Tag: Wrote

  • She wrote a racy book. Now she’s worried her son will find it.


    It’s been nearly 20 years since she wrote her semi-autobiographical novel “Party Girl,” a sex romp starring a cocaine-snorting magazine writer who boozes it up while chasing celebrity gossip. It’s a tale that closely mirrors David’s own downward spiral while a journalist in Hollywood in the 1990s and 2000s, an erratic period that included partying with movie stars, posing nearly nude for “Playboy” to accompany her first-person essays for the magazine and landing in rehab with a drug addiction.

    Now raising her toddler son, the author regrets aspects of the novel that glorify her wanton younger years. So she came up with a plan: Write a new version, bury the original on the internet and spare her future teenager TMI about his mom.

    “I just felt like PG-ing some of the NC-17,” says David, 54, who regained her rights to the book, which underperformed originally, and just released it through her own publishing company. If embarrassing stuff never dies on the internet, then David hopes to at least put hers into a coma.

    Anna David wrote the tamer version to spare her future teenager TMI about his mom, she said.

    David’s story is an extreme case from a certain era of now middle-aged writers, once-young literary exhibitionists who bared all in trendy sex-and-dating confessionals without worrying too much about a terrifying future audience: their children. The author has decided to run interference on her written legacy, using the tools of online publishing and the tricks of search engine optimization to bury her original book. Though other writers don’t go that far, they’re still nagged by the question: How do they handle their old revealing work when it’s out there in digital form, a few clicks away from a search-word-savvy child who goes to Amazon for a Lego set and comes back with a parent’s secrets?

    Joe Oestreich, 55, lays out his romantic past in “Hitless Wonder: A Life in Minor League Rock and Roll,” a 2012 memoir about the many decades he spent in a never-famous rock band. It includes a part in which then 20-year-old Oestreich pursues a romantic relationship with a 15-year-old. His two kids, one of them now 15, know that girl ended up being their mom—but they have no idea about all the steamy details with the high-schooler.

    “My kids don’t know that story, and I don’t want them to know just yet,” says Oestreich, who has been married to their mom for 25 years. In child-rearing, like in memoir writing, there’s something to be said for controlling the narrative. “You owe them the truth,” he says of kids and readers, “but not all at once.”

    Oestreich, who teaches memoir writing at Coastal Carolina University in Conway, S.C., encourages his students to think about the intimate moments they’re sharing in their work. “The first step of growth for a novice writer is giving themselves the freedom to reveal these kinds of details,” he says. “I do think that maybe the next step in the development of the writer is to figure out what you don’t have to tell. As I’ve gotten more experienced, I’ve gotten a little bit more guarded.”

    So far, his own children haven’t shown any interest in the book, which he leaves lying around so as not to “fetishize it.” He knows one day he’ll tell them about the memoir’s contents.

    “I’m a writer—I’m starving for positive feedback at all times,” he says. “The crushing thing will be if they hate it or if they think it’s boring.” Or, maybe worse, never read it.

    Tessa Fontaine, 41, whose 2018 memoir “The Electric Woman” chronicled a troubled parent-child relationship, is braced for her daughter to learn that Fontaine questioned her attachment to her own mother.

    “I really didn’t believe that I loved my mom for my whole childhood and adolescence and early 20s,” she says. “Now that I’m a mother, it’s the most horrifying thing you can imagine, for your kid to feel that way about you. I think it just feels really vulnerable to have that piece of the story out there, as if it could be contagious, as if she would read it and be like, ‘Oh, I, too, feel this way.’”

    Fontaine is still figuring out how she’ll talk about her past with her daughter, who, at three years old, is a long way from reading the memoir. Eventually, the author hopes the book will build on an ongoing conversation with her child. “She’ll get to have this private experience of reading about that relationship, and we can keep talking more about it. It gives her this entry point into some of those challenges for me.”

    Tessa Fontaine, whose memoir ‘The Electric Woman’ chronicled her troubled relationship with her mother, is still figuring out how she’ll talk about her past with her daughter.

    The “Party Girl” rerelease is about more than just creating a clean version for the kids, as the music industry does with songs. It’s also a marketing opportunity for a novel that rolled out just after its intended HarperCollins publishing imprint, ReganBooks, folded. David blames that disruption for the lackluster launch of “Party Girl.” Now she hopes to reposition the book as Quit Lit, a sobriety genre that hadn’t taken off when “Party Girl” came out in 2007.

