Grimes posted 17 points (6-8 FG, 3-5 3Pt, 2-2 FT), one rebound and three steals over 20 minutes during Wednesday’s 137-136 victory over the Pelicans.
Grimes had a productive night off the bench, scoring at least 17 points for the second time in the past three games. Despite moving into a substantial role following a calf injury to Luka Doncic, Grimes has been unable to produce at a consistent level. Over the past month, he is averaging 12.7 points, 3.3 assists and 2.1 three-pointers in 26.5 minutes per game.
In a recent game, Quentin Grimes, the standout player for the Houston Rockets, showcased his scoring prowess by dropping 17 points in a crucial win. Grimes, known for his sharpshooting ability and tenacity on defense, played a key role in leading his team to victory.
Fans and analysts alike are buzzing about Grimes’ performance, with many praising his ability to score in a variety of ways and make an impact on both ends of the floor. With this impressive showing, Grimes continues to solidify his place as one of the rising stars in the NBA.
Stay tuned for more updates on Quentin Grimes and the Houston Rockets as they continue to make waves in the league. #QuentinGrimes #HoustonRockets #NBA #Basketball #SportsNews
Acclaimed filmmaker Quentin Tarantino has condemned the current state of the film industry. The Pulp Fiction director rose to Hollywood stardom with his stunning debut Reservoir Dogs in 1993 and has gone on to enjoy a critically and commercially successful career across nine feature films. The 61-year-old has long stated that his 10th movie will be the last of his career, but some of his recent comments suggest audiences could be waiting a while before he decides to make it.
While at the Sundance Film Festival (via Variety), Tarantino revealed his next project was to be a play, not a movie, before launching a scathing attack on the state of the movie industry currently, as well as the fact that theatrical releases are not the focal point anymore. He goes on to call the whole process a “…show pony exercise,” before reiterating the importance of theaters for helping to keep the movie industry ticking over. Check out Tarantino’s full comments on the matter below:
“That’s a big f*cking deal pulling [a play] off, and I don’t know if I can. So here we go. That’s a challenge, a genuine challenge, but making movies? Well, what the f*ck is a movie now? What — something that plays in theaters for a token release for four f*cking weeks? All right, and by the second week you can watch it on television. I didn’t get into all this for diminishing returns.
I mean, it was bad enough in ’97. It was bad enough in 2019, and that was the last f*cking year of movies. That was a sh*t deal, as far as I was concerned, the fact that it’s gotten drastically worse? And that it’s just, it’s a show pony exercise. Now the theatrical release, you know, and then, like, yeah, in two weeks, you can watch it on this [streamer] and that one. Okay. Theater? You can’t do that. It’s the final frontier.”
It Could Be Some Time Before His Next Movie
Tarantino’s comments come from a place of frustration, from a man who was first and foremost a movie fan before he was a filmmaker. His comments suggest that he is jaded with the direction the industry has taken, as well as the rise in the prominence (and dominance) of streaming services over long theatrical runs. It is worth noting, that this is not the first time Tarantino has taken aim at the industry, with the director famously criticizing Marvel movies as being formulaic, and suggesting they have contributed to the death of the classic movie star.
While the industry is struggling, there is more of a need than ever for talented and creative minds, and Tarantino’s 10th movie could be the perfect tonic to help boost box office takings and improve audience engagement in theaters.
Judging by what he has to say above, it seems Tarantino believes things have only gotten worse. The outspoken Oscar winner also recently proclaimed television as an inferior medium to movies, but it seems as though he believes there needs to be massive changes made across the industry, and he has little interest in returning to make his 10th and final film any time soon. This is likely one of the reasons that has inspired him to pivot creatively and write a play, while leaving his final movie project on the backburner.
The Director Does Have A Point, But His 10th Film Could Help Get Things Back On Track
Tarantino does have a point about the direction the movie industry is going in, though as a perfectionist, he is perhaps more critical than most audiences would be. Furthermore, while the industry is struggling, there is more of a need than ever for talented and creative minds, and Tarantino’s 10th movie could be the perfect tonic to help boost box office takings and improve audience engagement in theaters. Much will come down to how his play pans out, and Tarantino could be back behind the camera sooner rather than later.
