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Tag: Year

  • Vybz Kartel – 10th Year Anniversary Album Release with 7 New Tracks


    Vybz Kartel – 10th Year Anniversary Album Release with 7 New Tracks

    01/30/2025 by Press Release

    Vybz Kartel - 10th Year Anniversary Album Release with 7 New Tracks

    Ahead of the 2025 Grammy Awards this Sunday (February 2, 2025) and on the heels of his first Grammy nomination as well as his historical homecoming concert in Kingston, Vybz Kartel will unleash the Viking (Vybz Is King) 10th Year Anniversary album (Adidjahiem Records/TJ Records) on January 31, 2025. 

    This special deluxe edition release of his 2015 Viking (Vybz Is King) album will feature its iconic tracks Unstoppable, Enchanting, Gon Get Better (sampled by pop group Fifth Harmony) and Dancehall (retitled Dancehall Cyah Stall), alongside seven brand-new songs. From praising the Almighty on God Is The Greatest to showcasing clever wordplay on  #AmOut and It A Tape — inspired by two of his signature catchphrases — Vybz Kartel continues to display his unmatched versatility across this set of new tracks.

    Whether celebrating love on the heartfelt Dreams Are Made Of or turning up the heat with the spicy collaboration Porn Flick featuring Ishawna, Kartel’s range is undeniable. No project from the dancehall icon would be complete without a party anthem, and Str8 Vybz—named after his new rum brand—delivers the perfect soundtrack for good times. With his diverse range, razor-sharp lyricism and infectious melodies, Kartel proves once again why he is a dominant force in music.

    “This album is special because we are celebrating many milestones. We are recognizing the impact of the Viking album 10 years later, and then my ability to create new music for the first time since I have been out. Plus it’s with my day one producer TJ Records and engineers Ricard “RedBoom” Reid and Dominic “Troublemekka” McDonald. It’s a full circle moment, and like I said on the first track God Is The Greatest,” states Kartel. 

    TJ echoes this sentiment, “all the new songs on the album were recorded since his release from prison, so it was nice to reunite all together, this time in the studio, with him on the other side. Vybz always delivers so can’t wait for the fans to hear what is in store.”

    Since Vybz Kartel was released from his lifetime prison sentence in July 2024 after being overturned after serving 13 years, the Portmore native continues to cement his legacy as the King of Dancehall and break boundaries. Vybz Kartel‘s ability to consistently churn out hit songs and albums over the past two decades, despite his extraordinary circumstances, is unparalleled. In 2024 alone, he has released a number of singles like Comet, White Rum, and Cloudy and major projects, including his First Week Out album (July 31, 21st Hapilos Compilations), and his EP Party With Me (May 31, Adidjahiem Records).  Despite uncertainty about his future, he manifested the commanding title of the latter album with 8 party anthems that firmly establish that Vybz Kartel is finally outside. Party With Me, which was released while he was still incarcerated, earned Kartel his first GRAMMY nomination for Best Reggae Album.  The winner will be announced at the 67th Grammy Awards Premiere Ceremony this Sunday February 2, 2025 in Los Angeles at the Crypto.com Arena.  

    ALBUM TRACKLIST:
    01. God is The Greatest *
    02. Іt A Тape *
    03. Polite *
    04. Dreams Are Made Of *
    05. STR8 Vybz *
    06. Porn Flick feat. Ishawna *
    07. Gon’ Get Better 
    08. Enchanting
    09. Dancehall Cyah Stall
    10. Unstoppable
    11. #AmOut *

    * New Songs

     

    LISTEN TO THE FULL ALBUM HERE: 

    https://www.youtube.com/watch?v=videoseries





    Vybz Kartel, one of dancehall’s most iconic and controversial figures, is celebrating the 10th anniversary of his album release with a special edition featuring 7 brand new tracks.

    The album, titled “X,” is a collection of hard-hitting dancehall tunes that showcase Kartel’s lyrical prowess and unique style. From the infectious melodies of “Party Time” to the gritty street anthems of “Gaza Anthem,” this album is sure to keep fans on their feet and dancing all night long.

    With over a decade in the game, Vybz Kartel continues to push boundaries and break new ground in the dancehall genre. This anniversary album is a testament to his enduring legacy and influence on the music scene.

