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This 98% Fresh Film’s Oscars Snub Hurts More Than the Rest (Yet It’s Getting the Least Amount of Attention)

Taking on any superhero role is quite a commitment, as actors are tasked with representing some of the most courageous figures in storytelling. One of the most iconic actors to play a comic-book vigilante is the late Christopher Reeve. He was cast in 1978’s Superman and proved to be perfect casting as Clark Kent. His take on this classic DC hero has been celebrated by audiences ever since Richard Donner’s cinematic masterpiece was released. Fans were left distraught when Christopher Reeve was left paralyzed by a horse riding accident on May 27, 1995. This tragic occurrence is the main inspiration behind Super/Man: The Christopher Reeve Story. Directed by documentary filmmakers Peter Ettedgul and Ian Bonhote, the movie is a beautiful portrait of Christopher Reeve’s story as both an actor and a disability activist.

Super/Man: The Christopher Reeve Story has been a major hit with audiences and critics, securing 98% fresh on Rotten Tomatoes with both reviewers and regular moviegoers. The huge outpouring of support from viewers of Ettedgul and Bonhote’s documentary left many anticipating that the film would make the shortlist for the Oscar’s Best Documentary Feature Film, but the movie is surprisingly missing from the final list. Christopher Reeve and his time as both Superman and an activist hold great cultural importance. Super/Man: The Christopher Reeve Story, especially, has sparked some important conversations and it’s a shame that the Academy decided to snub this wonderful film.

The Parallels Between Superman and Christopher Reeve Are Interesting

Reeve Embodied the Man of Steel On and Off The Screen

Related

Super/Man: The Christopher Reeve Story Is Essential Viewing for Every Movie Fan

Super/Man: The Christopher Reeve Story is a heart-wrenching documentary celebrating the actor that will soar for everyone, not just Man of Steel fans.

Many comic readers believe that Christopher Reeve was the perfect Superman and Super/Man: The Christopher Reeve Story supports this notion better than any other movie. Although Christopher Reeve seems quite humble in the archive footage featured throughout the documentary, claiming himself to be nothing like the character he portrayed, his actions prove that he embodies the values of Superman. During the aftermath of his horse riding fall, when he ends up with a spinal cord injury, it’s his impressive strength of spirit and his resilience that carry him through his life-changing injuries. Understandably, Christopher Reeve struggles to adjust to his new life to begin with, questioning how he can continue to support his family while being paralyzed, but he soon decides to use his disability as a force for good.

One of the things the documentary highlights so well is how Christopher Reeve acts as a symbol of hope for those in similar situations. He spends time interacting with others who have paralysis in the Kessler Institute for Rehabilitation and writes cards with messages of encouragement to children in the same predicament. Christopher Reeve becomes a beloved figure within the paralyzed community, who look up to him as a figure of inspiration during the actor’s time at the Kessler Institute. The line between Superman and Christopher Reeve becomes blurred as he adapts to his new role within society as a major public figure with paralysis.

Christopher Reeve Was An Influential Figure In Disability Rights

Super/Man: The Christopher Reeve Story’s main focus is on Christopher Reeve’s role as an influential figure in paralysis, and disabled rights as a whole. The documentary does a fantastic job of showcasing how Christopher Reeve was one of the most important disability activists, giving speeches at the Oscars and also the Democratic National Convention. He gave paralysis the biggest platform it had ever received, using his fame to highlight the condition and spark conversations about the support required to help those with the disability to live with their condition.

The greatest impact Christopher Reeve left on the paralyzed community was the establishment of The Christopher Reeve Foundation. The charity was founded by Christopher and Dana Reeve in 1996 and focuses on funding research into paralysis, as well as other neurological conditions. Since its conception, The Christopher Reeve Foundation has helped several individuals across the globe receive the guidance and support that they require for their disability, conducting some groundbreaking research into neurological disorders, and educating people on these disabilities. Super/Man: The Christopher Reeve Story doesn’t shy away from criticism of the charity, though, displaying how some people within the disabled community were unhappy with the charity’s focus on ‘curing’ paralysis. The idea of acquiring a cure for a disability is highly controversial, because of how much being disabled becomes a part of a person’s identity. The fact that the documentary addresses the issues shared by these individuals makes it feel like a very authentic representation of the conversations surrounding Christopher Reeve’s activism at the time.

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I Love Christopher Reeve, But an Underrated Superman Actor Deserves More Recognition

For Gen X and Older Millennials, Christopher Reeve is the definitive Superman in live action, but 1950s TV star George Reeves deserves more respect.

Another brilliant aspect of Super/Man: The Christopher Reeve Story is how it uses the documentary as a platform, to give a voice to another woman living with paralysis. Brooke Ellison is featured throughout as a friend of the late Christopher Reeve, and a disabled activist. It helps to place the focus on being as much about the ordinary people with the same or similar conditions to who Christopher Reeve met, as it is about Christopher Reeve himself. It shows how much of his story is about the lives he had touched as well as his own experiences with paralysis.

Brooke Ellison is particularly important to the documentary’s depiction of who Christopher Reeve was as a person, due to how the actor chooses to shoot an entire movie about Brooke Ellison’s life story. Determined to highlight to audiences the day-to-day life of a woman with paralysis, Christopher Reeve uses his status as a Hollywood icon to shine a spotlight on Brooke Ellison’s inspirational life. The Brooke Ellison Story details how Brooke was left with a near-fatal neck injury after a serious car accident, and who would go on to graduate from college, despite being told she could never lead a normal life. It would be Christopher Reeve’s last directing project and reflects how important it was to him to make sure that the paralyzed community was being heard. The Brooke Ellison Story was a major turning point in disabled representation, representing how a disability should never hold a person back from achieving their goals.

The Focus On Christopher Reeve’s Family And Friends Add A Neat Emotional Touch

Although Super/Man’s primary focus is on the late Christopher Reeve, his family is just as vital to the actor’s life story. So much of Christopher Reeve’s motivations are centered around his desire to be there for his family and to protect them from the pressures of fame. It’s his wife’s encouraging words that Christopher Reeve is still the same man that she married which gives him hope after he becomes paralyzed. Super/Man: The Christopher Reeve Story brilliantly incorporates interviews with the actor’s adult children, Will, Matthew, and Alexander Reeve. Through their eyes, the audience is afforded a glimpse into how Christopher Reeve was very much a family man, encouraging them to partake in an active lifestyle, through activities like horse riding and skiing. The actor was keen for them to live as normal a life as possible, despite having taken on one of cinema’s most iconic roles Superman.

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Superman Stars Assemble in New Image Uniting 6 Different Man of Steel Actors

Six different Superman actors unite in a new photo, including Tom Welling, Tyler Hoechlin, and Brandon Routh.

Super/Man also does a sterling job at showcasing Christopher Reeve’s glitzy Hollywood stardom. The feature documentary includes interviews with various celebrity friends, like Whoopi Goldberg and Glenn Close, who reveal what it was like to work with him. From their anecdotes, it is clear that Christopher Reeve was a supportive figure in movies like In The Gloaming, establishing a collaborative workplace atmosphere while operating as the film’s director. Their love and adoration for Christopher Reeve is evident through how they talk so openly about their relationship with the Superman star.

Super/Man: The Christopher Reeve Story devotes significant screentime to the well-documented friendship between Christopher Reeve and the late Robin Williams. The pair held a strong rapport, and Robin Williams was instrumental in helping Christopher Reeve come to terms with his disability. The documentary stresses how Robin Williams would use his comedic abilities to keep Christopher Reeve’s spirits up, and his hilarious comedy routines helped Christopher Reeve through his darkest periods. One of the saddest aspects of Super/Man is the suggestion that Robin Williams may still have been around had Christopher Reeve not passed away at only 52 years of age. It shows the impact that Christopher Reeve had left not just on Robin Williams, but on the entire world, and how his loss removed one of Hollywood’s most influential figures.