There Have Been Great Movies Since Once Upon A Time…In Hollywood Was Released
While there is definitely merit to Tarantino’s criticisms, his comments also oversimplify the issues at hand. Increasingly shortened theatrical releases, the proliferation of streaming services, studios’ relying on already popular intellectual properties, and diminishing returns for those who work on movies are among the many problems that are currently plaguing the industry. That being said, it is an oversimplification to say that 2019 “was the last f*cking year of movies.”
The 2020s have included iconic movies in every genre, and they’ve delivered shocking and powerful endings that stay with audiences for a long time.
Tarantino referencing 2019 is no accident, as it is the year he released his latest film, Once Upon a Time…in Hollywood, and the last year before the industry was upended by the Covid-19 pandemic. Since Tarantino’s last release and despite the challenges that came with the pandemic, there have been many phenomenal movies that have debuted and that have found critical and commercial success. Oppenheimer, Everything Everywhere All at Once, and Dune: Part Two are only a few of the best movies to be released so far in the 2020s.
Once Upon a Time…in Hollywood Tomatometer Score
Once Upon a Time…in Hollywood Popcornmeter Score
86%
70%
Tarantino’s The Movie Critic, which was originally going to be his 10th and final movie, has been canceled, and he is in no rush to create another moment right now, especially when there are many issues within the industry. Tarantino’s current creative stance and the industry’s widespread issues do not negate the success and diverse range of successful and beautiful movies that have debuted since 2019. By the time Quentin Tarantino makes his next movie, there will be many other impressive films that have been released, and hopefully, some of the industry’s issues will have been addressed.
Quentin Tarantino, the acclaimed filmmaker known for his unique storytelling and stylistic approach to filmmaking, has recently spoken out against the current state of the movie industry. In a recent interview, Tarantino expressed his concerns about the lack of originality and risk-taking in Hollywood, criticizing the industry for prioritizing sequels, reboots, and franchises over original and innovative storytelling.
Tarantino, who is known for his bold and provocative films such as Pulp Fiction, Kill Bill, and Once Upon a Time in Hollywood, believes that the focus on big-budget blockbusters and formulaic storytelling has stifled creativity and diversity in the industry. He argues that this trend has led to a homogenization of cinema, where independent voices and unique visions are often overlooked in favor of safe bets and guaranteed box office returns.
Despite his criticisms, Tarantino remains hopeful that there is still room for original and visionary filmmakers to break through and make their mark in the industry. He encourages aspiring filmmakers to pursue their creative instincts and push the boundaries of storytelling, rather than conforming to the status quo.
As one of the most influential and respected filmmakers of our time, Tarantino’s words carry weight and serve as a rallying cry for those who believe in the power of cinema to challenge, inspire, and provoke thought. It remains to be seen whether his words will spark a shift in the industry, but one thing is clear: Quentin Tarantino will continue to champion originality and creativity in an industry that often values commercial success over artistic integrity.
Quentin Tarantino is putting fatherhood ahead of directing his final film.
On Monday, Jan. 27, the Pulp Fiction director, 61, told an audience at the Sundance Film Festival that he’s in “no hurry to actually jump into production.” Instead, Tarantino is giving all his focus to raising his two children.
“I’ve been doing that for 30 years,” he said of his work in the industry. “Next month my son turns 5, and I have a 2½-year-old daughter. When I’m in America, I’m writing. When I’m in Israel? I’m an abba, which means father.”
Never miss a story — sign up for PEOPLE’s free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.
Quentin Tarantino.
Jacopo M. Raule/Getty
“The idea of jumping on a voyage when they’re too young to understand it is not enticing to me,” he added of his kids. “I kind of want to not do whatever movie I end up doing until my son is at least 6. That way he’ll know what’s going on, he’ll be there, and it will be a memory for the rest of his life.”
When it comes to his daughter, Tarantino teased she’s “already such a genius” that “she’ll just get it.”
The Kill Bill director shares his two children with his wife Daniella. The pair welcomed their son Leo in February 2020, and their daughter, whose name hasn’t been released to the public, in July 2022.
Daniella Pick and Quentin Tarantino.
Stephane Cardinale – Corbis/Corbis via Getty
When speaking with Jimmy Kimmel on Jimmy Kimmy Live in 2021, Tarantino said he and his wife almost didn’t name their firstborn “Leo.”
