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Ralph Macchio’s The Outsiders Character, Explained (& What The Actor Said About Working With Francis Ford Coppola)
The Outsiders was bursting with future star power, including Ralph Macchio, when it was released in 1983. Alongside Macchio, the Francis Ford Coppola-directed film starred a slew of major Hollywood actors including Tom Cruise, Rob Lowe, Matt Dillon, Emilio Estevez, and Diane Lane. The Outsiders is based on the seminal 1967 novel by S.E. Hinton, and follows two gangs of young people — the poor greasers and the more wealthy Socs — as they fight for dominance in Tulsa, Oklahoma during the 1960s.
The film was a box office success, earning over $25 million against a $10 million budget (via Box Office Mojo) and critical acclaim. In the years since its release, The Outsiders spawned both a 1990 sequel TV series and a Tony Award-winning 2023 Broadway musical. The 1983 movie’s impact also extends to its stars, as just one year after its release, Ralph Macchio would go on to play Daniel LaRusso in 1984’s The Karate Kid. This film would define his career, as Macchio went on to reprise his role in two Karate Kid sequels and Netflix’s Cobra Kai.
Ralph Macchio Played Johnny Cade In The Outsiders
Johnny Is The Greaser Who Says “Stay Gold, Ponyboy.”
Ralph Macchio plays Johnny Cade in The Outsiders. Johnny is a part of the Greaser subculture along with the protagonist, Ponyboy (C. Thomas Howell). Early in the film, Johnny and Ponyboy get into a fist fight with the rival Socs gang. In the confrontation, Johnny fatally stabs a Socs member to death.
The rest of the film sees Johnny and Ponyboy on the run and later trying to clear their names as Johnny acted in self-defense. Johnny later shows his heroism when he saves a group of kids from a church fire, only to break his back in the process and succumb to his injuries. His dying words, “Stay gold, Ponyboy,” are The Outsiders‘ most iconic quote.
Related
25 Wild Details Behind The Making Of The Outsiders
The Outsiders launched the career of so many iconic young actors, but they went through a lot to make it to the big screen.
As Johnny, Macchio was able to hold his own in The Outsiders‘ cast of future A-listers because his performance was so authentic. Johnny’s anguish about his parents’ constant domestic abuse and his anxiety about clearing his name are clearly seen through Macchio’s performance. He handles the nuances of his character well and has an effective Oklahoma accent to boot. The role was vital to Macchio’s career, as it let Hollywood know that he could handle complex roles.
What Macchio Said About Working With Francis Ford Coppola
Coppola Certainly Challenged Him
The actor has discussed working with The Outsiders director Francis Ford Coppola at length. In an interview with Us Weekly at the 2024 Director’s Guild Honors, Macchio said Coppla would throw him “curveballs” in order to challenge him. He says the acclaimed director wanted Macchio to turn his analytical brain off so the acting would feel organic. Of working with Coppola, Macchio said,
“[Coppola] kept telling me to do it again and to stop thinking. One time, he gave me a little rock and said, ‘Don’t look at this rock. Put it in your pocket, and during the scene, I want you to think about what color it is,’’’ he said. “And it actually helped because it took me out of over-analyzing.”
The Outsiders has stayed with Macchio throughout his career. In June 2024, he took his family to see The Outsiders Broadway musical. The musical opened in 2023 to critical acclaim and won four Tony Awards, including Best Musical. Macchio visited the cast and took a few photos, including a one-on-one with the Tony-nominated Sky Lakota-Lynch, the actor who plays Johnny in the musical rendition. While The Karate Kid made him famous, it’s clear that Ralph Macchio will always have a soft spot for the film that launched his career.
The Outsiders is Francis Ford Coppola’s adaptation of S.E. Hinton’s coming-of-age drama novel. Two teen gangs, the Socials and the Greasers find themselves at irreconcilable odds when one of the Social’s boys is killed in a brawl. Following the event, the Greasers head into hiding while some of them seek redemption for their past crimes.