    Rights to “Party Girl” reverted back free to David in 2020, but it took multiple attempts by David, her agent and her lawyer to make the transfer official. The book has been optioned for screen adaptations multiple times, the author says, but no productions are in the works.

    David, who battled a cocaine addiction for two years and has been sober since 2000, has written fiction and nonfiction, curated anthologies and co-authored works including actor Tom Sizemore’s bestselling memoir. In 2018, she founded Legacy Launch Pad Publishing, a hybrid model where author and publisher share the cost of releasing a book. In 2023, her son was born by surrogate and her worldview shifted.

    Last year, she spent roughly four months combing through “Party Girl,” which one critic called “crasser than most.” She toned down, vagued up and cut out the graphic parts. She excised 32 F-words, a passage involving a vibrator, scenes with sex acts and the more graphic details of a threesome.

    She also altered elements she says would get her canceled today, like making the service workers Latino and calling a grinding dancer in a tube top “prepubescent.”

    After all this effort, David knows that if her son eventually wants to see the original book, he’ll find it. She hopes to mitigate the impact. “I just know how embarrassing parents can be anyway to any teenager,” she says. “I don’t really want to add to that.”

    Write to Ellen Gamerman at ellen.gamerman@wsj.com



    As a writer, it’s not uncommon to explore different genres and themes in our work. However, when one mother decided to venture into the world of racy romance novels, she never expected the potential consequences that could come with it.

    After months of hard work and dedication, she finally published her steamy novel, filled with passion, desire, and all the things that make for a thrilling read. But now, as she sits back and admires her work, a wave of worry washes over her.

    What if her son stumbles upon her book? How would he react to his mother’s provocative writing? Would he be shocked, embarrassed, or worse, disappointed?

    These are the questions that plague her mind as she grapples with the idea of her son discovering her secret side. Will she have to come clean and explain herself, or will she have to keep her writing under wraps forever?

    Only time will tell how this mother’s dilemma will unfold, but one thing is for sure – writing a racy book can lead to some unexpected consequences.

    Tags:

    1. Racy book
    2. Motherhood concerns
    3. Family secrets
    4. Keeping secrets
    5. Confidential writing
    6. Parenting worries
    7. Censorship in literature
    8. Privacy concerns
    9. Adult content
    10. Book publishing anxieties

    #wrote #racy #book #shes #worried #son #find

  • Read what Joe Biden wrote in letter to Donald Trump




    In a letter addressed to President Donald Trump, President-elect Joe Biden wrote a heartfelt message urging unity and cooperation for the good of the nation. Biden emphasized the importance of coming together as Americans, despite political differences, to address the challenges facing the country.

    Biden expressed his commitment to working with Trump and his administration to ensure a smooth and peaceful transition of power. He also extended his best wishes to Trump and his family, acknowledging the sacrifices they have made in serving the country.

    The letter from Biden to Trump serves as a reminder of the importance of civility and respect in politics, and the need for leaders to put the interests of the nation above personal agendas. It is a message of hope and unity in a time of division and uncertainty.

    As we look towards a new chapter in American history, let us all take to heart the words of Joe Biden and strive to build a better future together, united as one nation.

    Tags:

    Joe Biden, Donald Trump, letter, presidential transition, politics, inauguration, Joe Biden letter to Donald Trump

    #Read #Joe #Biden #wrote #letter #Donald #Trump

  • ‘We fell out because I wrote about farts on the tour bus’

    ‘We fell out because I wrote about farts on the tour bus’


    Back in 2003 Franz Ferdinand leapt out of Glasgow College of Art to make being in a band look like the best thing in the world. From the frontman Alex Kapranos’s Roxy Music-meets-Kraftwerk fashion sense to the bassist Bob Hardy’s inability to play a note before joining the group, not to mention spiky, vibrant songs such as Darts of Pleasure and Take Me Out — “records that girls can dance to” according to their manifesto — it was all so fresh, so vibrant, so hopeful.

