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Tag: Review
‘Wish You Were Here’ Review: One Night Can Change a Life
“Wish You Were Here” starts out like many a modern fairy tale. Charlotte (Isabelle Fuhrman) has a terrible job with a terrible boss, at the kind of restaurant where she’s forced to wear a stupid uniform and her hair always smells of grease. She lives with her best friend and co-worker, Helen (Gabby Kono-Abdy), and feels aimless. The bleak dating situation isn’t helping, much to the chagrin of her parents (Jennifer Grey and Kelsey Grammer).
Then one night Charlotte meets a stranger named Adam (Mena Massoud) and, after some prodding, goes for a drink with him. She learns he’s an artist, and finds his devil-may-care approach to life appealing. He keeps saying things like “I’ll sleep when I’m dead” and “don’t think so hard” and “life’s short.” As the evening progresses, she’s drawn to him — but by the next day, his personality has changed, and she doesn’t hear from again. Eventually she starts dating a different nice guy (Jimmie Fails) from the apps. But it turns out Adam was harboring a secret, and it will alter the course of her life.
“Wish You Were Here” is the directorial debut of Julia Stiles, who wrote the screenplay with Renée Carlino, the author of the novel on which the movie is based. It’s unabashedly a swoony romance that places Charlotte in the middle of two men who represent two paths for her life.
It’s also — spoiler ahead — working in a long tradition of romances in which two people fall in love, but one partner has a terminal illness, and life together ends before it can really begin. (Think “Love Story,” “Shadowlands,” “A Walk to Remember” and “Me Before You,” among dozens of others.) For some viewers, this is an all too real and resonant plot point, an experience that left them profoundly changed.
But judging from the way it’s deployed in romance novels and films, it also represents something of a fantasy for others who’ve never encountered that tragedy directly. Perhaps there’s something melancholy but appealing about the idea of a passionate romance that speeds up time, leaving one person with only difficult but beautiful memories, instead of the banalities of daily life that accompany a long partnership. It’s the more dramatic equivalent of the romantic comedy tendency to end when the couple gets together, but elide all the stuff that comes next.
To the credit of “Wish You Were Here,” the film acknowledges this fact about Adam and Charlotte’s romance. As her mother says late in the film, “He never had the chance to annoy you. You never had the chance to fight.” With some chagrin, she adds: “I’m sorry you didn’t get that.”
That said, fans of the trope will probably find “Wish You Were Here” appealing. But for me, it took a while to figure out why it doesn’t really work. I’ve found Fuhrman’s performances appealing in the past, particularly in the excellent 2021 drama “The Novice,” in which she plays an obsessive college freshman who joins the rowing team and becomes fixated on a teammate.
She is perfectly fine as Charlotte in this film, transforming from kind of snarky to kind of sweet, but the rest of the film never quite locks into place. The fault seems to be in the chemistry, not just between the leads — it’s tough to believe that Charlotte and Adam have the connection on their night together that the movie insists upon — but between all of the characters. For much of the movie, family and friends trade what’s meant to be witty banter. But something about the rhythm feels off: too many pauses, not enough of the propulsion necessary to make the movie sing.
There’s one other issue that left me cold. Early on, Charlotte insists that “finding some dude on a dating app isn’t going to give me direction in my life.” If you’re well-versed in the rules of the genre, you know this is meant to be dramatic irony. Yet by the end of “Wish You Were Here,” I still wasn’t convinced she’d actually found direction and purpose. I hadn’t been convinced that either she or Adam were as remarkable as they insist the other is. After all, a romance depends on the audience falling in love with the characters, too. Perhaps we just didn’t have enough time together.
Wish You Were Here
Rated PG-13 for death and dying, plus some adult behavior. Running time: 1 hour 39 minutes. In theaters.
“Wish You Were Here” Review: One Night Can Change a LifeI recently had the pleasure of watching the film “Wish You Were Here,” and I must say, it left a lasting impression on me. The movie follows the story of a young woman named Emma who, after a chance encounter with a mysterious stranger, finds herself embarking on a whirlwind adventure that will forever alter the course of her life.
From the moment the film began, I was captivated by the stunning cinematography and the hauntingly beautiful soundtrack. The performances from the cast were incredibly moving, particularly that of the lead actress who portrayed Emma with such raw emotion and vulnerability.
As the story unfolded, I found myself swept up in the romance and excitement of Emma’s journey. The film expertly weaves together themes of love, loss, and self-discovery, leaving the audience with a sense of hope and wonder.
One of the things that struck me most about “Wish You Were Here” was its ability to remind us that one night, one chance encounter, can change the course of our lives forever. It serves as a powerful reminder to cherish every moment and embrace the unexpected twists and turns that come our way.
