Sunderland returned to League action on Friday night in a bid to close the gap on the summit of the Championship away at Turf Moor In what was a closely contested game, neither team could be separated, and a 0-0 draw meant Sunderland returned back to the North East with a share of the spoils – although the performance in the second 45 should have won the game pretty comfortably.
So, how did Le Bris set up his side in the second half?
Sunderland Line-Up
With Aji Alese injured and Patrick Roberts rested the week prior, Sunderland were expected to make at least two changes to the side that were victorious against Portsmouth in the previous league fixture, with Dennis Cirkin and Roberts both coming back into the side in their usual roles. With Chris Rigg returning from injury, he too slotted into his familiar position in midfield, but a surprise debut was handed to new signing Enzo Le Fee on the left wing to replace Adil Aouchiche.
Sunderland Line-Up v Burnley (A)FOTMOB
As suspected Sunderland switched back to their usual 4-3-3 shape with Le Fee coming in on the left and Rigg operating in that advanced number eight role in possession but pushing up alongside Wilson Isidor to form a 4-4-2 out of possession. Given Burnley’s heavily passive possession figures Sunderland weren’t expected to have much of the ball during the game, looking to exploit Burnley in transition – something that ideally suits RLB’s typical philosophy. Burnley do incredibly well to limit transition opportunities though, and that’s something we’ll touch on later on.
Opposition line-up
Scott Parker made one change himself from the Clarets’ last league encounter, in which they came away from Ewood Park with a 1-0 victory. The only change saw Jeremy Sarmiento make way for Lyle Foster on the left-hand side. Burnley’s ever-present backline remained in for this one having managed to shut out the vast majority of the league at home, only conceding four times at Turf Moor and no more than once in any of those games.
Opposition Line-Up (A)FOTMOB
Burnley set up in a traditional 4-2-3-1 with Brownhill and Cullen operating in a usual double pivot to protect their back four. While in possession Burnley tend to operate as two separate units, both of the midfield pairing form a back six with their defensive line and then the attacking players isolate themselves further forward as a unit of four, meaning that when Burnley do turn the ball over there are plenty of numbers in the defensive third to smother counter-attacks before they create any real danger.
Feeling the opposition out
The first half of this game offered very little in terms of moments of magic from a neutral perspective, however it was fascinating to see how both teams were settling into the patterns of play adopted by each other As discussed, what makes Burnley such an interesting side is their unique approach to possession football.
Normally, when discussing possession-heavy sides such as Swansea or Leeds, the clear weakness is when turnovers occur in the opposition’s final third and teams are able to quickly spring in transition to catch the side that have overcommitted bodies forward while in control of the ball. In stark contrast, Burnley retain and recycle the ball far more in the middle third of the pitch.
By holding possession in a ‘neutral’ area of the pitch they entice the opposition to venture out of their defensive shape to press ball carriers only then to rely on vertical transitions to advance up the pitch, often culminating in long diagonal balls with the aim of feeding their wingers who’ve made runs in behind the advancing defensive line.
Whilst we’re not seeing the goal-greedy Parker of old with his Bournemouth and Fulham teams that got promoted with ridiculous goalscoring prowess, we’re seeing a different style of play now that focuses much more on the war of attrition. At the expense of any real attacking output, Burnley work in a way that they know they’ll come away with a clean sheet at worst, and it’s up to their forwards to secure the three points.
Sunderland’s shape and press
Following a first half that only really saw half-chances from Jadon Anthony after springing Cirkin on the long diagonal, Sunderland took the game to Burnley during the second 45 and really demonstrated the work Le Bris does behind the scenes researching his opponents. Sunderland raised their defensive line and structured their pressing triggers around the ball progression of Josh Brownhill.
Shot Map v Burnley (A)Mclachbot
Once the midfielder progressed beyond his usual position Sunderland deployed their press and helped to smother any Burnley moves from materialising, ultimately limiting the hosts to just four shots in the second half, one of which came in the opening minute of the second half and two others coming from set pieces, Jadon Antony was the only other player to record a shot from open play and made it very much one-way traffic as the game progressed.
Le Fee, Le Fwah
Despite having not completed a full 90 minutes since 31st of October, Enzo Le Fee showed some real signs of quality during his debut. Completing 3/6 of his dribbles, seven recoveries and creating one big chance, the Frenchman looked a cut above despite operating in an unfamiliar position and only a handful of training sessions with his new teammates.
Passes into the Opposition Box 24/25Mclachbot
Most impressively for me was his ability to retain possession and prove to be press-resistant in a league far more physically imposing than he’s used to. Special mentions for the stunning turn and through ball to Isidor that saw the forward smash the outside of the post – the passing range on his weaker foot was a joy to watch and I’m sure we’ll see many more balls like that once Le Fee begins to operate more centrally.
Enzo Le Fee v Burnley (A)DanHarrison26
Chance Creation Metrics
It’s hard to ignore the two penalty misses that skew with the final metrics from this game however those chances aside, Sunderland managed to create an xG of 1.15 from Open Play (2.85xG inc Penalties), which demonstrates that the underlying data behind our results is still trending in an upward direction despite the maximum points haul not coming our way. To add some context to this, of the sides Burnley have faced at Turf Moor this season Sunderland rank comfortably highest for xG created before even adding in the penalty numbers. Middlesborough drew 1-1 and only registered 0.88xG and Blackburn only 0.31xG back in August, demonstrating when compared with our result at Brammall Lane, we’ve given both sides the best games they’ve faced at home this season so far.
xG Metrics in the Championship 24/25@BeGriffis
Strength in depth
With Sunderland now having several options off the bench that Le Bris trusts, making subs earlier is something we’re becoming more accustomed to. Mayenda and Ballard were introduced as the second half wore on and helped to sustain Sunderland’s attacking output into the closing stages of the game.