    Fast-forward 23 years and life has taken its toll. “I feel the fabric of existence come undone,” Kapranos bemoans on Audacious, the opening track of the band’s appropriately titled new album, The Human Fear. The music is as bright and bold as ever, albeit with a newly doomed romantic quality reminiscent of Scott Walker, but from addressing the daily grind on Build It Up to fretting about fretting on Everyday Dreamer, Franz Ferdinand do seem to have a lot of weight riding on their now middle-aged shoulders.

    “It wasn’t the plan,” says Kapranos, a well-preserved, short-haired 52-year-old, when I point this out to him. He’s in the Charlotte Street Hotel in London with Hardy, the two remaining original band members after the guitarist Nick McCarthy left in 2016 and the drummer Paul Thomson followed in 2021. “It was only afterwards that I realised, oh my God, every single song has the same essential fear,” he adds.

    On the album, The Doctor is about the fear of leaving an institution. Night or Day is about the fear of committing to a relationship. Tell Me I Should Stay is about the fear of saying goodbye to someone. And so it goes on, with a dissonance between the cheerful music saying one thing and the anxious lyrics saying another.

    Kapranos became a father last year, which made all his usual fears seem trivial — and easier to write about. “The songs simply come from me and Bob talking about the things on our minds. That is how we started: as an imaginary band. Most bands are made up of people who want to play guitar and be good musicians, but we had no desire for craft for craft’s sake.”

    At least Kapranos had ten years of experience of being in actual bands before Franz Ferdinand took off; Hardy had none whatsoever. “I never had the patience to learn a musical instrument so it was a steep learning curve for me,” says Hardy, who was yet to graduate from Glasgow School of Art when the music took off. “But the price of entry was learning to play the bass and even I could do that. All I knew is that in art school anything goes, so I brought that attitude to the band. You know, ‘Why don’t we project this film against the stage?’”

    Kapranos and Hardy were working in the kitchen of Groucho St Judes, Glasgow’s outpost of the London private members’ club, when in 2000 they had the idea of forming a band to play at their friends’ parties. “Alex showed me how to play a song he had written called This Fire, which only had two chords, and then we met Nick and Paul,” Hardy recalls. “Our first gig was in a friends’ bedroom in 2002. Before I knew it we were recording our first album in Sweden.”

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    Before long Franz Ferdinand were a phenomenon, featured on the January 10, 2004, cover of the NME alongside the proclamation: “This band will change your life.” By then Kapranos was 31, and had come to the conclusion only a year or so earlier that it was never going to happen for him.

    “I remember reaching 27 and thinking, this is the age I’m meant to die. But I can’t, because I’m still not a rock star,” he says. “When we recorded our first single, Darts of Pleasure, I had to pull a sickie.”

    Right from the off, Franz Ferdinand’s sharply written pop songs with an underground edge made an impact. “In the early 2000s Britpop was over and it was all post-rock — long, meandering jams with no melody whatsoever,” Kapranos says. “And we liked the Everly Brothers. So, touched with a bit of Scottish contrariness, we aimed to do something completely different from everything that was happening.”

    Franz Ferdinand band portrait.

    The band in 2003, including the original members Paul Thomson and Nick McCarthy

    JOE DILWORTH/AVALON/GETTY IMAGES

    Hardy, who left his native Bradford for Glasgow in 1999, remembers joining Franz Ferdinand and then not returning home for the next three years. “I had nothing to compare it to, so I thought, well, we’re good, so of course we’re playing to thousands of people each night all over the world. That’s what bands do, right?”

    “After so many years of rejection I said no to nothing,” Kapranos says of that time. “I wanted to talk about my songs, I wanted to play as many concerts as possible, and as a result we completely exhausted ourselves. I ended up living in a state of euphoria mixed with self-loathing, which is very unhealthy.”

    It led to some friction. In 2004 the band had a punch-up in Paris. McCarthy, the band’s natural extrovert, had a tendency to invite whoever he met that day to come backstage after the concert, which led to blazing rows between him and Kapranos. “He’s a good-hearted guy, but he always wanted to keep the party going. The real problem wasn’t Nick but the incorrigible people he kept bringing back.”

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    Even Kapranos and Hardy had a falling out around the release of their third album, Tonight: Franz Ferdinand (2009). “We decided to meet in Orkney to sort it out, simply because neither of us had been there before,” Kapranos says.