Overall, “Wish You Were Here” is a beautifully crafted film that will stay with you long after the credits roll. It’s a heartfelt and poignant story that serves as a reminder to live life to the fullest and never underestimate the power of one night to change everything.
I highly recommend watching “Wish You Were Here” for a poignant and moving cinematic experience that will leave you feeling inspired and grateful for the moments that shape our lives.
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‘Bad Behaviour’ Review: Jennifer Connelly Finds No Rest on a Spiritual Retreat In Alice Englert’s Needling Debut
On the face of it, Lucy does not seem like the kind of person who would go on a spiritual retreat. She’d probably agree with that herself. But she’d like to be, and so she struggles through the enforced silences and the sharing sessions, hoping to attain a kind of enlightenment she doesn’t really believe in. An embittered former teen actor, played by Jennifer Connelly with the scorched, brittle air of one steadily checking out of polite society, her thorny aura is an ill fit for the expensive Oregon sanctuary she’s signed up for, all hushed meditation and touchy-feely trust exercises, and this energy-based conflict gives Alice Englert’s strange, alluring satirical drama “Bad Behaviour” an immediate pull of intrigue — vibes so discordantly violent, one feels they have to give way to something physical and drastic.At the film’s rough midpoint, they do — in ways that confirm the startling,…
In Alice Englert’s directorial debut, “Bad Behaviour,” Jennifer Connelly plays a woman named Helen who is seeking solace on a spiritual retreat. However, what she finds instead is a series of unsettling events that challenge her beliefs and push her to the brink.Connelly delivers a powerful performance as Helen, capturing the character’s vulnerability and desperation as she navigates the increasingly bizarre and unsettling world of the retreat. From strange rituals to mysterious disappearances, Helen is constantly on edge, unsure of who she can trust and what is truly going on around her.
Englert’s direction is sharp and focused, creating a tense and unnerving atmosphere that keeps the audience on edge throughout the film. The pacing is brisk, with each scene building upon the last to create a sense of escalating tension and unease.
The supporting cast is also strong, with standout performances from Toby Wallace as a charismatic but enigmatic leader of the retreat, and Zosia Mamet as a fellow attendee who may not be as innocent as she seems.
Overall, “Bad Behaviour” is a gripping and unsettling film that explores themes of faith, trust, and the dark side of human nature. Jennifer Connelly shines in the lead role, delivering a haunting and memorable performance that will stay with you long after the credits roll.
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Franz Ferdinand – Audacious Review
Show a moment of willingness to take bold risks. Franz Ferdinand is not doing us any favours with Audacious, which in name alone hints at an exploration of their genre. Better yet it could mean an enriching push into some new sound, a work which does not sound like their greatest hit. But with a new album on the way every song provides a chance to be unique, to be daring as their lead single, Audacious, should be. Temper those expectations. From a cover art ripped straight from the first slide of a Microsoft PowerPoint presentation on quarterly revues to the clunky sound within, The Human Fear, their upcoming album, is not off to a great start. But then Franz Ferdinand is fondly remembered by those who entered the indie scene clubs and never evolved out of it when it was uncool to be there.
Jolly indie rock with a bit of studio chatter to kick things off is not exactly audacious, but then it is Audacious. Sticking to their guns, Franz Ferdinand finds a sound which benefits from a seven-year studio break. Like Leonardo DiCaprio appearing and disappearing in two-year intervals, Franz Ferdinand has found joy in their consistent pop-up tours and new material made to bring their hits back into the spotlight. There is much to love about this Franz Ferdinand single. Plenty of opportune indie rock-oriented moments which clamour for the perceived glory days of the genre. But their look at the past goes further back than their existence and instead finds some grooves of the 1990s in its piano work and uplifting electric guitar.
Its sudden end is a sign of greater trouble for The Human Fear as a whole. If they cannot bring one song to a suitable or at least interesting, endearing conclusion, then what will happen to the rest of it? Audacious is a back-peddling, over-the-shoulder guitar rock romp with its hands massaging the nostalgia spots on your brain. But break free from this comfort. The genre has moved on. If not moved on, then figured out how to manipulate listeners better than the usual draw of guitar meets percussion meets wispy, wondering vocals where what could have been could still be. No. Brush it off and be audacious in your musical choices. Audacious is never going to break from its title because to have this hint of a confident new sound, only to pull the rug out from under us, revealing a You Could Have it So Much Better-shaped scratch into the wooden panels, is tiresome.