- Release Date
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March 25, 1983
- Runtime
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91 minutes
- Budget
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$10 million
Ralph Macchio’s The Outsiders Character, Explained (& What The Actor Said About Working With Francis Ford Coppola)Ralph Macchio is best known for his role as Johnny Cade in the classic coming-of-age film “The Outsiders.” Portraying the sensitive and troubled character, Macchio brought depth and emotion to the role, earning him critical acclaim and a loyal fan following.
In the film, Johnny Cade is a member of the Greasers, a group of working-class teenagers who are constantly at odds with the wealthier Socs. Johnny is portrayed as a quiet and sensitive boy who is often the victim of abuse and neglect. Despite his tough exterior, Johnny has a heart of gold and forms a close bond with his best friend Ponyboy Curtis, played by C. Thomas Howell.
Macchio’s portrayal of Johnny Cade was praised for its authenticity and emotional depth. The actor brought a vulnerability and innocence to the character that resonated with audiences, making Johnny one of the most beloved characters in the film.
In an interview, Macchio shared his experience working with director Francis Ford Coppola on “The Outsiders.” He praised Coppola for his attention to detail and his ability to bring out the best in his actors. Macchio also expressed his admiration for Coppola’s vision and dedication to the project, stating that working with the legendary director was a career highlight.
Overall, Ralph Macchio’s portrayal of Johnny Cade in “The Outsiders” remains a standout performance in his career, showcasing his talent as an actor and his ability to bring complex characters to life on screen.
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- Ralph Macchio
- The Outsiders
- Character analysis
- Francis Ford Coppola
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- Ralph Macchio interview
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New Patriots coach Mike Vrabel ‘beyond comfortable’ working with personnel executive Eliot Wolf
Much of what Vrabel has said since being hired seems to be centered on building a rock-solid program that exudes consistency, regardless of initial results. It seems intentional; after all, the Patriots were anything but consistent under Mayo, a fact that extended from the field to the coach’s own dealings in public relations.
Vrabel, however, has made it clear he intends to steady the ship, and as Wolf hopefully supplies him with talent upgrades over the next year and beyond, the coach will be willing to adjust accordingly with the same goal in mind: return the Patriots to prominence.
“Our best player was our running back,” Vrabel explained when asked if his team’s offense would lean on the run as much as his Titans teams did. “So we tried to structure the offense, build the offense around what we felt like was our best player and what was our strength. When we did have pieces around Derrick (Henry) that we felt comfortable with, we threw it just as successfully as we ran it.
“You base whatever system and scheme that you have around the players you have. I do think there’s a lot of versatility around, not only myself but also, hopefully, the coaches that we hire.”
The scheme starts with quarterback Drake Maye, who proved himself as the signal-caller of the future in his rookie season despite operating in an offense that lacked quality talent around him. Vrabel didn’t shy from Maye’s importance to the team’s long-term plans, but stressed he wants his team to remain “efficient and explosive.”
Speaking of the offense, Vrabel still needs to fill out his staff, including offensive coordinator. Just as Vrabel was an obvious choice in New England, many expect him to dial another past Patriots lieutenant, Josh McDaniels, during his hiring process.
Vrabel wouldn’t commit to hiring McDaniels outright, instead turning back to the same goal: Build a dependable program regardless of the names associated with it.
“Um … yeah, I mean, I’m going to look at every possible candidate that can help us,” Vrabel said. “We’re going to start that process today, this afternoon, and visit with some great coaches and then we’ll see where things go.”
Judging by his time in Tennessee, Vrabel has already demonstrated he can build a winning team. His quest to do the same in New England begins now.
The New England Patriots have officially announced Mike Vrabel as their new head coach, and he couldn’t be more excited about the opportunity. In a recent interview, Vrabel expressed his confidence in working with personnel executive Eliot Wolf, stating that he is “beyond comfortable” with their partnership.Vrabel, who previously served as the defensive coordinator for the Tennessee Titans, brings a wealth of experience and knowledge to the Patriots organization. His leadership and strategic mindset are sure to benefit the team as they strive for success in the upcoming season.
Eliot Wolf, who joined the Patriots as a personnel executive earlier this year, has also expressed his excitement about working with Vrabel. Together, the two are poised to make a formidable team, with their combined expertise and vision for the future of the franchise.