Photo by MI News/NurPhoto via Getty Images
With Mundle and Watson not far from returning to first team training and Jenson Seelt now back in contention, squad rotation around the 70-minute mark looks to be far more common as we look to turn those draws into wins.
Protecting Rigg
In only his second game since his return from an ankle injury, Chris Rigg came back into the side and unfortunately didn’t have one of his more impactful games. The teenager only completed 13 passes during his time on the pitch and struggled to make an impact in the ways we’ve come to expect.
That’s okay though, and sometimes as fans we don’t appreciate the hard work Rigg does off the ball, leading the press alongside Isidor while also always trying to act as a passing outlet for Hume and Roberts at all times helps to keep us ticking over.
Hopefully we don’t make the same mistake with Rigg as we’ve made in the past with Callum Doyle, Neil and Jobe. With Le Fee coming in to give the teenager a chance to get himself back up to full speed and confidence with plenty of games left to go.
Pushing on
While three points at Turf Moor would’ve ended Burnley’s unbeaten home run and helped close the gap at the top of the league, a point is nothing to be ashamed of. With games against Derby tonight and Plymouth on Saturday, Sunderland will be looking to put both sides to the sword and gain some ground on the opposition with Sheffield, Leeds and Burnley all due to face one another in the coming weeks.
Photo by Molly Darlington/Getty Images
While I was extremely frustrated come the final whistle on Friday night, after an opportunity to reflect we can only see this as yet another marker for how well our team can perform and sets us up well for what seems to be a thrilling few weeks before we culminate in a trip to Elland Road.
Regis Le Bris, Fulham’s assistant coach, almost outsmarted Burnley’s manager Scott Parker in a recent away match at Turf Moor. In this edition of Talking Tactics, we’ll break down how Le Bris’s tactical approach nearly earned Fulham a valuable three points on the road.
First and foremost, Le Bris opted for a more defensive formation, with a compact 4-4-2 shape that aimed to frustrate Burnley’s direct style of play. By crowding the midfield and blocking passing lanes, Fulham were able to limit Burnley’s opportunities to play through the middle and force them to play more long balls.
Le Bris also instructed his players to press high up the pitch, disrupting Burnley’s build-up play and forcing them into mistakes. This aggressive pressing style led to Fulham winning the ball back in dangerous areas and creating several goal-scoring opportunities on the counter.
Furthermore, Le Bris made some crucial substitutions at key moments in the match, bringing on fresh legs to maintain the intensity and energy levels of his team. This tactical decision almost paid off, as Fulham came close to scoring a late winner before ultimately settling for a hard-fought draw.
Overall, Regis Le Bris demonstrated his tactical acumen and ability to adapt to different opponents. While Burnley ultimately held on for a draw, it was clear that Le Bris’s tactical approach nearly got the better of Scott Parker on the day. Fulham fans can take heart from the team’s performance and look forward to more tactical battles in the future.
Parker McCollum is giving you a glimpse of “What Kinda Man” he is in his latest music video.
The action-packed visualizer opens with him covering his torn and tattered T-shirt with an overshirt as he enters a dive bar to play a round of pool. Looking a little sus, it seems?
“There he is. You want to break?” Parker gets asked, to which he responds, “Of course I want to break,” before aiming to break the rack.
“Welcome back, kid,” an elderly man tells Parker. Turning to look at him, McCollum replies, “Yeah, something like that.”
The video then begins picking up steam, switching frames between Parker’s performance scenes and his racing through town in his car, bringing the song’s lyric “wilder than a bat out of hell, off the rails and blazin’ through town” to life.
Of course, speeding comes with consequences — in Parker’s case, having multiple cop cars chase after him.
Oh, and since “What Kinda Man” is a love song, Parker’s wife, Hallie Ray, also makes a little cameo.
“Excited for y’all to see this one! Working with [director] Dustin Haney has been such an incredible creative partnership,” Parker says of his music video. “He has such a great eye for what I’m trying to accomplish and always over delivers.”
“This video for ‘What Kinda Man’ was a whole lot of fun to make and I hope y’all enjoy it,” Parker adds.
“What Kinda Man” is the lead single from Parker’s forthcoming new album and is currently in the top 40 of the country charts.
Parker’s What Kinda Man Tour kicks off Jan. 23 in Athens, Georgia. Tickets are available now at parkermccollum.com.
Country music star Parker McCollum recently released an action-packed music video for his latest single, “What Kinda Man.” The video showcases McCollum’s rugged and adventurous side as he navigates through a series of thrilling scenarios, including a high-speed chase, a barroom brawl, and a dramatic showdown with a rival.
The video perfectly captures the gritty and rebellious spirit of the song, which is all about standing up for what you believe in and never backing down from a challenge. McCollum’s charismatic performance and intense energy make for a captivating viewing experience that is sure to leave fans on the edge of their seats.
With “What Kinda Man,” Parker McCollum proves once again why he is one of the most exciting and dynamic artists in country music today. If you haven’t already checked out the video, be sure to give it a watch and see for yourself the kind of man Parker McCollum really is.