Bands defined by nostalgic tracks of the past have only themselves to blame. Take Me Out may be their biggest hit and will likely remain as such, but chasing the sound and failing to evolve from album to album in the vain hope of recapturing it, is a poor choice. Despicable, really, all the more because you can fall for it so easily on a first listen. Repeat explorations of what few interesting grooves there are to this song are where problems begin to show. A single which strives for nothing in particular and gets away with it because your eyes are on the road and your ears need a distraction from bleating car horns. Audacious is radio filler and yet tries to be more than this by chasing the sound of two decades ago. Franz Ferdinand can, and has, done better than this.
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Franz Ferdinand – Audacious ReviewFranz Ferdinand, the Scottish indie rock band known for their catchy hooks and danceable beats, have returned with their latest album, “Audacious.” This album is a departure from their previous work, delving into more experimental and edgier territory.
From the opening track, “Rebel Rebel,” it’s clear that Franz Ferdinand is not holding back on this album. The band’s signature sound is still present, with infectious guitar riffs and driving rhythms, but there’s a new sense of urgency and boldness that permeates each song.
One standout track is “Electric Dreams,” a synth-heavy anthem that showcases the band’s willingness to push boundaries and explore new sonic landscapes. The pulsating beats and soaring vocals create a sense of euphoria that is impossible to resist.
Another highlight is “Blood Red Shoes,” a brooding and intense track that showcases frontman Alex Kapranos’ emotive vocals. The song builds to a cathartic climax, with swirling guitars and pounding drums creating a sense of tension and release.
Overall, “Audacious” is a bold and adventurous album that sees Franz Ferdinand pushing their creative boundaries and exploring new musical territories. Fans of the band’s earlier work may be surprised by the darker and more experimental sound, but it’s a welcome change that showcases their growth as artists.
In conclusion, “Audacious” is a triumph for Franz Ferdinand, proving that they are still at the top of their game and unafraid to take risks. This album is a must-listen for fans of indie rock and anyone looking for music that is both exhilarating and thought-provoking.
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Franz Ferdinand: The Human Fear review – stiffness sets in on stodgy sixth | Franz Ferdinand
For the most part, British indie-mania of the 00s involved a slew of sixth-form poets holding forth over amateurishly jerky guitars: the results were often simultaneously brilliant and deeply cringeworthy. Somehow, Franz Ferdinand managed to establish themselves as a tent pole of the scene while wholly bypassing the awkward young upstart vibe. Frontman Alex Kapranos was in his 30s when the band released their debut album, which combined sharp riffs with arch, arty posturing and lugubrious vocals. Kapranos and co were cooler than their contemporaries in both senses: their aesthetic was less messy and their lyrics less bracingly obvious, but they were also less sweatily relatable.
Franz Ferdinand – Night and Day video If Franz Ferdinand were the grownups back then, 20 years on they’re positively avuncular. The Human Fear – their sixth album, and first since 2018 – feels markedly middle-aged in tone. Despite opener Audacious kicking off with Kapranos muttering about the disintegration of reality over a pleasingly grainy riff, the song then slows into the kind of sweeping, plodding chorus you could imagine Take That crooning on a teatime chatshow. Other songs (Bar Lonely, Tell Me I Should Stay) channel 70s glam to pleasant but unremarkable ends, while a track called The Doctor – told from the perspective of a man unwilling to vacate his hospital bed (“I have nurses to talk to … and thermometers to hold”) – doesn’t exactly telegraph vitality. There are even a couple of actively eye-watering moments, such as Kapranos singing the praises of a new paramour over Hooked’s novelty EDM-style synths. It’s safe to say that two decades on from their heyday, Franz Ferdinand have finally lost their cool.
Franz Ferdinand: The Human Fear review – stiffness sets in on stodgy sixthScottish indie rock band Franz Ferdinand has been a staple in the music scene since their debut album in 2004. With their infectious hooks and energetic performances, they quickly became fan favorites. However, their latest album, The Human Fear, seems to fall short of their usual high standards.
The sixth studio album from Franz Ferdinand, The Human Fear, showcases the band’s signature blend of danceable rhythms and catchy melodies. However, many critics and fans have noted that the album lacks the spark and innovation that made their earlier work so memorable.
One of the main criticisms of The Human Fear is its lack of experimentation. The album feels safe and predictable, with few risks taken in terms of songwriting or production. This results in a somewhat stale and uninspired sound that fails to capture the excitement and energy of their earlier work.
Despite this, there are still some highlights on the album. Tracks like “Feel the Love Go” and “Paper Cages” showcase the band’s knack for crafting infectious pop hooks and driving rhythms. However, these moments are few and far between, leaving much of the album feeling forgettable.
