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Tag: Sings
Alanis Morissette Sings ‘Hand in My Pocket,’ ‘Thank U’ at FireAid
Alanis Morissette tore through a pair of her most beloved singles at the FireAid L.A. Benefit Concert on Thursday night (Jan. 30), taking the stage in the second slot at the Kia Forum and performing “Hand in My Pocket” and “Thank U.”
Following Green Day’s opening set (which also featured special guest Billie Eilish), Morissette took the stage in an “I <3 LA” t-shirt covered in glitter. She immediately launched into “Hand in My Pocket,” prowling the stage in front of her band and blasting the song’s harmonica solo.
Wrapping up the Jagged Little Pill classic, Morissette declared, “I love you L.A., so much. The connections that have been born from these tragedies have been deeply heartwarming.” The version of “Thank U” that followed was both muscular and emotional, with Morissette this time swaying in front of a microphone stand.
The FireAid Benefit Concerts kicked off at the Forum and will continue at the Intuit Dome across town, with the goal of raising millions for those affected by the wildfires across Los Angeles earlier this month. Red Hot Chili Peppers, Joni Mitchell, Stevie Nicks, John Mayer, Anderson .Paak and P!nk are among the artists scheduled to perform at the Forum, while Gracie Abrams, Rod Stewart, Lady Gaga and Olivia Rodrigo will play the Intuit Dome, among many others.
Click here to see how the Recording Academy and MusiCares are using partnerships to support wildfire relief efforts.
On Saturday night, the iconic singer-songwriter Alanis Morissette took the stage at FireAid, a benefit concert raising funds for those affected by recent wildfires. The crowd erupted in cheers as Morissette began to sing her classic hits, ‘Hand in My Pocket’ and ‘Thank U.’With her powerful voice and emotional delivery, Morissette captivated the audience and brought a sense of unity and hope to all in attendance. The lyrics of ‘Hand in My Pocket’ resonated with many, as they sang along and swayed to the music.
As she transitioned into ‘Thank U,’ the crowd fell silent, hanging on every word as Morissette expressed gratitude and reflection in the face of adversity. The song’s message of finding peace and acceptance in challenging times was especially poignant in the wake of the recent wildfires.
Overall, Alanis Morissette’s performance at FireAid was a moving and unforgettable experience, reminding us of the power of music to heal and bring people together in times of need.
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Alanis Morissette, Hand in My Pocket, Thank U, FireAid, live performance, singer-songwriter, iconic songs, music event, charity concert, Canadian artist, empowering lyrics, powerful vocals, Alanis Morissette live, FireAid performance, unforgettable moments
#Alanis #Morissette #Sings #Hand #Pocket #FireAidWatch: Fan Joins Green Day During Dubai Concert, Plays Guitar And Sings Good Riddance With Billie Joe Armstrong
Last Updated:
A video showing the young man not only meeting Green Day but also sharing the stage with Billie Joe Armstrong to sing Good Riddance.
Green Day are set to perform for fans across multiple locations this year. (Photo Credits: Instagram)
Green Day is currently thrilling fans across the globe with their energetic live performances. During their recent stop in Dubai, band members Billie Joe Armstrong, Mike Dirnt and Tre Cool delivered an unforgettable show. Many dream about meeting their favourite artist at least once in their life, but for one lucky Indian fan, attending the concert became a unique experience.
A video showing the young man not only meeting Green Day but also sharing the stage with Billie Joe Armstrong to sing Good Riddance. What made the moment even more special was that the fan got the opportunity to flaunt his guitar playing skills with the band’s lead vocalist.
In the video, Billie won fans’ hearts by kindly holding the mic for the fan while he sings and plays guitar in front of a massive crowd. Later, the singer took over the performance and continued the track, while the audience joined in by cheering and singing along, which created an incredible atmosphere. Sharing the clip on Instagram, the fan page wrote, “Fan on stage for Good Riddance Green Day.”
Reacting to the post, a user wrote, “Bro’s got the envy of around 2k people or more.”
Another shared, “Oh wow so powerful.”
One more added, “So jealous.”