Super/Man: The Christopher Reeve Story

Release Date

January 21, 2024

Runtime

106 minutes

Director

Ian Bonhôte, Peter Ettedgui

Writers

Ian Bonhôte, Otto Burnham, Peter Ettedgui

The Oscars are known for their controversial snubs, but this year’s biggest oversight is truly baffling. “The Farewell,” a critically acclaimed film that boasts a staggering 98% fresh rating on Rotten Tomatoes, has been completely ignored by the Academy.

Directed by Lulu Wang and starring Awkwafina in a career-defining role, “The Farewell” has been praised for its emotional depth, cultural significance, and stellar performances. Despite its widespread acclaim and numerous award nominations, including a Golden Globe win for Awkwafina, the film failed to secure a single Oscar nomination.

This snub is particularly painful for fans of “The Farewell,” as it not only highlights the Academy’s ongoing diversity and inclusion issues, but also underscores the lack of recognition for Asian-American voices in Hollywood. While other snubbed films have received plenty of attention and backlash, “The Farewell” seems to be flying under the radar.

It’s a shame that such a powerful and important film is being overlooked in favor of more traditional Oscar bait. “The Farewell” deserved better, and its absence from the nominations is a glaring reminder of the work that still needs to be done in the industry.

As we gear up for the Oscars ceremony, let’s not forget about the films that truly deserve our attention and recognition. “The Farewell” may have been snubbed, but its impact and importance will not be forgotten.

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film, Oscars, snub, awards, 98% fresh, attention, movie, critique, Hollywood, disappointment, film industry, recognition, film festival, director, actor, actress, review, injustice, overlooked, underrated

#Fresh #Films #Oscars #Snub #Hurts #Rest #Amount #Attention

February 1, 2025
Neither Pacino nor McConaughey: this actor made the longest acceptance speech in Oscars history
The Oscars are a treasure trove of unforgettable moments. There are the emotional speeches that leave us reaching for tissues, the unexpected wins that make us cheer, and the occasional mishaps that become instant memes. But among all these, there’s one moment that stands out not for its drama or its tears, but, some would say, for its sheer audacity. It’s a moment so bold, so unapologetically lengthy, that it has never been matched in the decades since.

When was the longest Oscars acceptance speech?

Picture this: it’s the 1940s, and the Oscars are a very different affair. The ceremony is smaller, more intimate, and far less concerned with fitting into a tight TV schedule. There’s no orchestra waiting to play winners off the stage, no countdown clock ticking away in the background. It’s a time when Hollywood’s biggest stars could take the stage and truly make it their own. And one star did just that – in a way no one would ever forget, well, other than everyone reading this article!

The year was 1942. World War II was raging, and the world was hungry for stories that offered hope and resilience. That year, a film about the quiet strength of a family during wartime captured the hearts of audiences and critics alike. Its leading lady, a British actress known for her poise and elegance, delivered a performance so moving that it earned her the Academy Award for Best Actress. But it wasn’t her win that made history – it was what she did next.

Out of interest, the legend that was Mr Alfred Hitchcock gave us arguably the shortest in 1953!

How long was the longest Oscars acceptance speech?

When her name was called, she stepped up to the podium, trophy in hand, and began to speak. And speak. And speak. For five and a half minutes, she held the room captive, weaving together gratitude, anecdotes, and even a few philosophical musings. She thanked everyone from her directors and co-stars to the crew members who had worked tirelessly behind the scenes. She shared personal reflections on her journey and the significance of the film’s message during such a tumultuous time. It was a speech that was as much a celebration of her craft as it was a testament to the people who had helped her along the way.

Today, such a speech would be unthinkable. The Oscars are a tightly choreographed spectacle, with winners often given a mere 45 seconds to deliver their thanks before the orchestra swells and the microphone fades out. Even the most powerful speeches – like Adrien Brody’s heartfelt tribute in 2003 or Viola Davis’s emotional outpouring in 2017 – have had to fight against the clock. But back in 1943, there was no clock to fight. There was only the moment, and this actress seized it with both hands.

Who gave the longest Oscars speech?

Not everyone was impressed, of course. Some found her speech indulgent, a bit too much for the occasion. But others admired her for owning the moment with such unapologetic grace. After all, how often do you get to stand on that stage, holding that golden statue, and say exactly what’s on your mind?

So, who was this actress, and why does her speech still matter all these years later? Her name was Greer Garson, and her record-breaking moment is more than just a quirky footnote in Oscars history. It’s a reminder of a time when Hollywood’s biggest stars weren’t afraid to take up space, to speak their minds, and to savor their moment in the spotlight. It’s a testament to an era when the Oscars felt less like a TV show and more like a celebration of art and artistry.

And let’s be honest: her record is probably safe. Unless the Academy decides to ditch the orchestra and bring back the laid-back vibes of the 1940s, no one’s going to come close to five and a half minutes. So, if you’re an aspiring Oscar winner dreaming of making history, take note. Start drafting your speech now—and maybe practice speaking really, really fast.

Related stories

Greer Garson’s moment on the Oscars stage is a testament to a bygone era, a time when stars weren’t afraid to take their time and make their mark. And while Al Pacino and Matthew McConaughey might be remembered for their profound words, Garson will always be remembered for one thing: taking her sweet, sweet time.

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And the Oscar for the Longest Acceptance Speech in History goes to… Greer Garson!

While names like Al Pacino and Matthew McConaughey may come to mind when thinking of memorable Oscar speeches, it was actually Greer Garson who holds the record for the longest acceptance speech in Oscars history.

Garson, known for her roles in classic films like Mrs. Miniver and Goodbye, Mr. Chips, delivered an acceptance speech that lasted a whopping 5 minutes and 30 seconds when she won the Best Actress award in 1943.

Her speech was filled with gratitude, emotion, and heartfelt thanks to everyone involved in the film that brought her the prestigious award. While some may have found it a bit lengthy, there’s no denying the sincerity and passion behind Garson’s words.

So next time you think of legendary Oscar speeches, don’t forget about Greer Garson and her record-breaking moment in Hollywood history.

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1. Oscars acceptance speeches
2. Longest Oscars speech
3. Actor acceptance speech
4. Oscars history
5. Award acceptance
6. Academy Awards record
7. Speech duration
8. Award show speech
9. Hollywood actor
10. Award ceremony moment
#Pacino #McConaughey #actor #longest #acceptance #speech #Oscars #history
January 31, 2025
How Pamela Anderson Reacted to Her Oscars Snub

Pamela Anderson almost had it. Following her buzzworthy performance in Gia Coppola’s The Last Showgirl, she garnered lead actress nominations for the Golden Globes, Gotham Awards, and Screen Actors Guild Awards—but not for the Oscars. When the Academy Award nominations were announced this morning, her name was notably missing from the list, and so were The Last Showgirl and Coppola altogether.

Anderson, however, wasn’t holding her breath for a nod. “Oh my gosh, it’s not something I ever expected. Doing the work is the win,” she tells ELLE.com hours after the announcement. “That’s what I like to do, and I think we can lose sight of that sometimes in this whole crazy awards season, but it’s nice to be recognized, and it’s all a bonus.”

She adds, “I couldn’t imagine [it] anyway. I’m happy for the SAG nomination, that’s [voted on by] your peers. That’s really cool. This has been a long road promoting this film.”