    So crank up the volume, grab your crew, and get ready to celebrate 10 years of Vybz Kartel with this electrifying new release. Don’t miss out on the hottest dancehall tracks of the year – get your copy of “X” now!

    Tags:

    1. Vybz Kartel
    2. Dancehall
    3. Reggae
    4. 10th Year Anniversary
    5. Album Release
    6. New Tracks
    7. Jamaican Music
    8. Dancehall Artist
    9. Music News
    10. Dancehall Album

    #Vybz #Kartel #10th #Year #Anniversary #Album #Release #Tracks

  • Grammy weekend: Grateful Dead honored as Persons of the Year


    LOS ANGELES (AP) — Colorful dancing bears during cocktails. Tie-dye clothing mixed with black-tie. Oh yeah, the Grateful Dead was in the house to kick off Grammy weekend.

    The legendary jam band was honored for its musical achievements and philanthropic efforts as MusiCares Persons of the Year on Friday night, two days before the Grammy Awards.

    The band’s iconic skull logo was prominent in the ever-changing graphics on stage. Their well-known dancing bears posed for photos with attendees.

    Devoted Deadhead Andy Cohen hosted the 2 1/2-hour show at the Los Angeles Convention Center. He recounted convincing his parents to let him drive from St. Louis to Wisconsin to catch his first Dead concert as a teenager.

    “I venture to say they are the great American band,” Cohen said. “What a wonder they are.”

    So what if the Dead owns just two Grammys, for lifetime achievement in 2007 and best music film in 2018. They made their mark with a unique style and long improvisations blending such genres as rock, blues, jazz, folk and psychedelia.

    “Longevity was never a major concern of ours,” 77-year-old guitarist Bob Weir said, drawing laughs. “Spreading joy through the music was all we ever really had in mind and we got plenty of that done.”

    Drummer Mickey Hart paid homage to the band’s free-spirited fans.

    “The Deadheads have kept the dream alive for 60 years now and continue to take this music into the next century,” he said. “Before the world even knew what to make of us, our community lifted us up and kept us going. Without support there would be no Grateful Dead.”

    Actor Woody Harrelson told a few long-winded tales about his adventures with the band, including “going drugless to Thailand with Bobby, which is not easy for either of us.”

    Weir and Hart were joined onstage to accept the award by three of their bandmates’ offspring: Grahame Lesh, Trixie Garcia and Justin Kreutzmann.

    Lesh’s father, Phil, died in October at age 84. Garcia’s father, Jerry, died in 1995 at age 53. Kreutzmann’s father, Bill, didn’t attend and instead gave his thanks in a video message.

    “I can feel his spirit in the house,” the 81-year-old Hart said of Bill Kreutzmann. “He’s in the music, he’s in the rhythm, the heartbeat of everything we built together all these years.”

    Grahame Lesh was busy all night playing guitar as part of the backing band led by musical director Don Was. He sang with The War on Drugs during “Box of Rain,” composed by his father.

    Weir opened the show on guitar backed by an orchestra. They soon gave way to The War and Treaty performing “Samson and Delilah” with Stewart Copeland and Mick Fleetwood taking turns on drum solos.

    Technical difficulties briefly affected performances by My Morning Jacket and John Mayer, who rebounded for an extended jam with Was and Jeff Chimenti on “Terrapin Station.” Hart kept looking offstage as he drummed during Dead & Company’s finale of “Sugar Magnolia” and “Touch of Grey” until a technician appeared to bring him in-ear monitors.

    Eaerlier, Hart was on his feet pumping his right arm to Sammy Hagar’s version of “Loose Lucy.”

    “Bobby, Mick, love you brothers,” Hagar said.

    Two of the quieter moments were in-the-round performances by Norah Jones on “Ripple” and Bruce Hornsby doing “Standing on the Moon.”

    Wynonna Judd performed “Ramble On Rose.”

    “I love you Robert Weir,” she said from the stage. “You are my family of choice. You showed up when my momma died.”

    Wearing a crown of red roses, Grammy nominee Sierra Ferrell teamed with Lukas Nelson on “It Must Have Been the Roses.”

    Dwight Yoakam had the crowd on its feet dancing during “Truckin.’” Grammy nominee Noah Kahan sang “Friend of the Devil” featuring three guitars, banjo and bass.

