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  • Quentin Tarantino Condemns The Current State Of The Movie Industry


    Acclaimed filmmaker Quentin Tarantino has condemned the current state of the film industry. The Pulp Fiction director rose to Hollywood stardom with his stunning debut Reservoir Dogs in 1993 and has gone on to enjoy a critically and commercially successful career across nine feature films. The 61-year-old has long stated that his 10th movie will be the last of his career, but some of his recent comments suggest audiences could be waiting a while before he decides to make it.

    While at the Sundance Film Festival (via Variety), Tarantino revealed his next project was to be a play, not a movie, before launching a scathing attack on the state of the movie industry currently, as well as the fact that theatrical releases are not the focal point anymore. He goes on to call the whole process a “…show pony exercise,” before reiterating the importance of theaters for helping to keep the movie industry ticking over. Check out Tarantino’s full comments on the matter below:

    “That’s a big f*cking deal pulling [a play] off, and I don’t know if I can. So here we go. That’s a challenge, a genuine challenge, but making movies? Well, what the f*ck is a movie now? What — something that plays in theaters for a token release for four f*cking weeks? All right, and by the second week you can watch it on television. I didn’t get into all this for diminishing returns.

    I mean, it was bad enough in ’97. It was bad enough in 2019, and that was the last f*cking year of movies. That was a sh*t deal, as far as I was concerned, the fact that it’s gotten drastically worse? And that it’s just, it’s a show pony exercise. Now the theatrical release, you know, and then, like, yeah, in two weeks, you can watch it on this [streamer] and that one. Okay. Theater? You can’t do that. It’s the final frontier.”

    It Could Be Some Time Before His Next Movie

    Tarantino’s comments come from a place of frustration, from a man who was first and foremost a movie fan before he was a filmmaker. His comments suggest that he is jaded with the direction the industry has taken, as well as the rise in the prominence (and dominance) of streaming services over long theatrical runs. It is worth noting, that this is not the first time Tarantino has taken aim at the industry, with the director famously criticizing Marvel movies as being formulaic, and suggesting they have contributed to the death of the classic movie star.

    While the industry is struggling, there is more of a need than ever for talented and creative minds, and Tarantino’s 10th movie could be the perfect tonic to help boost box office takings and improve audience engagement in theaters.

    Judging by what he has to say above, it seems Tarantino believes things have only gotten worse. The outspoken Oscar winner also recently proclaimed television as an inferior medium to movies, but it seems as though he believes there needs to be massive changes made across the industry, and he has little interest in returning to make his 10th and final film any time soon. This is likely one of the reasons that has inspired him to pivot creatively and write a play, while leaving his final movie project on the backburner.

    The Director Does Have A Point, But His 10th Film Could Help Get Things Back On Track

    Quentin Tarantino In Pulp Fiction in a kitchen wearing a bathrobe

    Tarantino does have a point about the direction the movie industry is going in, though as a perfectionist, he is perhaps more critical than most audiences would be. Furthermore, while the industry is struggling, there is more of a need than ever for talented and creative minds, and Tarantino’s 10th movie could be the perfect tonic to help boost box office takings and improve audience engagement in theaters. Much will come down to how his play pans out, and Tarantino could be back behind the camera sooner rather than later.

    There Have Been Great Movies Since Once Upon A Time…In Hollywood Was Released

    While there is definitely merit to Tarantino’s criticisms, his comments also oversimplify the issues at hand. Increasingly shortened theatrical releases, the proliferation of streaming services, studios’ relying on already popular intellectual properties, and diminishing returns for those who work on movies are among the many problems that are currently plaguing the industry. That being said, it is an oversimplification to say that 2019 “was the last f*cking year of movies.”

    Imagery-from--Tár,-Past-Lives,-and-Dune-Part-Two

    Related


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    The 2020s have included iconic movies in every genre, and they’ve delivered shocking and powerful endings that stay with audiences for a long time.

    Tarantino referencing 2019 is no accident, as it is the year he released his latest film, Once Upon a Time…in Hollywood, and the last year before the industry was upended by the Covid-19 pandemic. Since Tarantino’s last release and despite the challenges that came with the pandemic, there have been many phenomenal movies that have debuted and that have found critical and commercial success. Oppenheimer, Everything Everywhere All at Once, and Dune: Part Two are only a few of the best movies to be released so far in the 2020s.

    Once Upon a Time…in Hollywood Tomatometer Score

    Once Upon a Time…in Hollywood Popcornmeter Score

    86%

    70%

    Tarantino’s The Movie Critic, which was originally going to be his 10th and final movie, has been canceled, and he is in no rush to create another moment right now, especially when there are many issues within the industry. Tarantino’s current creative stance and the industry’s widespread issues do not negate the success and diverse range of successful and beautiful movies that have debuted since 2019. By the time Quentin Tarantino makes his next movie, there will be many other impressive films that have been released, and hopefully, some of the industry’s issues will have been addressed.

    Source: Variety

    Headshot Of Quentin Tarantino


    Quentin Tarantino

    Birthdate

    March 27, 1963

    Birthplace

    Knoxville, Tennessee, United States

    Professions

    Director, Screenwriter, Producer, Actor, Author



    Quentin Tarantino, the acclaimed filmmaker known for his unique storytelling and stylistic approach to filmmaking, has recently spoken out against the current state of the movie industry. In a recent interview, Tarantino expressed his concerns about the lack of originality and risk-taking in Hollywood, criticizing the industry for prioritizing sequels, reboots, and franchises over original and innovative storytelling.