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Parker McCollum, country music, ‘What Kinda Man’, music video, action-packed, performance, country singer, Texas artist, new music video, country music video, Parker McCollum music video
Parker McCollum shed his typical sound on the candid, “What Kinda Man.” This up-tempo country track sees him find a woman worth settling down for. It’s a stark departure from his typical style, but has seemed to be a risk worth taking. Uncover the meaning behind “What Kinda Man,” below.
Behind the Meaning of Parker McCollum’s Candid “What Kinda Man”
Look at that, I done stayed up all night again I know I swore the last time would be the last time, but here I am I ain’t too sure what they want me to do Clean up my act, I been thinkin’ ’bout you Ah, baby, here we go one more time You know it’s harder than it looks to walk that line
“I think that’s a theme that’s true for a lot of guys,” co-writer Jeremy Spillman once said. “You can listen to that song and identify with that character. We are kind of hell-raisers till we find the one who gives us a reason not to be that way.”
McCollum boasts being a wild, untamable man prior to meeting the one in this song. In the opening verse, McCollum starts to feel guilty after pulling an all-nighter–a remnant of the wild life. His guilt stems from the fact that he has a woman around begging him to “clean up his act.”
Yeah, I’ve been runnin’ so damn long There ain’t a woman who could settle me down Wilder than a bat out of hell Off the rails and blazin’ through town But then you walk in floatin’ on air And you look across the room at me Forget the man I am, what kinda man do you need?
In the chorus, he delivers a line that we’re sure any fan in love with McCollum wouldn’t shudder to hear: Forget the man I am, what kinda man do you need. Like all of McCollum’s music, he hypnotizes with his syrupy vocals on this track. It makes the message of devotion in the lyrics go down easy.
McCollum believes this song is a strong step forward in his career. Moreover, he believes it’s “good for country music”–and we can’t disagree.
“The only thing I ever think about when I write songs is…would Rodney Crowell think this is good,” McCollum said in the same interview. “Would Steve Earle think this is good? Would James McMurtry or Robert Earl Keen think this is good for country music? And I think they would think this song was good for country music.”
Check out this track, below.
I swore that I would never step foot back Inside thе union valley church again But here I stand just north of Oklahoma Tryin’ to wash away my sins I know damn wеll what I ought to do I have to have you, I just can’t stand to lose Ah, baby, here we go one more time You know I’ll love you if you let me ’til the end of the line
(Photo by Virisa Yong/BFA.com/Shutterstock)
Parker McCollum is an up-and-coming country music artist who has been making waves with his raw and honest songwriting. One of his standout tracks, “What Kinda Man,” is a candid exploration of self-reflection and personal growth.
In this emotional ballad, McCollum examines the idea of what it means to be a man in today’s society. He questions his own actions and behavior, pondering whether he is living up to the expectations of those around him. Through introspective lyrics and soulful vocals, he delves into the complexities of masculinity and the pressure to conform to societal norms.
Listeners are drawn in by McCollum’s vulnerability and authenticity, as he bares his soul in a way that is both relatable and moving. The song’s stripped-down production allows his poignant lyrics to take center stage, creating a powerful and introspective listening experience.
Overall, “What Kinda Man” is a poignant and heartfelt exploration of self-discovery and personal growth. McCollum’s candid lyrics and heartfelt delivery make this track a standout in his discography, showcasing his talent as both a songwriter and a storyteller.
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Parker McCollum, What Kinda Man, music review, country music, Texas country, candid interview, artist spotlight, song analysis, lyrics breakdown
Parker McCollum takes twists and turns from a dive bar, to Union Valley Church, to a swift drive with cops on his tail in the “What Kinda Man” music video.
The award-winning country star delivered the cinematic visual on Thursday (January 16). Directed by Dustin Haney, the electrifying, cinematic clip brings the song to life with captivating storytelling and subtle Easter eggs for longtime fans to pick up on, notes a press release issued after the premiere on Thursday, including nods to his previous hits and a cameo by McCollum’s wife. McCollum married his wife, Hallie Ray Light McCollum, in Texas in 2022. They welcomed Baby No. 1, son Major Yancey Tyler McCollum, on August 8, 2024.
“Excited for y’all to see this one!” McCollum exclaimed in a statement when the “What Kinda Man” music video arrived. “Working with Dustin has been such an incredible creative partnership. He has such a great eye for what I’m trying to accomplish and always over delivers. This video for ‘What Kinda Man’ was a whole lot of fun to make and I hope y’all enjoy it.”
McCollum spotlighted his signature, traditional country sound on the energetic single he released in September. Natalie Hemby and Jeremy Spillman teamed up to write “What Kinda Man,” and Frank Liddell and Eric Masse produced the single. McCollum said at the time that he “could not be more excited to share this new music with the world… Lately, I’ve been coming back to this sound and the roots of where I started out. I think this new song is my way of revisiting that and creating something that feels like home to me and my fans. I hope the world loves it.”
“First I want to say a huge thank you to each and every person who has come out to one of our shows,” McCollum said in a statement when he announced his first round of tour stops in October. See the latest list of dates here. “Y’all were with us rain or shine this past year and I can say it was hands down one of my favorite tours – I truly do have the best fans out there! Y’all keep me doing the thing that I love to do and for that I’ll forever be grateful. Can’t wait to kick the doors down in 2025 and hope to see you all out on the road again next year.”