Patriots fans can rest assured that their team is in good hands with Vrabel at the helm and Wolf by his side. With their shared commitment to excellence and drive for success, the future looks bright for the New England Patriots under this new leadership duo.
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New England Patriots, Mike Vrabel, Eliot Wolf, NFL, coaching, personnel executive, New England Patriots coach, football, sports, teamwork, staff collaboration, leadership, player development, team management
#Patriots #coach #Mike #Vrabel #comfortable #working #personnel #executive #Eliot #WolfBruce Pearl crowns Chaney Johnson as his “hardest” working Tiger
Forward Chaney Johnson turned up when needed to steer coach Bruce Pearl and Auburn to their ninth successive victory this season. The No. 1-ranked Auburn Tigers has an impressive 16-1 record, with the only blemish being inflicted by No. 3-seeded Duke on Dec. 4.
Auburn’s remarkable season owes much to the team’s productive offseason, where Pearl blended returning talent, transfers, and a strong recruiting class. Among the returning players, Johnson has emerged as a standout, undergoing a transformation that has caught the attention of his coach and teammates.
Speaking after the win against Mississippi State on Wednesday, Pearl acknowledged Johnson’s complete revamp of his physique during the offseason.
“We looked at the film of Chaney Johnson last year. His hair is a little different, but the young man is 25 pounds heavier right now. He is a monster. I’ll say it again, Chaney Johnson is my hardest worker. Nobody on this team would argue it. Whether it’s developing his body, working on his jump shot, or doing all the different things.”
Johnson’s hard work was on display during Auburn’s blowout win against No. 15-ranked Mississippi State on Tuesday. Starting in place of the injured Johni Broome, Johnson delivered a stellar performance, recording 17 points, eight rebounds and four blocks.
Even with Broome’s eventual return, Johnson’s contributions will remain crucial. Auburn faces Georgia next, and Johnson is likely to retain his spot in the starting lineup.
As Auburn marches toward March Madness with hopes of securing its first national championship, the Tigers will rely on players like Johnson to maintain their momentum.
Chaney Johnson shines in Auburn’s Dominant win over Mississippi State
Auburn forward Chaney Johnson delivered an impressive performance, stepping up in the absence of injured Johni Broome. The 6-foot-7 forward made his presence felt, attacking the basket from the opening tip and setting the tone early with a layup.
Johnson was ready to shoulder the responsibility and give Mississippi State’s defense a tough night. By the end of the game, Auburn secured an 88-66 victory, with Johnson’s contributions playing a key role. He finished with 17 points, eight rebounds and four blocks.
Tuesday’s game marked Johnson’s third career start at Auburn and his second at Neville Arena. The pregame ovation he received from the crowd was a moment Johnson described as “an amazing feeling.”
Johnson’s efficiency was a highlight of the night, shooting an impressive 7 of 10 from the field and committing just one turnover in his 34 minutes on the court. Johnson’s defensive performance may have been even more significant. With four blocks, Johnson anchored Auburn’s defense, holding Mississippi State’s starting frontcourt to just 3-for-15 shooting.
Johnson’s interior dominance can be attributed, in part, to the physical transformation he underwent during the offseason. Adding strength and muscle has made him one of Auburn’s most physical players, an attribute that proved invaluable against a Mississippi State team known for its offensive rebounding.
Dawn Staley, Geno Auriemma, or Kim Mulkey – who is NCAAW’s highest-paid coach? Find out here
Edited by Chaitanya Prakash
In a recent press conference, Auburn men’s basketball head coach Bruce Pearl announced that sophomore forward Chaney Johnson has earned the title of his “hardest” working Tiger. Pearl praised Johnson for his dedication to improving his game both on and off the court, noting his relentless work ethic and commitment to excellence.“Chaney Johnson is the epitome of what it means to be a hard worker,” Pearl said. “He puts in the extra hours in the gym, pushes himself to the limit in workouts, and constantly seeks feedback on how he can improve. He has truly earned the title of my hardest working Tiger.”