Green Day has a packed schedule this year, with Billie Joe Armstrong, Mike Dirnt and Tre Cool set to perform for fans across multiple locations. Their tour will take them to places like California, Macau, Bangkok, Jakarta, Kuala Lumpur, Osaka, Nagoya, Yokohama, Melbourne, Sydney, Gold Coast, Monterrey, Florida, United Kingdom, Italy, Austria, Germany, Denmark, Luxembourg, Amsterdam, Belgium, Greece and Brazil.
This year, Indian fans will finally get to see Green Day live, as the band is set to perform at Lollapalooza, which is set to take place on March 8 and 9 at Mahalaxmi Race Course in Mumbai. Interestingly, the rock band will be headlining the festival alongside Canadian pop star Shawn Mendes. They will be joined by other global artists like Louis Tomlinson, Hanumankind and Glass Animals, among others.
Interestingly, Billie Joe Armstrong, Mike Dirnt and Tre Cool’s upcoming performance is set to become their first ever concert in India.
- Location :
Delhi, India, India
Green Day fans were in for a treat during their recent concert in Dubai when one lucky fan got the chance of a lifetime to join the band on stage. The fan, named Sarah, was invited on stage by lead singer Billie Joe Armstrong to play guitar and sing along to their hit song “Good Riddance (Time of Your Life).”As the crowd cheered her on, Sarah confidently grabbed a guitar and belted out the lyrics alongside Armstrong. The energy and enthusiasm in her performance were infectious, and it was clear that she was living out a dream on stage with one of her favorite bands.
The moment was captured on video and has since gone viral, with fans praising Sarah for her talent and bravery. It’s moments like these that remind us of the power of music to bring people together and create unforgettable memories.
Check out the video of Sarah joining Green Day on stage in Dubai and prepare to be amazed by her performance. It’s a reminder that sometimes, dreams really do come true. #GreenDayDubai #FanMoment #GoodRiddance
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Green Day concert, Billie Joe Armstrong, Fan joins Green Day, Dubai concert, Good Riddance, Guitar, Singing, Music performance, Rock band, Music collaboration
#Watch #Fan #Joins #Green #Day #Dubai #Concert #Plays #Guitar #Sings #Good #Riddance #Billie #Joe #ArmstrongDisney Baby Musical Discovery Plush Minnie Mouse with Sounds and Phrases, Sings ABCs, 123s, and Colors Songs, Kids Toys for Ages 06 Month by Just Play
Price: $20.99
(as of Jan 28,2025 07:15:11 UTC – Details)
Your little bundle of joy will love playing with the Disney Baby Musical Discovery Plush Minnie Mouse! Press the icons on Minnie’s hands and feet to hear her sing songs about the ABCs, 123s, and colors and shapes! This super-soft interactive plush even features Minnie phrases and crinkle in Minnie’s bow. New parents will love watching their little one grow with first pal Minnie Mouse. Requires 2 x AAA batteries (included). Ages 9 months +
This product has polybag packaging that may reveal what’s inside and cannot be hidden.
Press the icons on Minnie’s hands and feet to hear her sing songs about the ABCs, 123s, and colors and shapes!
Features Minnie phrases.
Crinkle in Minnie’s bow.
Requires 2 x AAA batteries (included).
Ages 9 months +Customers say
Customers find the toy figure cute and soft. They appreciate its educational value and good value for money. Many find it a great gift and like its size and quality. However, opinions vary on the sound quality and functionality.
AI-generated from the text of customer reviews
Introducing the Disney Baby Musical Discovery Plush Minnie Mouse!Get ready for hours of musical fun with this adorable plush Minnie Mouse! Perfect for little ones ages 0-6 months, this interactive toy is sure to keep your baby entertained and engaged.
With just a squeeze, Minnie Mouse comes to life with fun sounds and phrases, as well as singing the ABCs, 123s, and colors songs. Your little one will love learning and playing along with their favorite Disney character!
Made by Just Play, a trusted name in kids’ toys, this Musical Discovery Plush Minnie Mouse is not only cute and cuddly, but also educational and entertaining. It’s the perfect gift for any young Disney fan!