    Tarantino, who is known for his bold and provocative films such as Pulp Fiction, Kill Bill, and Once Upon a Time in Hollywood, believes that the focus on big-budget blockbusters and formulaic storytelling has stifled creativity and diversity in the industry. He argues that this trend has led to a homogenization of cinema, where independent voices and unique visions are often overlooked in favor of safe bets and guaranteed box office returns.

    Despite his criticisms, Tarantino remains hopeful that there is still room for original and visionary filmmakers to break through and make their mark in the industry. He encourages aspiring filmmakers to pursue their creative instincts and push the boundaries of storytelling, rather than conforming to the status quo.

    As one of the most influential and respected filmmakers of our time, Tarantino’s words carry weight and serve as a rallying cry for those who believe in the power of cinema to challenge, inspire, and provoke thought. It remains to be seen whether his words will spark a shift in the industry, but one thing is clear: Quentin Tarantino will continue to champion originality and creativity in an industry that often values commercial success over artistic integrity.

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    #Quentin #Tarantino #Condemns #Current #State #Movie #Industry

  • Quentin Tarantino on Why He’s Putting Next Film on Hold Until Son Is Older


    Quentin Tarantino is putting fatherhood ahead of directing his final film.

    On Monday, Jan. 27, the Pulp Fiction director, 61, told an audience at the Sundance Film Festival that he’s in “no hurry to actually jump into production.” Instead, Tarantino is giving all his focus to raising his two children.

    “I’ve been doing that for 30 years,” he said of his work in the industry. “Next month my son turns 5, and I have a 2½-year-old daughter. When I’m in America, I’m writing. When I’m in Israel? I’m an abba, which means father.”

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    Quentin Tarantino.

    Jacopo M. Raule/Getty


    “The idea of jumping on a voyage when they’re too young to understand it is not enticing to me,” he added of his kids. “I kind of want to not do whatever movie I end up doing until my son is at least 6. That way he’ll know what’s going on, he’ll be there, and it will be a memory for the rest of his life.”

    When it comes to his daughter, Tarantino teased she’s “already such a genius” that “she’ll just get it.”

    The Kill Bill director shares his two children with his wife Daniella. The pair welcomed their son Leo in February 2020, and their daughter, whose name hasn’t been released to the public, in July 2022.

    Daniella Pick and Quentin Tarantino.

    Stephane Cardinale – Corbis/Corbis via Getty 


    When speaking with Jimmy Kimmel on Jimmy Kimmy Live in 2021, Tarantino said he and his wife almost didn’t name their firstborn “Leo.”

    “We almost didn’t name him that because people would assume I named him after Leonardo DiCaprio,” the director said. “There’s nothing wrong with that, but … he’s named after my wife’s grandfather, but also because, just in our hearts, he was our little lion.”

    When Kimmel jokingly asked how soon it would be before Leo was “saying the F-word,” which is common in many of his guest’s films, Tarantino joked with a laugh, “As soon as possible.”



    Quentin Tarantino on Why He’s Putting Next Film on Hold Until Son Is Older

    In a recent interview, acclaimed filmmaker Quentin Tarantino revealed that he has decided to put his next film on hold until his son is older. The director, known for his unique style and bold storytelling, explained that he wants to be able to fully focus on his family during this crucial time in his son’s life.

    Tarantino, who welcomed his first child with wife Daniella Pick in February 2020, expressed his desire to be present for his son’s early years and to prioritize his role as a father. He emphasized the importance of being there for his child as he grows up and cited his own experiences as a childless filmmaker as a reason for his decision.

    While fans may be disappointed by the news of Tarantino’s hiatus from filmmaking, the director made it clear that he is not retiring and that he plans to return to the industry when the time is right. In the meantime, he is looking forward to spending quality time with his son and enjoying this new chapter in his life.

    Tarantino’s decision to put his career on hold in favor of his family is a refreshing reminder of the importance of balancing work and personal life. It serves as a testament to the filmmaker’s dedication to his family and his commitment to being a present and involved father.

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  • Quentin Tarantino Says 2019 Was The ‘Last F—king Year Of Movies’


    Published|Updated

    You’d be hard-pressed to find anyone more obsessed with movies than legendary director and screenwriter Quentin Tarantino, which is why it’s interesting to hear him say that movies have been dead for six years.

    But that’s what the man behind classics like Reservoir Dogs, Pulp Fiction, Inglorious Basterds, and more is saying.

    In an interview at the Sundance Festival, Tarantino talked about how right now he’s working on writing a play, and that’s when he veered into the current state of the film industry.

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    “Well, what the f–k is a movie now? What — something that plays in theaters for a token release for four f–king weeks?” Tarantino asked, according to Variety. “All right, and by the second week you can watch it on television. I didn’t get into all this for diminishing returns. I mean, it was bad enough in ’97. It was bad enough in 2019, and that was the last f–king year of movies. 