“We almost didn’t name him that because people would assume I named him after Leonardo DiCaprio,” the director said. “There’s nothing wrong with that, but … he’s named after my wife’s grandfather, but also because, just in our hearts, he was our little lion.”
When Kimmel jokingly asked how soon it would be before Leo was “saying the F-word,” which is common in many of his guest’s films, Tarantino joked with a laugh, “As soon as possible.”
Quentin Tarantino on Why He’s Putting Next Film on Hold Until Son Is Older
In a recent interview, acclaimed filmmaker Quentin Tarantino revealed that he has decided to put his next film on hold until his son is older. The director, known for his unique style and bold storytelling, explained that he wants to be able to fully focus on his family during this crucial time in his son’s life.
Tarantino, who welcomed his first child with wife Daniella Pick in February 2020, expressed his desire to be present for his son’s early years and to prioritize his role as a father. He emphasized the importance of being there for his child as he grows up and cited his own experiences as a childless filmmaker as a reason for his decision.
While fans may be disappointed by the news of Tarantino’s hiatus from filmmaking, the director made it clear that he is not retiring and that he plans to return to the industry when the time is right. In the meantime, he is looking forward to spending quality time with his son and enjoying this new chapter in his life.
Tarantino’s decision to put his career on hold in favor of his family is a refreshing reminder of the importance of balancing work and personal life. It serves as a testament to the filmmaker’s dedication to his family and his commitment to being a present and involved father.
You’d be hard-pressed to find anyone more obsessed with movies than legendary director and screenwriter Quentin Tarantino, which is why it’s interesting to hear him say that movies have been dead for six years.
But that’s what the man behind classics like Reservoir Dogs, Pulp Fiction, Inglorious Basterds, and more is saying.
In an interview at the Sundance Festival, Tarantino talked about how right now he’s working on writing a play, and that’s when he veered into the current state of the film industry.
“Well, what the f–k is a movie now? What — something that plays in theaters for a token release for four f–king weeks?” Tarantino asked, according to Variety. “All right, and by the second week you can watch it on television. I didn’t get into all this for diminishing returns. I mean, it was bad enough in ’97. It was bad enough in 2019, and that was the last f–king year of movies.
“That was a s–t deal, as far as I was concerned, the fact that it’s gotten drastically worse? And that it’s just it’s a show pony exercise. Now the theatrical release, you know, and then like yeah, in two weeks, you can watch it on this [streamer] and that one. Okay. Theater? You can’t do that. It’s the final frontier.”
Tell us how you really feel, Quentin!
Legendary director Quentin Tarantino said that 2019 was the last year of movies. (Photo by Andreas Rentz/Getty Images)
I mean… is he wrong?
Movies aren’t what they were. There was a time not too long ago when they were events. Now? I wanted to see Nosferatu, but after two weeks, I can now watch it in my apartment with a bag of Orville Redenbacher’s Gourmet Popping Corn instead of having to shell out like ten bucks for some.
(Side note: the last time I went to a theater, the place was one of those dine-in theaters, so they didn’t have a snack bar and you had to order it from — and then tip — a server. For f–king popcorn!)
It’s a bummer because movies are better on a giant screen in a pitch-black theater with your phone on silent. It’s just true.
But times change.
Hopefully, Tarantino still makes another movie despite his claim that they’ve been dead for years. His next will be his tenth feature film, and he always talked about doing 10 movies and that would be it.
His most recent film was 2019’s Once Upon A Time… In Hollywood.
In a recent interview, legendary filmmaker Quentin Tarantino made a bold statement about the state of cinema in 2019. According to Tarantino, “2019 was the last f—king year of movies.”
The director, known for his iconic films such as Pulp Fiction and Kill Bill, expressed his frustration with the current landscape of Hollywood. He cited the rise of streaming services and the dominance of big-budget blockbusters as reasons for his bleak outlook on the future of film.
Tarantino’s comments have sparked a debate among film enthusiasts, with some agreeing with his assessment and others defending the diversity and quality of movies released in recent years. Despite his pessimism, Tarantino remains one of the most influential and respected filmmakers in the industry.
As we enter a new decade, it will be interesting to see how the film industry evolves and whether Tarantino’s prediction will come true. For now, fans can look forward to his upcoming film, Once Upon a Time in Hollywood, and continue to support independent and innovative cinema.