Don’t miss out on the magic of Disney with this adorable musical toy. Get yours today and watch your baby’s eyes light up with joy! #DisneyBaby #MinnieMouse #JustPlay #KidsToys
#Disney #Baby #Musical #Discovery #Plush #Minnie #Mouse #Sounds #Phrases #Sings #ABCs #123s #Colors #Songs #Kids #Toys #Ages #Month #Play,for 1 year plusChange Sings: A Children’s Anthem – Hardcover By Gorman, Amanda – VERY GOOD
Change Sings: A Children’s Anthem – Hardcover By Gorman, Amanda – VERY GOOD
Price : 3.98
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Change Sings: A Children’s Anthem Hardcover By Gorman, Amanda – VERY GOODGet ready to be inspired by the powerful words of Amanda Gorman in her children’s book “Change Sings: A Children’s Anthem.” This hardcover edition is in very good condition and is perfect for young readers who are looking for a message of hope and empowerment.
In this book, Gorman encourages children to embrace their voices, take action, and make a difference in the world. With vibrant illustrations and a lyrical text, “Change Sings” is a must-have for any child who wants to be a force for positive change.
Don’t miss out on this amazing book that is sure to become a classic. Grab your copy of “Change Sings: A Children’s Anthem” by Amanda Gorman today and let the message of hope and empowerment ring loud and clear!
#Change #Sings #Childrens #Anthem #Hardcover #Gorman #Amanda #GOOD,ages 3+Sing Sing’s Colman Domingo Joins Gus Van Sant’s Dead Man’s Wire
EXCLUSIVE: Colman Domingo is joining the cast of Gus Van Sant’s hostage thriller Dead Man’s Wire after completing his scenes for Edgar Wright’s The Running Man.
The title of Wright’s film is an apt for an actor who is doing the reverse of Phillip C. McGraw’s dictum that ‘it’s a marathon, not a sprint,’ by jetting from London on Monday to a devastated Los Angeles, then on to Kentucky next weekend to join Nosferatu’s Bill Skarsgard in Dead Man’s Wire in Louisville.
Austin Kolodney’s original screenplay for Dead Man’s Wire is based on the story of Tony Kirtsis, who one frigid day in February 1977 took Indianapolis mortgage broker Dick Hall hostage in his office. He attached a steel wire, that was hooked to the barrel of a sawed-off, double barrel shotgun, around his captive’s neck. Deadline revealed news of the production and the casting of Skarsgard, along with Stranger Things star Dacre Montgomery, last month.
“This guy was just in dire straits, holding people hostage and speaking to a radio announcer,” says Domingo, who will play the broadcaster in question. He’s speaking to Deadline in the middle of an awards season that has propelled the actor’s performance in A24 flick Sing Sing towards Academy Award contention. “That’s the only person he felt like he could communicate with. He’d listened to him every day and I sort of guide him not to kill people.”
After Dead Man’s Wire, it’s onto the third season of HBO’s Euphoria, shooting eight episodes with Zendaya, Jacob Elordi and Sydney Sweeney. “Everybody’s excited to get back to work. That’s taken a lot time to put together,” says Colman.
It’s been three years of waiting, in fact. “There’s been lots of rewriting and rethinking of what it is, and then it’s about wrangling everyone’s schedules — whether it’s Jacob‘s and Sydney or my schedule and Zendaya’s schedule. Oh, everyone’s become mega stars now,” he laughs.
Colman adds, “It’s going to be incredible storytelling. I don’t know if [what I heard] made it to the final pages, but from what I was told, it’s really exceptional. It’s human.”
‘Euphoria’
HBO
Spielberg Collaboration
Euphoria’s followed by Steven Spielberg’s new, as yet untitled, new movie. “I can’t tell you anything,” he says as I’m about to open my mouth.
“I will tell you this,” he decides. “I finished reading the script and I bawled. I thought it was one of the most beautiful scripts about our humanity. I think it was just the most beautiful film about our humanity, and I literally cried because Steven Spielberg believes in the possibility of the human beings we could be. That’s what I’ll tell you.”
Of course, I push for more.
“From what’s out there in the world, it is an untitled sci-fi experience. You know Steven’s always concerned about the stars and the moon, so I think that’s what I can tell you,” he says, lacing his hands together.