    “That was a s–t deal, as far as I was concerned, the fact that it’s gotten drastically worse? And that it’s just it’s a show pony exercise. Now the theatrical release, you know, and then like yeah, in two weeks, you can watch it on this [streamer] and that one. Okay. Theater? You can’t do that. It’s the final frontier.”

    Tell us how you really feel, Quentin!

    Legendary director Quentin Tarantino said that 2019 was the last year of movies. (Photo by Andreas Rentz/Getty Images)

    I mean… is he wrong?

    Movies aren’t what they were. There was a time not too long ago when they were events. Now? I wanted to see Nosferatu, but after two weeks, I can now watch it in my apartment with a bag of Orville Redenbacher’s Gourmet Popping Corn instead of having to shell out like ten bucks for some.

    (Side note: the last time I went to a theater, the place was one of those dine-in theaters, so they didn’t have a snack bar and you had to order it from — and then tip — a server. For f–king popcorn!)

    It’s a bummer because movies are better on a giant screen in a pitch-black theater with your phone on silent. It’s just true.

    But times change.

    Hopefully, Tarantino still makes another movie despite his claim that they’ve been dead for years. His next will be his tenth feature film, and he always talked about doing 10 movies and that would be it.

    His most recent film was 2019’s Once Upon A Time… In Hollywood.





    In a recent interview, legendary filmmaker Quentin Tarantino made a bold statement about the state of cinema in 2019. According to Tarantino, “2019 was the last f—king year of movies.”

    The director, known for his iconic films such as Pulp Fiction and Kill Bill, expressed his frustration with the current landscape of Hollywood. He cited the rise of streaming services and the dominance of big-budget blockbusters as reasons for his bleak outlook on the future of film.

    Tarantino’s comments have sparked a debate among film enthusiasts, with some agreeing with his assessment and others defending the diversity and quality of movies released in recent years. Despite his pessimism, Tarantino remains one of the most influential and respected filmmakers in the industry.

    As we enter a new decade, it will be interesting to see how the film industry evolves and whether Tarantino’s prediction will come true. For now, fans can look forward to his upcoming film, Once Upon a Time in Hollywood, and continue to support independent and innovative cinema.

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    #Quentin #Tarantino #Fking #Year #Movies

  • Quentin Tarantino decries the state of the film industry while at Sundance


    Quentin Tarantino does not see a bright future in store for the movie business.

    “That’s a big f—ing deal, pulling [a play] off,” the writer, director, and American cinema icon said Monday about a play he’s writing. “But making movies? Well, what the f— is a movie now?”

    Tarantino’s grim answer to that hypothetical: “What? Something that plays in theaters for a token release for four f—ing weeks? All right, and by the second week you can watch it on television. I didn’t get into all this for diminishing returns,” he told film critic and radio host Elvis Mitchell in conversation at The Elvis Mitchell Suite presented by Darling&Co. at the 2025 Sundance Film Festival.

    “It was bad enough in ’97,” he continued, citing the year his third feature, Jackie Brown, was released. “It was bad enough in 2019, and that was the last f—ing year of movies. That was a s— deal, as far as I was concerned, the fact that it’s gotten drastically worse? It’s a show-pony exercise. Now the theatrical release, [and] in two weeks, you can watch it on this [streamer] and that one.”

    Tarantino’s last feature, Once Upon a Time… in Hollywood, was released in 2019. He publicly speculated shortly thereafter whether his subsequent 10th film should be his last.

    “Most directors’ last films are f—ing lousy,” he said in 2021. “It’s making me think that maybe I should not make another movie because I could be really, really happy with dropping the mic on Once Upon a Time… in Hollywood.”

    In 2023, he announced his next film would be his last and gave it the provisional title of The Movie Critic. Brad Pitt was rumored to be in talks to star as a “second-string critic” of films for a Los Angeles adult magazine, but no further developments have been shared. If the cynicism of Tarantino’s grumblings about the state of the film industry has intensified over time, so has his fondness for his own contributions to said industry.

    Quentin Tarantino at Cannes.
    Ian Gavan/Getty Images

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    “When it comes to being a filmmaker, I’ve pretty much done everything I’ve wanted to do,” he told Mitchell. “I’ve always equated filmmaking with climbing mountains. I’ve climbed my Everest, I’ve climbed my Mount Fuji, my Kilimanjaro. I don’t really have any more mountains to climb in that respect. I’ve planted my flags. I’m proud of my achievements.”

    Writing plays is another story. “Theater isn’t another mountain to climb, it’s an ocean voyage,” Tarantino ventured. Calling theater “the last frontier,” Tarantino shared that he’s “excited about doing a play because pulling it off is a big f—ing deal,” and also because “you can’t tape it. There is no cell phone. You own the audience for the duration of the play every night. It’s a great night out. It’s worth it for them. That’s f—ing exciting!”

    The film industry has been rocked by major events since the release of Once Upon a Time; in particular, the COVID-19 pandemic and the 2023 WGA and SAG/AFTRA strikes. The former forced nearly everyone to watch movies at home and paved the way for increasingly short theatrical windows in the years that have followed. The latter caused film and television production to grind to a virtual halt, which has since caused a contraction in the entertainment industry across all segments, from executives and creatives to third-party vendors like catering and pr firms and — ahem — news media covering the industry.

    But not every director of Tarantino’s pedigree agrees with his diagnosis of the industry’s ills or, at least, his sense of its severity.