Overall, The Human Fear is a solid effort from Franz Ferdinand, but it ultimately falls short of their previous work. Fans of the band may still find things to enjoy on the album, but those looking for a fresh and exciting new direction from the band may be left disappointed. Hopefully, Franz Ferdinand will be able to shake off this stiffness and return to form on future releases.
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Review: Tilda Swinton and Julianne Moore are remarkable in ‘The Room Next Door’
For her performance in “The Room Next Door,” Tilda Swinton is now a Golden Globe nominee for best actress in a drama. Whether or not she wins a Globe on Sunday, Swinton deserves to share recognition with her brilliant co-star Julianne Moore. The two almost breathe as one in their remarkable acting duet.
Also of note: “The Room Next Door,” now in theaters after winning the top prize at the Venice Film Festival, is the first full-length feature in English from Spain’s legendary wild man, the writer and director Pedro Almodóvar, who modulates his usual flamboyance to match the softer cadences of the heart.
You can almost hear the heartbeats of these old friends, who gather in a country rental home near Woodstock in upstate New York.
Swinton plays Martha, a war correspondent who hasn’t seen Ingrid (Moore) since their younger days as journalists at the same magazine. The house is filled with windows that open up to the sights and sounds of nature humming with life.
This idyllic house, where Edward Hopper’s painting “People In The Sun” hangs on a wall, is also the place where Martha has come to die.
Tilda Swinton and Julianne Moore in “The Room Next Door.”
Sony Pictures Classics
Not with sadness or resignation about her terminal cancer but as the act of a fiercely independent woman who wants to go out on her own terms.
She has asked only that Ingrid accompany her and live in the room next door until she’s ready to take the euthanasia pill she obtained on the dark web. Since she has barely spoken to Martha in decades, Ingrid wonders why Martha hasn’t chosen a closer friend to assist in her suicide. It turns out she has, but they all refused to comply for reasons personal and legal.
Julianne Moore in “The Room Next Door.”
Sony Pictures Classics
“The Room Next Door” soars on the piercing connection between these two women, with Ingrid bonding so closely with Martha that she asks permission to write about Martha after her passing. There is even a direct evocation of “The Dead,” the James Joyce short story about the snow of mortality that falls on us all.
If Almodóvar had trusted himself to stay up close and personal with these extraordinary women in crisis, “The Room Next Turn” would rank among the filmmaker’s best. Sadly, that’s not what happens.
Basing his script on Sigrid Nunez’s 2020 novel “What Are You Going Through,” Almodóvar breaks the mesmerizing aura created by Swinton and Moore for a series of awkward flashbacks that work on the page but feel clunky and intrusive on screen.
We watch Martha and Ingrid, played by younger actors, make career decisions as they drift in and out of relationships, including hooking up at different times with the same man, Damian (John Turturro), a joyous presence now reduced to stern lectures on environmental collapse.
Julianne Moore and John Turturro in “The Room Next Door.”
Sony Pictures Classics
There is even a climactic visit from Martha’s daughter, Michelle, also played by Swinton, who resents her mother for refusing to reveal the identity of her father, who we see in a violent vision rushing into a burning building.
Almodóvar freights these scenes with tangled subplots and themes of personality transference that tilt the movie off course, when all we need to know is written on the faces of Swinton and Moore. Their extraordinary artistry makes this death-fixated film feel thrillingly alive.
As a fan of both Tilda Swinton and Julianne Moore, I was eagerly anticipating the release of their new film, ‘The Room Next Door’. And I must say, they did not disappoint.In this psychological thriller, Swinton and Moore play two neighbors who become entangled in a web of secrets and lies that ultimately leads to a shocking revelation. The chemistry between the two actresses is palpable, and their performances are nothing short of remarkable.
Swinton, known for her chameleon-like ability to disappear into any role, brings a sense of mystery and intrigue to her character. Moore, on the other hand, exudes vulnerability and strength in equal measure, making her character both relatable and complex.
The film itself is beautifully shot, with a haunting score that perfectly complements the tension and suspense of the story. Director Maria Schrader has crafted a gripping and thought-provoking narrative that keeps you on the edge of your seat until the very end.
Overall, ‘The Room Next Door’ is a must-see for fans of psychological thrillers and stellar performances. Swinton and Moore shine in their respective roles, delivering a masterclass in acting that will linger in your mind long after the credits roll.
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Selling the City Review: Is Netflix’s Latest Real Estate Show a Hit?