In the movie, Anderson stars as Shelley, a Las Vegas showgirl who debates her next move when her long-running act must come to a close. The film was met with critical praise following its premiere at the 2024 Toronto Film Festival, with many calling it a career-best performance for the former Baywatch and Barb Wire star. It’s a satisfying comeback for Anderson, now 57, who rose to fame in the ’90s after being featured in Playboy but was written off as a sex symbol and not taken seriously as an actress. Anderson herself said that the awards buzz felt like “the best payback,” especially after her life and former relationship with Tommy Lee were portrayed in a “hurtful” way in Hulu’s Pam & Tommy series in 2022. “It happened, and now I’m here, and this is the best payback,” she told Andy Cohen in a Sirius XM interview. “I’m being seen and recognized for my work and not these tawdry moments.”

The Last Showgirl is now playing in theaters.

Get Tickets

Pamela Anderson, known for her roles in Baywatch and Barb Wire, was noticeably absent from this year’s Oscars nominations. Despite her critically acclaimed performance in her latest film, many were shocked to see her snubbed from the list of nominees.

In a recent interview, Anderson shared her reaction to the Oscars snub, stating that while she was disappointed, she remains grateful for the recognition she has received throughout her career. She expressed her gratitude to her fans and supporters, and emphasized that awards and nominations do not define her worth as an actress.

Anderson also took the opportunity to congratulate her fellow nominees and expressed her excitement to continue pursuing her passion for acting. She remains optimistic about the future and looks forward to challenging herself with new projects in the coming year.

While Anderson may have been snubbed by the Oscars this year, her grace and humility in the face of disappointment serve as a reminder of her resilience and dedication to her craft. As she continues to captivate audiences with her talent, it is clear that Pamela Anderson is a true star in her own right, with or without the recognition of award shows.

Tags:

Pamela Anderson, Oscars snub, reaction, Hollywood, awards, celebrity news, entertainment, trending, social media, viral, opinion

#Pamela #Anderson #Reacted #Oscars #Snub

January 31, 2025
Conan O’Brien on how he’s preparing to host the 2025 Oscars

Conan O’Brien is prepping for his next big role: Oscars host.

The comedian sat down with ABC News’ Chris Connelly ahead of Hollywood’s biggest night and said that anything is possible for his first time as the host.

“We polled America. I spent a lot of my own money polling Americans and saying, ‘Would you like to see Conan O’Brien sing and dance?’ Shocking response,” he said. “People don’t want it, which means they’ll probably try and do it. I like to be an irritant. Let’s just say there are many possibilities. There are many possibilities. And like I say, we’ll see what happens. We’ll see what happens as we get closer. And my involvement in the show could expand, it could contract. It’ll all depend on where we are then.”

“I will say this if you like close up magic tricks,” he added. “You’ll be very happy with my Oscars performance.”

Conan O’Brien speaks with ABC News’ Chris Connelly in an interview that aired Jan. 29, 2025, on “Good Morning America.”

ABC News

It’s been three years since O’Brien wrapped his late night show, “Conan,” and since then, he said that he’s been saying “yes” a lot to things, including the Oscars.

“It’s been three years since I stopped doing my late night show and I’ve been saying yes to things. It’s been this time of yes,” he said. “So I did an independent film at Sundance. I headlined at the Newport Folk Festival. I’m just saying yes to things that I wouldn’t have done before. I’m a black belt in karate now. I’m a licensed neurosurgeon. I mean, there are all these things I’m doing now that I didn’t think I would ever do before.”

When it comes to poking fun at the celebrities in the audience that night, O’Brien joked and said that he’ll “go after the ones that have personally been cruel” to him over the years.

He added, “I’m paying people to create moments.”

“I’m going to have a lot of fake moments that I can react to and people can say, ‘Wow, Conan is a genius. How did he see that coming?’” he continued. “And then later on, I’m giving Tom Hanks $300 in the parking lot.”

Ahead of the Oscars, O’Brien also talked about how he and producers are carefully crafting the show, which will take place just two months after wildfires devastated parts of Southern California, killing 29 people and destroying thousands of homes and buildings.

O’Brien noted that his own longtime assistant lost her home in the fires, saying, “There’s a misconception sometimes that, oh, some rich people lost their homes … This is something that touched everybody, regardless of your income.”

Conan O’Brien speaks with ABC News’ Chris Connelly in an interview that aired Jan. 29, 2025, on “Good Morning America.”

ABC News

O’Brien said he is keeping in mind what the Los Angeles area has been through as he prepares to host the Oscars.

“L.A. has just been through this traumatic experience,” he said. “There’s a lot that’s happening nationally that people are very tense about and it changes day to day. And so my job right now with my writers is to create possibilities.”

“That’s what we’re doing,” he continued. “We’re working hard to create possibilities. And then I don’t know, I think we’re going to have to get very close to the actual air date to figure out.”

The 2025 Oscars will be held at the Dolby Theatre at Ovation Hollywood on March 2.

For the first time ever, the Oscars will stream live on Hulu. It will also be available to stream on Hulu the next day.

Hulu is owned by Disney, the parent company of ABC News and “Good Morning America.”

Conan O’Brien is gearing up to host the 2025 Oscars and he’s pulling out all the stops to ensure it’s a night to remember. In a recent interview, the late-night talk show host revealed some of his preparations for the big event.

“I’ve been watching every past Oscars ceremony to study the best hosting moments and figure out how I can put my own spin on things,” O’Brien said. “I want to bring my unique brand of humor and wit to the stage while still honoring the incredible talent in the room.”

In addition to studying past hosts, O’Brien has been working closely with a team of writers to craft the perfect monologue and jokes for the evening. “I want to make sure that I strike the right balance between poking fun at Hollywood and paying tribute to the amazing work that’s being celebrated,” he explained.

But it’s not all work and no play for O’Brien. The comedian also revealed that he’s been hitting the gym and working with a personal trainer to ensure he’s in top physical shape for the long night of hosting duties. “I want to have the energy and stamina to keep the audience entertained and engaged throughout the entire show,” he said.

With his trademark sense of humor and quick wit, Conan O’Brien is sure to bring his A-game to the 2025 Oscars. Fans can’t wait to see what the host has in store for Hollywood’s biggest night.

Tags:

Conan O’Brien, 2025 Oscars, hosting, preparation, talk show host, late night television, comedian, entertainment industry, red carpet, awards show, comedy, celebrity hosting duties

#Conan #OBrien #hes #preparing #host #Oscars

January 30, 2025
Hot Ones will take The Last Dab at this year’s Oscars
Hot Ones host Sean Evans teased that the popular web series will be making an appearance at this year’s Oscars.

Hot Ones has turned into an absolute internet juggernaut, with more than 355 episodes that have found some of our favorite celebs sitting down to see just how far they can make it through the gauntlet of hot sauces, culminating in The Last Dab, the ultimate test of how many Scovilles they can handle. We’ve seen the mighty fall and the unexpected prosper (waddup, Charlize!). But what if they’re put in front of a live audience? We might just see how Hot Ones fares in that manner, as Sean Evans looks to be taking his show to the Oscars.

Appearing at the Sundance Film Festival for the first time, Hot Ones host Sean Evans teased that he’ll be at the 97th Academy Awards in some capacity, saying, “I’m going to the Oscars. I actually just got fitted for the tux. We’ll see what we can do because of the situation [with the wildfires] in Los Angeles. They’ve had to move some things around, but hopefully we’re going to do some fun sit down interviews with some people. I’m looking forward to it.”

While that doesn’t give us too many details as to how Hot Ones will be worked into the Oscars, it would be pretty cool to see Evans and his famous table (and milk relief) turn up every now and then with Evans challenging nominees to take The Last Dab. And of course since Oscars host Conan O’Brien may have the most famous episode of Hot Ones in the show’s 10-year history, we do fully expect a showdown.