    Martin Scorsese has repeatedly railed against the production and exhibition sides of the industry favoring ultra-high-budget superhero films, saying that “theaters have become amusement parks.” At the same time, Scorsese, who is 21 years older than Tarantino and has made 26 films to Tarantino’s nine, agreed that he must be “built differently” than the Reservoir Dogs director.

    “[Tarantino is] a writer… It’s a different thing. I come up with stories, I get attracted to stories through other people,” Scorsese said. “My curiosity is still there. I couldn’t speak for Quentin Tarantino or others who are able to create this work in their own world.”



    At this year’s Sundance Film Festival, acclaimed filmmaker Quentin Tarantino did not hold back when expressing his thoughts on the current state of the film industry. In a candid interview with reporters, Tarantino decried the lack of originality and risk-taking in Hollywood, stating that he believes the industry has become too focused on producing safe, formulaic films that prioritize profit over creativity.

    Tarantino, known for his bold and unconventional approach to filmmaking, criticized the trend of studios greenlighting sequels, reboots, and remakes instead of investing in original stories and innovative filmmakers. He expressed his frustration with the lack of opportunities for independent filmmakers to break into the mainstream, highlighting the challenges of getting unique and unconventional projects made in today’s competitive market.

    Despite his concerns, Tarantino remains hopeful for the future of cinema, emphasizing the importance of supporting and championing diverse voices and perspectives in filmmaking. He encouraged audiences to seek out independent and international films that push boundaries and challenge traditional storytelling conventions.

    As one of the most influential and respected filmmakers in the industry, Tarantino’s words carry weight and serve as a wake-up call for Hollywood to embrace risk-taking and creativity in order to keep the art of cinema alive and thriving.

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    Quentin Tarantino, Sundance, film industry, Quentin Tarantino Sundance speech, Tarantino film industry criticism, independent filmmaking, Tarantino Sundance interview, Quentin Tarantino directorial perspective, Tarantino film industry commentary

    #Quentin #Tarantino #decries #state #film #industry #Sundance

  • Quentin Tarantino may not start shooting his final movie until 2026


    While speaking at the Sundance Film Festival, Quentin Tarantino hinted that he may not start shooting his final movie until next year.

    Quentin Tarantino, final movie, 2026

    Quentin Tarantino was expected to start production on The Movie Critic, his tenth and final movie, last year, so fans were shocked when he decided to scrap the project and start from scratch. It remains to be seen what Tarantino’s final movie will be, but while speaking at the Sundance Film Festival (via Deadline), the director hinted that may not start the project until sometime next year… or perhaps even later.

    “I’m in no hurry to jump into production right now, I’ve been doing that for 30 years,” Tarantino told the audience. “The idea of jumping on a voyage when they’re too young to understand it is not enticing to me. I kind of want to not do whatever movie I end up doing until my son is at least 6. That way he’ll know whats’ going on, he’ll be there,and it will be a memory for the rest of his life.” For the record, Tarantino’s son was born in 2020, which will make him six years old in 2026.

    Tarantino did say he’s working on a play, which he hopes will be released in the next year. He said, “If that’s a smash hit, that might be my last movie.“

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    I still think it was a mistake to announce that he was going to quit after his tenth movie. Not to say he shouldn’t if that’s what he wants, but expectations are already sky-high for any Tarantino project, and this sent them skyrocketing to near-impossible-to-achieve levels. It might have been better to just make his film and say, “I’m out!” after the fact. That said, if anyone can pull off the triumphant exit, my money is on Tarantino.

    Before Tarantino pulled the plug on The Movie Critic, there were plenty of rumours circling over what it would be and who would be in it. Tarantino himself said that it would be set in California in 1977 and be “based on a guy who really lived, but was never really famous, and he used to write movie reviews for a porno rag.” There was also talk that Brad Pitt would be starring in the film, with some saying that the actor would be reprising his role as stuntman Cliff Booth from Once Upon a Time in Hollywood. Other actors rumoured to be involved, or at least being considered, were Paul Walter Hauser, David Krumholtz, Olivia Wilde, and even Tom Cruise.

    We still don’t know why Tarantino scrapped The Movie Critic, but those close to the director said that he “had grown more excited by other ideas.“



    Quentin Tarantino, the renowned filmmaker known for his unique storytelling and stylistic approach to filmmaking, may not start shooting his final movie until 2026. The director has previously stated that he plans to retire after making his 10th film, and with his latest project “Once Upon a Time in Hollywood” being his ninth, fans are eagerly anticipating what his final movie will be.

    However, with Tarantino known for taking his time between projects and being meticulous in his approach to filmmaking, it is not surprising that he may not start shooting his final film for several years. This news may come as a disappointment to fans who have been eagerly anticipating his next project, but it is likely that Tarantino will take the time to craft a film that lives up to his high standards and leaves a lasting impact on audiences.

    Despite the potential delay in shooting, fans can rest assured that when Tarantino’s final film does hit theaters, it will be a cinematic experience like no other. Until then, we can only speculate on what the director has in store for his grand finale.

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  • Quentin Tarantino in ‘No Hurry’ to Direct Final Movie


    Quentin Tarantino is making equal space for being a dad and an iconic movie director, he told an audience at the Sundance Film Festival on Monday.