What’s that I can smell? Another new Netflix real estate show bringing together incredibly pretty people all battling against one another to sell the most expensive, luxury properties in a highly-competitive American market? Well yes indeed. This time round, it’s New York City, and the Netflix original is aptly-titled Selling the City. Hopefully they won’t broach Ryan Serhant’s Manhattan borders; he does own the area, after all…
Selling the City on Netflix introduces some new faces, and one familiar real estate giant
Photo Credit: Netflix The cast is introduced walking through NYC, but not big boss lady Eleonora. Instead, she flies in via helicopter. She’s someone who means business, and her first meeting with her mainly-female team shows that while she’s happy to have a laugh, the company and sales come first. “I want to have more impactful and monumental sales.” Basically, do your job, and do it well – or go.
Despite the smiles, it feels like Abi might be at the root of some issues for the rest of the agents. She’s the newbie, and not everybody trusts her. Abi throws shade in confessional, questioning whether it’s because of her time in the industry, or simply because she’s “a decade younger” than everybody else. Shade!
Justin is someone I instantly like, thanks to his immediate batting away of the real estate industry’s issue with sexism. “Am I above working with a team of women?” he asks. “Absolutely not. I will follow the money wherever it goes.” Sadly, he spoils it in Episode 2 with a “girls will be girls” remark. Eyeroll.
Justin and Eleonora have dated. “He took my virginity for a second time,” Eleonora quips. I don’t get it, but I’m here for it. It’s been a decade since they were bumping uglies, but have managed to maintain a great relationship. In fact, Eleonora seems to trust Justin implicitly, even asking him to help “nurture” her agents. Sadly, he betrays that trust…
Oh, and Bravo fans, get ready for a familiar face. Enter Steve Gold, via a montage that showcases his rippling muscles as he gets ready for the day. If editors wanted viewers to be putty in Steve’s hands, this is exactly the way to do it. And don’t sleep on THAT basketball montage towards the end of the season…
Netflix’s Selling the City showcases some stunning properties and events
Photo Credit: Courtesy of Netflix One thing a real estate show needs to do is deliver some memorable moments through the buildings being showcased. Thankfully, Selling the City has that in bucketloads. While it doesn’t quite live up to some of the properties shown in Owning Manhattan, it gets very close. There are hundreds of millions of dollars on the line, so the stakes are high.
What we’ve also grown to love as viewers, is all the fabulous events these agents get to host. The glamour is second to none. Except when it comes to Steve. That man favors a hooded sweatshirt and a semi-smart jacket above a suit, but who are we to question one of the biggest names on the scene?
Tensions rise among the Selling the City agents
Photo Credit: Courtesy of Netflix What is a real estate show without a bit of tension? It begins early as Jade invites a handful of agents to lunch, where she’s “chumming it up” with Taylor, and trying to get closer to Steve. Eleonora isn’t happy, and neither are the agents left back at the office who didn’t even get the honor of an invite.
“If she acts like this towards me, I’m gonna f*cking throw this b*tch so far under, she has no idea what’s coming for her. Like, don’t come at me. I will f*cking have this b*tch’s head on a plate,” Jade rants after Eleonora leaves. Not in private, but alongside a bunch of her peers. It’s not a good look, but it certainly lays the foundations of what’s to come throughout the rest of the season.
And that’s just the tip of the iceberg. Without giving away too much, viewers can look forward to seeing awkward situationships, threats to sue, and even a “F*ck you Netflix” as the season pans out.
Eleonora is born for reality TV as well as real estate; her raw, emotional honesty in Episode 4 in particular is a stunning moment. Meanwhile, Jade makes the perfect villain (a word I use with all love).
This is appointment television, and the perfect way to start the New Year. The only problem? We’ve got to wait for news on a second season.
Selling the City is streaming now on Netflix.
TELL US – HAVE YOU WATCHED SELLING THE CITY? WHAT DID YOU THINK? ARE YOU HAPPY TO SEE STEVE GOLD BACK ON TV?
Selling the City Review: Is Netflix’s Latest Real Estate Show a Hit?Netflix has been on a roll with its real estate-themed shows, from Selling Sunset to Million Dollar Beach House. The latest addition to this genre is Selling the City, a show that follows top real estate agents as they navigate the competitive world of luxury properties in major cities around the world.
But does Selling the City live up to its predecessors? Is it worth binging or should you skip it? Let’s dive into a review of the show to help you decide.
First and foremost, Selling the City doesn’t disappoint when it comes to stunning properties. From penthouse suites in New York City to beachfront mansions in Miami, the show features a jaw-dropping selection of homes that will make any real estate enthusiast swoon. The cinematography is top-notch, showcasing these properties in all their glory.