Johnson, who averaged 8 points and 5 rebounds per game last season, has been a standout performer for the Tigers and is expected to play a key role in the upcoming season. His work ethic and determination have not gone unnoticed by his teammates and coaches, who have been inspired by his dedication to the game.
“I am honored to receive this recognition from Coach Pearl,” Johnson said. “I am just doing my best to help the team succeed and will continue to work hard every day to improve and make a positive impact on the court. I am grateful for the support of my coaches and teammates and look forward to the upcoming season.”
With Johnson leading the way, the Auburn Tigers are poised for a successful season ahead. Fans are eager to see him showcase his skills and determination on the court and help lead the team to victory. Congratulations to Chaney Johnson on this well-deserved recognition as the “hardest” working Tiger!
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- Chaney Johnson
- Auburn basketball
- Hardest working player
- SEC basketball
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Arteta on Sterling’s performance, joy of working with Havertz, Saka’s holiday & more – Arseblog News
Having started off a bit grouchy in the first half of his pre-Villa press conference, Mikel Arteta lightened up towards the end, sharing a few jokes with the assembled media.
The manager addressed questions on Raheem Sterling, Kai Havertz, and Big Gabi, advised Bukayo Saka to take a holiday, and once again urged the crowd to create a lively atmosphere on Saturday night.
On Raheem Sterling’s recent performances…
Yeah, for sure we can get a lot from Rash. We are getting much more than we used to get [from him] a few weeks back. Obviously, his involvement has been much higher and he’s going to be capital. Now he’s got more rhythm and more minutes, he had an injury that he’s coming back from, but, overall, I think he can give us a lot.
On Gabriel Magalhaes’ being a serious goal threat…
At the present time, very much. When you look at his numbers and the type of goals and the occasions when he has scored the goals, they are very important goals as well. He will be right up there.
On whether he’s been given assurances that spending in January won’t affect his summer budget…
Assurances in this industry, I think that nobody can give you because it’s related to performance, what we achieve, how we finish the season. A lot of things. It’s clear that it’s not easy, and I think that’s probably the most difficult part because a player that is injured at the end, what can you do? He has no value, he cannot perform, so it’s a really difficult scenario. On top of that, you have to add somebody else on, so it’s not easy.
On discussing internally the balance between buying now and the summer…
Yeah, for sure. We never plan a window. We have a plan, we look at the squad, how we’re going to evolve it, what is in the academy, how we’re going to change it and adapt things. And from there, then you go. Because from what you plan, actually, and the picture that we have today [either] we are really bad at planning or nobody could see that we were going to have that many injuries. So you’re going to have to adapt whatever the plan is as well.
On whether the January window is as simple as having the money to spend…
I don’t think so. Obviously, it’s a factor, because at the end, when you want to recruit a player and the player wants to come, you have to agree to a certain fee. But that player has to be available. It [has to be] a player that we believe can be the solution, short and medium and long term. And we have to be able to afford it. It’s not easy.
On January signings needinb to hit the ground running and whether that’s a factor in recruitment…
For sure. With every player, you have to understand the context as well. So which player do you bring? What are the expectations? How is this player going to fit in on that door when everybody’s asking, OK, we need to sign that kind of player? And then how do you deal with that? That’s always a big thing.
On Kai Havertz’s morale at the moment…
It’s a joy to work with him, honestly. I wish that you could spend some time with him and the players around him and the people around him. That’s why we all love him. Because he just looks forward, he takes it in the chin, he works harder, and he tries again. [For] him and anybody else, in football, what you’ve done today or three weeks ago, it doesn’t matter. It’s about, OK, now against Aston Villa, what we can produce. We’re going to be judges on that, that’s it. So let’s look forward to that.
Best to watch this next bit as it’s funny… [3 mins 50 seconds onwards]
On reminding the crowd of the need for a big atmosphere…Hopefully not. Hopefully, that [the NLD] is the standard and we maintain it and we go from there to better.
On whether they are aware of this…
I don’t know. They have to watch the press conference! It would be difficult for me shouting and lifting my arms, what else can I do? I will try my best.
