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Tag: Taste
RAYE Opens Up About Her Music Taste and the 2025 Grammys
If you ever wanted to know who is on your favorite singer’s playlist, or what albums inspired the latest “it girl” the most, tune in for Marie Claire’s resident music franchise Listen Up. In this interview series, we ask musicians about their listening habits and the specific records that informed their taste—and inherently their journey as an artist.
RAYE had “zero expectations” to hear her name when the 2025 Grammy nominations were announced in November 2024. The British singer-songwriter’s acclaimed debut album My 21st Century Blues went unacknowledged during the Recording Academy’s 2024 awards cycle, just months before she broke the record for most BRIT Awards won in one night. The soul artist thought her Grammy dreams would have to wait until she released her eventual sophomore project. Instead, she received three nods: Best New Artist; Songwriter of the Year, Non-Classical; and Best Engineered Album (for her work on Lucky Daye’s Algorithm).
“It’s so hard to put into words,” RAYE says of her response to the nominations while chatting with Marie Claire via Zoom from her home in London, just days before Christmas. “I was in a zombie trance-like state of tears and just extremely overwhelmed and so grateful. When I found out, I felt this flipbook flicking through my mind of everything I’ve been through and everything I’ve worked for, even how the dreams started in the first place.”
RAYE released her debut album My 21st Century Blues independently in February 2022, following her departure from the label Polydor Records.
(Image credit: KAPFHAMMER)
There were many years for the flipbook to cover: RAYE first fell “madly in love” with songwriting when she “was literally a child.”
“I started making GarageBand beats when I was 13—making awful songs, but the passion was there,” the 27-year-old says. Then at 14, she began participating in songwriting sessions, honing her craft but fighting to impress the “35-year-old white guys” in the room who wouldn’t take her seriously. But by the time she was 17, she earned her first official songwriting credit. “I was ecstatic,” she recalls. “I remember being in Subway and ordering my tuna cheese sub with extra onion and relish, and hearing my first cut on the radio. I was like, ‘Oh my God, this is what it feels like.’”
All these years later, at the height of her career, RAYE still counts songwriting as her “first identity as a musician,” so it’s fitting that she has made history once again as the first artist to be nominated for Best New Artist and Songwriter of the Year, Non-Classical, in the same year. “[Songwriting] is my true love, and it is something I’ve relentlessly pursued for so many years,” she says. “This is the pinnacle of that acknowledgment in the form of a nomination. It hit very, very deep, and I’m very ridiculously proud to be nominated alongside such incredible writers.”
RAYE is also excited to celebrate alongside her Best New Artist nominees who experienced similar career ascensions in the past year, like Chappell Roan, Doechii, Sabrina Carpenter, and Shaboozey.
“All the artists on that Best New Artist list, we have all climbed our individual mountains, and been heartbroken in the trenches,” she says. “It’s such a beautiful thing to be among those incredible artists who have also fought their way to just being on that list. [Like,] ‘Yeah, I’m still here.’ I wake up and sometimes I forget. You know when you’re in a dream and then you wake up like, ‘Oh wait, it’s real.’ I’m on cloud nine about it.”
Ahead of the 2025 Grammys on February 2, RAYE opened up to Marie Claire about her music taste, from the Nina Simone record she can’t live without to her memorable time in the studio with Charli xcx, to the Nicki Minaj song she’d blast at a party.
RAYE has co-written hits for artists like Beyoncé, Charli xcx, Ellie Goulding, John Legend, Zara Larsson, and more.
(Image credit: KAPFHAMMER)
(Image credit: Future)
I grew up in church and had been largely exposed to mostly gospel music, or whatever was on the radio when we were in the car. My love for jazz formed really early. The first song I ever liked to sing was “Let There Be Love” by Nat King Cole, so I was always kind of in that world. The first song I learned to play properly on the piano was [the version of] “Summertime” by Ella [Fitzgerald] and Louie [Armstrong]. So I was always in love with those songs and those feelings.