The cast of agents on Selling the City is diverse and interesting, each bringing their own unique personality and style to the table. Viewers will undoubtedly find themselves rooting for their favorite agents and getting caught up in the drama that unfolds as they compete for high-end listings.
One of the standout features of Selling the City is its focus on the real estate market in different cities. Viewers get an inside look at the nuances of buying and selling properties in cities like Los Angeles, London, and Dubai, shedding light on the unique challenges and opportunities that come with each location.
However, Selling the City does have its drawbacks. Some viewers may find the show to be overly dramatic at times, with conflicts between agents feeling forced or contrived. Additionally, the fast-paced editing may leave some feeling like they’re missing out on important details or developments in the agents’ journeys.
Overall, Selling the City is a solid addition to Netflix’s real estate lineup. With its stunning properties, engaging cast, and global perspective, the show offers a fresh take on the world of luxury real estate. While it may not be perfect, it’s definitely worth a watch for anyone looking for a mix of glamour, drama, and insight into the high-stakes world of high-end real estate.
Verdict: Selling the City is a hit for fans of real estate shows, offering a captivating look at the world of luxury properties in major cities around the world. Grab some popcorn and settle in for a binge-worthy journey through the glitzy world of high-end real estate.
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MSC Cruises review: A Christmas week spent searching for Santa
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They say the more the merrier at Christmas – so why not share it with almost 7,000 other people on a cruise ship?
I have always found Christmas to be a strange time of year. I’m generally a bit of a Scrooge-like character at home during this period. There is a part of me, probably the Jewish bit, that is uncomfortable with the stress about making just one day perfect.
So it has been a nice change for my wife, our two daughters and my in-laws to do a Christmas cruise over the past three years.
This year, we spent the festive period onboard MSC Cruises’ MSC World Europa, the largest ship in the Italian brand’s fleet, with capacity for 6,762 passengers. Setting sail from Barcelona, the itinerary was full of stops, with ports of call including Marseille, Genoa, Rome and Palma de Mallorca.
MSC Cruises has spent much of the build-up to the season addressing how Santa makes it onto a cruise ship; MSC Preziosa even built a landing pad for his sleigh.
There was no landing pad on World Europa but there were nods towards St Nick across the ship including snowman cushions on the public seating and a life-size chocolate Santa – for display purposes only, sadly. Christmas trees were lined up across the indoor world promenade and a jolly inflatable St Nick even managed to raise a smile out of me.
The ship is the first of MSC’s World Class fleet – launched in 2022 – and will be joined by World America in 2025 and World Asia in 2026. It is powered by liquefied natural gas (LNG) as part of efforts to be more environmentally friendly.
At 1,093ft long and with 20 passenger decks, MSC World Europa is pretty spacious. A crystal chandelier hangs from its World Promenade as you enter on deck 6 but there is less of the glitz and crystal staircases that passengers may have experienced on other MSC ships, such as Virtuosa and Euribia.
Interiors have a more toned down, modern look, with soft seating and arty LED strips on white walls that effectively light up its main atrium.
The World Promenade area stretches across 341 feet, helping to ease the crowds. There are plenty of spaces for people to spill into across the ship’s 20 bars and restaurants.
Read more: The best mini cruises from the UK
MSC World Europa’s chocolate shop featured a life-sized sweet Santa (Marc Shoffman) Showtime
One thing MSC Cruises does well is entertainment. The brand is known for its party atmosphere on board and our sailing was no different.
While Christmas music has been blaring out of the radio since mid-November in the UK – far too early in my opinion – we were slowly eased into the festive season on the ship. We boarded on 20 December, and it wasn’t until Christmas Eve that we probably first heard about what Mariah Carey wants from this time of year.
There was plenty of fun in the build-up, from dazzling shows dedicated to Broadway songs and famous divas to a silent disco and golf putting challenges.
You could tell once Christmas had arrived by the sea of Santa hats among the staff, and activities such as “name that tune”. The shows suddenly had a more festive theme.
Santa stepped aboard World Europa on Christmas Day to make sure all children got a present (Marc Shoffman) Read more: The best cruise ships that you must travel on in your lifetime
Santa even appeared running down the aisles of the World Theatre during the Christmas Eve show and later hosted a disco in the grand Panorama Lounge.
There was also a meet-and-greet with Santa on Christmas Day where the World Theatre stage was turned into a grotto, and kids (whether naughty or nice) lined up patiently for a photo with Father Christmas.
Christmas cruising
One of the benefits of being on holiday during Christmas is that you avoid cooking. That does mean adapting to someone else’s rules, though.