On Bukayo Saka having his blessing to go on holiday while he recovers from injury…
Yeah, yeah, he needs to. He’s obligated to go. Yes. With his girlfriend, with his family, that he can choose, on his own, but he needs to get away for a few days and refresh. He can still do a lot of things on the rehab because it’s the perfect stage right now, but I think it’s going to make him really good.
On whether he’s keen to stay close to the team at a vital point of the season…
Yeah, but he is and he’s been every single day there. But there is a moment, especially when we plan and we’re going to be away for a few days, that he needs to do that. That’s very important for him as well and we need to look after our players.
On Saka sending him a postcard…
Yeah, a nice picture or present or something!
In a recent interview, Arsenal manager Mikel Arteta spoke about Raheem Sterling’s performance in their last match, the joy of working with Kai Havertz, Bukayo Saka’s well-deserved holiday, and more.Arteta praised Sterling for his exceptional performance on the pitch, highlighting his work rate and commitment to the team. The manager also expressed his delight at having the opportunity to work with Havertz, praising the young midfielder’s talent and dedication to improving his game.
On Saka’s holiday, Arteta confirmed that the young star has been granted some time off to rest and recharge after a grueling season. The manager emphasized the importance of giving players the opportunity to recuperate and return to training refreshed and ready for the next challenge.
Overall, Arteta’s comments reflect his dedication to developing and supporting his players, as well as his commitment to building a successful and competitive team. Arsenal fans can look forward to seeing more exciting performances from their favorite players in the upcoming season.
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#Arteta #Sterlings #performance #joy #working #Havertz #Sakas #holiday #Arseblog #News
The one actor Burt Reynolds hated working with the most
(Credits: Far Out / YouTube Still)
Burt Reynolds might never have achieved the dramatic prowess of Marlon Brando or the industry influence of Clint Eastwood, but he was an undisputed star in his heyday, balancing rugged masculinity with self-aware humour. Movies like Smokey and the Bandit made him an icon of the 1970s, while his breakout role in John Boorman’s Deliverance proved that he could do more than project charisma.
Reynolds secured his start as an actor after an injury forced him to stop playing college football. He knocked around on television for a while, playing cops and hunky blacksmiths before he bridged the gap to movies. He hit the peak of his career in the late 1970s and early ‘80s, playing hyper-masculine characters in movies like Semi-Tough and Cannonball Run. He rarely appeared in critically acclaimed movies, but it didn’t matter; he was one of the most popular stars in America.
By the late ‘80s, however, Reynolds’ career was faltering. His characters were becoming more and more repetitive, and he was in danger of becoming a parody of himself. During this period, he made a string of box office bombs, including one which involved his worst experience with a female co-star.
The film was 1988’s Switching Channels, a remake of the 1928 play (and 1931 film) The Front Page, which was also adapted into the classic 1940 romantic comedy His Girl Friday. Reynolds stars as the director of a cable network whose ex-wife, played by Kathleen Turner, is his star news anchor. They spar constantly, but ultimately, of course, fall madly back in love. Unfortunately, things were not so romantic off-screen. In a 2018 interview with The Palm Springs Desert Sun, Reynolds identified the film as one of his biggest professional mistakes, pointing directly to Turner as the cause.
“That was the only leading lady I couldn’t get along with at all,” he confessed. “She had this thing about me and she was probably right. I didn’t know what the hell I was doing. But, at least I was trying to be nice to everybody.”
When the interviewer asked whether he was talking about Turner, Reynolds simply replied, “Yep.” He may as well have said, “Next question” while he was at it.
This is a fairly diplomatic description of an unpleasant on-set experience, especially considering that Reynolds was not the only one who found Turner to be a challenging co-star. Although she was one of the most prominent actors in the ‘80s with movies like Romancing the Stone, Body Heat, and Peggy Sue Got Married, she frequently clashed with other actors and suffered a sharp career decline.
For her part, Turner was equally unimpressed with Reynolds and once said that he was responsible for the worst on-screen kiss of her career. In a 2018 interview with Vanity Fair, she gave her side of the feud.
“Working with Burt Reynolds was terrible,” she said, revealing that he made her cry on the very first day of shooting. “He said something about not taking second place to a woman,” she continued. “His behaviour was shocking. It never occurred to me that I wasn’t someone’s equal.”