Tags:
Quentin Tarantino, 2019 movies, film industry, Quentin Tarantino quotes, movie industry, film director, Hollywood, cinema, entertainment industry, 2019 films, Quentin Tarantino interview
Quentin Tarantino does not see a bright future in store for the movie business.
“That’s a big f—ing deal, pulling [a play] off,” the writer, director, and American cinema icon said Monday about a play he’s writing. “But making movies? Well, what the f— is a movie now?”
Tarantino’s grim answer to that hypothetical: “What? Something that plays in theaters for a token release for four f—ing weeks? All right, and by the second week you can watch it on television. I didn’t get into all this for diminishing returns,” he told film critic and radio host Elvis Mitchell in conversation at The Elvis Mitchell Suite presented by Darling&Co. at the 2025 Sundance Film Festival.
“It was bad enough in ’97,” he continued, citing the year his third feature, Jackie Brown, was released. “It was bad enough in 2019, and that was the last f—ing year of movies. That was a s— deal, as far as I was concerned, the fact that it’s gotten drastically worse? It’s a show-pony exercise. Now the theatrical release, [and] in two weeks, you can watch it on this [streamer] and that one.”
“Most directors’ last films are f—ing lousy,” he said in 2021. “It’s making me think that maybe I should not make another movie because I could be really, really happy with dropping the mic on Once Upon a Time… in Hollywood.”
In 2023, he announced his next film would be his last and gave it the provisional title of The Movie Critic. Brad Pitt was rumored to be in talks to star as a “second-string critic” of films for a Los Angeles adult magazine, but no further developments have been shared. If the cynicism of Tarantino’s grumblings about the state of the film industry has intensified over time, so has his fondness for his own contributions to said industry.
Quentin Tarantino at Cannes. Ian Gavan/Getty Images
“When it comes to being a filmmaker, I’ve pretty much done everything I’ve wanted to do,” he told Mitchell. “I’ve always equated filmmaking with climbing mountains. I’ve climbed my Everest, I’ve climbed my Mount Fuji, my Kilimanjaro. I don’t really have any more mountains to climb in that respect. I’ve planted my flags. I’m proud of my achievements.”
Writing plays is another story. “Theater isn’t another mountain to climb, it’s an ocean voyage,” Tarantino ventured. Calling theater “the last frontier,” Tarantino shared that he’s “excited about doing a play because pulling it off is a big f—ing deal,” and also because “you can’t tape it. There is no cell phone. You own the audience for the duration of the play every night. It’s a great night out. It’s worth it for them. That’s f—ing exciting!”
The film industry has been rocked by major events since the release of Once Upon a Time; in particular, the COVID-19 pandemic and the 2023 WGA and SAG/AFTRA strikes. The former forced nearly everyone to watch movies at home and paved the way for increasingly short theatrical windows in the years that have followed. The latter caused film and television production to grind to a virtual halt, which has since caused a contraction in the entertainment industry across all segments, from executives and creatives to third-party vendors like catering and pr firms and — ahem — news media covering the industry.
But not every director of Tarantino’s pedigree agrees with his diagnosis of the industry’s ills or, at least, his sense of its severity.
Martin Scorsese has repeatedly railed against the production and exhibition sides of the industry favoring ultra-high-budget superhero films, saying that “theaters have become amusement parks.” At the same time, Scorsese, who is 21 years older than Tarantino and has made 26 films to Tarantino’s nine, agreed that he must be “built differently” than the Reservoir Dogs director.
“[Tarantino is] a writer… It’s a different thing. I come up with stories, I get attracted to stories through other people,” Scorsese said. “My curiosity is still there. I couldn’t speak for Quentin Tarantino or others who are able to create this work in their own world.”
At this year’s Sundance Film Festival, acclaimed filmmaker Quentin Tarantino did not hold back when expressing his thoughts on the current state of the film industry. In a candid interview with reporters, Tarantino decried the lack of originality and risk-taking in Hollywood, stating that he believes the industry has become too focused on producing safe, formulaic films that prioritize profit over creativity.