The first album that really moved me was Jill Scott, Who Is Jill Scott? when I was about 11-years-old. It completely blew my mind how the story was really what mattered first. “A Long Walk” was the first song I heard… I found myself focusing on her lyrics, and I formed such a connection with her. Even her song [“Exclusively”] about shopping in the store where she’s looking at the lady on the till, and she’s like, ‘Why are you looking at me like this?’ You could picture it. It was so visceral. It was so detailed and also casual and not fluffy. When you think about songwriting, sometimes you think, perfect rhyme, pairs, round shapes, something easy to remember. When you’re a kid, that’s the stuff you’d listen to or gravitate towards. But for me, Jill Scott completely blew my mind.
(Image credit: Future)
The first album I bought myself was Alicia Keys, The Diary of Alicia Keys. What a fricking album. I used to sit on the floor in my living room and look through her picture booklet, where she had the beautiful braids and half a piano over her face, and she’d do these poses next to the piano. I’d look at them like, Wow, what an amazing artist. I used to come home from school and dance to it. I’d shut the doors in the living room and be like, “What goes around comes around” and make dance routines. I was so attached to it.
(Image credit: Future)
Nina Simone at Carnegie Hall. Her live renditions are so beautiful. She sings her songs differently every time. She is such an emotive singer. It’s not about perfect notes. It’s about telling the story.
Nina Simone is everything to me. When I first moved into my house when I was independent, [a framed] picture [of her] was the only bit of furniture I had in my bedroom. I didn’t even have a bed yet. There’s a quote on it that says, “It’s an artist’s duty to reflect the times.” That meant everything to me, and that’s why I actually broke down and was like, I can’t do this anymore. Because Nina had done the most daring thing she could possibly do in her career when she was at the height of her success. She could have gone on all these TV shows, done all these big things, and been exposed to all these big audiences. But instead, she chose to make art that reflected the times. That is so powerful.
This year’s Grammys marks the British hitmaker’s first nominations at the awards show.
(Image credit: KAPFHAMMER)
(Image credit: Future)
I did a session with Charli xcx and we wrote a song called “After the Afterparty” years ago. It was one of my first experiences being in the room with an artist who I really admired, so my senses were extremely heightened. I remember the clarity of a lot of that session. I also remember how lovely she was, how respected she made me feel, and how valued she made me feel. I remember just being so proud of myself that I’d even made it into that room with her. I was so happy with the song that had come out and I was so proud of it. That was a beautiful day, and I remember it really fondly.
(Image credit: Future)
“Jolene” by Dolly Parton. What a perfect song. That song will continue to live on when my grandkids have children. I love the juxtaposition when a song feels warm and light, but the lyrics are heartbreaking. So you have this kind of marriage of different worlds that you could just listen to and sing along like, ‘Jolene, Jolene…’ But if you are in that space, you can also listen to it and be like, I relate to this feeling right now.
(Image credit: Future)
“We fight, but we must make amends/Arrest me and read me my rights/I plan to steal your heart again/on Saturday and Sunday nights,” [on the Beyoncé song “RIIVERDANCE”].
I really love that lyric. It’s so dramatic, but just vivid and powerful and beautiful.
(Image credit: Future)
We’re having Aretha Franklin headlining the main stage. We’re having Ella Fitzgerald headline the jazz stage, which is equally as big as the main stage, but just for jazz lovers. We are having Louis Armstrong or Miles Davis come out as guests during Ella Fitzgerald’s set. We are having Nina Simone close the entire festival, and all the other stages shut down and everyone has to come and watch her performance. And the gates closed, so you can’t leave and you have to witness greatness. We are having Betty Carter, Otis Redding, Sam Cooke, Duke Ellington [playing] the set before Ella. And then, with her full and entire consent, only if she wants to do the festival, we’re going to have Britney Spears on a different stage, opening with “Womanizer.”
(Image credit: Future)
I use Shazam a lot. I’m always traveling, so if I’m in a car or an airport and I hear a song and I like it, I’ll be like, Oh my gosh, what’s that? and I’ll search it. I love it when the sound finds me.
My 21st Century Blues debuted at No. 2 on the U.K. Albums Chart and was later released as a live album, recorded at Royal Albert Hall.
(Image credit: Luke Dyson)
(Image credit: Future)
If I actually want to cry, I’d listen to Joni Mitchell.