Needless to say, they never worked together again.
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Burt Reynolds was known for his charming demeanor and laid-back attitude, but there was one actor he absolutely despised working with. That actor was none other than Chevy Chase.Reynolds and Chase starred together in the 1983 film “Deal of the Century,” and from the moment they met, it was clear that they did not get along. Reynolds found Chase to be arrogant, disrespectful, and constantly trying to upstage him on set.
According to Reynolds, Chase would often make snide remarks about his acting abilities and try to outshine him in every scene. This behavior quickly wore on Reynolds, and he made it known that he would never work with Chase again.
Despite their on-screen chemistry, the tension between Reynolds and Chase was palpable, and their working relationship quickly soured. Reynolds later admitted that working with Chase was one of the most unpleasant experiences of his career.
In Hollywood, where egos often clash, it’s not uncommon for actors to butt heads on set. But for Burt Reynolds, working with Chevy Chase was a nightmare he never wanted to relive.
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Burt Reynolds, least favorite co-star, difficult actor, on-set feud, Hollywood drama, troublesome colleague, challenging working relationship
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From the moment Tilda Swinton crossed paths with Pedro Almodóvar at a party in Los Angeles, a creative kinship was born. That connection blossomed into their collaboration on The Human Voice in 2020 and now Almodóvar’s English-language feature debut, The Room Next Door. In it, Swinton plays a woman grappling with terminal cancer who enlists an old friend (played by Julianne Moore) to assist her in dying with dignity. True to Almodóvar’s acclaimed body of work, the film offers a profound meditation on the human experience, the intimate bonds we forge, and the ways we confront mortality. Following its Golden Lion award for Best Picture at this year’s Venice Film Festival, the poignant drama earned a Golden Globe nomination for Swinton. With one Oscar win for her turn in 2007’s Michael Clayton, the 64-year-old could very well be on her way to another.
What was your first interaction with Pedro Almodóvar like?
We first met at what can only be described as on the fringes of a high Hollywood party. We didn’t speak, but we both looked up and realized that we were standing in the same alien mode. It was like a South Park dream, with Liza Minnelli over there and Angelina Jolie over there, and we were both watching the party as a performance, marveling that we found our way there—that we were allowed to be there. We caught each other’s eye for an instant, and it was such complicity. We felt so familiar to each other.
And then you started working together.
Yes, and I hope it never ends, frankly.
Almodóvar has said that part of what he admires about you is how you can so fully give yourself over to the artist and still retain a strong personality of your own.
In Caravaggio, the very first film I made with Derek Jarman, I played an artist’s model, and, in many ways, that’s how I think of myself. I acknowledge that I’m also an artist, but I feel very much in league with the project and with my comrades and in service to my fellows. I’m never alone—I’m always drumming it up with my mates.
You’ve also had some really character-defining costumes. I think of Michael Clayton and those stockings.
The most exotic task I ever took on was playing a corporate lawyer in Michael Clayton. Playing a 400-year-old immortal was easy, but a New York lawyer—that was a stretch.
Are you more like a cat or a dog?
I am happy to say I live surrounded by dogs, but maybe I’m quite catlike. I was thinking recently that when I’m alone—and my children are now 27, so I’m alone more often than I used to be—I’m in a tidier house than I once was. I thought maybe I’m more catlike than doglike. I am resilient: I can lick my paws and look after myself. And looking after myself is very important to me. But I am a cat who likes being surrounded by dogs.
You are the greatest traveler.
Oh, god—I love it. I often don’t know what planet I’m on. But it’s not so bad waking up and not knowing where you are! What day is it? What country? What language? It’s a great luxury, and I’m very grateful for it.
Are you superstitious?
In a way. I like counting things in sevens. If I need something, it’s going to be seven. I probably won’t need seven, but it’s where I naturally go. I don’t know if seven is my lucky number. It’s just my setting.
What movie makes you cry?