“Are you an astronaut,” I speculate?
“Possibly. You never know,” he says chuckling.
Shakespeare was into the stars and the moon, as well. I tell Domingo that I was struck by the soliloquy the actor chose to recite at the top of Sing Sing, where he plays John ‘Divine G’ Whitfield, a man incarcerated at the Sing Sing Correctional Facility, in Ossining, New York, for a crime he didn’t commit. The film, directed by Greg Kwedar, who also wrote the script with Clint Bentley, follows Divine G’s participation in Rehabilitation Through the Arts, known as R.T.A.
When I rewatched the movie ahead of my meeting with Domingo, I somehow experienced it differently from when I first watched it ages ago. I realized that the text Domingo’s Divine G performed as Lysander, one of the lovers in A Midsummer Night’s Dream — “Swift as a shadow/short as any dream/Brief as the lightning in the collided night/That, in a spleen, unfolds both heaven and earth/And ‘ere a man hath power to say, ”Behold!”/And ere a man hath power to say, ’Behold!’/The jaws of darkness do devour it up… “ — is the key to the film.
“That’s exactly why I chose that monologue to start,” he agrees. “That is the key. Since our film takes so many cues from Shakespeare, I thought the first line of a character in any Shakespeare play will tell you everything you need to know about him.” Usually, their entrance line in some way, shape or form, he observes, “will tell you a lot about the crisis of faith or the questions that the character has.”
Domingo explains that in that moment we find Divine G “in the height of his artistic journey in a hope-filled place,” but that juxtaposing his splendid robes on moment with his prison greens asks the question of how he exists in the world. “He’s holding onto hope and art,” adds Domingo.
Colman Domingo in ‘Sing Sing.’
A24/Everett Collection
“He’s holding onto language, ideas and imagination, and the container of prison is trying to beat it out of him. It gets me emotional anytime I think about it, because I know I can sit here and talk to you clearly about it, because you know about the container of us living in the world as Black men, a world tries to constrain us. We’re saying, ‘No, I’m liberated from that, every single day. Every step of our being is in defiance of the way the world is set up for us.’”
After seeing the film, some found his performance so compelling that people would ask him, indirectly, whether he’d ever been incarcerated. ”I’m like, ‘No! I’m a Black man in the world. I know how this man feels.’ It’s not so foreign, which is why I know I put more of myself into this film than I’ve ever put into any other film.
“I needed to lift the mask off of Colman and pour him fully into this. I wasn’t allowed to do that with Rustin; I had to build a character. With The Color Purple, I had to build a character and infuse it, and find its way and its heartbeat. But with this, I had to find my heart in John ‘Divine G’ Whitfield’s heart and pull him together.”
We’re practically alone, the two of us, in the charming Bistro Bardot, a hostelry that was once a famous old pub in Wapping, East London. He’s holding back tears now as he talks about his role in the film. “It’s me with all my fears,” he continues. “What would happen if I was wrongfully accused of a crime just walking down the wrong street at the wrong time, and the system is set up to put me away, and not to believe me, not to trust my word?”
Colman Domingo holds back his emotions in London
Baz Bamigboye/Deadline
Awards Trail
Domingo’s one of the few professional actors in Sing Sing, along with Sound of Metal’s Paul Raci. The bulk of the company consists of those who had previous experience performing with R.T.A.. One is Clarence ‘Divine Eye’ Maclin, who’s a revelation in the picture. He and Domingo have been nominated for supporting and lead actor BAFTA awards — Maclin also shares an adapted screenplay nomination for the film.
Domingo says he’ll return to London for the London Film Critics Circle Awards and the BAFTAs. He has the Critics Choice and SAG Awards upcoming in LA as well.
Following a tricky introduction, ‘Divine G’, in a magnanimous act, decides to assist ‘Divine Eye’ in his R.T.A. acting endeavours and in helping him prepare for his parole board hearing. “Even though he’s challenged by him, at the end of the day, he finds it more joyful to be of service to him as a well,” says Domingo.
The irony of that is devastating because ‘Divine G’ doesn’t know how to get himself outta that place. When I watched him go up for parole, I could feel the volcano inside both the character and the actor begin to rumble. How did he hold it back, I ask?