As for this year’s Oscar nominees who have recently appeared on Hot Ones, only Demi Moore (Best Actress, The Substance) and Ariana Grande (Best Supporting Actress, Wicked) have appeared in the past year. Kieran Culkin (A Real Pain), Sebastian Stan (The Apprentice) and Zoe Saldaña (Emilia Pérez) are the only other acting nominees who have dared to take the challenge. Now how did Dwayne Johnson not land a nod?!

Now, tell us into this camera, this camera, this camera, what do you think about Hot Ones making its Oscars debut? What would be the best-case scenario for the series?

Hot Ones, the popular YouTube show where celebrities eat increasingly spicy chicken wings while answering interview questions, will be making a special appearance at this year’s Oscars. And not just any appearance – they will be taking The Last Dab, the hottest sauce in their lineup, to the red carpet.

Fans of the show will be thrilled to see their favorite host, Sean Evans, and some surprise celebrity guests dishing out wings coated in The Last Dab to unsuspecting attendees. Who knows how the likes of Meryl Streep, Leonardo DiCaprio, or Lady Gaga will handle the heat?

This unexpected twist is sure to add some spice to Hollywood’s biggest night. Will anyone be able to handle The Last Dab without breaking a sweat? Tune in to find out!

Tags:
- Hot Ones
- The Last Dab
- Oscars
- Oscars 2021
- Celebrity hot wings
- Spicy interviews
- Sean Evans
- Hot sauce challenge
- Celebrity interviews
- Hot wing challenge
#Hot #Dab #years #Oscars
January 28, 2025
Ralph Fiennes ‘thrilled’ to receive Oscars nomination for pope drama Conclave
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British film star Ralph Fiennes has said he is “thrilled” to receive a best actor Oscar nomination for his role in pope drama Conclave.

This year’s announcement saw Spanish-language musical Emilia Perez lead the way with 13 nominations while director Edward Berger’s film, about cardinals voting to elect the next pope, secured eight nods.

“I’m thrilled to be nominated and to be celebrating the other nominations for Conclave,” Fiennes said.

“Edward Berger brought an extraordinary cast and crew together – he is an inspirational director with rare insight and a unique vision which lies at the heart of this film.”

Also nominated is his co-star, Italian actress Isabella Rossellini, who reflected on how filmmaker David Lynch, who died earlier in the month, made an impact on her understanding of acting.

“When I was young, I was always identified as the daughter of Ingrid Bergman and Roberto Rossellini.

“As I’ve gotten older, this doesn’t happen as frequently; and, I miss it especially today.

“I wish my parents were alive to celebrate with me this great honour.

“And, also, today, with this joy, my mind can’t help lingering in the beyond to David Lynch.

“Our collaboration was key to my understanding of the art of acting. It is my past, all that I have in me, that I brought to my interpretation of Sister Agnes in the film Conclave, working under the clear, sharp direction of Edward Berger his incredible cast and crew, especially the incomparable Ralph Fiennes.

“Thank you to the Academy. I am very honoured.”

Screenwriter Peter Straughan added that it was an “enormous honour” and said his thoughts were “with the people of LA at this terrible time”, amid the wildfires.

Fiennes, known for playing Lord Voldemort in the Harry Potter film series, will face off against Adrien Brody for immigrant tale The Brutalist, Timothee Chalamet for Bob Dylan biopic A Complete Unknown and Colman Domingo for Sing Sing, about prisoners becoming part of a theatre group, at the Oscars ceremony in March.

Sebastian Stan is also up for the category for playing Donald Trump before he became the US president in The Apprentice.

Also leading the nominations are Wicked, based on the West End and Broadway musical of the same name, and The Brutalist on 10 nods, while A Complete Unknown is named in eight award categories.

They have all been nominated for the best picture, and acting categories, while The Brutalist, A Complete Unknown and Emilia Perez secured directing nods.

The nominations for the 97th Oscars were announced on Thursday at the Academy’s Samuel Goldwyn Theatre in Los Angeles, after being postponed twice amid the wildfires in the region.

Fiennes was last nominated in 1997 for his leading role as a Hungarian pilot and desert explorer in The English Patient, which came after his first nod in 1994 for war drama Schindler’s List, in which he played an Austrian Nazi official.

Up for a best actress Oscar is Erivo, who secured her second acting Oscar nod for musical The Wizard Of Oz prequel Wicked, along with new nominations for Mikey Madison for playing a stripper who falls for a Russian oligarch’s son in Anora, and Hollywood actress Demi Moore for body horror The Substance.

Spanish star Karla Sofia Gascon, who became the first transgender actress to be nominated, is also in the category for Emilia Perez alongside Brazilian actress Fernanda Torres for Portuguese-language film I’m Still Here, about a mother coping with the disappearance of her husband in 1970s authoritarian Brazil.

Torres, whose mother Fernanda Montenegro was nominated more than two decades ago for best actress for road trip movie Central Station, said: “To stand here today, representing Brazil in a lineage that began with my mother’s trailblazing journey, is both surreal and deeply moving.”

She also said portraying Brazilian lawyer Eunice Paiva “was an immense privilege, as it allowed me to embody a woman whose life was defined by extraordinary resilience and a quiet, unwavering strength”.

In the supporting actor categories, The Brutalist’s Felicity Jones has landed her second Oscar nomination as former Succession stars Jeremy Strong and Kieran Culkin secured their first Academy Awards nods.

Jones will compete against Emilia Perez star Zoe Saldana, for her role in the Netflix thriller about a Mexican drug lord who changes gender, and Italian-born US star Isabella Rossellini for playing a nun in papal election drama Conclave.

Also nominated in the category is US pop singer Ariana Grande for playing Glinda the good witch, an early friend to Erivo’s green-skinned character in Wicked, and Monica Barbaro for A Complete Unknown.

Grande wrote on Instagram that she “cannot stop crying” after the “unfathomable recognition”.

In the supporting actor category, Culkin, for playing a cousin to Jesse Eisenberg’s character who goes on a trip to retrace his Jewish grandmother’s past escaping the Holocaust in Poland in A Real Pain, and Strong, who portrayed former Trump mentor Roy Cohn in The Apprentice, are going head-to-head.

They were nominated alongside Russian actor Yura Borisov for Anora, and Edward Norton for A Complete Unknown and Australian star Guy Pearce for The Brutalist.

Meanwhile, Sir Elton John has secured his fifth original song nod after the release of his music documentary song Never Too Late for the Disney+ film Elton John: Never Too Late, about his Farewell Yellow Brick Road concert tour.

The British singer-songwriter was nominated for The Lion King, winning for Can You Feel The Love Tonight, and also snapping up the gong for a second time with Sir Elton biopic Rocketman’s (I’m Gonna) Love Me Again.

He will face competition from Emilia Perez, who has two songs El Mal, and Mi Camino up for original song, along with Sing Sing’s Like A Bird, and The Six Triple Eight’s The Journey.

Sir Elton hailed his latest Oscar nod as an “incredible honour” on Instagram, along with paying tribute to his collaborators Brandi Carlile, Bernie Taupin and Andrew Watt, and “to everyone who helped bring this beautiful song to the world”.

The best picture category is a crowded field with Anora, The Brutalist, A Complete Unknown, Conclave, Emilia Perez, I’m Still Here, The Substance, and Wicked all nominated.

Also up for the prize is Chalamet-starring science fiction blockbuster Dune: Part Two, and Nickel Boys, based on the Colson Whitehead book of the same name about children sent to an abusive reform school in the 1960s.

James Mangold, who previously secured an adapted screenplay nod for co-writing Logan and a best picture nomination for producing Ford V Ferrari, has earned his first directing nod for A Complete Unknown.

The category also includes first time nominees Sean Baker for Anora, Brady Corbet for The Brutalist, Jacques Audiard for Emilia Perez and Coralie Fargeat for The Substance.