Tarantino, known for his bold and unconventional approach to filmmaking, criticized the trend of studios greenlighting sequels, reboots, and remakes instead of investing in original stories and innovative filmmakers. He expressed his frustration with the lack of opportunities for independent filmmakers to break into the mainstream, highlighting the challenges of getting unique and unconventional projects made in today’s competitive market.
Despite his concerns, Tarantino remains hopeful for the future of cinema, emphasizing the importance of supporting and championing diverse voices and perspectives in filmmaking. He encouraged audiences to seek out independent and international films that push boundaries and challenge traditional storytelling conventions.
As one of the most influential and respected filmmakers in the industry, Tarantino’s words carry weight and serve as a wake-up call for Hollywood to embrace risk-taking and creativity in order to keep the art of cinema alive and thriving.
Tags:
Quentin Tarantino, Sundance, film industry, Quentin Tarantino Sundance speech, Tarantino film industry criticism, independent filmmaking, Tarantino Sundance interview, Quentin Tarantino directorial perspective, Tarantino film industry commentary
While speaking at the Sundance Film Festival, Quentin Tarantino hinted that he may not start shooting his final movie until next year.
Quentin Tarantino was expected to start production on The Movie Critic, his tenth and final movie, last year, so fans were shocked when he decided to scrap the project and start from scratch. It remains to be seen what Tarantino’s final movie will be, but while speaking at the Sundance Film Festival (via Deadline), the director hinted that may not start the project until sometime next year… or perhaps even later.
“I’m in no hurry to jump into production right now, I’ve been doing that for 30 years,” Tarantino told the audience. “The idea of jumping on a voyage when they’re too young to understand it is not enticing to me. I kind of want to not do whatever movie I end up doing until my son is at least 6. That way he’ll know whats’ going on, he’ll be there,and it will be a memory for the rest of his life.” For the record, Tarantino’s son was born in 2020, which will make him six years old in 2026.
Tarantino did say he’s working on a play, which he hopes will be released in the next year. He said, “If that’s a smash hit, that might be my last movie.“
I still think it was a mistake to announce that he was going to quit after his tenth movie. Not to say he shouldn’t if that’s what he wants, but expectations are already sky-high for any Tarantino project, and this sent them skyrocketing to near-impossible-to-achieve levels. It might have been better to just make his film and say, “I’m out!” after the fact. That said, if anyone can pull off the triumphant exit, my money is on Tarantino.
Before Tarantino pulled the plug on The Movie Critic, there were plenty of rumours circling over what it would be and who would be in it. Tarantino himself said that it would be set in California in 1977 and be “based on a guy who really lived, but was never really famous, and he used to write movie reviews for a porno rag.” There was also talk that Brad Pitt would be starring in the film, with some saying that the actor would be reprising his role as stuntman Cliff Booth from Once Upon a Time in Hollywood. Other actors rumoured to be involved, or at least being considered, were Paul Walter Hauser, David Krumholtz, Olivia Wilde, and even Tom Cruise.
We still don’t know why Tarantino scrapped The Movie Critic, but those close to the director said that he “had grown more excited by other ideas.“
Quentin Tarantino, the renowned filmmaker known for his unique storytelling and stylistic approach to filmmaking, may not start shooting his final movie until 2026. The director has previously stated that he plans to retire after making his 10th film, and with his latest project “Once Upon a Time in Hollywood” being his ninth, fans are eagerly anticipating what his final movie will be.
However, with Tarantino known for taking his time between projects and being meticulous in his approach to filmmaking, it is not surprising that he may not start shooting his final film for several years. This news may come as a disappointment to fans who have been eagerly anticipating his next project, but it is likely that Tarantino will take the time to craft a film that lives up to his high standards and leaves a lasting impact on audiences.
Despite the potential delay in shooting, fans can rest assured that when Tarantino’s final film does hit theaters, it will be a cinematic experience like no other. Until then, we can only speculate on what the director has in store for his grand finale.
Tags:
Quentin Tarantino, final movie, 2026, shooting, film production, director, Hollywood, cinema industry, upcoming project
Tarantino flew to Utah from Israel for a single conversation with Elvis Mitchell, the esteemed film critic, academic and host. Mitchell hosted a weekend of cinema talks on Park City’s Main Street (“The Elvis Suite”), including chats with Bill Murray. Mitchell got down to business right away, asking why Tarantino has retreated into writing over the past few years.
