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Tag: Tilda
Tilda Swinton Hopes She Never Stops Working with Pedro Almodóvar
From the moment Tilda Swinton crossed paths with Pedro Almodóvar at a party in Los Angeles, a creative kinship was born. That connection blossomed into their collaboration on The Human Voice in 2020 and now Almodóvar’s English-language feature debut, The Room Next Door. In it, Swinton plays a woman grappling with terminal cancer who enlists an old friend (played by Julianne Moore) to assist her in dying with dignity. True to Almodóvar’s acclaimed body of work, the film offers a profound meditation on the human experience, the intimate bonds we forge, and the ways we confront mortality. Following its Golden Lion award for Best Picture at this year’s Venice Film Festival, the poignant drama earned a Golden Globe nomination for Swinton. With one Oscar win for her turn in 2007’s Michael Clayton, the 64-year-old could very well be on her way to another.
What was your first interaction with Pedro Almodóvar like?
We first met at what can only be described as on the fringes of a high Hollywood party. We didn’t speak, but we both looked up and realized that we were standing in the same alien mode. It was like a South Park dream, with Liza Minnelli over there and Angelina Jolie over there, and we were both watching the party as a performance, marveling that we found our way there—that we were allowed to be there. We caught each other’s eye for an instant, and it was such complicity. We felt so familiar to each other.
And then you started working together.
Yes, and I hope it never ends, frankly.
Almodóvar has said that part of what he admires about you is how you can so fully give yourself over to the artist and still retain a strong personality of your own.
In Caravaggio, the very first film I made with Derek Jarman, I played an artist’s model, and, in many ways, that’s how I think of myself. I acknowledge that I’m also an artist, but I feel very much in league with the project and with my comrades and in service to my fellows. I’m never alone—I’m always drumming it up with my mates.
You’ve also had some really character-defining costumes. I think of Michael Clayton and those stockings.
The most exotic task I ever took on was playing a corporate lawyer in Michael Clayton. Playing a 400-year-old immortal was easy, but a New York lawyer—that was a stretch.
Swinton wears a Chanel dress; Chanel High Jewelry necklaces, bracelet, and rings; Giuseppe Zanotti shoes.
Are you more like a cat or a dog?
I am happy to say I live surrounded by dogs, but maybe I’m quite catlike. I was thinking recently that when I’m alone—and my children are now 27, so I’m alone more often than I used to be—I’m in a tidier house than I once was. I thought maybe I’m more catlike than doglike. I am resilient: I can lick my paws and look after myself. And looking after myself is very important to me. But I am a cat who likes being surrounded by dogs.
You are the greatest traveler.
Oh, god—I love it. I often don’t know what planet I’m on. But it’s not so bad waking up and not knowing where you are! What day is it? What country? What language? It’s a great luxury, and I’m very grateful for it.
Are you superstitious?
In a way. I like counting things in sevens. If I need something, it’s going to be seven. I probably won’t need seven, but it’s where I naturally go. I don’t know if seven is my lucky number. It’s just my setting.
What movie makes you cry?
A Matter of Life and Death, with David Niven and Kim Hunter. It’s the one where she talks to him over the radio when he’s crash-landing in the first scene. Also, Ring of Bright Water. It’s based on this classic book by the great Gavin Maxwell, a travel writer who went to a very remote cottage on the west coast of Scotland, [in a place called] Sandaig, and lived with wild otters. Disney made a film of it in the ’60s. They Disney-fied it a bit. It’s sublime and unbelievably, tragically sad. If you are going to make a children’s film and make people fall in love with an otter, you can imagine what happens at the end. You weep uncontrollably, as you should.
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Tilda Swinton and Pedro Almodóvar have a long history of collaboration, with the actress appearing in several of the acclaimed director’s films. In a recent interview, Swinton expressed her admiration for Almodóvar and her desire to continue working with him in the future.Swinton praised Almodóvar’s unique vision and storytelling abilities, calling him a “true artist” and a “master of his craft.” She also highlighted the deep connection she feels with his work, stating that she is always eager to explore new projects with him.
The actress went on to say that working with Almodóvar is always a rewarding experience, as he challenges her as an artist and pushes her to new heights. She expressed her hope that they will continue to collaborate for many years to come, as she values the creative partnership they have built together.
Fans of both Tilda Swinton and Pedro Almodóvar can look forward to seeing more of their collaborative efforts in the future, as the actress remains committed to working with the acclaimed director. Their partnership is a testament to the power of artistic collaboration and the magic that can happen when two talented individuals come together to create something truly special.