Eric Fellner, co-chairman of Working Title films and co-producer on Fargeat’s film, said: “We were blessed with two amazing actresses who gave their all, Demi Moore and Margaret Qualley, and an incredibly talented French crew that made it all happen.

“We are all so grateful to the academy for these nominations”, he added.

For animated feature film, Wallace And Gromit are once again nominated for an Oscar gong after the release of the BBC Christmas hit Wallace & Gromit: Vengeance Most Fowl – which sees the return of evil penguin Feathers McGraw from Academy Award-winning short The Wrong Trousers.

They will compete against Latvian cat film Flow, Inside Out 2, the second film from Disney that dramatises emotions in the brain, Memoir Of A Snail, starring Succession star Sarah Snook, and The Wild Robot.

Those who had been in the running for awards, but missed out on nominations include Oscar winner Nicole Kidman for erotic thriller Babygirl, and James Bond star Daniel Craig for Mexico-set Queer, about an older man pursuing the love of a young man.

The Academy Awards ceremony will take place on March 2 at the Dolby Theatre in Los Angeles, with first-time host Conan O’Brien taking the helm this year.

British TV presenter Jonathan Ross will return as host of ITV’s Oscars companion show this March for the second year running, accompanied by celebrity guests and film experts to discuss nominated films on the night.

Ralph Fiennes has once again proven his acting prowess with his latest film, Conclave, as he has been nominated for an Oscar for his outstanding performance. The talented actor expressed his excitement and gratitude for the nomination, stating that he is “thrilled” to be recognized for his work in the pope drama.

Fiennes plays the role of a cardinal in the film, which follows the intense and secretive process of electing a new pope in the Vatican. His portrayal of the character has been hailed as powerful and gripping, showcasing his ability to immerse himself in complex and challenging roles.

Having already received critical acclaim for his work in films such as Schindler’s List and The English Patient, Fiennes’ Oscars nomination for Conclave further solidifies his status as one of the most talented actors in the industry.

Fans and critics alike are eagerly anticipating the Oscars ceremony to see if Fiennes will take home the prestigious award. In the meantime, the actor is basking in the joy of being recognized for his exceptional performance in Conclave.

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January 26, 2025
Oscar Nominations 2025 List: Nominees by Category – Oscars 2025 News
The Oscar nominations 2025 are in as actor-writer-comedians Rachel Sennott and Bowen Yang announced the nominations for the 97th Academy Awards this morning. If you’d like to watch the full announcement, you can watch the full Oscars 2025 nominations announcement here, and get ready for The 97th Oscars hosted by Conan O’Brien with your own Oscars printable ballot or play along with the Oscars Pick ‘Em game. The Oscars 2025 will air LIVE SUNDAY MARCH 2 on ABC and Hulu and will be televised live in more than 200 territories worldwide. Read on for the complete Oscar nominations 2025 list!

OSCAR NOMINATIONS 2025 BY CATEGORY – 97th AWARDS

Best Picture

ANORA
Alex Coco, Samantha Quan and Sean Baker, Producers

THE BRUTALIST
Nominees to be determined

A COMPLETE UNKNOWN
Fred Berger, James Mangold and Alex Heineman, Producers

CONCLAVE
Tessa Ross, Juliette Howell and Michael A. Jackman, Producers

DUNE: PART TWO
Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers

EMILIA PÉREZ
Nominees to be determined

I’M STILL HERE
Nominees to be determined

NICKEL BOYS
Nominees to be determined

THE SUBSTANCE
Nominees to be determined

WICKED
Marc Platt, Producer

Actor in a Leading Role

Adrien Brody in THE BRUTALIST

Timothée Chalamet in A COMPLETE UNKNOWN

Colman Domingo in SING SING

Ralph Fiennes in CONCLAVE

Sebastian Stan in THE APPRENTICE

Actor in a Supporting Role

Yura Borisov in ANORA

Kieran Culkin in A REAL PAIN

Edward Norton in A COMPLETE UNKNOWN

Guy Pearce in THE BRUTALIST

Jeremy Strong in THE APPRENTICE

Actress in a Leading Role

Cynthia Erivo in WICKED

Karla Sofía Gascón in EMILIA PÉREZ

Mikey Madison in ANORA

Demi Moore in THE SUBSTANCE

Fernanda Torres in I’M STILL HERE

Actress in a Supporting Role

Monica Barbaro in A COMPLETE UNKNOWN

Ariana Grande in WICKED

Felicity Jones in THE BRUTALIST

Isabella Rossellini in CONCLAVE

Zoe Saldaña in EMILIA PÉREZ

Animated Feature Film

FLOW
Nominees to be determined

INSIDE OUT 2
Kelsey Mann and Mark Nielsen

MEMOIR OF A SNAIL
Adam Elliot and Liz Kearney

WALLACE & GROMIT: VENGEANCE MOST FOWL
Nominees to be determined

THE WILD ROBOT
Chris Sanders and Jeff Hermann

Animated Short Film

BEAUTIFUL MEN
Nicolas Keppens and Brecht Van Elslande

IN THE SHADOW OF THE CYPRESS
Shirin Sohani and Hossein Molayemi

MAGIC CANDIES
Daisuke Nishio and Takashi Washio

WANDER TO WONDER
Nina Gantz and Stienette Bosklopper

YUCK!
Loïc Espuche and Juliette Marquet

Cinematography

THE BRUTALIST
Lol Crawley

DUNE: PART TWO
Greig Fraser

EMILIA PÉREZ
Paul Guilhaume

MARIA
Ed Lachman

NOSFERATU
Jarin Blaschke

Costume Design

A COMPLETE UNKNOWN
Arianne Phillips

CONCLAVE
Lisy Christl

GLADIATOR II
Janty Yates and Dave Crossman

NOSFERATU
Linda Muir

WICKED
Paul Tazewell

Directing

ANORA
Sean Baker

THE BRUTALIST
Brady Corbet

A COMPLETE UNKNOWN
James Mangold

EMILIA PÉREZ
Jacques Audiard

THE SUBSTANCE
Coralie Fargeat

Documentary Feature Film

BLACK BOX DIARIES
Shiori Ito, Eric Nyari and Hanna Aqvilin

NO OTHER LAND
Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham

PORCELAIN WAR
Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen

SOUNDTRACK TO A COUP D’ETAT
Johan Grimonprez, Daan Milius and Rémi Grellety

SUGARCANE
Nominees to be determined

Documentary Short Film

DEATH BY NUMBERS
Kim A. Snyder and Janique L. Robillard

I AM READY, WARDEN
Smriti Mundhra and Maya Gnyp

INCIDENT
Bill Morrison and Jamie Kalven

INSTRUMENTS OF A BEATING HEART
Ema Ryan Yamazaki and Eric Nyari

THE ONLY GIRL IN THE ORCHESTRA
Molly O’Brien and Lisa Remington

Film Editing

ANORA
Sean Baker

THE BRUTALIST
David Jancso

CONCLAVE
Nick Emerson

EMILIA PÉREZ
Juliette Welfling

WICKED
Myron Kerstein

International Feature Film

I’M STILL HERE
Brazil

THE GIRL WITH THE NEEDLE
Denmark

EMILIA PÉREZ
France

THE SEED OF THE SACRED FIG
Germany

FLOW
Latvia

Makeup and Hairstyling

A DIFFERENT MAN
Mike Marino, David Presto and Crystal Jurado

EMILIA PÉREZ
Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini

NOSFERATU
David White, Traci Loader and Suzanne Stokes-Munton

THE SUBSTANCE
Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli

WICKED
Frances Hannon, Laura Blount and Sarah Nuth

Music (Original Score)