Passengers are encouraged to scan a QR code to access the menu. This brought some of the traditional Christmas dinner chaos to mealtimes as we navigated the language barrier with our helpful waiter who was doing his best to take orders from the ship’s range of English, Italian, French and German passengers all pointing to tiny mobile devices. Everyone got fed, and all our orders arrived correctly, but it has felt easier and quicker on other ships to point to a dish on a printed menu instead of on a small screen, especially for older passengers.
MSC follows the continental European traditions, so Christmas dinner is served on Christmas Eve, with traditional options including generous portions of succulent turkey and mouth-watering beef for a main course. We couldn’t convince our children to try the Brussels sprouts but the waiters were happy to satisfy our requests for extra roast potatoes. There was also a proper taste of Italy with panettone for dessert – but there wasn’t a Christmas pudding in sight. It was also strange that there were no Christmas crackers, but this may also be down to the ship trying to be more green.
As if that dinner hadn’t filled us up enough, there was a midnight buffet on Christmas Eve where we enjoyed smoked salmon, cheese and biscuits, plus no one had to wash up.
Say cheese: A midnight buffet on Christmas Day kept us full throughout the festive season (Marc Shoffman) Read more: The best cruises to see the Greek islands
The global tea shortage does seem to have made it onto cruise ships, though.
My father-in-law spent much of the week pocketing rare English breakfast tea bags when they appeared, in order to sneak them back to his cabin for later. The buffet manager later commented to me that it was a struggle to keep up with the demand from tea-drinking passengers.
An unexpected sea day due to storms in the Mediterranean meant we missed a scheduled Christmas Day stop in Malta, which contributed to another thing MSC has an unfortunate reputation for: queues.
It may have been a mix of low staffing levels or just the number of people, but we waited with hungry passengers for close to half an hour to get into the restaurant to be served Christmas lunch.
Passengers and the helpful waiting staff remained jovial, and we even met a fellow cruiser who was like the mad relative that joins at Christmas, running in and out of the kitchen to fetch other tables bread rolls and butter.
Lunch was less festive on Christmas Day – perhaps as passengers were expected to have been off the ship – and there wasn’t even any turkey on the main dining room menu. It felt like any Wednesday as we enjoyed a festive-themed “Christmas salad” of mixed greens and hearts of palm followed by a tender duck. Panettone returned for dessert but there was still no sign of Christmas pudding.
The festivities weren’t too “in your face”, catering for the odd Scrooge or Grinch on board, and it was easy to escape to enjoy other activities for all ages, such as dance classes and karaoke – where I treated fellow passengers to my version of Soft Cell’s Tainted Love.
Our daughters also enjoyed the arcades, roller skating, bumper cars and the 11-deck high Venom slide, plus they were happy to be outside in the hot tubs and swimming pool – a benefit of sailing around the Med during winter.
The 11 deck-high Venom slide is a highlight on World Europa (Marc Shoffman) For a more luxury experience, we tried an afternoon tea of delicious scones and sweet treats in the Yacht Club, MSC’s high-end focused area within the ship. Yacht Club passengers get their own suite and dedicated “butlers” as well as a private lounge, restaurant and pool area.
Its Top Sail lounge was decorated with gingerbread houses and Christmas trees that sparkled against the sunny backdrop of the sea, with Palma de Mallorca in the distance.
The Yacht Club on MSC World Europa gives passengers prime sea views (Marc Shoffman) Festive fashion
It is always interesting to see the various approaches to fashion on a cruise, with passengers feeling comfortable walking around in pyjamas or expressing themselves in anything from football shirts to tuxedos.
This sailing was at least a chance for me to model my Christmas jumpers – one of the few modern traditions I like about this period.
When they weren’t drinking the tea, American passengers were pretty impressed by my Avengers jumper and fellow cruisers had their own styles, such as Donald Duck, The Grinch and even matching family ensembles.
Shoffmans at sea: Marc and the family mark Christmas day on MSC World Europa (Marc Shoffman) Festive friends
I have found that cruise passengers are more friendly compared with when you meet people on land-based holidays.
We even met another Jewish family, and when we weren’t looking at the menus on our smartphones at dinner, we took the opportunity to use the torches on them for a makeshift menorah so we could mark the first night of Hanukkah, which also fell on Christmas Day.
A makeshift menorah to celebrate the Jewish festival of Hanukkah on MSC World Europa (Marc Shoffman) Doing Christmas for six can be a challenge, let alone for 6,762 – and we still had fun despite the odd queue and tussle for a cup of tea.
In many ways, a cruise itinerary is a perfect way to run Christmas or any family event. Activities were limited to slots of between 30 to 45 minutes, which may well be a tradition we take back ashore to help limit arguments over Monopoly or charades next year – plus we will make sure we have enough teabags.