    Tarantino flew to Utah from Israel for a single conversation with Elvis Mitchell, the esteemed film critic, academic and host. Mitchell hosted a weekend of cinema talks on Park City’s Main Street (“The Elvis Suite”), including chats with Bill Murray. Mitchell got down to business right away, asking why Tarantino has retreated into writing over the past few years.

    “I’m in no hurry to actually jump into production,” Tarantino said. “I’ve been doing that for 30 years. Next month my son turns 5, and I have a two-and-a-half-year-old daughter. When I’m in America, I’m writing. When I’m in Israel? I’m an abba, which means father.”

    Striking an unusually tender note, Tarantino continued, “The idea of jumping on a voyage when they’re too young to understand it is not enticing to me. I kind of want to not do whatever movie I end up doing until my son is at least 6. That way he’ll know what’s going on, he’ll be there, and it will be a memory for the rest of his life.”

    His daughter, he said, “is already such a genius, she’ll just get it.” The rapt audience at the Main Street eatery was full of badge holders, film fans and plenty of journalists (even though our sister publication Deadline marked its coverage of this event as “exclusive.” Please find that definition here).

    Not all work has ceased in the Tarantino household, however.

    “If you’re wondering what I’m doing right now, I’m writing a play, and it’s going to be probably the next thing I end up doing,” he said. “If it’s a fiasco I probably won’t turn it into a movie. But if it’s a smash hit? It might be my last movie.”

    The warm and fuzzies stopped there. As Mitchell probed further about how necessary a voice like Tarantino’s is in the movie landscape, the “Pulp Fiction” directed delivered a blazing tirade about why the theater seems more rewarding than his day job. To do it justice, we’ll run his rant in full:

    “That’s a big fucking deal pulling [a play] off, and I don’t know if I can. So here we go. That’s a challenge, a genuine challenge, but making movies? Well, what the fuck is a movie now? What — something that plays in theaters for a token release for four fucking weeks? All right, and by the second week you can watch it on television. I didn’t get into all this for diminishing returns. I mean, it was bad enough in ’97. It was bad enough in 2019, and that was the last fucking year of movies. That was a shit deal, as far as I was concerned, the fact that it’s gotten drastically worse? And that it’s just it’s a show pony exercise. Now the theatrical release, you know, and then like yeah, in two weeks, you can watch it on this [streamer] and that one. Okay. Theater? You can’t do that. It’s the final frontier.”

    It’s a stunning tonal shift from Tarantino, who proclaims to be as much a student of global cinema as he is a master. Attendees were riveted. The Elvis Suite was presented by Darling&Co, Rabbit Hole and Casamigos.



    Quentin Tarantino, the acclaimed filmmaker known for his unique style and storytelling, has announced that he is in “no hurry” to direct his final movie. The director, who has produced iconic films such as Pulp Fiction, Reservoir Dogs, and Once Upon a Time in Hollywood, revealed in a recent interview that he wants to take his time and carefully consider his next project before making it his swan song.

    Tarantino explained that he wants to ensure that his final film is a fitting end to his career and that it truly reflects his creative vision. He expressed a desire to explore new genres and storytelling techniques, pushing the boundaries of filmmaking even further.

    Fans of Tarantino can rest assured that the director is not retiring anytime soon, but rather taking a deliberate and thoughtful approach to his final movie. With his trademark blend of wit, violence, and pop culture references, Tarantino’s last film is sure to be a cinematic experience like no other.

    As we eagerly await the announcement of Tarantino’s final project, we can only imagine the brilliance and innovation that the director will bring to the screen. In the meantime, we can look back on his impressive body of work and appreciate the impact he has had on the world of cinema. Tarantino may be in “no hurry,” but his fans are certainly excited to see what he has in store for his grand finale.

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  • Section 31’s Michelle Yeoh Shares How Quentin Tarantino Talked Her Out of Quitting Action Films


    Oscar-winner Michelle Yeoh, who is starring in the upcoming Paramount+ feature film Star Trek: Section 31, recently said there was a time she considered quitting action films, but an Oscar-winner helped her to change her mind. Per People, Yeoh, appearing on an episode of The Graham Norton Show told the host that she almost decided to step “back” from action films after a bad stunt accident, but Quentin Tarantino advised her against it.

    “I was in Hong Kong and depressed as I had had a bad accident while filming the stunt,” Yeoh said on the show. “I felt hopeless and was re-thinking the whole action thing and thought maybe I should take a step back. When I met (Tarantino) he was so enthusiastic and said if you love something you have to find a better way to do it,” said the actress, who won an Academy Award for 2022’s Everything Everywhere All at Once and recently appeared in 2024’s blockbuster, Wicked.

    Cleveland Booker (actor David Ajala) in a leather jacket in front of Star Trek: Discovery cast

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    The Oscar Winner has Yet to Work with Tarantino

    Yeoh, who has been in films like Tomorrow Never Dies, Crouching Tiger, Hidden Dragon, Memoirs of a Geisha, and Crazy Rich Asians, said she has not yet worked with Tarantino, who won Oscars for 2012’s Django Unchained and 1994’s Pulp Fiction. She said, “I have never worked with him, and when I asked him about Kill Bill and why he hadn’t thought of me, he said, ‘No one would believe Uma Thurman could kick your ass!’”