“I said to myself to hold it back,” responds Domingo. “I know that character. I know the person who feels like I have to measure my anger or my fury or my frustration sometimes, and always choose the high road. I know that very clearly. Please, I know that even when it comes to the way people will value or not value your work. I will just do what I need to do.”
But does he get angry, I ask?
“I get frustrated like everybody else, and at some point. I can only take so much. I know the things that boil and boil over when you’re not being seen or you’re not being heard, or you are constantly being looked over or passed over. You always try to take stock, but at some point, you want to lose your whole mind. But I think that I’m a very measured person because that’s the way I am,” he says flatly.
There are great men he greatly admires. “Whether it’s Ralph Ellison or whether it’s James Baldwin or Nat King Cole, I always think that these are guys who choose grace, but they have everything in them to be a Huey P. Newton or a Malcolm X.”
You know what, though? Colman Domingo’s having the last laugh on those who ever doubted him.
He’ll be on the Gus Van Sant movie set this weekend; he’s got Euphoria, the Spielberg picture. You’re gonna make your feature directing debut on Scandalous about Sammy Davis Jr and Kim Novak, to be portrayed by Rye Lane’s David Jonsson and Anyone But You’s Sydney Sweeney, I tell him. There’s the Nat King Cole Biopic he’s setting up to star in and direct next year. In a similar key, there’s the musical he wrote with Patricia McGregor, to be directed by McGregor, Lights Out: Nat King Cole, starting performances at New York Theatre Workshop in March, starring Dulé Hill (The West Wing) and Daniel J. Watts, who played Ike Turner in Tina: The Tina Turner Musical, as Sammy Davis Jr.
There’s the Tina Fey comedy show he’s shot called The Four Seasons, based on the Alan Alda movie. There’s crime thriller The Madness, in which he stars, on Netflix. Fear the Walking Dead is on Prime Video on an endless loop, and there’s stuff so far off in the future he dare not tell me about. He was filming The Running Man at Leavesden Studios until last weekend. Edgar Wright chose him for that. And later this year, he’ll be seen portraying Joe Jackson, Michael Jackson’s father, in Antoine Fuqua’s Michael.
Domingo and Indhu Rubasingham, the National Theatre’s incoming Artistic Director have been talking, he reveals, “about leaving a window open in the fall of 2026 to do “something” there. “I haven’t been on stage in London since Scottsboro Boys twelve years ago and I think my first show will be back in London at the National Theatre,” he affirms. He wants it to be “something special and impactful” and allows to “have fun.”
Oh, and Domingo, the red carpet maestro, is a house ambassador with Valentino now. “[Creative director] Alessandra Michele has been creating custom pieces for me to wear,” he says.
Colman Domingo at the 36th Annual Palm Springs International Film Awards at the Palm Springs Convention Center on January 3, 2025 in Palm Springs, California.
Getty
Doors once closed have been flung open all over the place for Colman Domingo, I say.
He concedes that “in a funny way, you’re right. I guess I’m having a bit of a last laugh.”
Sipping a Negroni, he adds that “just by existing and being and working hard, he represents all of the people who’ve worked regional theater, off-Broadway, and taught themselves to write and direct in the face of doors slamming and opportunities denied. “I represent all of those actors and artists,” he says,” emotion building. “I did not know that this was available to me. I just didn’t know, and now it feels like I have a greater opportunity to have even more impact.”
Last month he had a conversation with his team as he considered his next move. “I thought, ‘well, I want to have even more impact’. “And I woke up and I thought, ‘Well, I think the word is mogul!’”
‘Mogul’ is a good word, I say, guffawing at the audacity of it all.
“I tell you why,” he says. “I feel like it’s about having impact with many industries. I think that if people are willing to invest in me and the Coleman Domingo brand, I have the heart and the aptitude to tell them where to go because I care about people, I care about Black and brown men, I care about education. And by being a mogul, I can actually do that.
“That’s bigger than just being an artist. It’s having an effect on economy, which is why being a producer on Sing Sing shows I can actually make it happen. I can tell financiers what to do with their money and what will make an impact.”
It’s unlikely, I suggest, that Sing Sing would’ve have been made, at least not anytime soon, had it not been for his involvement.