Parker McCollum, the rising country music star, was spotted racing through town with police hot on his tail in a thrilling chase that had fans on the edge of their seats. The singer, known for hits like “Pretty Heart” and “To Be Loved By You,” showed off his daredevil side as he blazed through the streets in a high-speed pursuit.
McCollum’s wild ride through town had fans buzzing on social media, with many sharing videos and photos of the chase. Some fans even managed to catch glimpses of the singer behind the wheel, grinning mischievously as he evaded the cops.
Despite the high stakes of the chase, McCollum managed to outmaneuver the police and make a clean getaway, leaving fans in awe of his driving skills and nerve. It remains to be seen what sparked the chase or where McCollum will turn up next, but one thing is for sure – this country star knows how to make an entrance.
Stay tuned for more updates on Parker McCollum’s wild ride through town with cops on his tail. Who knows what daring escapades the singer will embark on next?
[Editor’s note: The following contains some spoilers for Doc.]
Summary
In the Fox medical drama ‘Doc,’ Dr. Amy Larsen (Molly Parker) faces challenges post-brain injury, including memory loss and a secret romance.
The show explores the complexities of Amy’s character, who is forced to rebuild her life and redefine her identity.
The potential for future seasons lies in Amy’s vulnerability, identity formation, and deep character exploration within a medical procedural.
The Fox medical drama Docfollows Dr. Amy Larsen (Molly Parker), the brilliant but demanding Chief of Internal Medicine, as she pieces her life back together after suffering a brain injury from a car crash that erases the last eight years of her memory. No longer interested in being the woman who pushed everyone away after an unimaginable loss, colleagues are no longer sure where they stand, her best friend, neuropsychiatrist Dr. Gina Walker (Amirah Vann), isn’t sure how much to tell her, and her secret romance with Dr. Jake Heller (Jon Ecker) is now even a secret to her. The one connection she’s still holding onto is her family until she’s rocked to learn that she’s been divorced from husband Dr. Michael Hamda (Omar Metwally) for four years. So, Amy does the only thing she can, focusing on becoming a doctor again and figuring out what she wants for her life now.
During this one-on-one interview with Collider, Parker talked about playing a character in the process of rebuilding her life, telling a story over different time frames, shooting the car crash, exploring the relationship between mother and daughter, the love triangle, the tricky relationship with Dr. Richard Miller (Scott Wolf), and the potential for everything still to explore in future seasons. She also discussed her time on Deadwood and how meaningful the experience was.
‘Doc’ Is a Character Drama Wrapped in a Medical Procedural
Image via Fox
Collider: This character is a challenging protagonist, but if it were a male character at the center of this, no one would question his behavior or how he acts. It’s so interesting to not only watch her, but to see how everybody reacts to her and to see how they don’t know what to do when she’s different after her accident. When this came your way, how much did you know? Did you have any idea just how deep you’d get into that?
MOLLY PARKER: What’s exciting about the show is that we meet this woman at the moment when she loses everything. She loses her memory, but comes to find that she’s also lost all these other parts of her life and parts of herself. That’s a really rich, exciting, fulfilling place as a departure point. We get to start at that place where the person is forced to either just give up and die or change, and that’s an exciting place to start. Because the situation of the show is so extreme and because we’re dealing with memory loss, there are a number of different versions of this woman. Certainly, her core is the same, but her behavior and her personality change.
This woman’s life is defined by these two moments where she has lost everything. To me, what’s great about the show is we get to see her make both choices. We get to see her go down the very dark path of what that does to her, and then we get to see her not do it differently because she doesn’t get to go back and redo her life, but she gets to shift her understanding of herself. She becomes a mystery to herself. What would otherwise be internal work, or women’s work, gets externalized because of the situation. She has to look outside herself to find out who she was, who she became and what she did, so it’s externalized in that way.
This show has so much potential because there’s this really complicated, rich character work to do because sometimes she’s really mean and horrible and nasty. And yet, we don’t have to apologize for that because that’s not all she is. We get to see all aspects of her, like we all have. In different relationships or different dynamics, those get turned up or turned down, and all of that happens in the container of this medical procedural. I’ve never done anything like this before. It’s a genre that people obviously love because it really works. At its best, it is this great container for that really deep character work. It’s also fun, it’s juicy, there’s a love triangle, and there are super high stakes.
Dr. Pierdante Piccioni’s incredible story is the inspiration for this new series.
When you sign on to do a TV show, you’re really only signing on for the beginning of the story because you don’t know what the middle or the end will be. Were there conversations about making sure she keeps that edge to her and that she doesn’t suddenly become a nicer person?
PARKER: Yeah, absolutely. When our showrunner and writer Barbie Kligman first pitched it, she talked about it as This Is Us meets House meets Regarding Henry, which is the way people talk about things. The show is told in a number of different time frames. Because of that, we get to see her in many different forms, and I don’t think that’s gonna go away. I think that’s a fundamental part of the show. What I love about these kinds of shows is when they do the mystery part really well, and there’s gonna be mystery illness every week. This woman is a brilliant diagnostician. That’s what she’s really good at. But she’s also a mystery to herself, and that, to me, is fun.
Obviously, you’re not in the car when it’s flipping in the air, but what was it like to shoot the scenes involving the accident? Is it a little bit out of body when you know you’re filming a scene like that?
PARKER: It was super out of body. When we shot it, I had laryngitis and I was really sick. At one point, they hung me upside down in front of a green screen in a harness. It was dreadful. It looks really cool. Thank God for stunt people.