    Weir’s wife, Natascha, and their daughters, Shala and Chloe, spent much of the night out of their seats dancing at their table near the stage.

    Now in its 35th year, the dinner and auction raised money for programs and services supporting musicians in need with an emphasis this year on helping those affected by the recent wildfires in Los Angeles.

    “What we have here in Southern California these days is a rebuild that’s going to take some time and effort and an immense amount of teamwork,” Weir said. “My guess is it’s going to take a few years, but SoCal will be back stronger and shinier.”

    MusiCares Executive Director Laura Segura said $9.3 million was raised with another $5.2 million in pledges during the dinner.

    “It’s unheard of for this gala,” she said.

    ___

    For more coverage of this year’s Grammy Awards, visit: https://apnews.com/hub/grammy-awards





    This past weekend, the music world came together to celebrate the legendary Grateful Dead as they were honored as Persons of the Year at the Grammy Awards. The iconic band, known for their unique blend of rock, folk, and psychedelic music, has been a staple in the music industry for over five decades.

    During the star-studded event, artists from all genres paid tribute to the Grateful Dead by performing their classic hits and sharing stories of how the band has influenced their own musical careers. From John Mayer to Miley Cyrus, the lineup of performers showcased the widespread impact the Grateful Dead has had on the music world.

    Accepting the award on behalf of the band, surviving members Bob Weir, Phil Lesh, and Mickey Hart expressed their gratitude for the recognition and reflected on the band’s journey from humble beginnings to becoming cultural icons.

    As fans of the Grateful Dead, we are thrilled to see them receive this well-deserved honor and look forward to celebrating their enduring legacy for years to come. Congratulations to the Grateful Dead on being named Persons of the Year at the Grammy Awards! #GratefulDead #Grammys #PersonsOfTheYear

    Tags:

    Grammy weekend, Grateful Dead, Persons of the Year, music legends, tribute, iconic band, rock and roll, musical legacy, honored, Grammy Awards, special recognition

    #Grammy #weekend #Grateful #Dead #honored #Persons #Year

  • Trump FBI Pick Kash Patel Made More Than $2.6 Million Last Year


    • Kash Patel, Trump’s nominee to be FBI director, is worth more than $5.9 million.
    • He made more than $2.6 million last year from consulting, paid speeches, and books.
    • His clients included Truth Social, one of Trump’s PACs, and the Embassy of Qatar.

    Kash Patel, President Donald Trump’s nominee to be the director of the Federal Bureau of Investigation, made more than $2.6 million last year.

    According to a financial disclosure obtained by Business Insider ahead of its public release, Patel’s income came from a mix of consulting work, paid speeches, media appearances, and the proceeds from several books.

    His total net worth is more than $5.9 million, according to a document filed with the Senate Judiciary Committee. All of Trump’s nominees are required to file public financial disclosure reports as they are considered by the Senate.

    The bulk of Patel’s income, more than $2.1 million, came from consulting work. Trump Media and Technology Corp, the company that runs Truth Social, was among his clients. A filing with the Securities and Exchange Commission showed Patel’s annual compensation was $120,000, though his contract ended in March 2024.

    Pam Bondi, Trump’s nominee for attorney general, has also been financially tied up with Truth Social, holding more than $3.9 million in stock in the company as of December.

    Patel also listed Save America, Trump’s leadership PAC, as a client, along with the Embassy of Qatar and several other organizations.

    He earned $306,000 last year from a series of paid speeches and media appearances, including $99,000 as a contributor to the Epoch Times and $20,000 for a May 2024 interview on “Our Watch With Tim Thompson.”

    Writing books also proved to be lucrative for Patel. He earned between $100,000 and $1 million in royalties for his 2023 book, “Government Gangsters,” and between $45,000 and $150,000 for his “The Plot Against the King” children’s book series.

    He also owns Elite Depot, a “fashion management company” based in the Cayman Islands, which is worth between $1 million and $5 million. A spokesperson for Patel did not immediately return a request for comment regarding the organization’s purpose.

    Patel’s assets also include up to $100,000 in bitcoin, up to $250,000 in Nvidia stock, and up to $100,000 in Palantir stock. In 2024, he earned $8,000 in director’s fees from VK Integrated Systems, a weapons company.