“I’m in no hurry to actually jump into production,” Tarantino said. “I’ve been doing that for 30 years. Next month my son turns 5, and I have a two-and-a-half-year-old daughter. When I’m in America, I’m writing. When I’m in Israel? I’m an abba, which means father.”
Striking an unusually tender note, Tarantino continued, “The idea of jumping on a voyage when they’re too young to understand it is not enticing to me. I kind of want to not do whatever movie I end up doing until my son is at least 6. That way he’ll know what’s going on, he’ll be there, and it will be a memory for the rest of his life.”
His daughter, he said, “is already such a genius, she’ll just get it.” The rapt audience at the Main Street eatery was full of badge holders, film fans and plenty of journalists (even though our sister publication Deadline marked its coverage of this event as “exclusive.” Please find that definition here).
Not all work has ceased in the Tarantino household, however.
“If you’re wondering what I’m doing right now, I’m writing a play, and it’s going to be probably the next thing I end up doing,” he said. “If it’s a fiasco I probably won’t turn it into a movie. But if it’s a smash hit? It might be my last movie.”
The warm and fuzzies stopped there. As Mitchell probed further about how necessary a voice like Tarantino’s is in the movie landscape, the “Pulp Fiction” directed delivered a blazing tirade about why the theater seems more rewarding than his day job. To do it justice, we’ll run his rant in full:
“That’s a big fucking deal pulling [a play] off, and I don’t know if I can. So here we go. That’s a challenge, a genuine challenge, but making movies? Well, what the fuck is a movie now? What — something that plays in theaters for a token release for four fucking weeks? All right, and by the second week you can watch it on television. I didn’t get into all this for diminishing returns. I mean, it was bad enough in ’97. It was bad enough in 2019, and that was the last fucking year of movies. That was a shit deal, as far as I was concerned, the fact that it’s gotten drastically worse? And that it’s just it’s a show pony exercise. Now the theatrical release, you know, and then like yeah, in two weeks, you can watch it on this [streamer] and that one. Okay. Theater? You can’t do that. It’s the final frontier.”
It’s a stunning tonal shift from Tarantino, who proclaims to be as much a student of global cinema as he is a master. Attendees were riveted. The Elvis Suite was presented by Darling&Co, Rabbit Hole and Casamigos.
Quentin Tarantino, the acclaimed filmmaker known for his unique style and storytelling, has announced that he is in “no hurry” to direct his final movie. The director, who has produced iconic films such as Pulp Fiction, Reservoir Dogs, and Once Upon a Time in Hollywood, revealed in a recent interview that he wants to take his time and carefully consider his next project before making it his swan song.
Tarantino explained that he wants to ensure that his final film is a fitting end to his career and that it truly reflects his creative vision. He expressed a desire to explore new genres and storytelling techniques, pushing the boundaries of filmmaking even further.
Fans of Tarantino can rest assured that the director is not retiring anytime soon, but rather taking a deliberate and thoughtful approach to his final movie. With his trademark blend of wit, violence, and pop culture references, Tarantino’s last film is sure to be a cinematic experience like no other.
As we eagerly await the announcement of Tarantino’s final project, we can only imagine the brilliance and innovation that the director will bring to the screen. In the meantime, we can look back on his impressive body of work and appreciate the impact he has had on the world of cinema. Tarantino may be in “no hurry,” but his fans are certainly excited to see what he has in store for his grand finale.
EXCLUSIVE: Thirty-three years after Quentin Tarantino‘s Reservoir Dogs premiered at the Sundance Film Festival, the two-time Oscar winning filmmaker was back in Park City today.
Rarely at a loss of words and a love of cinema, Tarantino — who workshopped the flick starring Tim Roth and Eddie Bunker in Sundance’s Directors Labs before it hit the screen — showed up Monday evening in a surprise sit-down at the Elvis Suite Presented by Darling Co. on upper Main Street as the 2025 iteration of the Robert Redford-founded gathering went into its final days.
“I’m in no hurry to jump into production right now, I’ve been doing that for 30 years,” Tarantino told the audience on his emphasis on writing of late. “I kinda want to not end up doing whatever movie I end up doing until my son is 6,” the semi-Israel-based filmmaker and father of two said of his absence from the director’s chair in the past few years.