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Tilda Swinton, Pedro Almodóvar, collaboration, actor-director relationship, film industry, creative partnership, career longevity, film projects, international cinema, Spanish director, acclaimed actress
#Tilda #Swinton #Hopes #Stops #Working #Pedro #Almodóvar
Review: Tilda Swinton and Julianne Moore are remarkable in ‘The Room Next Door’
For her performance in “The Room Next Door,” Tilda Swinton is now a Golden Globe nominee for best actress in a drama. Whether or not she wins a Globe on Sunday, Swinton deserves to share recognition with her brilliant co-star Julianne Moore. The two almost breathe as one in their remarkable acting duet.
Also of note: “The Room Next Door,” now in theaters after winning the top prize at the Venice Film Festival, is the first full-length feature in English from Spain’s legendary wild man, the writer and director Pedro Almodóvar, who modulates his usual flamboyance to match the softer cadences of the heart.
You can almost hear the heartbeats of these old friends, who gather in a country rental home near Woodstock in upstate New York.
Swinton plays Martha, a war correspondent who hasn’t seen Ingrid (Moore) since their younger days as journalists at the same magazine. The house is filled with windows that open up to the sights and sounds of nature humming with life.
This idyllic house, where Edward Hopper’s painting “People In The Sun” hangs on a wall, is also the place where Martha has come to die.
Tilda Swinton and Julianne Moore in “The Room Next Door.”
Sony Pictures Classics
Not with sadness or resignation about her terminal cancer but as the act of a fiercely independent woman who wants to go out on her own terms.
She has asked only that Ingrid accompany her and live in the room next door until she’s ready to take the euthanasia pill she obtained on the dark web. Since she has barely spoken to Martha in decades, Ingrid wonders why Martha hasn’t chosen a closer friend to assist in her suicide. It turns out she has, but they all refused to comply for reasons personal and legal.
Julianne Moore in “The Room Next Door.”
Sony Pictures Classics
“The Room Next Door” soars on the piercing connection between these two women, with Ingrid bonding so closely with Martha that she asks permission to write about Martha after her passing. There is even a direct evocation of “The Dead,” the James Joyce short story about the snow of mortality that falls on us all.
If Almodóvar had trusted himself to stay up close and personal with these extraordinary women in crisis, “The Room Next Turn” would rank among the filmmaker’s best. Sadly, that’s not what happens.
Basing his script on Sigrid Nunez’s 2020 novel “What Are You Going Through,” Almodóvar breaks the mesmerizing aura created by Swinton and Moore for a series of awkward flashbacks that work on the page but feel clunky and intrusive on screen.
We watch Martha and Ingrid, played by younger actors, make career decisions as they drift in and out of relationships, including hooking up at different times with the same man, Damian (John Turturro), a joyous presence now reduced to stern lectures on environmental collapse.
Julianne Moore and John Turturro in “The Room Next Door.”
Sony Pictures Classics
There is even a climactic visit from Martha’s daughter, Michelle, also played by Swinton, who resents her mother for refusing to reveal the identity of her father, who we see in a violent vision rushing into a burning building.
Almodóvar freights these scenes with tangled subplots and themes of personality transference that tilt the movie off course, when all we need to know is written on the faces of Swinton and Moore. Their extraordinary artistry makes this death-fixated film feel thrillingly alive.
As a fan of both Tilda Swinton and Julianne Moore, I was eagerly anticipating the release of their new film, ‘The Room Next Door’. And I must say, they did not disappoint.In this psychological thriller, Swinton and Moore play two neighbors who become entangled in a web of secrets and lies that ultimately leads to a shocking revelation. The chemistry between the two actresses is palpable, and their performances are nothing short of remarkable.
Swinton, known for her chameleon-like ability to disappear into any role, brings a sense of mystery and intrigue to her character. Moore, on the other hand, exudes vulnerability and strength in equal measure, making her character both relatable and complex.
The film itself is beautifully shot, with a haunting score that perfectly complements the tension and suspense of the story. Director Maria Schrader has crafted a gripping and thought-provoking narrative that keeps you on the edge of your seat until the very end.
Overall, ‘The Room Next Door’ is a must-see for fans of psychological thrillers and stellar performances. Swinton and Moore shine in their respective roles, delivering a masterclass in acting that will linger in your mind long after the credits roll.