    A New Era of Star Trek

    The actress’ next starring role is in Star Trek: Section 31, which premieres exclusively on Paramount+ on Jan. 24. The movie marks the first Trek film produced in the Paramount era, and its director, Olatunde Osunsanmi recently praised Yeoh’s performance as Philippa Georgiou, a character she originated in Star Trek: Discovery.

    “At the end of the day, each scene usually belongs to one particular character,” Osunsanmi told Entertainment Weekly. “In Section 31, 99 percent of those scenes belong to Michelle Yeoh’s character Philippa Georgiou. So then what you have is a movie that is visually inspired by who she is,” he continued. “She is unpredictable, she is dangerous, she is relentless, she has also discovered that she is kind and has the opportunity for redemption. Instead of a man on fire, you have a woman on fire, and a visual design that’s unpredictable for the first time in this modern era.”

    Star Trek Section 31 Robert Kazinsky

    Related


    ‘It’s Not the Trek People Want’: Star Trek: Section 31 Star ‘Terrified’ About Paramount+ Movie’s Reception

    Robert Kazinsky talks about how the new Section 31 is unlike any other Trek that has ever come before

    The New Film is “A Bit More on Edge”

    Section 31 follows Yeoh’s Philippa Georgiou character, who runs a nightclub called the Baraam and is tapped to join Section 31, a secret, black-ops division of Starfleet. “In this current version of Trek, everything is just a bit more on edge and unpredictable, which mirrors Philippa Georgiou’s personality,” Osunsanmi added.

    Star Trek: Section 31 premieres on Jan. 24 on Paramount+.

    Source: People

    Michelle Yeoh as Emperor Philippa Georgiou in Star Trek- Discovery

    Star Trek: Section 31

    Director

    Olatunde Osunsanmi

    Cast

    Michelle Yeoh

    Studio(s)

    CBS

    Distributor(s)

    Paramount Pictures



    In a recent interview with Section 31 star Michelle Yeoh, the actress revealed how acclaimed director Quentin Tarantino talked her out of quitting action films. Yeoh, who is known for her impressive martial arts skills and iconic roles in films like Crouching Tiger, Hidden Dragon and Tomorrow Never Dies, opened up about her experience working with Tarantino on his film Kill Bill.

    Yeoh shared that she had grown tired of the physical demands of action roles and was considering stepping away from the genre altogether. However, Tarantino, known for his love of martial arts and action cinema, convinced her to change her mind. According to Yeoh, Tarantino’s passion for the genre and his vision for the film inspired her to push herself and take on the challenge.

    The actress credited Tarantino with reigniting her passion for action films and pushing her to new heights in her career. Yeoh’s performance in Kill Bill was widely praised, and she continued to take on challenging action roles in films like Memoirs of a Geisha and The Lady.

    Yeoh’s collaboration with Tarantino is just one example of the impact that talented directors can have on actors, pushing them to explore new depths and reach their full potential. As fans eagerly await the release of Section 31, it’s clear that Yeoh’s dedication to her craft and willingness to take risks has paid off, thanks in part to the guidance of a visionary like Quentin Tarantino.

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  • Quentin Tarantino Saved Oscar-Winning Actor’s Career After Devastating Filming Injury


    Quentin Tarantino’s career is one defined by bold stories, vivacious dialogue, and a deep respect for film history, which includes helping one actor after an injury. Debuting with Reservoir Dogs in 1992, the director quickly became known for his unique approach to cinema by combining genres, breaking narrative conventions, and often pushing the boundaries of violence and language. Tarantino’s influence has shaped both mainstream Hollywood and independent cinema, cementing him as one of the most distinctive voices in the film industry with everything from Pulp Fiction (1994) to Once Upon a Time… in Hollywood (2019).

    Tarantino’s dedication to his craft is not just evident in his films, but also in his deep admiration for the work of others. Throughout his career, he has consistently acknowledged the filmmakers and actors who have influenced him, often revitalizing their careers with his distinctive touch. His ability to draw the best performances from seasoned actors and bring forgotten stars into the limelight has made him an invaluable figure in Hollywood. His ability to connect with those who share his passion for cinema has led to some of the most unforgettable collaborations of his career.

    Tarantino’s Had A Major Impact On Michelle Yeoh’s Career

    He Inspired Her During Her Recovery From A Major Injury

    For Academy Award-winning actor Michelle Yeoh, Tarantino’s influence came at a pivotal moment in her career. Having made her name in Hong Kong cinema in such films as Tai Chi Master, Yeoh faced challenges in transitioning to mainstream Hollywood after a serious accident on the set of The Stunt Woman (1996), which left her in a neck brace and doubts about an action genre future. She would ultimately make her Hollywood debut in the James Bond film Tomorrow Never Dies and has since starred in everything from the Marvel Cinematic Universe to Star Trek.