Dominic Patten/Deadline
Of course, the joys of fatherhood and family taken into account, Tarantino revealed he is working on a play that he hopes will see the light of day in the next year.
“If that’s a smash hit, that might be my last movie,” he added, taking a kick at the elephant in the room.
“I’m really jaded,” Tarantino quipped to Elvis Mitchell, taking a swing at Sundance and how cold he finds Utah in January now.
Part of the reason why Tarantino is spreading his wings into other creative outlets has to do with his frustration with movies’ short windows.
“What the f*ck is a movie that plays in four weeks and by the second week you watch it on television. I didn’t get into it (filmmaking) for diminishing returns,” said the multi-Oscar winner, then turning to why he’s really juiced about live theater right now.”
“They pay a lot of f*cking money to get into that seat” he said about theatergoers over moviegoers, “there’s no f*cking taping it, there’s no cell phone, you own the audience for that time. They are all yours, they are in the palm of your hand. It’s not just about doing art, it’s about wowing them, it’s about giving them a great night out. This to me is f*cking existing. It’s the last frontier.”
At which point the audience erupted into applause.
In regards to Tarantino’s ennui with the motion picture industry, he feels he’s been there, down that. “I’ve been able to work in the higher echelon of the film industry,” said the director talking about how he was in a top of class Sundance 1992.
His challenge at 61: how does he negotiate a 30-year career “and leave them wanting more?”
Exclaimed Tarantino, “Leaving them wanting more is the game, but few people play it.”
You can watch the video of Tarantino’s remarks below.
Filmmaker Quentin Tarantino is making his return to Park City, Utah for the Sundance Film Festival. The celebrated director will be in town to premiere his latest project, a highly anticipated film that is sure to generate buzz among audiences and critics alike.
Tarantino is known for his unique storytelling style and bold directorial choices, and fans are eager to see what he has in store for them this time around. His presence at the festival is sure to draw crowds and create a palpable excitement in the air.
Stay tuned for updates on Tarantino’s latest project and all the buzz surrounding his return to Park City. This is one event that film lovers won’t want to miss!
Tags:
Quentin Tarantino, Park City, Sundance Film Festival, Quentin Tarantino movies, Quentin Tarantino director, Quentin Tarantino latest film, Quentin Tarantino news, Quentin Tarantino return to Park City, Quentin Tarantino film premiere, Quentin Tarantino interview
The Dallas Mavericks fell to the Boston Celtics in a 2024 NBA Finals rematch Saturday at the American Airlines Center, but Mavs guard Quentin Grimes did produce one of the best dunks of the season.
And unfortunately for Celtics backup center Luke Kornet, it came at his expense.
Grimes posterized Kornet with a thunderous one-handed slam in the final 30 seconds of the third quarter. The dunk brought the crowd, and the Mavericks bench, to their feet.
It was actually the NBA’s highest-graded dunk of the season so far.
What does Kornet think of the dunk and its high score? He responded with typical Kornet humor during an exclusive interview with NBC Sports Boston’s Abby Chin.
“Obviously, dunk score is a very crucial element to our game,” Kornet said with a smile, as seen in the video player above.
“What do I think (of the dunk)? You know, they say humility is the virtue of knowing God is the author of all good things, and he made Quentin Grimes well. Because that boy — he’s got some quick twitch, as they say. Frankly, when someone has an opportunity to display their athleticism, it’s on me to try to combat that, and sometimes you end up on the defeated side of the endeavor and you have to willfully accept it.
So kudos to him. It was a great jump, great dunk.”
The Celtics were still up by 20 points after the dunk, but Kornet isn’t the type of person to respond by pointing to the scoreboard.
“Yeah, but the thing is, you don’t want to kind of go the whole ‘scoreboard’ route because then it undermines like, hey, no, that happened. You don’t want to try to back out of it,” Kornet explained. “You accept the things that happen.”
Kornet deserves credit for at least challenging the dunk. A lot of players in his situation would have made what is commonly referred to as a “business decision” and just let Grimes dunk without any resistance.
“The business decision is always to do the thing that you think helps the other team score less and your team score more,” Kornet said. “I was a little late on that one, which happens. And then he got to my body before I was able to kind of get to his, which was sort of the problem.
“I mean, you can break it down in a lot of ways. The dunk score obviously shows all this.”