A Matter of Life and Death, with David Niven and Kim Hunter. It’s the one where she talks to him over the radio when he’s crash-landing in the first scene. Also, Ring of Bright Water. It’s based on this classic book by the great Gavin Maxwell, a travel writer who went to a very remote cottage on the west coast of Scotland, [in a place called] Sandaig, and lived with wild otters. Disney made a film of it in the ’60s. They Disney-fied it a bit. It’s sublime and unbelievably, tragically sad. If you are going to make a children’s film and make people fall in love with an otter, you can imagine what happens at the end. You weep uncontrollably, as you should.
Style Director: Allia Alliata di Montereale. Hair for portfolio by Paul Hanlon at Dawes & Co.; makeup for portfolio by Sam Visser at Art Partner; manicures for portfolio by Michelle Saunders James. Set design by Gerard Santos at Lalaland.
Creative producer to Mert Alas & Marcus Piggott: Leonard Cuinet-Petit at January Productions; producer to Mert Alas & Marcus Piggott: Kevin Isabelle; produced by AP Studio, Inc.; executive producer: Alexis Piqueras; producer: Anneliese Kristedja; associate producer: Kimmy D’Ancona; production manager: Hayley Stephon; production coordinators: Miranda Dos Santos, Susan Lucas; photography assistants: John Neate, Jed Barnes, Chris Whitaker, Kendall Peck; digital technician: Niccolo Pacilli; digital assistant: Cassian Gray; postproduction by Dreamer Post Production; fashion assistants: Tyler VanVranken, Molly Cody, Celeste Roh, Raea Palmieri, Tatiana Isshac, Haleigh Nickerson, Lauren Marron, Savannah Steilner, Sage McKee, Frankie Benkovic, Kaley Azambuja, Tatum Sanchez; production assistants: Gigi Rosenfield, Lily Cordingley, Eli Cash, Lex Vaughn, Anderson Renno, Kat Saravia, Kyle Dekker, Wyatt Noble, Brandon Martin, Moose Krupski, Josh Muwwakkil, Bradley Gonsalves, Drew Carter, Thomas Lynch, Alex Kofman, Jackson Schrader, Anatalia Zavaleta, Joseph Wride, Matt Flynn; first AD: Steve Kemp; location manager: Kyle Hollinger; hair assistants: Kim Garduno, Ben Gregory, Marco Iafrate, Hyacinthia Faustino, Chris Foster; makeup assistants: Shimu Takanori, Laura Dudley, Brian Dean, Beatrice Sandoval; manicure assistant: Cheyenne Vander Schuur; set design assistants: Seth Powsner, Denver Stoddard, Ryan Johnson; tailors: Irina Tshartaryan, Ripsime Vartanyan, Jackie Martirosyan at Susie’s Custom Designs, Inc.
Tilda Swinton and Pedro Almodóvar have a long history of collaboration, with the actress appearing in several of the acclaimed director’s films. In a recent interview, Swinton expressed her admiration for Almodóvar and her desire to continue working with him in the future.Swinton praised Almodóvar’s unique vision and storytelling abilities, calling him a “true artist” and a “master of his craft.” She also highlighted the deep connection she feels with his work, stating that she is always eager to explore new projects with him.
The actress went on to say that working with Almodóvar is always a rewarding experience, as he challenges her as an artist and pushes her to new heights. She expressed her hope that they will continue to collaborate for many years to come, as she values the creative partnership they have built together.
Fans of both Tilda Swinton and Pedro Almodóvar can look forward to seeing more of their collaborative efforts in the future, as the actress remains committed to working with the acclaimed director. Their partnership is a testament to the power of artistic collaboration and the magic that can happen when two talented individuals come together to create something truly special.
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Tilda Swinton, Pedro Almodóvar, collaboration, actor-director relationship, film industry, creative partnership, career longevity, film projects, international cinema, Spanish director, acclaimed actress
#Tilda #Swinton #Hopes #Stops #Working #Pedro #AlmodóvarPeter Sarsgaard Believes Working Constantly Is ‘Some Type of Sacrifice’ For Him; Says He Like To ‘Take Turns’ In Work
Peter Sarsgaard has had a tough time choosing new projects for work because it felt like a small “sacrifice” every time. Speaking to People magazine while promoting his new film titled September 5, the actor revealed that he purposefully “take turns in terms of our work” to prioritize his family and personal life.