“It absolutely would not have been made,” he concurs. “We had to agree on a plan on how to do it, which was a very community-based way of making sure that everyone above and below the line were paid the same rate, because it made sense for this film. You’re like, ‘How can you have people with their lived experience not benefiting?’”
So, everyone got paid the same. Including you? “Including me,” he replies.
“But I had to agree to it. I remember I brought this up to my team, and they were unsure. I said, “I think this makes sense. We’re going to make this as a collective and as a collective, we should all benefit from it.’ That means we’re all taking a chance. If it fails, if it doesn’t gain anyone one cent, that’s all fine. We all did this because we want to do this. We felt this story matters. That means that person who’s cleaning the toilet gets paid the same amount of money as I do.”
They were paid a daily rate, though he can’t recall how much. “Let’s say it was $600. Everyone got that. If you worked a certain amount of days, you got more, and so basically your equity, once we sold the film will break down in that way. You have this amount of points per days you’ve worked compared to that person.” Essentially, their share of any profit would be aligned to how many days they had accrued.
Although as a producer through the Edith Productions single he runs with husband Raul Domingo, “We have one more point or something, one more daily rate. But, pretty much, it’s as democratic as I’ve ever seen.”
Making Sign Sing wasn’t about the money for him, but ensuring it exists, just as was the case for Domingo with The Color Purple and Rustin. I’m like, I could afford to actually do this film as well, to be honest, and do it in a very fair way, which is beautiful. This is what those big budget films afford you to be able to do, so you can actually support others.”
A Producers Guild Award nomination would have been “a meaningful acknowledgement that this film was made against all odds in a truly democratic way,” he says with evident disappointment. “We’re bucking the system and the trend, and fellow producers did not want to acknowledge that.”
The Return Of Trump
We’re speaking on the eve of Donald Trump’s inauguration and I ask Domingo if he’s at all concerned about the noises one has been hearing about possible interference in the screen industry from MAGA forces.
Colman Domingo and Ke Huy Quan at 96th Oscars ceremony
Baz Bamigboye/Deadline
He shakes his head, and reveals that he had a “beautiful conversation” late one night at a restaurant, the name of which he won’t disclose, with some friends and colleagues, including Natasha Lyonne, Leonardo DiCaprio, Zoe Kravitz, Zachary Quinto and Jeremy O. Harris.
“Anytime I’m in New York, I bring people together. We sat and enjoyed each other’s company, and then we talked about how we are now the studios, the individuals.“
How so? “Because if we believe it can happen, and if we make it happen, it’s not about asking permission. It’s just we have to find the way, find our colleagues and financiers, and build it ourselves. Then we sell it. That’s what we’ve done with my last two films. Sing Sing we sold to A24 and It’s What’s Inside to Netflix.” Domingo explains that he and his husband developed It’s What’s Inside at Edith Productions, following that model to get it made.
“For me, it has to start with the individuals and the individual production companies. I believe that’s what me and my colleagues believe because we’re the ones willing to take the chances. Now let’s figure it out and let’s be smart. We can’t just be the creatives. We have to be connected to financiers and making sure we know how to get all things done, which is why I feel like we’re part of a generation of people are saying ‘No! I believe that we can be the studios.’”
Many of those assembled that night in New York have production companies and all of them, he says, “are all forward thinking artists who know that it’s just not enough to be the artist,“ he says banging the table to press home his point. “You’ve got to be the mover and the shaker, and you’ve got to be the numbers guy too.”
He doesn’t know what he’s going to find when he arrives back in an LA devastated by wildfires. He knows from Raul that his house in North Malibu is intact, but it “got the smoke.” He adds: ”I do know that the thing that I know I’m going back to is a community of people that really have been looking out for each other. What it’s brought out is the fact that we look after each other immediately.”
He and Raul still have their old home in Southeast LA. Selma director Ava DuVernay posted about needing somewhere for his old Selma cast mate, the actor Henry G. Sanders,his wife and his family who lost their home in Altadena. “I said, ’Let’s put them in my house,’ and Raul got it cleaned up and everything else.”
This is what “we do as a community” he reasons. “This is what we do at our best.”