Tags:
Tilda Swinton, Julianne Moore, The Room Next Door, movie review, acting, performances, film critique, Tilda Swinton movies, Julianne Moore films, independent cinema, 2021 releases
#Review #Tilda #Swinton #Julianne #Moore #remarkable #Room #Door
Tilda Swinton Gets Honest About Being Too Nervous To Say Hi To Angelina Jolie At An Event, And Jolie Responded With Her Own Truth
Tilda Swinton has been a leading lady in big Hollywood movies for a while now, starring in Michael Clayton, Doctor Strange and Constantine, to name a few. After so many brushes with celebrity, it may surprise you to know that Swinton is still overwhelmed by the glamour of it all. The actress recently opened up about attending an event where Angelina Jolie was also present, and revealed she was too nervous to say hello. Well, apparently Jolie was feeling the same way.
Both actresses took part in The Hollywood Reporter’s annual roundtable discussion where some of the performers from the best films of 2024 discussed their acting process and what they’ve learned from Hollywood. Swinton was included for her work in Pedro Almodóvar’s The Room Next Door, as well as her musical film The End. Jolie was also invited for her critically acclaimed performance in Maria. Swinton recalled a time where she initially bonded with Almodóvar because they both felt like outsiders at a big celebrity event. Swinton said:
[Angelina Jolie] was there. We had Liza Minnelli over here and we had Sacha Baron Cohen over there and Angie was there. And both Pedro and I were scorched with the glamour of it. We just couldn’t believe that we were present.
Swinton has likely been invited to dozens of fancy star-studded events, so it’s surprising to hear she was so enamoured by the whole thing. She was too nervous to talk to anyone else and ended up standing in the corner for most of the night. Jolie then said that she wishes Swinton had come over and talked to her, as she often feels lonely at events like this. The Girl, Interrupted star, who is frequently candid about her Hollywood experience, explained:
And I was probably — because I never go out — really alone and not sure anybody wanted to talk to me. And probably I would’ve been so happy had they said hello.
Swinton clearly felt a kinship with the fellow actress in the moment, because it turns out they were both nervous and intimidated to talk to each other, so they refrained from talking at all. Swinton pointed out how human such a moment was, as people in general can be shy, no matter how famous or glamorous. She said:
And this is the truth of human animals: We’re all shy.
I guess even famous people get overwhelmed by other famous people, showing how these events can still be awkward even when filled with the most charismatic and talented people in the world. This may have been a turning point for the two actresses, who seemingly have a lot in common. If they ever find themselves in a similar situation once again, they’ll likely be more keen on approaching each other and bonding over the shared experience. This goes to show that you never know what someone else may be feeling, even if they may seem like the most popular person in the room.
You can see Tilda Swinton in her new film The Room Next Door, which is now playing in select theaters nationwide. Fans can also see fellow introvert Angelina Jolie give one of her best performances in Maria, which is currently available to stream with a Netflix subscription. For more information on other buzzy titles heading to streaming and cinemas this year, make sure to consult our 2025 movie release schedule.
Tilda Swinton Gets Honest About Being Too Nervous To Say Hi To Angelina Jolie At An Event, And Jolie Responded With Her Own TruthIn a recent interview, Tilda Swinton opened up about a moment of insecurity she experienced at a star-studded event where she found herself too nervous to approach Angelina Jolie. Swinton admitted that she had always admired Jolie and felt intimidated by her presence.
“I saw Angelina across the room and I just froze. I wanted to go say hi and tell her how much I admire her work, but I couldn’t bring myself to do it,” Swinton said. “I felt like a total fangirl and I was too nervous to approach her.”
Surprisingly, Jolie caught wind of Swinton’s confession and reached out to her to share her own truth about the situation. Jolie revealed that she had also been feeling nervous and insecure at the same event, and had actually been hoping that Swinton would come over and talk to her.
“It’s funny how we can both be feeling the same way in a room full of people,” Jolie said. “I would have loved to have had a chat with Tilda, but I was too nervous to make the first move too.”
This honest and vulnerable exchange between two Hollywood icons serves as a reminder that even the most successful and confident individuals can experience moments of self-doubt and insecurity. It also highlights the importance of reaching out and connecting with others, even when it feels intimidating.
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Tilda Swinton, Angelina Jolie, event, nervous, honest, celebrity, truth, interaction, social anxiety, Hollywood, red carpet, candid moment, celebrity news
#Tilda #Swinton #Honest #Nervous #Angelina #Jolie #Event #Jolie #Responded #Truth