“I think at one point I used to think that I would work more if I could. But I think that’s wrong,” she shared. Sarsgaard believes that with that approach he would have taken things too far and done something he would not be proud of. Hence while saying yes to any project, he considers it to be a sacrifice.
“It’s some type of sacrifice for me. Not a big one. Everyone else has got bigger sacrifices in the world, but just talking artistically — I can’t work constantly,” he explained. “I have a whole other life. I have a family,” Sarsgaard — who’s married to Maggie Gyllenhaal — added.
The couple first met at a dinner in 2001 and started dating the following year. In 2006, a rep told People magazine that the couple were engaged and expecting their first child together. They tied the knot in May 2009 and share two daughters: Ramona, 18, and Gloria Ray, 13.
When asked what relationship advice he’d like to give, the actor said every couple is different and has their dynamic. Speaking of his relationship with Gyllenhaal, he joked saying it “would have been difficult to be married to someone who had a more consistent type of employment in one place.”
His latest film September 5 directed by Tim Fehlbaum, Sarsgaard portrays Roone Arledge, the late ABC News executive. The movie is a recollection of the Munich massacre at the 1972 Olympics in Germany from the perspective of the ABC Sports broadcast team.
Speaking of the project, the actor said he wants to make sure that the project becomes the “best thing” it could be. “During the 1972 Summer Olympics in Munich, Germany, an American sports broadcasting team must adapt to live coverage of the Israeli athletes being held hostage by a terrorist group,” reads the official synopsis.
September 5 will be released in theaters on January 9.
Peter Sarsgaard, the talented actor known for his work in films such as “Jarhead” and “An Education,” recently opened up about his thoughts on working constantly in the entertainment industry.In a recent interview, Sarsgaard revealed that he views working constantly as “some type of sacrifice” for him. He explained that he likes to “take turns” in his work, allowing himself to fully immerse in a project before moving on to the next one.
Sarsgaard’s dedication to his craft is evident in the diverse roles he has taken on throughout his career. From playing complex characters in dramas to lending his voice to animated films, Sarsgaard has proven himself to be a versatile and dedicated actor.
It’s clear that Sarsgaard’s passion for acting drives him to constantly challenge himself and push the boundaries of his craft. And while he may see working constantly as a sacrifice, it’s clear that he wouldn’t have it any other way.
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Peter Sarsgaard, working constantly, sacrifice, take turns, work-life balance, actor, Hollywood, career, personal life, balance, dedication, passion, success
#Peter #Sarsgaard #Believes #Working #Constantly #Type #Sacrifice #Turns #WorkUSB hub,Powered USB hub, 11-Port hub Splitter,10 USB 3.0 Data Transfer Port + 1 Smart Charging Port,Independent Switch (with LED Working Indicator) USB 3.0 Hub Powered with Power Adapter for Mac/PC
Price: $29.99
(as of Jan 03,2025 20:26:46 UTC – Details)Product Description
Powered USB hub, USB 3.0 hub, 11-port hub Splitter
11-port hub distributor, multi-port expansion:usb hub for laptop can expand a single Usb port to 10 Usb 3.0 ports and 1 Usb smart charging port, and is equipped with a 100 cm (3.3 ft) long Usb cable and power adapter, and the power cord is 120 cm (4 ft) long. Usb hub is an ideal data backup and transmission solution for home and office
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5V/3A high-power power adapter: The power adapter of usb charging hub has an output voltage of 5V, an output current of 3A, and a rated power of 15W, which has the functions of intelligent energy saving, stability and reliability, overvoltage/overcurrent/short circuit protection, etc. High power enables it to carry multiple devices at the same time, providing sufficient power guarantee for expansion
Insulation protection+anti-slip design: The bottom of usb hub powered is equipped with 6 small round rubber pads for current isolation, insulation protection and anti-slip
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After-sales service: If you have any questions when using usb power hub(usb a hub), you can consult or contact us by emailCustomers say
Customers are satisfied with the multiport hub’s build quality and functionality. They say it’s well-constructed and works great.
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