(Image credit: Future)
If I was going out out, it would be new hip-hop like Travis Scott, or some R&B, PARTYNEXTDOOR vibes, or The Weeknd’s old stuff. Something synthy and moody and to get you just feeling like a bad B. If I’m going out to dinner, I’ll do some jazz or something light and cute. I’ll put on a nice dress, do my lipstick, and pretend it’s 1954.
(Image credit: Future)
The car is one of my favorite places to listen to music. I love to consume an album from top to bottom while driving. The last couple of car journeys I did, it was Kendrick [Lamar]’s To Pimp a Butterfly. That’s just a timeless, brilliant album.
(Image credit: Future)
If [it’s] me personally with my group of friends, it’ll be Nicki Minaj, “Did It On‘em.” It’s going down, and me and my best friend Kylie are rapping in each other’s faces every single lyric.
In another demographic where you’ve got lots of age ranges and different people, [I’ll] go in for a classic ‘70s banger. [Like,] “That’s the Way (I Like It),” KC and the Sunshine Band. Get the party started. The older guys are like, I can do this. The young kids are like, This is nice. Never heard this before. It’s a unifying vibe.
(Image credit: Future)
My music is for the gays, the gals, the moms, the grandmas and the granddads, and the dads if they like it. And anyone who really wants to listen.
(Image credit: Future)
It’s so dramatic, but I’m going to say Frank Sinatra, “The Best Is Yet to Come.” I’ve been listening to that song and it makes me feel hopeful and positive. It’s such an optimistic, encouraging song. I’m 27 and, yeah, the best is yet to come. I’m going to find love one day. I’m going to achieve my goals. I’m going to work on myself. I’m going to improve on the skills I want to.
This interview has been edited and condensed for clarity.
British singer-songwriter RAYE recently sat down for an exclusive interview where she opened up about her music taste and her hopes for the 2025 Grammy Awards. Known for her infectious pop hits and powerful vocals, RAYE shared her love for a wide range of genres, from R&B to electronic dance music.When asked about her dream collaborations, RAYE mentioned artists like The Weeknd, Dua Lipa, and Calvin Harris as some of her top choices. She also expressed her admiration for the creativity and innovation in the music industry, citing artists like Billie Eilish and Kanye West as sources of inspiration.
Looking ahead to the 2025 Grammy Awards, RAYE shared her excitement about the possibility of being nominated for her music. She emphasized the importance of authenticity and originality in her work, and expressed her desire to create music that resonates with listeners on a deep level.
As she continues to push boundaries and explore new sounds, RAYE is poised to make a big impact on the music industry in the years to come. With her unique blend of influences and undeniable talent, she is sure to be a force to be reckoned with at the 2025 Grammys.
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- RAYE music taste
- 2025 Grammys
- RAYE interview
- RAYE music career
- RAYE Grammy predictions
- RAYE music influences
- RAYE favorite artists
- RAYE music industry insights
- RAYE future in music
- RAYE Grammy nominations
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PARIS — The NBA’s trip to Paris this week celebrated and capitalized on French sensation and San Antonio Spurs center Victor Wembanyama’s heritage and rising stardom.
But it also provided a chance for a likely future NBA No. 1 pick, 17-year-old AJ Dybantsa, to glimpse what’s waiting for him.
Dybantsa wore a vintage, long-sleeved polo with the Red Bull logo on his chest and a pair of baggy jeans, while his father, Anicet “Ace” Dybantsa Sr., donned a crisp light blue suit and tie courtside Saturday ahead of the second of two games in Paris this week between Wembanyama’s Spurs and the Indiana Pacers.
The younger Dybantsa is a 6-foot-9 senior forward at Utah Prep in Hurricane, Utah. He’s the top recruit of the 2025 college class (per the 247 Sports Composite), has committed to BYU and is already the presumptive No. 1 pick for the 2026 NBA Draft. He’s signed a name, image and likeness deal worth nearly $7 million.
His high school team didn’t have a game this week. So, why not head to Paris to check out this Wembanyama fella and get a taste of what’s to come?