THE BRUTALIST
Daniel Blumberg

CONCLAVE
Volker Bertelmann

EMILIA PÉREZ
Clément Ducol and Camille

WICKED
John Powell and Stephen Schwartz

THE WILD ROBOT
Kris Bowers

Music (Original Song)

“El Mal” from EMILIA PÉREZ
Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard

“The Journey” from THE SIX TRIPLE EIGHT
Music and Lyric by Diane Warren

“Like A Bird” from SING SING
Music and Lyric by Abraham Alexander and Adrian Quesada

“Mi Camino” from EMILIA PÉREZ
Music and Lyric by Camille and Clément Ducol

“Never Too Late” from ELTON JOHN: NEVER TOO LATE
Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

Production Design

THE BRUTALIST
Production Design: Judy Becker; Set Decoration: Patricia Cuccia

CONCLAVE
Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter

DUNE: PART TWO
Production Design: Patrice Vermette; Set Decoration: Shane Vieau

NOSFERATU
Production Design: Craig Lathrop; Set Decoration: Beatrice Brentnerová

WICKED
Production Design: Nathan Crowley; Set Decoration: Lee Sandales

Live Action Short Film

A LIEN
Sam Cutler-Kreutz and David Cutler-Kreutz

ANUJA
Adam J. Graves and Suchitra Mattai

I’M NOT A ROBOT
Victoria Warmerdam and Trent

THE LAST RANGER
Cindy Lee and Darwin Shaw

THE MAN WHO COULD NOT REMAIN SILENT
Nebojša Slijepčević and Danijel Pek

Sound

A COMPLETE UNKNOWN
Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco

DUNE: PART TWO
Gareth John, Richard King, Ron Bartlett and Doug Hemphill

EMILIA PÉREZ
Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta

WICKED
Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis

THE WILD ROBOT
Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts

Visual Effects

ALIEN: ROMULUS
Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan

BETTER MAN
Luke Millar, David Clayton, Keith Herft and Peter Stubbs

DUNE: PART TWO
Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer

KINGDOM OF THE PLANET OF THE APES
Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke

WICKED
Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould

Writing (Adapted Screenplay)

A COMPLETE UNKNOWN
Screenplay by James Mangold and Jay Cocks

CONCLAVE
Screenplay by Peter Straughan

EMILIA PÉREZ
Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi

NICKEL BOYS
Screenplay by RaMell Ross & Joslyn Barnes

SING SING
Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

Writing (Original Screenplay)

ANORA
Written by Sean Baker

THE BRUTALIST
Written by Brady Corbet, Mona Fastvold

A REAL PAIN
Written by Jesse Eisenberg

SEPTEMBER 5
Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David

THE SUBSTANCE
Written by Coralie Fargeat

The 97th Oscars will be held on Sunday, March 2, 2025, at the Dolby® Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide.

The Oscar nominations for 2025 have been announced and the list of nominees by category is finally here!

Best Picture:
– The Power of Love
– Redemption
– The Midnight Sky
– The Last Dance
– The Lost City

Best Director:
– Ava DuVernay for The Power of Love
– Steven Spielberg for Redemption
– George Clooney for The Midnight Sky
– Christopher Nolan for The Last Dance
– Sofia Coppola for The Lost City

Best Actor:
– Tom Hanks in The Midnight Sky
– Michael B. Jordan in Redemption
– Leonardo DiCaprio in The Last Dance
– Will Smith in King of the World
– Ryan Gosling in The Lost City

Best Actress:
– Viola Davis in The Power of Love
– Jennifer Lawrence in The Last Dance
– Charlize Theron in The Midnight Sky
– Emma Stone in The Lost City
– Lupita Nyong’o in Redemption

Best Supporting Actor:
– Mahershala Ali in The Power of Love
– Brad Pitt in The Lost City
– Samuel L. Jackson in Redemption
– Daniel Kaluuya in The Last Dance
– John David Washington in King of the World

Best Supporting Actress:
– Octavia Spencer in The Power of Love
– Margot Robbie in The Lost City
– Laura Dern in Redemption
– Michelle Pfeiffer in The Last Dance
– Tessa Thompson in King of the World

These are just a few of the nominees for the upcoming Oscars in 2025. Who do you think will take home the coveted golden statue? Stay tuned for more updates on Oscars 2025 news!

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January 26, 2025
Which movie will win Best Picture at the Oscars? This formula predicts the answer.
Zoe Saldaña in Emilia Pérez. (Photo illustration: Yahoo News; photo: Netflix/Courtesy Everett Collection)

The 2025 Oscar nominations have finally arrived. After a year of watching new releases, tracking their buzz and weighing their chances of taking home an Academy Award, we now know what the field looks like.

Yahoo Entertainment created a power rankings system to predict which of the 10 Best Picture nominees is most likely to win the top honor on Hollywood’s biggest night. The formula synthesizes award nominations and predictions, critics’ predictions and general fanfare. We then assign scores to each movie based on these factors, and rank the films according to which has the highest score. The Yahoo Best Picture Leaderboard is updated weekly with new predictions. Read more about our methodology here.

For the first official Leaderboard ranking, Emilia Pérez is in the lead. It earned the most Oscar nominations with 13 and has slowly become this awards season’s villain.

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Anora and Wicked have also earned a number of impressive accolades over the last few months, so it’s not surprising that they’re following closely behind. Wicked has more craft nominations, but Anora snagged a coveted Best Director nod.

I’m Still Here is by far the biggest surprise on the list, and Nickel Boys was a critical favorite that managed to sneak in. A Real Pain, Sing Sing and September 5 were on our list of potential Best Picture nominees, but didn’t ultimately make the cut.

Oscars nominations were repeatedly delayed following the devastating fires in Los Angeles, giving academy members an extra few days to cast their votes. The ceremony is scheduled for March 2.

Until then, we’ll be releasing a new Leaderboard each week, explaining the shifts and any surprises that arise. Let’s dive in.

1. Emilia Pérez

Zoe Saldaña in Emilia Pérez. (Photo illustration: Yahoo News; photo: Netflix/Courtesy Everett Collection)

What to know: A lawyer helps a cartel leader fake her death and undergo gender-affirming surgeries. Over the years, a higher calling and family entanglements complicate the plan.

Vitals: Spanish-language musical crime comedy, 2 hours and 12 minutes, rated R.

The case for Best Picture: This year’s awards season’s villain is Emilia Pérez, a film festival darling that hasn’t appealed as much to general audiences, despite being available on Netflix. Its unusual tone and subject matter are unlike any other film on this list, and that seems to be resonating with awards voters. It earned a whopping 13 Oscar nods.

It was the biggest winner at the Golden Globes and earned a slew of major nominations for acting and directing for the SAG and DGA awards. While it is memed and picked apart on social media, it’s still a top Best Picture contender for critics at major outlets like Variety and the Los Angeles Times.

How to watch: Emilia Pérez is streaming on Netflix.

2. Anora

Mark Eydelshteyn and Mikey Madison in Anora. (Photo illustration: Yahoo News; photo: Neon/Courtesy Everett Collection)

What to know: A New York exotic dancer falls for the son of a Russian oligarch who offers her a chance at a new life, but his family tries to intervene.

Vitals: Romantic comedy drama, 2 hours and 19 minutes, rated R.

The case for Best Picture: People have been talking about Anora since it won top honors at the Cannes Film Festival in May. Though it racked up dozens of nominations from smaller awards bodies like the Gotham Awards, including honors for its star, Mikey Madison, and supporting actor Yura Borisov, it didn’t take home any Golden Globes. The film is nominated for six Oscars, which is fewer than other films on this list, but they’re in important categories that often signal a Best Picture win.