I am thrilled to announce that Sing Sing’s very own Colman Domingo has officially joined the cast of Gus Van Sant’s upcoming film, Dead Man’s Wire.Domingo, known for his incredible talent and versatility as an actor, will be bringing his unique charm and charisma to this highly anticipated project. With Van Sant at the helm and Domingo on board, this film is sure to be a must-see for all movie lovers.
Stay tuned for more updates and behind-the-scenes glimpses as production on Dead Man’s Wire gets underway. And be sure to mark your calendars for what is sure to be an unforgettable cinematic experience with Colman Domingo and Gus Van Sant leading the way.
Get ready for Dead Man’s Wire – coming soon to a theater near you!
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- Colman Domingo
- Sing Sing
- Gus Van Sant
- Dead Man’s Wire
- Film
- Actor
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- Collaboration
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- New project
#Sing #Sings #Colman #Domingo #Joins #Gus #Van #Sants #Dead #Mans #Wire
Reba McEntire Sings “Cowgirls Don’t Cry” with Brooks & Dunn
Longtime country fans know that one of the hottest tickets in town during the mid-2010s was Reba, Brooks & Dunn: Together in Vegas. During that residency, the trio captivated audiences night after night with incredible performances.
And in our eyes, it doesn’t get any better than this enchanting version of “Cowgirls Don’t Cry” that should be required listening for any fan. Kix Brooks, Ronnie Dunn (known collectively as Brooks & Dunn), and Reba McEntire gave fans a Sin City performance they’d never forget!
Listen to this live Las Vegas performance of “Cowgirls Don’t Cry” here.
You can’t have a song about a cowgirl without an honest-to-goodness cowgirl singing along with you, and McEntire stole the show when she took over the final chorus.
Singing lyrics like “Cowgirl, don’t cry / Ride, baby, ride” in her signature vocal style gave the song a softness — and strength — that only the Happy’s Place star could provide.
The Las Vegas crowd was blown away, just like we were when we first watched the performance.
While the trio’s performance of “Cowgirls Don’t Cry” was as good as it gets, the story Dunn told before they began playing was the video’s highlight. As it turns out, McEntire is responsible for Dunn’s daughter finally getting a horse when she was younger. McEntire demanded it! (How can you not love the Queen of Country Music?)
RELATED: The 1 Thing Reba McEntire & Rex Linn Don’t Agree on While Filming Happy’s Place
Performing alongside Brooks & Dunn during the trio’s Las Vegas residency is undoubtedly a highlight of McEntire’s career. However, she revealed it was hard for her to keep up with the on-stage banter between her two friends at times.
“When we first started out, I said, ‘Okay, here is what you’re going to say, and here is what you’re going to say, and then I’ll say…,’” McEntire revealed to PopCulture in 2019. “And they go ‘Uh-huh. Yeah.’ We get out there and I say my little part and I look at them and… crickets. They’re gonna say what they want to say and I just kind of follow along.”
Brooks & Dunn are known for their impromptu banter, and it caused McEntire to make an honest — but hilarious — realization.
“I am not on their level,” McEntire confessed. “They are so good at it. I can’t dish it back.”
Things may have changed since then, however. During her memorable time on The Voice over the past few years, she proved she could banter with the best of them!
Here’s what to know about “Cowgirls Don’t Cry”
Released in 2008 by Brooks & Dunn as the fourth single from their studio album Cowboy Town, “Cowgirls Don’t Cry” was actually re-recorded as a duet with McEntire one year later, and that’s when the song took off.
Officially listed as “Cowgirls Don’t Cry” by Brooks & Dunn featuring Reba McEntire, the track reached the #44 position on the Billboard Hot 100 and peaked at #2 on the Hot Country Songs chart.
Reba McEntire Joins Forces with Brooks & Dunn for a Powerful Performance of “Cowgirls Don’t Cry”Country music legends Reba McEntire and Brooks & Dunn recently teamed up for a stunning rendition of the hit song “Cowgirls Don’t Cry.” The trio took the stage together and delivered a heartfelt performance that left the audience in awe.