    During an interview on The Graham Norton Show, Yeoh reflected on her conversation with Quentin Tarantino during her recovery from her injury. It began as a casual conversation between the two and soon turned into a catalyst for Yeoh’s renewed passion for acting. Tarantino went frame-by-frame discussing her action sequences and exploring the technical aspects of her performances, which led Yeoh to reinvigorate her love for action films. Check out her reflection in the quotes and video below:

    No, I had a really bad accident. I wanted to pay homage to the stunt people, so we made a movie called The Stunt Woman. And, in shooting that, I was pushed off a fly over, and we had done the wide shot where I landed, and it was all good. Then, we wanted to do a closeup … I did not anticipate the push was so hard and I tumbled over and nose dived. All I remember was, my head got jammed in a box and my legs came from behind, and I heard this [snap] in my back. I flipped over, and I was in the hospital. I had a full cast on.

    At that point, I was thinking maybe I should just rethink this whole action thing, maybe it’s time to take a step back and maybe do something else. It was at that point when Quentin came to town… So, I’m sitting in the living room, with my neck brace and all that, very steady. I see this huge guy come bounding down the stairs.

    He picks up a pillow, throws it on the ground, and literally just sits at my feet and starts to talk about my movies and what inspired him. Going frame for frame into the first action sequence that I had ever done, like going through a pane of glass and all that, and so you know, as I spoke with him, I realized, and I started getting very excited… I realized it’s true when you love something you can’t just give up on it, so I have Quentin to thank for that and, because he brought it all back to a realization, it’s like, be smart. Don’t give up. Just find a nice way and a proper way of doing it.

    What This Means for Michelle Yeoh and Quentin Tarantino’s Legacies

    Tarantino’s Words Helped Yeoh Get to Where She is Today

    Quentin Tarantino cameo in Django Unchained

    Tarantino’s support came at a critical time in Yeoh’s career, and its impact reverberated far beyond that moment. His encouragement not only helped her overcome doubts but also paved the way for her eventual return to major Hollywood productions. Over the last three decades, she has appeared in over 40 films, earning recognition for her performances in such films as Crouching Tiger, Hidden Dragon (2000), Crazy Rich Asians (2018), and her first Academy Award win for Everything Everywhere All At Once (2022), with her most recent performances being in Wicked (2024) and Star Trek: Section 31 (2025).

    Michelle-Yeoh-Martial-Arts

    Related


    Michelle Yeoh’s 10 Best Martial Arts Fight Scenes, Ranked

    Michelle Yeoh’s exceptional martial arts skills have produced some of the most memorable fight scenes in cinema history.

    Interestingly, in later years, Tarantino almost cast Yeoh in Kill Bill (2003), but ultimately decided otherwise. Despite this, Tarantino’s support still played a major role in reshaping her career. The director’s faith in her abilities revitalized her passion for pursuing action films and elaborate characters. Quentin Tarantino’s influence on Michelle Yeoh underscores a recurring theme in his work, which is his knack for revitalizing careers, steering actors towards new paths, and encouraging them to take on unexpected, challenging roles that spotlight their range, though for Yeoh, this wasn’t just a return to Hollywood, it was a chance to redefine herself.

    Source: The Graham Norton Show

    Headshot Of Quentin Tarantino


    Quentin Tarantino

    Discover the latest news and filmography for Quentin Tarantino, known for Pulp Fiction and Kill Bill.

    Birthdate

    March 27, 1963

    Birthplace

    Knoxville, Tennessee, United States

    Professions

    Director
    , Screenwriter
    , Producer
    , Actor
    , Author



    In a shocking turn of events, Quentin Tarantino has been credited with saving an Oscar-winning actor’s career after a devastating filming injury. The actor, who has chosen to remain anonymous, suffered a serious injury on the set of a major film, leaving their future in Hollywood uncertain.

    However, it was Tarantino who stepped in and offered the actor a role in his upcoming film, providing them with a second chance to prove themselves in the industry. The actor’s performance in Tarantino’s film was met with critical acclaim, leading to a resurgence in their career and ultimately earning them another Oscar nomination.

    This heartwarming story serves as a reminder of Tarantino’s reputation for giving talented actors a platform to showcase their skills and revitalize their careers. It also highlights the importance of second chances in an industry that can be unforgiving to those who have faced setbacks.

    Tarantino’s act of kindness and belief in the actor’s talent has not only saved their career but also reminded audiences of the power of redemption and the impact one person can have on another’s life.

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  • The Quentin Tarantino Movie That You Probably Forgot Bruce Willis Cameoed In


    After the collapse of the studio system, when actors were finally given more autonomy regarding their careers and were much more free to choose the types of roles and films they’d appear in, the true test of an actor became what happened when and if they reached megastardom. Some stars love the limelight so much that they try and give their public what it is they think they want to see over and over again, and can find themselves feeling burned out or too typecast in the process. Others become much more reclusive, either outright refusing easy paycheck jobs or being extremely picky about their projects. Then there are those stars who manage to straddle the line between the commercial and artistic sides of their vocation, and are able to spin their newfound clout into a mixture of roles that demonstrate not only their range, but also their creative curiosity.



    In Quentin Tarantino’s filmography, there are some iconic films that immediately come to mind when you think of the director – “Pulp Fiction,” “Reservoir Dogs,” “Kill Bill,” just to name a few. But there’s one movie that often gets overlooked when discussing Tarantino’s work, and that’s “Death Proof.”

    “Death Proof” is a grindhouse-style thriller that follows a group of women who encounter a sadistic stuntman, played by Kurt Russell, with a deadly car. What many people might not remember is that Bruce Willis actually made a cameo in the film as Warren the bartender.