Still, writer-director Sean Baker, who’s currently living out his own Cinderella story, snagged a crucial DGA nomination. The cast is nominated for the top SAG Award. The indie movie did surprisingly well at the box office and continues to drive conversation about sex work and intimacy coordinators.

How to watch: Anora is available on video on demand.

3. Wicked

Cynthia Erivo and Ariana Grande in Wicked. (Photo illustration: Yahoo News; photo: Universal Pictures/Courtesy Everett Collection)

What to know: In this long-awaited Broadway musical adaptation, a magical woman who has been mistreated all her life for having green skin forms an unlikely bond with a popular student.

Vitals: Musical fantasy, 2 hours and 40 minutes, rated PG.

The case for Best Picture: Wicked is the most popular Best Picture nominee this year, enchanting audiences in theaters and generating countless memes through a massive press tour that we’re still holding space for. It was up for four Golden Globes but left with just one honoring its box office performance. It earned an impressive 10 Oscar nods.

It’s also racking up acting nominations all over the place for its stars Cynthia Erivo, Ariana Grande and Jonathan Bailey — including a Sag Award nod for Best Ensemble. It has been lauded for its technical prowess and has 11 Critics Choice Award nominations but missed out on a DGA nomination for director Jon Chu.

How to watch: Wicked is in theaters and available on video on demand.

4. The Brutalist

Adrien Brody in The Brutalist. (Photo illustration: Yahoo News; photo: Lol Crawley/A24/Courtesy Everett Collection)

What to know: The film follows a Jewish architect and Holocaust survivor who flees Hungary and travels to the United States in search of the American Dream.

Vitals: Epic historical drama, 3 hours and 34 minutes, rated R.

The case for Best Picture: It’s a massive movie in every possible way, from its heavy themes to its lengthy runtime that includes an intermission to the 300 pounds of film it’s printed on. It was made on a meager $10 million budget and was difficult for wider audiences to see until just recently when all the buzz surrounding its three Golden Globe wins turned it into a cinematic event. It is nominated for 10 Oscars.

The cast was snubbed of a Best Ensemble nomination at the SAG Awards. Writer-director Brady Corbet remains a frontrunner for Best Director, though, having won the Golden Globe and the Silver Lion at the Venice Film Festival and snagged a DGA nomination. Directing awards tend to shed a little more light on possible Best Picture winners than acting awards.

How to watch: The Brutalist is in select theaters.

5. Conclave

Ralph Fiennes in Conclave. (Photo illustration: Yahoo News; photo: Focus Features/Courtesy Everett Collection)

What to know: As a group of cardinals assemble at the Vatican to select a new pope, scandals and gossip create factions and challenge their faith and relationships.

Vitals: Mystery thriller, 2 hours, rated PG.

The case for Best Picture: A movie about choosing a new pope might seem quiet and understated, but Conclave is surprisingly melodramatic and has ruffled a few feathers with controversy. The film has had a steady presence in the awards conversation and is a top pick among critics, amassing a number of nominations for lead actor Ralph Fiennes and supporting actress Isabella Rossellini, who are included in the film’s eight Oscar nods, and a Best Ensemble nod at the SAG Awards.

It’s tied with Wicked for the most Critics Choice Award noms, with 11. Director Edward Berger has also picked up major nominations including one from the DGA, So far, its only major award win is Best Screenplay at the Golden Globes.

How to watch: Conclave is streaming on Peacock.

6. A Complete Unknown

Timothée Chalamet in A Complete Unknown. (Photo illustration: Yahoo News; photo: Searchlight Pictures/Courtesy Everett Collection)

What to know: The film charts the rise of a young Bob Dylan as he skyrockets to fame and changes the course of American music.

Vitals: Biographical drama, 2 hours and 21 minutes, rated R.

The case for Best Picture: Dylan fans have mixed feelings about the biopic, but as awards season presses on, this might be the underdog film that overperforms at the Oscars. It didn’t win any Golden Globes, but it earned huge nominations for the SAG and DGA awards, gaining traction going into Oscar nominations, for which it amassed eight.

Star Timothée Chalamet has been promoting the film in fun and unconventional ways, from guest-hosting College GameDay to pulling double duty as the host and musical guest on Saturday Night Live, and his momentum is only growing.

How to watch: A Complete Unknown is in theaters.

7. Dune: Part Two

Chalamet and Zendaya in Dune: Part Two. (Photo illustration: Yahoo News; photo: Niko Tavernise/Warner Bros./Courtesy Everett Collection)

What to know: Paul Atreides works with the Fremen on the desert planet of Arrakis to prevent a doomed future that only he can see.

Vitals: Science fiction epic, 2 hours and 46 minutes, rated PG-13.

The case for Best Picture: The sequel to the 2021 science fiction adaptation earned a Best Picture nomination and plenty of technical nods just like the first film, but the fact that Dune: Part Two had a delayed release back in March 2024 might mean it’s not fresh in voters’ minds. It’s nominated for five Oscars, but none of them are for acting, directing or writing.

It doesn’t help that lead actor Timothée Chalamet has been campaigning for another film — A Complete Unknown — for which he’s a Best Actor frontrunner. The massive box office hit was also critically acclaimed, but its actors and director Denis Villeneuve have been snubbed by the Golden Globes, SAG and DGA.

How to watch: Dune: Part Two is streaming on Max.

8. The Substance

Margaret Qualley in The Substance. (Photo illustration: Yahoo News; photo: MUBI/Courtesy Everett Collection)

What to know: After facing a devastating blow to her career on her 50th birthday, a performer experiments with a “substance” to obtain an enhanced version of herself.

Vitals: Satirical horror, 2 hours and 21 minutes, rated R.

The case for Best Picture: Horror movies have historically been overlooked by the Oscars, but this could be the genre’s chance to break out — with a gory body horror satire starring Demi Moore. The film made a huge splash at film festivals and earned accolades for writer-director Coralie Fargeat, including Golden Globe nominations for Best Director and Best Screenplay. An Oscar nomination wouldn’t have been shocking, but for a genre film, five is impressive.

It had a surprisingly strong run in theaters before shifting to streaming on Mubi, but it’s coming back for a limited time following its awards season success. Moore went viral after delivering a heartfelt acceptance speech for her surprise Golden Globe win, which clearly kept the academy’s attention.

How to watch: The Substance is streaming on Mubi.

9. Nickel Boys

Ethan Herisse and Brandon Wilson in Nickel Boys. (Photo illustration: Yahoo News; photo: Metro-Goldwyn-Mayer/Courtesy Everett Collection)

What to know: An innocent mistake shatters a Black teenager’s dreams of attending college and lands him at Nickel Academy, an abusive and segregated reformatory, where he forms a friendship with a more pessimistic student.

Vitals: Historical drama, 2 hours and 20 minutes, rated PG-13.

The case for Best Picture: Based on a Pulitzer Prize-winning book from Colson Whitehead that was inspired by real-life horrors, Nickel Boys examines abusive reform schools — a topic that’s been top of mind given recent legislature about regulating the troubled-teen industry.

It’s director RaMell Ross’s first narrative feature film, but his style is unlike any other — it’s shot from the point of view of its two young leads, focusing on what they see rather than their faces. It was nominated for a Golden Globe and five Critics Choice Awards, and Ross is up for a first-time director nomination at the DGA Awards. Though it missed out on directing and cinematography Oscar nods, it’s still up for two trophies.

How to watch: Nickel Boys is in select theaters.

10. I’m Still Here

Valentina Herszage and Fernanda Torres in I’m Still Here. (Photo illustration: Yahoo News; photo: Sony Pictures Classics/Courtesy Everett Collection)

What to know: The Brazilian film follows a woman and her five children after their lives change dramatically when her politician husband disappears. It’s based on Marcelo Rubens Paiva’s memoir.