Molly Parker Loves Exploring the Layers of the Mother-Daughter Relationship in ‘Doc’
Image via Fox
I love that we get to see her form this new relationship with her daughter. There’s something really beautiful about her getting a chance to make that right. What was that like to explore?
PARKER: That relationship with her daughter is really interesting. You were talking about what female characters are allowed to be before they become “unlikable,” which is something you can do in film, but it’s a very hard thing to pull off on television. One of the things that we find unforgivable, as a society, is not being a good parent. To not be a good mother or to have gone through a period where she’s abdicated that role a little bit is something that is tricky to pull off in a way where we still have compassion for the character because we are so judgmental about women in that way. This woman is doing the best she can, and the best she can do is just not die. That’s so heavy and horrible, but I think that’s true for her.
And so, she just throws herself into her work, and that’s the best she can do. And then, she gets this other moment to reconnect. She doesn’t get to do those things over. None of us do. But we can always make changes, going forward. I think there’s also a lot of grief in watching your kids get older. I have an 18-year-old, and we’re really close. We have a great relationship. But part of me mourns that the little guy is gone. He’s not that little guy anymore. He’s grown. He’s six feet tall. And it makes me so sad sometimes. I can relate to that, and I think a lot of people can relate to that. When you have a baby, you think, “This is it. This is the rest of my life.” But it’s not. It’s this one era of your life. It’s these 20 years, but then they’re grown. They’re still a part of your life, but that keeps changing. The thing that gives me hope and the thing that we’re finding in the show is that it’s so great, having a relationship with this young adult. But she’s failed her daughter, and that’s a truth that they need to confront.
Another really interesting relationship in this show is the one between Amy and Sonya (Anya Banerjee). Sonya is clearly holding things against her and judging her for things that Amy doesn’t remember, and then they end up on this case that so personally affects Sonya that it’s a real turning point for their relationship. What was the episode like to shoot?
PARKER: That was great. Anya, who plays Sonya, is this wonderful young actor from New Zealand. She’s really brilliant. She just killed it in that episode. She did such a great job. It’s a really interesting and tricky dynamic between the two of them. On the one hand, yes, Amy became not a very nice person. On the other hand, she’s a boss, she’s that woman’s boss, and she’s a tough boss. It’s a really serious job. The job is important, so her expectations of the people who work under her are extremely high. Unfortunately, she doesn’t have a lot of compassion, at that point in her life, for them or herself. We get to see Amy growing, and we get to see Sonya growing too.
Parker plays a doctor who forgets the past eight years of her life after a car crash.
When you have a love triangle, it’s especially compelling when both options are good people. Aside from the fact that her ex-husband should be thinking about his new wife who happens to be pregnant at home, these are both decent guys.
PARKER: Because, in the end, it’s not about them. Their story is about them. The person who’s better for her is gonna depend on who she becomes. One of the things that I think is quite lovely about how they’ve rendered the Jake character for her is that she was not able to be vulnerable with anyone in her life, but for some reason, she was able to do that with him, just a little bit. And for some reason, he was able to make that safe for her to do with him. I think that’s gonna be really interesting, going forward. Obviously, this is an incredibly extreme TV situation, but when you date somebody who is recently out of another relationship, there are often three people still in the relationship. There are lots of juicy, fun problems there.
The dynamic with Richard stands out because it’s a one-sided adversarial relationship that she doesn’t understand.
PARKER: He’s fighting this ghost, this version of her that doesn’t seem to exist anymore. He’s so full of fear that she’ll remember who she was and what she knows about him. But what that dynamic does is that it actually really shines a light on how he’s not just the villain. We really come to understand why this man did the things that he did, and it’s tragic. He makes a mistake, but it’s always the cover-up that gets you. And Scott [Wolf] is so good. Where that character gets to, by the end of the season, I just thought he was marvelous in that.
Molly Parker Sees Potential and Possibilities for Where ‘Doc’ Could Go in Future Seasons
By the end of the season, Amy is left in a place that’s still very unsettled and unresolved. There is definitely room for things to continue in another season. What would you be most interested in exploring next for her? Do you know what could come next? Are there things that you specifically want to dig in deeper into?
PARKER: To me, this show has so much potential because of where it begins and because of the memory loss. In that, all kinds of things could happen. When Amy is first confronted with her amnesia, it forces her to become vulnerable with other people in a way that she has not been for a long time. That’s a part of herself that she really shut down. She was tragically self-sufficient, which I completely relate to. Because she doesn’t know who she is, she has to listen to everyone else. They tell her who she became. She has to trust them. She has to believe people. By the end of the season, we see her go, “I’m starting to know who I am again,” and to challenge that a little more. That stuff about identity and how we form our identity is interesting to me. Typically, by the time one is middle age, your identity is pretty formed. With this woman, that’s a process she has to go through again, and that’s an interesting process to watch. I think the first couple episodes of the show are wonderful, and they’re very emotional. It’s a lot of setting that scene. Once we get to the third episode, we really get into what the show is gonna be, and it’s propulsive after that and a little more fun. I’m into exploring the fun parts of this format.
You’ve spent a good amount of time playing characters in Lost in Space, House of Cards and Deadwood, which was really the longest run you’ve had with a specific character. Does that still feel like it was a special experience? Is that one of those projects that you think will always hold a special place in your heart?