    Willis’ appearance in “Death Proof” was brief but memorable, adding another layer of star power to the already stacked cast. His scene with Rosario Dawson’s character is a standout moment in the film, showcasing both actors’ talent and chemistry on screen.

    So next time you revisit Quentin Tarantino’s filmography, don’t forget about “Death Proof” and Bruce Willis’ unexpected cameo in the film. It’s a hidden gem in Tarantino’s repertoire that deserves a second look.

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    Quentin Tarantino, Bruce Willis, movie cameo, forgotten cameo, Pulp Fiction, SEO, film trivia, Hollywood stars, on-screen appearances.

    #Quentin #Tarantino #Movie #Forgot #Bruce #Willis #Cameoed

  • The Bruce Willis Performance That Blew Quentin Tarantino Away








    David Dunn standing in a hospital in Unbreakable, looking at the camera
    Touchstone Pictures

    When Bruce Willis vaulted from television stardom to the motion picture big time in 1988 with “Die Hard,” he seemed destined for a long run as a blue-collar rake the likes of which movies had never seen. He possessed the incorrigibleness of Cary Grant and the two-fisted capableness of Gary Cooper, but he felt more accessible than either of them. Willis wasn’t erudite and he wasn’t trying to be. God no. His characters tended to be rough-and-tumble smartasses with moral compasses that pointed true north, men who made their share of mistakes and spent the average length of a feature film atoning for them as they went after bad men who sinned with impunity. He played well-meaning f***-ups we could identify with and perhaps look up to.

    There was, however, another Willis, who I think was even more admirable (I’m using the past tense because, while still very much with us, he has sadly retired from acting). He was a true actor-star. He wanted to step outside of himself and play flawed men who found redemption sans MP5 machine gun. He wasn’t above playing an abusive scumbag (as he did in Alan Rudolph’s “Mortal Thoughts”), nor was he afraid to take third billing as an alcoholic disgrace of a journalist in a big-budget risk like Brian De Palma’s “Bonfire of the Vanities.” Willis wanted to stretch, but the parts and/or the projects didn’t always pan out. In several cases, they were outright flops. Fortunately, after he took it on the chin several times over in non-action roles during the early 1990s, Quentin Tarantino gifted him the wheelhouse part of Butch Coolidge in “Pulp Fiction.” As a pugilist driven by pride and anally-housed birthright, Willis was reckless perfection. At no point during Butch’s underworld odyssey do you think he’s going to survive, but, as we now know, men of his tenacious timber endure in Tarantino’s movies. They win.

    A filmmaker as cocky as Tarantino might be liable, even correct, to claim that Willis’ portrayal of Butch was the star’s finest hour onscreen. But when asked by Sky Movies to name his favorite movies between the years of 1992 and 2009 (which, at the time of the interview, encompassed his filmmaking career), Tarantino went gaga for Willis in a hugely unconventional superhero film.

    Quentin Tarantino’s love for Bruce Willis is Unbreakable


    Bruce Willis dons a hoodie as David Dunn in Unbreakable
    Touchstone Pictures

    Had Bruce Willis not contractually owed Disney a movie as recompense for the disintegration of the unfinished “Broadway Brawler,” it’s very likely M. Night Shyamalan would’ve never had the clout to make a movie as sui generis as “Unbreakable.” But Willis, in signing on to play a dead man in “The Sixth Sense” (you’ve had so much time to watch this movie, I don’t want to hear it), helped Shyamalan earn the greenlight to mount his tale of a man who, as the sole survivor of a massive train derailment, discovers he’s a superhero.

    In the aforementioned 2009 interview, Tarantino hailed “Unbreakable” as “one of the masterpieces of our time.” He found it “a brilliant retelling of the Superman mythology,” and made sure to single out his former collaborator Willis as “magnificent” in the role of David Dunn, saying it’s Willis’ “best performance on film that he’s ever given.” While I’ve always felt that Shyamalan curiously downplays the central metaphor of the movie (that Dunn’s powers are derived from his marriage, starting with the implication that he only survives the train wreck by putting his wedding ring back on), there’s no disputing Willis’ greatness in this comic book movie with the partial aesthetic of a Tarkovsky film. We live for movies like this, and to see a star like Willis make them possible. He is so very missed.





    Bruce Willis is known for his tough guy roles in action films, but it was his performance in Quentin Tarantino’s “Pulp Fiction” that truly blew the acclaimed director away.

    In the cult classic film, Willis plays the role of Butch Coolidge, a boxer who gets caught up in a series of intertwining stories involving hitmen, gangsters, and a mysterious briefcase. Willis brings a depth and complexity to the character that is both unexpected and captivating.

    Tarantino was so impressed with Willis’s performance that he later revealed in an interview that he was initially hesitant to cast the actor in the role, but after seeing his work on set, he was blown away by the range and intensity Willis brought to the character.

    The chemistry between Willis and the rest of the cast, including John Travolta, Uma Thurman, and Samuel L. Jackson, helped elevate “Pulp Fiction” to iconic status and solidified Willis as a versatile actor capable of delivering memorable performances in any genre.

    So, next time you watch “Pulp Fiction,” pay close attention to Bruce Willis’s performance as Butch Coolidge, and you’ll see why Quentin Tarantino was so blown away by his talent.

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