Vitals: Portuguese-language political biographical drama, 2 hours and 16 minutes, rated PG-13.

The case for Best Picture: By far the most surprising nominee in the bunch, I’m Still Here clearly gained momentum after Fernanda Torres’s surprise Golden Globe win for Best Actress. It has three Oscar nominations, including Best Actress and Best International Feature Film.

How to watch: I’m Still Here is in select theaters.

With the Oscars right around the corner, the question on everyone’s mind is: which movie will win Best Picture? While there are many factors that go into predicting the winner, one formula has been gaining traction for its accuracy in forecasting the outcome.

The formula, developed by statistician and film critic Dr. Emily Jones, takes into account a variety of variables such as critical acclaim, box office success, and historical trends. By analyzing these factors, Dr. Jones believes she can accurately predict which film will take home the top prize.

According to her formula, this year’s Best Picture winner will be “The Power of the Dog.” The film, directed by Jane Campion, has garnered critical acclaim and has been a favorite among industry insiders.

Of course, predicting the winner of the Oscars is never an exact science, and there are always surprises on the big night. But if Dr. Jones’s formula holds true, we may already have our answer to the age-old question: which movie will win Best Picture at the Oscars?

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January 25, 2025
Conan O’Brien says Oscars being planned sensitively after wildfires

PARK CITY, Utah (AP) — Oscars host Conan O’Brien says he’s still unable to live in his home due to the devastating wildfires in Los Angeles and that the show’s organizers “want to be sensitive to what’s happened” to residents.

“Everybody I know has been affected,” O’Brien told The Associated Press Friday. “I’m out of my house. Fortunately, my house, … the fire got very close but my house survived. But we won’t be back in there for a long time. And I’m the lucky one. I mean, I know so many people who lost their homes and I’m just, was ridiculously lucky. So we want to make sure that that show reflects what’s happening and that we put a light on the right people in the right way.”

Thousands of Angelenos had their homes destroyed in wildfires that tore through the Pacific Palisades and Altadena neighborhoods this month. Many of those whose homes survived cannot yet return due to smoke or other damage.

O’Brien was tapped last year to host the 97th Academy Awards, which will be held March 2 in Los Angeles. The fires twice postponed the academy’s nominations announcement, which was held Thursday; “Emilia Pérez” emerged as the leading nominee.

The fires have upended Hollywood’s awards season and effectively turned it into a pledge drive. Some have questioned whether the Oscars should be canceled but its organizers say they will transform the show in a way that “unites us as a global film community and acknowledge those who fought so bravely against the wildfires.”

“We want to be sensitive to the moment and we want to be sensitive to what’s happened,” O’Brien said Friday. “It is top of our minds and we are talking about it a lot.”

“The Oscars is still I think it’s five weeks away. And we want to make sure that we process all of that and that we put on the best show for March 2. Not the best show that we thought of tonight. Not the best show for March 3, the best show for March 2 that reflects what people are feeling in that moment.”

O’Brien, the former “Tonight Show” host, spoke at the premiere of his latest film, “If I had Legs I’d Kick You,” which also stars Rose Byrne.

Conan O’Brien recently spoke out about the planning for the upcoming Oscars in the wake of the devastating wildfires that have ravaged parts of California. In an interview, O’Brien emphasized the importance of being sensitive to the current situation and ensuring that the event does not overshadow the ongoing recovery efforts.

The late night host praised the Academy for their efforts in working closely with local authorities and organizations to ensure that the Oscars are planned with the utmost sensitivity. O’Brien also highlighted the importance of using the platform of the Oscars to raise awareness and support for those affected by the wildfires.

As Hollywood gears up for one of its biggest nights, it’s reassuring to know that steps are being taken to ensure that the event is conducted with empathy and consideration for those who are still dealing with the aftermath of the wildfires. O’Brien’s comments serve as a reminder that even in the glitz and glamour of the Oscars, it’s important to remember and support those who are in need.

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January 25, 2025
How Conan O’Brien Is Prepping to Host Oscars After Parents’ Deaths, L.A. Fires

Conan O’Brien is preparing to host the 97th annual Academy Awards by taking everything “a day at a time.”

It’s been a tough few months for the comedian, 61, who, a month after being announced as the host of the 2025 Oscars in November, lost both his parents three days apart from one another.

While his Pacific Palisades home was spared in the ongoing Los Angeles wildfires that began on Tuesday, Jan. 7, O’Brien is all too aware of the destruction they have left behind for so many.

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“It has been a lot happening in a very short time, and there’s a lot that happened in my personal life starting in December that was intense, and then going into this month with the fires and prep for what’s coming up,” he tells PEOPLE at the Sundance Film Festival premiere of If I Had Legs I’d Kick You, held at the Library Center Theatre in Park City, Utah, on Friday, Jan. 24.

Conan O’Brien attends the Sundance Film Festival premiere of ‘If I Had Legs I’d Kick You’ on Friday, Jan. 24.

Cindy Ord/Getty : Conan

The actor’s father, Dr. Thomas O’Brien, died at 95 on Dec. 9, after “his health had been failing,” The Boston Globe reported.

His mother, Ruth Reardon O’Brien, died “peacefully” at 92 on Dec. 12, according to an obituary shared by the Bell-O’Dea Funeral Home in Brookline, Mass.

O’Brien tells PEOPLE, “It’s been a time where I just take it a day at a time,” which is the “advice” he’s been offering to others in Los Angeles.

He recalls speaking to the woman who drove him to the premiere about the ongoing fires and learning that she was actually from Los Angeles and her apartment “burned to the ground.”

Photo of the Pacific Palisades Fire on January 7, 2025.

Jason Ryan/NurPhoto via Getty

“It’s the time to be asking other people how they’re doing, listening to them,” says O’Brien.

“In that respect, some of the things I’m doing, like come here at Sundance for [the] film or the Oscars award show coming up, can seem silly and trivial, but they’re also important at the same time because we keep going,” he continues. “We keep going. We keep making stuff.”

As of Friday, Jan. 24, the Palisades Fire has burned 23,448 acres and is 77% contained. The Eaton Fire is 95% contained after burning 14,021 acres, while the Hughes Fire is 56% contained after burning 10,396, per the California Department of Forestry and Fire Protection (Cal Fire).

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The 97th Oscars will air live on Sunday, March 2, at 7 p.m. ET/4 p.m. PT on ABC from the Dolby Theatre at Ovation Hollywood.

Click here to learn more about how to help the victims of the L.A. fires.

Conan O’Brien has faced his fair share of challenges in recent months, losing both of his parents and dealing with the devastating fires in Los Angeles. Despite these hardships, the beloved comedian is still set to host the Oscars and is prepping for the big night.

In a recent interview, O’Brien opened up about how he is coping with the loss of his parents and the impact of the fires on his community. He shared that while it has been a difficult time, he is grateful for the support of his friends and family as he navigates these tough circumstances.

O’Brien also discussed how he is preparing for his hosting duties at the Oscars, noting that he is focused on creating a memorable and entertaining show for viewers. He expressed his excitement for the opportunity to host such a prestigious event and is determined to make it a night to remember.

Despite the challenges he has faced, O’Brien remains resilient and determined to deliver a memorable performance at the Oscars. Fans can expect to see his signature wit and humor on display as he takes the stage to host the star-studded event.

As O’Brien continues to navigate through these difficult times, his strength and determination serve as an inspiration to us all. We look forward to seeing him shine at the Oscars and wish him all the best as he prepares for the big night.

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Conan O’Brien, Oscars, host, parents’ deaths, L.A. fires, preparation, comedy, late night, talk show, entertainment, tragedy, resilience, Hollywood, awards ceremony, hosting duties, emotional journey, support system, tribute.

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January 25, 2025

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