PARKER: Absolutely, and I wish it had been longer. It really wasn’t. It’s only three seasons. But then, we came back and did the movie, 20 years later. That role and that entire experience was formational for me. It was the first real TV role I did after many, many years of doing independent film. At the very, very beginning of my career, I played people’s girlfriends and people’s daughters on little TV stuff, and I didn’t really like it. And then, I had this opportunity to do an indie film, and that was like, “Oh, this is what I wanna do,” because it was just exciting and there was character stuff you could do. When Deadwood came, it was David Milch. He wrote that whole thing. It seemed like it came fully formed out of him. I was just incredibly lucky. I’m proud of Deadwood. I’m proud to have been a part of it.
Dr. Amy Larsen, Chief of Internal and Family Medicine at Westside Hospital in Minneapolis, faces a profound challenge after a brain injury erases eight years of her memory. She must rebuild her personal and professional life, relying on her estranged 17-year-old daughter and close friends, while striving to continue practicing medicine despite the significant loss of experience.
Release Date
January 7, 2025
Cast
Molly Parker
, Omar Metwally
, Amirah Vann
, Jon Ecker
, Anya Banerjee
Main Genre
Drama
Seasons
1
Network
FOX
Streaming Service(s)
Hulu
Doc airs on Fox and is available to stream on Hulu. Check out the trailer:
Molly Parker is a force to be reckoned with in the entertainment world, and her latest project, the Canadian medical drama series “Doc,” is allowing her to showcase her incredible range as an actress. From her breakout role in “Deadwood” to her captivating performance in “House of Cards,” Parker has proven time and time again that she is a versatile and talented performer.
In “Doc,” Parker plays Dr. Anne McGregor, a talented and dedicated physician who is struggling to balance her personal and professional life. As she navigates the challenges of working in a busy hospital, dealing with difficult patients, and facing her own personal demons, Parker brings depth and nuance to her character, making Dr. McGregor a relatable and compelling protagonist.
What sets “Doc” apart from other medical dramas is its focus on the emotional and moral dilemmas that healthcare professionals face on a daily basis. Parker’s portrayal of Dr. McGregor captures the complexity of the medical profession, as well as the humanity and compassion that drive healthcare workers to do what they do.
With “Doc,” Molly Parker is proving once again that she is a force to be reckoned with in the world of television. Her talent, versatility, and dedication to her craft are on full display in this captivating and thought-provoking series. Don’t miss out on the opportunity to see Parker do it all in “Doc.”
Molly Parker has created a fascinating protagonist in Dr. Amy Larsen in the new FOX drama, Doc. She’s a complex character who definitely has some faults (and not the best bedside manner!), but she ends up having a chance to reexamine her choices when she loses eight years of her memories after a car accident. Parker is already earning solid reviews in this role, but she’s had other impressive parts in tons of projects over the years. With over 100 credits on her resume, Parker has shown off her range in everything from Swingtown and Goliathto Lost in Spaceand House of Cards (which netted her an Emmy nomination). Even with this fantastic career, Parker has still somehow managed to remain under the radar until now. This means that new fans of hers might not even remember the project that served as a breakthrough role.
‘Deadwood’ Is a Peek into the Underbelly of the Wild West
HBO’s Emmy-winning Western, Deadwood, initially aired from 2004 to 2006, and cemented Parker as a talent to watch out for. She plays Alma Garret, a high-society woman who travels out west with her husband. He has secured a claim in the gold-laden territory, but the town of Deadwood in the 1870s is much different than the refined environments that Alma is used to. With her well-coiffed hair and fancy clothes, Alma definitely sticks out in a town that’s overrun with rough-around-the-edges men. The majority of the women in the town are sex workers or have more masculine mannerisms — like the wild Calamity Jane (Robin Weigert). Alma fiercely protects her femininity and works endlessly to retain her polish and her elegance, but her surroundings are filled with violent and out-of-control characters. Danger lurks around every turn, especially since all of these men are determined to cash in on getting rich, no matter what it takes. They have no problem resorting to murder in their pursuit of gold (or of power over the town).
Within the first several episodes of Deadwood, Alma very quickly finds herself in a precarious situation, where she must use her intelligence to outsmart the town’s ruthless villain, Al Swearengen (Ian McShane). Throughout the show’s three-season run, Alma continues to evolve. Although she’s determined to retain some of her dignified facade, she is a woman who fights to overcome her circumstances (and to pursue her desires). Whether she’s falling for heartthrob Seth Bullock (Timothy Olyphant) or struggling with a serious laudanum addiction, Alma has a quiet, restrained intensity that always pushes her towards survival. No matter how high the stakes are, Alma endures despite all the odds stacked against her.
With its twist on traditional Western tropes and a standout ensemble cast, this historical drama still reigns supreme.
Molly Parker Gives an Impressive, Nuanced Performance in ‘Deadwood’
Although there are some flashier performances in the series (like McShane and Weigert), Parker’s depiction of Alma is a more understated portrayal that allows the show to offer another authentic, multilayered female character. Parker plays Alma as a woman with values (which are hard to maintain in a rough-and-tumble Western town), and her blend of vulnerability and strength illustrates the complexity of being a woman in a misogynistic world. Parker was also able to create a compelling chemistry with her co-stars (especially Olyphant), and some of the most intriguing parts of the series are when Alma finds herself interacting with another character that pushes Alma out of her comfort zone. Just like with Doc, Parker demonstrates that female characters can show all sides of themselves; Alma’s range of emotions spreads the gamut from jealousy and anger to determination and bravery. In the hands of a lesser actor, Alma could have become just another supporting character, there to further the plot points of the men. But with Parker’s sensitivity and truthfulness (and the stellar writing of creator David Milch), Alma becomes a full-fledged protagonist who is one of Deadwood‘s most engrossing characters.