McEntire’s powerful vocals paired perfectly with Brooks & Dunn’s harmonies, creating a truly unforgettable musical moment. The song’s message of resilience and strength resonated with fans as they watched these iconic artists come together to share their talent and passion for country music.
The collaboration between Reba McEntire and Brooks & Dunn was a true highlight of the evening, showcasing the timeless appeal of their music and the enduring connection they have with their fans. It’s clear that these country music legends still have what it takes to captivate audiences and deliver unforgettable performances.
Watch the video of Reba McEntire singing “Cowgirls Don’t Cry” with Brooks & Dunn and prepare to be moved by their incredible talent and undeniable chemistry on stage.
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Reba McEntire, Brooks & Dunn, Cowgirls Don’t Cry, country music, duet performance, classic country, iconic singers, live performance, Nashville, country music legends
#Reba #McEntire #Sings #Cowgirls #Dont #Cry #Brooks #DunnZach Bryan Sings About ‘Holding His Tongue’ as He Teases New Music
While many of us have been enjoying a quiet, restful Christmas break, Zach Bryan has been hard at work on new music as he takes time away from the road, following the conclusion of his hugely popular 2024 Quittin‘ Time tour earlier in December.
Not only did the Oklahoma singer-songwriter surprise listeners with a new project, 24 (Live), on December 20th, but he’s also been teasing fans with a flurry of unreleased songs.
Zach Bryan’s latest snippet, which remains untitled, finds the ‘Revival’ hitmaker crooning forlornly about how he encountered the Devil in Tulsa, but even Satan’s nefarious methods and actions can’t be compared to the cruelty of the person he sings to.
This dropped the day after the folk-leaning megastar teased another more uptempo track, during which Zach Bryan again sings to an ex (“She’s got a lover under our old covers / And I don’t have the heart to ask her why / Does he know that the bed-frame is aimed at the window sill / So the sun wakes you up from your left side”).
Of course, given the fact that Zach Bryan went through a high-profile split from BFFs podcast co-host, Brianna LaPaglia, in November, a number of followers have been suggesting both of these newly shared unreleased offerings are about their break-up.
However, Bryan is a masterful storyteller, and often steps into the shoes of an unfamiliar, imagined protagonist, so we simply can’t know who he penned these new tracks about until he comes out and explains the meaning of the songs himself. Although, it must be said that Bryan has been known to ‘adjust’ the stories behind his tracks of late, as was the case with ’Something in the Orange’ recently.
One thing that does seem to be a little more certain, however, is that Zach Bryan is grinding away at his follow-up album to his lauded 2024 record, The Great American Bar Scene.
In an October interview with Bruce Springsteen for Rolling Stone, Bryan confirmed he had around fourteen songs written for the forthcoming project, but that he was making a point of being more deliberate and less hurried with his process this time around.
With Zach Bryan treating listeners to two new singles, ‘High Road’ and ‘This World’s a Giant’ – both of which feature vocals from New York artist, Grumpy – back in November, we’re hoping it won’t be too long before we get to hear studio versions of these newly uploaded acoustic tracks, ahead of Bryan’s brand new album.
For more on Zach Bryan, see below:
Featured photo by Laura Ord
Folk singer-songwriter Zach Bryan is back with a new single titled ‘Holding My Tongue’, and fans are buzzing with excitement for his upcoming music release.In a recent Instagram post, Bryan shared a snippet of the new track, showcasing his raw and emotive vocals as he sings about the struggles of keeping quiet in difficult situations. The song’s haunting melody and introspective lyrics have already captivated listeners, leaving them eager for more.
Known for his soulful storytelling and heartfelt performances, Bryan has quickly gained a dedicated following in the folk music scene. His authentic and vulnerable approach to songwriting has resonated with fans, and ‘Holding My Tongue’ is sure to be another powerful addition to his discography.
Stay tuned for more updates on Zach Bryan’s upcoming music release, and be sure to check out ‘Holding My Tongue’ for a glimpse of what’s to come. With his signature blend of emotion and honesty, Bryan is sure to deliver another unforgettable musical experience.
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Zach Bryan, new music, Holding His Tongue, singer-songwriter, teaser, music release, Zach Bryan music, acoustic music, country music, upcoming artist
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