    Was that such a good idea? Surely a remote island like Orkney would be an excellent place to murder someone. “The cliffs! He just slipped!” Hardy gasps, imagining the scenario.

    The reason for the argument was comically trivial. In 2006 Kapranos was writing a food column for The Guardian and using it as a covert tour diary for the band. “I started one of the pieces with the line, ‘I wake up to the smell of my bandmates’ farts’,” Kapranos says, after a bit of to and fro between him and Hardy on whether he should recount the unfortunate incident at all. “Because what happens on a tour bus.”

    “The implication was that you don’t fart,” Hardy retorts, still sounding aggrieved after all these years.

    “You don’t smell your own farts,” Kapranos protests.

    “If a journalist on the tour bus had written it, you would have gone apoplectic.”

    “So basically Bob was pissed off that I told the world he farted. He hasn’t ever since, obviously.”

    Franz Ferdinand band photo.

    “I remember reaching 27 and thinking: this is the age I’m meant to die,” Kapranos says

    FIONA TORRE

    Kapranos says the worst thing about being in a band with friends is that by spending so much time together on a tour bus, odorous emissions and all, you end up not talking to each other because you’re trying to preserve your independence. Hardy adds that constant drinking, which raises the highs and lowers the lows, doesn’t help. It all got too much for Thomson, who quit in a dramatic fashion: refusing to turn up to a tour rehearsal. Did he give a reason for leaving the band?

    “He had just bought a new coffee machine,” Hardy says. “He didn’t want to leave it.”

    “That and his cats and dogs,” Kapranos adds.

    Both say that the Franz Ferdinand trajectory follows a formula: they come off the road, go back to their lives, and make no plans to see each other again. Then Kapranos sends over a few songs and before they know it they’re in a kitchen, talking about what to do next. Where does Kapranos’s drive come from?”

    “Oh God, lie back on the couch and tell me about your mother,” says Kapranos, who spent his early years in Sunderland before moving with his Greek-British family to Glasgow when he was seven. “It was the usual shit. Alienation, isolation, a childhood retreat into the imagination to escape from an environment that was deeply unpleasant … It’s why singers tend to be introverted people. On stage, you amplify a small part of yourself to make up for the rest of you. And as the child of an immigrant you know where you’re from while also knowing you’re not from there, which is also odd.”

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    At least Kapranos has now got his life on a relatively even keel. As well as becoming a father, he’s married to the French singer Clara Luciani. “She has a totally different approach to me,” he says. “Before going on stage I want to talk to nobody for two hours because someone might say something that will get in my head, but if you go to her dressing room she’s got 15 hairdressers around her. It’s good to see a different way.”

    Despite its fretful tone, The Human Fear continues with Franz Ferdinand’s approach of never taking anything too seriously, least of all themselves. Take Me Out, their biggest hit, was partially inspired by the outrageously cheesy Eye of the Tiger by Survivor, while a song on the new album called Black Eyelashes references a style of Greek folk music called rebetiko. As Kapranos points out, guitar bands were unfashionable when Franz Ferdinand started out and they are unfashionable today, which is a good argument for carrying on regardless.

    “When we began, there was an assumption that we would not be played on the radio,” he concludes. “We never worried about that then and we don’t worry about it now. We did once stumble accidentally into fashion, which proved to be a disconcerting experience. Since then we’ve just got on with our own thing.”

    The Human Fear (Domino) is out on Jan 10



    Have you ever had a falling out with someone over something you never thought would cause a rift in your relationship? Well, that’s exactly what happened to me when I wrote about farts on the tour bus.

    It all started innocently enough – we were on a long tour bus ride, cramped together for hours on end. As the hours passed, the inevitable happened – someone let out a loud and smelly fart. Instead of ignoring it like a normal person, I decided to write about it in my journal. I thought it was funny and a harmless way to pass the time.

    Little did I know, one of my fellow passengers stumbled upon my journal and read my entry about the fart incident. They were not amused. In fact, they were downright offended. They couldn’t believe I would write about something so crude and embarrassing.

    And just like that, our friendship was strained. They couldn’t look at me the same way anymore, and I couldn’t understand why something so trivial would cause such a rift between us.