How to do it
Cabins are available on MSC World Europa for a festive sailing next Christmas, departing Barcelona on 19 December 2025; from £829pp.
Read more: Things you might not have thought of to avoid seasickness on a cruise
My family and I recently had the pleasure of spending Christmas week aboard an MSC cruise, and it was truly a magical experience. From the moment we stepped on board, we were greeted with festive decorations and holiday cheer.One of the highlights of our trip was the special Christmas activities that MSC had planned for guests. There were holiday-themed shows, gingerbread decorating workshops, and even a visit from Santa himself. My kids were thrilled to meet Santa and tell him their Christmas wishes.
The dining options on board were superb, with a wide variety of delicious food to choose from. We enjoyed festive meals with all the trimmings, and even had the chance to indulge in some holiday treats like mulled wine and gingerbread cookies.
The entertainment on board was top-notch, with live music, comedy shows, and dance performances that kept us entertained throughout the week. We also made sure to take advantage of the onboard amenities, such as the pool, spa, and fitness center.
Overall, our Christmas week on board an MSC cruise was truly unforgettable. The staff went above and beyond to make sure we had a wonderful holiday experience, and we left feeling refreshed and rejuvenated. We can’t wait to book our next cruise with MSC and create more special memories with our family.
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Panasonic KX-TGD832M Review: A Closer Look at Its Features and Performance
The Panasonic KX-TGD832M is a sleek and efficient cordless phone system that offers a range of features to enhance your communication experience. With its modern design and advanced technology, this phone system is perfect for both home and office use. In this review, we will take a closer look at the features and performance of the Panasonic KX-TGD832M to help you decide if it is the right choice for you.One of the standout features of the Panasonic KX-TGD832M is its large, easy-to-read LCD screen. This screen displays caller ID information, call logs, and other important details, making it easy to keep track of your calls and messages. The phone also has a built-in answering machine with up to 17 minutes of recording time, so you never have to worry about missing an important message.
In addition to its basic calling features, the Panasonic KX-TGD832M also offers advanced functions such as call blocking and noise reduction. The call blocking feature allows you to block unwanted calls from specific numbers, while the noise reduction technology ensures crystal-clear sound quality during your conversations. These features are especially useful for avoiding telemarketers and other nuisance callers.
Another key feature of the Panasonic KX-TGD832M is its DECT 6.0 technology, which provides a secure and interference-free connection. This technology ensures that your calls are always clear and reliable, even when using multiple handsets throughout your home or office. The phone system also has a range of up to 300 meters, so you can stay connected even when moving around your space.
Overall, the Panasonic KX-TGD832M offers a great combination of style, functionality, and performance. Its modern design and advanced features make it a top choice for anyone in need of a reliable cordless phone system. Whether you are looking for a phone system for your home or office, the Panasonic KX-TGD832M is sure to meet your needs and exceed your expectations.
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A Review of the MZ-9LQ512A: Is It Worth the Hype?
The MZ-9LQ512A is a popular solid-state drive (SSD) that has been gaining a lot of attention in the tech world. With its impressive performance and storage capacity, this SSD has been praised by many users and reviewers. But is it really worth all the hype? Let’s take a closer look at the MZ-9LQ512A and see if it lives up to its reputation.First and foremost, the MZ-9LQ512A boasts a massive 512GB storage capacity, making it an ideal choice for users who need a lot of storage space for their files and applications. This SSD also features fast read and write speeds, with sequential read speeds of up to 550MB/s and sequential write speeds of up to 520MB/s. This means that users can expect quick and efficient performance when transferring data or running applications on their computer.
In terms of durability, the MZ-9LQ512A is built to last. It features a rugged design that can withstand shocks and vibrations, making it a reliable choice for users who need a durable storage solution. Additionally, this SSD is also equipped with advanced error correction technology, which helps to prevent data loss and ensure the integrity of the stored data.
One of the standout features of the MZ-9LQ512A is its compatibility with a wide range of devices. This SSD is compatible with both Windows and Mac operating systems, making it a versatile choice for users who have different types of computers. Additionally, the MZ-9LQ512A also supports a variety of interfaces, including SATA III and M.2, allowing users to easily connect it to their devices.
Overall, the MZ-9LQ512A is a solid choice for users who are looking for a high-performance and reliable SSD. With its impressive storage capacity, fast read and write speeds, and durable design, this SSD is definitely worth considering for those who need a reliable storage solution for their computer. If you’re in the market for a new SSD, be sure to check out the MZ-9LQ512A and see if it meets your storage needs.
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