeless novel is here to stay. So if you’re looking for your next literary obsession, look no further than this captivating and thought-provoking masterpiece that has taken BookTok by storm.
Actor Jon Hamm, who rose to fame as ad executive Don Draper on the AMC series “Mad Men” and more recently appeared in “Fargo” and “Landman,” will be honored Friday night as the 2025 Man of the Year by Harvard University’s Hasty Pudding Theatricals.
The theater group, which dates to 1844 and claims to be the world’s third-oldest still operating, said Hamm will receive his Pudding Pot award at a celebratory roast. Afterward, he will attend a performance of Hasty Pudding Theatricals’ 176th production, “101 Damnations.”
“Let’s hope our roast doesn’t give him any heart palpitations — he’s had enough drama with that,” Producer Willow Woodward said in a statement, referring to the fate of Hamm’s character in the last episode of the 2024 Paramount+ series “Landman.” “But with his work ethic, we’re confident he’ll take on our stage with as much grit as Texas oil fields. He’s the perfect man to strike gold and earn his Pudding Pot this January.”
Hasty Pudding Theatricals gives the awards to people who have made lasting and impressive contributions to the world of entertainment.
Hamm is best known for starring in “Mad Men,” but he has had a storied acting career. Among his achievements, he received Emmy, Golden Globe, and Screen Actors Guild Award nominations for his portrayal of Sheriff Roy Tillman in the FX series “Fargo,” he has starred in several movies, including “Bad Times at the El Royale,” and he has hosted “Saturday Night Live” three times.
Other recent Man of the Year winners have included Barry Keoghan last year, Bob Odenkirk in 2023 and Jason Bateman in 2022.
“Wicked” star Cynthia Erivo has been named Hasty Pudding Theatricals’ Woman of the Year Award. She will receive her award Feb. 6.
We are thrilled to announce that Jon Hamm, best known for his roles in the hit TV series “Mad Men” and the critically acclaimed film “Fargo,” will be honored as Harvard’s Hasty Pudding Man of the Year!
Hamm’s talent, charm, and versatility have captivated audiences around the world, earning him numerous awards and nominations throughout his career. From his iconic portrayal of the enigmatic Don Draper in “Mad Men” to his memorable performance as the menacing villain in “Fargo,” Hamm has proven time and time again that he is a force to be reckoned with in the entertainment industry.
In addition to his impressive acting resume, Hamm is also a dedicated philanthropist and advocate for various social causes. His commitment to using his platform for good has earned him the admiration and respect of fans and colleagues alike.
We can’t think of a more deserving recipient for this prestigious honor, and we can’t wait to see Hamm take the stage at Harvard’s annual Hasty Pudding festivities. Congratulations, Jon Hamm!
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Jon Hamm, Mad Men, Fargo, actor, Harvard, Hasty Pudding, Man of the Year, award, recognition, ceremony, Harvard University, entertainment industry, television, film, celebrity
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Product Description
7.5-in PLASTIC SHOE HORNS –Give you a helping hand in everyday life
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For short shoe horns:
Sit down on a chair or bench.Position your shoe horn so the scoop is upwards and facing your heel.Slip your foot into the shoe.Remove the shoe horn when your foot is fully in the shoe.
Package Dimensions : 7.2 x 1.54 x 0.55 inches; 1.41 ounces Department : unisex-adult Date First Available : November 19, 2023 ASIN : B0CNNL7NDN Country of Origin : China
Introducing our Plastic Shoe Horn, 2-Pack Short Shoe Helper for Home Travel Use!
This set of two shoe horns is perfect for seniors, kids, women, and men who struggle to put on their shoes easily. Measuring 7.5 inches in length, these shoe horns are compact and convenient for travel or everyday use at home.
Made from durable plastic, these shoe horns are lightweight yet sturdy enough to help you slide your feet into your shoes with ease. Say goodbye to struggling and straining to put on your shoes, and say hello to effortless footwear assistance with our Plastic Shoe Horn, 2-Pack Short Shoe Helper.
Don’t let your footwear be a source of frustration any longer – invest in these handy shoe horns today and make putting on your shoes a breeze!
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