Kornet played well against the Mavericks with two points, five assists and a team-high 10 rebounds during the Celtics’ 122-107 win in Dallas.
Next up for the Celtics is a matchup with the Rockets on Monday night at TD Garden. The C’s beat the Rockets in Houston on Jan. 3. Tip-off is set for 7:30 p.m. ET on NBC Sports Boston.
Watch Kornet’s full interview with Abby Chin on YouTube below.
“Hilarious Moment: Luke Kornet’s Reaction to Quentin Grimes Dunking on Him in Celtics-Mavs Game!”
Oscar-winner Michelle Yeoh, who is starring in the upcoming Paramount+ feature film Star Trek: Section 31, recently said there was a time she considered quitting action films, but an Oscar-winner helped her to change her mind. Per People, Yeoh, appearing on an episode of The Graham Norton Show told the host that she almost decided to step “back” from action films after a bad stunt accident, but Quentin Tarantino advised her against it.
“I was in Hong Kong and depressed as I had had a bad accident while filming the stunt,” Yeoh said on the show.“I felt hopeless and was re-thinking the whole action thing and thought maybe I should take a step back. When I met (Tarantino) he was so enthusiastic and said if you love something you have to find a better way to do it,” said the actress, who won an Academy Award for 2022’s Everything Everywhere All at Once and recently appeared in 2024’s blockbuster, Wicked.
The end of Star Trek: Discovery has fans wondering whether it’s still part of the franchise’s canon, but the answer is somewhat complicated.
The Oscar Winner has Yet to Work with Tarantino
Yeoh, who has been in films like Tomorrow Never Dies, Crouching Tiger, Hidden Dragon, Memoirs of a Geisha, and Crazy Rich Asians, said she has not yet worked with Tarantino, who won Oscars for 2012’s Django Unchained and 1994’s Pulp Fiction.She said,“I have never worked with him, and when I asked him about Kill Bill and why he hadn’t thought of me, he said, ‘No one would believe Uma Thurman could kick your ass!’”
“At the end of the day, each scene usually belongs to one particular character,” Osunsanmi told Entertainment Weekly. “In Section 31, 99 percent of those scenes belong to Michelle Yeoh’s character Philippa Georgiou. So then what you have is a movie that is visually inspired by who she is,” he continued. “She is unpredictable, she is dangerous, she is relentless, she has also discovered that she is kind and has the opportunity for redemption. Instead of a man on fire, you have a woman on fire, and a visual design that’s unpredictable for the first time in this modern era.”
Robert Kazinsky talks about how the new Section 31 is unlike any other Trek that has ever come before
The New Film is “A Bit More on Edge”
Section 31 follows Yeoh’s Philippa Georgiou character, who runs a nightclub called the Baraam and is tapped to join Section 31, a secret, black-ops division of Starfleet. “In this current version of Trek, everything is just a bit more on edge and unpredictable, which mirrors Philippa Georgiou’s personality,” Osunsanmi added.
Star Trek: Section 31 premieres on Jan. 24 on Paramount+.
In a recent interview with Section 31 star Michelle Yeoh, the actress revealed how acclaimed director Quentin Tarantino talked her out of quitting action films. Yeoh, who is known for her impressive martial arts skills and iconic roles in films like Crouching Tiger, Hidden Dragon and Tomorrow Never Dies, opened up about her experience working with Tarantino on his film Kill Bill.
Yeoh shared that she had grown tired of the physical demands of action roles and was considering stepping away from the genre altogether. However, Tarantino, known for his love of martial arts and action cinema, convinced her to change her mind. According to Yeoh, Tarantino’s passion for the genre and his vision for the film inspired her to push herself and take on the challenge.
The actress credited Tarantino with reigniting her passion for action films and pushing her to new heights in her career. Yeoh’s performance in Kill Bill was widely praised, and she continued to take on challenging action roles in films like Memoirs of a Geisha and The Lady.
Yeoh’s collaboration with Tarantino is just one example of the impact that talented directors can have on actors, pushing them to explore new depths and reach their full potential. As fans eagerly await the release of Section 31, it’s clear that Yeoh’s dedication to her craft and willingness to take risks has paid off, thanks in part to the guidance of a visionary like Quentin Tarantino.
You must be logged in to post a comment.