    So, let this be a lesson to all – be careful what you write about, especially when it comes to bodily functions on a tour bus. You never know who might stumble upon your words and take offense. And remember, some things are better left unsaid (or unwritten).

    Tags:

    1. Tour bus fart story
    2. Friendship fallout over fart writing
    3. Travel mishap: farting on tour bus
    4. Friendship drama: farting incident
    5. Tour bus farting incident
    6. Friendship fallout over embarrassing story
    7. Travel mishap: writing about farts
    8. Tour bus farting mishap
    9. Friendship drama: writing about embarrassing moments
    10. Travel blogging mishap: fart story

    #fell #wrote #farts #tour #bus

  • Jamie Lee Curtis is wanted to play Jessica Fletcher in Murder She Wrote movie

    Jamie Lee Curtis is wanted to play Jessica Fletcher in Murder She Wrote movie


    Jamie Lee Curtis is wanted to lead the cast of a ‘Murder, She Wrote‘ movie. The 66-year-old actress is being eyed to portray Jessica Fletcher in the Universal film, according to Deadline. Dame Angela Lansbury famously played the mystery writer and amateur sleuth in the 12-series crime drama TV show. Lord Miller and Amy Pascal are to produce the motion picture from a script penned by Lauren Schuker Blum and Rebecca Angelo. In September 2023, it was revealed a ‘Murder, She Wrote‘ movie was adapted for the big screen before the Hollywood strikes.Schuker Blum told Collider at the time: “We’ll tell you one thing that hasn’t been reported yet, which is we have written a theatrical feature film version of ‘Murder, She Wrote‘ for Universal, and we’re really excited.”Angelo added: “It’s with Pascal Pictures in Pascal and Universal, and we’re very excited…



    Jamie Lee Curtis is wanted to play Jessica Fletcher in Murder She Wrote movie

    Fans of the classic mystery series Murder She Wrote have been buzzing with excitement over the news that a movie adaptation is in the works. And while many are eagerly anticipating who will be cast in the iconic role of Jessica Fletcher, there is one name that keeps coming up as the top choice: Jamie Lee Curtis.

    With her strong acting chops and undeniable charm, Jamie Lee Curtis seems like the perfect fit to step into Angela Lansbury’s shoes and bring the beloved character of Jessica Fletcher to life on the big screen. Her ability to portray complex and compelling characters, combined with her natural charisma, make her an ideal candidate to take on the role of the sharp-witted and resourceful mystery writer turned amateur sleuth.

    As fans eagerly await more news on the Murder She Wrote movie, one thing is certain: Jamie Lee Curtis would be a dream casting choice to play Jessica Fletcher. Here’s hoping that the powers that be behind the project are listening and will make this casting dream a reality. Stay tuned for more updates on this exciting development!

    Tags:

    Jamie Lee Curtis, Jessica Fletcher, Murder She Wrote, movie, casting, actress, remake, Angela Lansbury, mystery, detective, crime, television, series, Hollywood, film adaptation

    #Jamie #Lee #Curtis #wanted #play #Jessica #Fletcher #Murder #Wrote #movie

  • AI Wrote This Book: The Past, Present, and Future of Artificial Intelligence (Ac

    AI Wrote This Book: The Past, Present, and Future of Artificial Intelligence (Ac



    AI Wrote This Book: The Past, Present, and Future of Artificial Intelligence (Ac

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    Artificial intelligence (AI) has become an integral part of our daily lives, shaping the way we interact with technology, make decisions, and even communicate with each other. In “AI Wrote This Book: The Past, Present, and Future of Artificial Intelligence,” we delve into the history of AI, its current capabilities, and the potential future developments that could revolutionize the way we live and work.

    From the early days of AI research to the latest advancements in machine learning and neural networks, this book explores the evolution of artificial intelligence and its impact on society. We examine the ethical and societal implications of AI, as well as the opportunities and challenges that come with this rapidly advancing technology.

    Whether you are a seasoned AI expert or simply curious about the possibilities of artificial intelligence, “AI Wrote This Book” offers a comprehensive overview of the field and its potential for shaping the future. Join us on this journey through the past, present, and future of artificial intelligence, and discover the incredible possibilities that lie ahead.
    #Wrote #Book #Present #Future #Artificial #Intelligence