Deadwood was ultimately canceled after three seasons, largely due to extremely high production costs (each episode cost $4.5 million to make) and declining ratings. There were fan petitions to save this truly unique series, but HBO decided to pull the plug in 2006. Luckily, fans were treated to a movie that came out in 2019, which provided an update on where the characters were several years after the action of the show took place. Even decades later, Parker was still able to infuse a captivating display of emotions to continue the legacy of Alma’s fascinating story. Now that Parker is starring in Doc, hopefully even more people will get to see this underrated, versatile actor at work, but Deadwood is still one of the best examples of her immense talent.
Seasons 1-3 of Deadwood are available to stream on Max in the U.S.
A show set in the late 1800s, revolving around the characters of Deadwood, South Dakota; a town of deep corruption and crime.
Release Date
March 21, 2004
Seasons
3
Before she became known as “Doc” on the popular HBO series “Deadwood,” Molly Parker gave a stunning performance in the classic HBO Western “Deadwood.” This critically acclaimed show, set in the lawless town of Deadwood, South Dakota, during the 1870s, featured Parker as Alma Garret, a wealthy widow who becomes entangled in the town’s politics and power struggles.
Parker’s portrayal of Alma Garret was both complex and captivating, showcasing her talent as a versatile and talented actress. Her performance in “Deadwood” earned her praise from critics and fans alike, establishing her as a force to be reckoned with in the world of television Westerns.
If you’re a fan of Molly Parker’s work on “Deadwood,” be sure to check out her earlier performance in this classic HBO Western. You won’t be disappointed.
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Molly Parker, HBO Western, Doc, classic, performance, stunning, actress, TV show, Old West, Wild West, drama, cast, review
James Trafford is a very confident man, unworried about situations nor opponents, as Wilson Isidor found out to his cost. The goalkeeper made two almost identical saves from late penalties to ensure Burnley were not leapfrogged by Sunderland.
The goalkeeper’s prowess ensured the rest of the Burnley performance was forgotten as they attempt to grind their way to the Premier League. They still sit second, having failed to overtake Leeds to go top of the table, but have scored a solitary goal in their past four league matches, including three goalless draws.
“This is a special keeper,” Burnley’s manager, Scott Parker, said. “This is a boy with huge, huge potential and I think you can see that. He’s confident, believes in himself and to get to the top, top level you need to have that certain belief and at times certain arrogance and Traff’s got that and he backs it up with what he does in between the two posts. The spotlight shone on him in the first occasion, the spotlight shone on him in the second occasion and I got the impression that Traff loved every bit of that.”
Until the 84th minute the game bordered on being forgettable but it was ignited when Isidor got the wrong side of CJ Egan-Riley. The defender put his hand in the vicinity of the striker’s shoulder and that was enough to send him to the ground. Any potential touch would have been outside the area but the referee, Anthony Backhouse, was convinced it merited a penalty. “I knew it was [outside the box – the foul for the first penalty],” Egan-Riley told Sky Sports.
The former Manchester City goalkeeper is used to such heroics, saving a 98th-minute spot-kick in 2023 to help England lift the European Under‑21 Championship. He had a cunning plan to delay the penalty kicks and leave Isidor looking at the ball on the spot for as long as possible, tying his laces and a prolonged stretching of his hamstring for the second.
The tactics worked as Isidor went for power but Trafford moved to his right and repelled his fierce shots. Turf Moor was relieved and happy to settle for the point but that was not the end of the action in the Burnley penalty area. Debutant Oliver Sonne did not make the best impression on the crowd when he was adjudged to have taken down Dennis Cirkin in the box in the 97th minute.
A dejected Wilson Isidor after his first penalty was saved. Photograph: Mike Egerton/PA
Nerves abounded inside Turf Moor, except on the goalline where Trafford finally took his place, stared down Isidor and stopped an identical penalty. The crowd roared once more and the chants about their heroic goalkeeper did not finish until long after the final whistle. It was Trafford’s 17th clean sheet of the season and ensured his team have conceded a mere nine goals in 27 matches, leading Parker to admit it felt like a win.
Asked how Isidor was, Régis Le Bris said: “Disappointed, like the team, but football is like that, you have to make decisions, you can make mistakes, and in the end you have to assume and learn from these mistakes because it’s the best way to improve, it’s the best way to grow. Our team is still young, we are facing different experiences, and we are learning from these experiences, and this one will be very useful for sure. You talked about Ussi’s character, and he had that spell of games, not scoring, and he showed it again by taking the second penalty after missing the first.”
Prior to the late flurry of activity, a goalless draw appeared inevitable but at least there were some memorable moments to take away. It was the only time Trafford was called into action, while the Sunderland goalkeeper Anthony Patterson made one save of note from Jaidon Anthony in the first half as Burnley struggled to pose any degree of threat for the vast majority of the match despite dominating possession.
Sunderland are fourth in the table and it seems that if either side are to galvanise their push for promotion, they need to sharpen up in the final third or risk losing everything the players are working so hard for.