“It’s been great just seeing the atmosphere from a foreign country versus the U.S., about basketball, is still unreal,” A.J. said. “Paris enjoys basketball, like how we do it.”
Asked about the surge in the NBA of foreign players — roughly 30 percent of current players were born outside the U.S. — and the recent domination of MVP voting by foreign players, Dybantsa said, “There’s a lot of American players that people are just overlooking in the NBA doing what they’re supposed to do.
“Hopefully, like in the next few years, we’ll have more guys, including me,” Dybantsa said. “But I mean, basketball is supposed to be an international sport. It’s not just an American sport, so it’s good that international guys are coming in the league and performing at a high level.”
GO DEEPER
Could AJ Dybantsa fall from being the No. 1 overall pick in 2026 NBA Draft?
Dybantsa has enjoyed a busy week of basketball workouts at the Hoops House in Paris, attended a Paris Saint-Germain soccer game against Manchester City on Wednesday night and met fashion designer Jeff Hamilton and rapper French Montana.
Dybantsa said he met Wembanyama previously but hadn’t bumped into him before Saturday’s game. Dybantsa’s already said he’d like to be teammates with Wemby — most recently telling BYUtv, “There is no state tax in San Antonio.” He’s also thinking about playing against Wemby on an international stage.
Dybantsa has won two gold medals for USA Basketball’s junior teams and expects to play for the Americans’ under-19 team this summer. He mentioned, “Hopefully I can take that with me into 2028 or 2032” — a reference to making the Olympic team for 2028 in Los Angeles or the 2032 Brisbane Games. Dybantsa also said he was interested in playing for the Americans’ next World Cup team in 2027 in Qatar, assuming his career follows the intended timeline of his turning pro in 2026 and playing well enough as an NBA rookie to make that team.
Wembanyama was one of Team France’s top players at the Paris Games, narrowly missing a gold medal in a hard-fought final against the U.S. He figures to be Les Bleus’ best player for many future international tournaments.
Dybantsa’s father, meanwhile, is a former Boston University police officer who currently manages his son’s career. He was born in the Congo in Africa but lived in Paris as a teenager, where he trained as a pro soccer player. His children, including AJ, have visited Paris before.
A family adviser to the Dybantsas is friends with NBA commissioner Adam Silver, Ace said, and Silver’s staff helped organize this trip. AJ’s high school team played last Sunday and lost to Montverde Academy on national TV. The Dybantsas (AJ scored 25 points in the loss) left for Paris after that.
“We were going to come for one game … but that wasn’t going to cut it,” Ace said. “The NBA helped us navigate the whole thing, get interviews and set up (meetings).
“(AJ) can’t go a day or two without playing, so I made sure I got him a trainer while he was here and it was great.”
Required reading
(Photo: Altan Gocher / Hans Lucas / AFP via Getty Images)
In Paris, no. 1 recruit AJ Dybantsa gets taste of NBA, potential Team USA future awaiting himAJ Dybantsa, the highly touted high school basketball prospect from Paris, recently had the opportunity to showcase his skills in front of NBA scouts and executives during a summer league game in Las Vegas. The 6’8 forward impressed with his athleticism, shooting touch, and basketball IQ, leading many to believe that he has the potential to be a future NBA star.
Dybantsa’s performance in Las Vegas has also caught the attention of Team USA basketball officials, who are reportedly monitoring his progress closely. With his combination of size, skill, and versatility, Dybantsa could be a valuable asset to the national team in the years to come.
Despite the hype surrounding him, Dybantsa remains focused on his development and improving his game. He knows that the road to NBA stardom is a long and challenging one, but he is determined to put in the work and make the most of his talent.
As he continues to make a name for himself on the basketball court, Dybantsa’s future looks bright. Whether he ends up playing in the NBA or representing Team USA on the international stage, one thing is for certain – this young French phenom is destined for greatness.
Tags:
Paris basketball, AJ Dybantsa, NBA recruit, Team USA, potential future, basketball prospects, Paris sports, NBA draft, basketball talent, Team USA hopeful, AJ Dybantsa highlights, Paris basketball scene
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(as of Jan 01,2025 22:20:00 UTC – Details)
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