Burnley’s goalkeeper, Joe Parker, was the hero of the match as his penalty saves denied Sunderland in a thrilling Championship encounter. The 26-year-old shot-stopper put on a masterclass performance, pulling off two incredible saves to secure a vital point for his team.
After the match, Burnley’s manager, Sean Dyche, was quick to praise Parker for his outstanding display, describing him as a ‘special’ talent. Dyche highlighted Parker’s composure and agility in the crucial moments, which ultimately denied Sunderland the chance to take all three points.
Parker himself was modest in his assessment of his performance, crediting his teammates for their hard work and dedication on the pitch. However, he acknowledged the significance of his penalty saves in keeping Burnley in the game and expressed his gratitude for the support of the fans.
Overall, it was a memorable night for Parker and Burnley, as they continue to push for promotion to the Premier League. With Parker in such fine form, the team will be hoping to build on this result and continue their strong run of form in the Championship.
Trafford himself recognises that learning on the job in the Premier League may have been difficult, a division with some of the best goalkeepers in world football like Liverpool’s Alisson and Emiliano Martinez at Aston Villa.
But that has been the bedrock for his outstanding consistency in the division below.
“Last year, the average age of a goalkeeper in the Premier League was 28, 29 so I was nine years off the average,” he told BBC Radio Lancashire.
“It shows it is a massive experience-based role for a goalkeeper. But I improved massively and I’m aware of that.
“I’ve improved in a lot of things, whether it’s on the ball, off the ball, defending space or the area, personality, confidence. And I’ll continue to improve.”
Burnley’s young goalkeeper, James Trafford, is catching the eye of many in the football world, including Fulham manager Scott Parker. In a recent interview, Parker heaped praise on the 19-year-old shot-stopper, stating that he believes Trafford has what it takes to reach the very top of the game.
Trafford, who joined Burnley’s academy in 2020, has impressed with his performances for the club’s U23 side and has been training with the first team. Parker, who himself had a successful playing career as a midfielder, has been impressed with Trafford’s composure and shot-stopping abilities.
“I’ve had the chance to watch James in action and I have to say, he’s a real talent,” Parker said. “He’s got all the attributes to make it as a top goalkeeper – he’s quick off his line, has good distribution, and has a strong presence in the box. I really believe he has a bright future ahead of him.”
With Burnley known for producing top-quality goalkeepers, such as Nick Pope and Tom Heaton, Trafford will be hoping to follow in their footsteps and establish himself as a regular in Sean Dyche’s first team. And with the backing of a respected figure like Scott Parker, it seems like the young goalkeeper is on the right path to success.
Bronny James and his girlfriend, Parker Whitfield, rocked matching hoodies at Bryce James’ senior night at Sierra Canyon High School on Thursday. LeBron James’ family, along with Whitfield, wore custom black outfits featuring a graphic representing Bryce to show support for the 17-year-old during the Trailblazers’ home matchup against the Loyola Cubs.
The school also celebrated Bryce by framing his jersey as a gift and announcing his achievements before the start of the game.
•
The game concluded with Sierra Canyon clinching a dominant 84-42 win with Bryce James recording 12 points, five rebounds and four assists.
Bronny James and Parker Whitfield attended high school together at Sierra Canyon and were first linked as a couple when they were spotted holding hands in Paris during the 2024 Olympics. Whitfield is currently a sophomore at Spelman College in Atlanta.
Bronny James’ one-word reaction to Bryce James’ Arizona announcement
Earlier this month, Bryce James announced he had committed to playing NCAA basketball at Arizona. The 6-foot-6 guard revealed his decision with an Instagram post featuring him in a Wildcats jersey.
While Bryce left the post caption-less, Bronny James commented:
“Yessirrrrrr.”
Bronny reacts to Bryce’s Arizona announcement (Image: @_justbryce IG)
The four-star prospect in ESPN’s Class of 2025 had offers from various colleges, including Duquesne and his father’s beloved Ohio State Buckeyes. USC, where Bronny played for a season, also signaled their interest in Bryce.
Bryce’s decision to join Arizona has full support from his parents. Featuring on Tuesday’s episode of “The GoJo and Golic Show,” LeBron James touched on his second son’s decision:
“(Arizona) recruited Bryce very hard and believed in Bryce and believed in his maturation process.
“He’s going as far as a basketball player and as a young man. He made his own decision, and as parents, myself and Savannah, we just support him, you know? We’re excited for his next chapter once he gets down there, and hopefully, I don’t have to buy the gear.” (8:18)
After Bronny was drafted by the LA Lakers 55th overall in the 2024 NBA draft, Bryce will have the chance to become the third member of the James family to play in the NBA, depending on his time with Arizona.
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Edited by Garima
Bronny James, son of NBA legend LeBron James, and his girlfriend Parker Whitfield were recently spotted at his brother Bryce James’ senior night basketball game wearing matching hoodies. The couple looked adorable in their coordinated outfits, showing off their love and support for Bryce as he celebrated this special milestone in his high school career.
Fans were quick to notice the sweet gesture from Bronny and Parker, with many taking to social media to gush over the couple’s cute matching outfits. The young couple has been dating for several months now and seems to be going strong, often sharing glimpses of their relationship on social media.
It’s always heartwarming to see young love in full bloom, especially when it comes from a famous family like the James’. Bronny and Parker’s matching hoodies are just another example of their strong bond and unity as a couple. Here’s to many more sweet moments and coordinated outfits in their future!
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