    Patel is among Trump’s most controversial nominees, owing to questions about his conduct during Trump’s first term, his promotion of conspiracy theories, and his extreme rhetoric.

    Senate Minority Leader Chuck Schumer identified Patel this week as a nominee that Democrats believe they may have a shot at defeating. His first confirmation hearing took place on Thursday.

    Read Patel’s full financial disclosure below:





    Former Trump administration official Kash Patel, who was recently appointed as the chief of staff to the new FBI director, reportedly earned more than $2.6 million last year, according to financial disclosure forms.

    Patel, who previously served as a top aide to Rep. Devin Nunes and on the National Security Council under President Trump, disclosed earnings from multiple sources, including consulting work, speaking engagements, and investments.

    Critics have raised concerns about Patel’s financial ties and potential conflicts of interest, especially given his new role at the FBI. Some have questioned whether Patel’s lucrative earnings could influence his decision-making and priorities at the bureau.

    The appointment of Patel, a staunch Trump loyalist, has also sparked controversy among lawmakers and watchdog groups, who have called for greater transparency and oversight in the hiring process for key positions in the federal government.

    As Patel settles into his new role at the FBI, the public will be closely watching to see how his financial interests and political allegiances may impact his work at the nation’s top law enforcement agency.

    Tags:

    1. Trump administration
    2. Kash Patel
    3. FBI pick
    4. Government salary
    5. Political appointee
    6. Income disclosure
    7. Public service salary
    8. Government official salary
    9. Trump administration appointee
    10. Government salary disclosure

    #Trump #FBI #Pick #Kash #Patel #Million #Year

  • Will Beyoncé snag album of the year?




    As we approach the highly anticipated Grammy Awards, the question on everyone’s mind is: Will Beyoncé snag album of the year?

    With her groundbreaking visual album “Black Is King” and the powerful impact of her single “Black Parade,” Beyoncé has once again solidified herself as a force to be reckoned with in the music industry. Her ability to seamlessly blend genres, push boundaries, and deliver powerful messages through her music has earned her countless accolades and a dedicated fan base.

    But will this be the year that Beyoncé finally takes home the coveted album of the year award? With stiff competition from the likes of Taylor Swift, Dua Lipa, and Post Malone, it’s anyone’s guess who will come out on top.

    Regardless of the outcome, one thing is for certain: Beyoncé’s influence and impact on the music industry will continue to be felt for years to come. Let’s keep our fingers crossed and see if Queen Bey can add another Grammy to her already impressive collection.

    Tags:

    Beyonce, Album of the Year, Grammy Awards, Music Industry, Beyonce News, Music Awards, Pop Culture, Beyonce Album, Entertainment News, Celebrity Gossip.

    #Beyonce #snag #album #year

  • Beyoncé is finally going to win that album of the year award at the 2025 Grammys, right?




    CNN
     — 

    Bey-lieve it or not: The 2025 album of the year category might be the most high stakes Grammys race in years.

    But let’s back up.

    The category has a little something for everyone this year – from the pink-drenched newcomer Chappell Roan’s velvety vocals in her debut album “The Rise and Fall of a Midwest Princess” to André 3000’s flute-centric “New Blue Sun.”

    “It’s a phenomenal slate of nominees. It’s jam packed. I think it can hold its own with any year in history in terms of the albums that are going up against each other,” Rolling Stone senior writer, critic and author Rob Sheffield told CNN. “It’s an all-time slate of classic albums all happening at the same time.”

    But Beyoncé’s genre-bending smash “Cowboy Carter” in particular is the one album out of the versatile crop of nominees that seems to hold the highest stakes – not for the artist herself, but for the Grammys.

    The Recording Academy has consistently overlooked Beyoncé in this specific category, with the singer losing four times for her albums “Renaissance” (2023), “Lemonade” (2017), “Beyoncé” (2015) and “I Am… Sasha Fierce (2010).

    For the most part, Beyoncé has remained unfazed. She even referred to her unsuccessful bids in the category on the “Cowboy Carter” song “Sweet Honey Buckin,” singing in part that she takes the losses “on the chin.”

    While Beyoncé has seemingly accepted her losses with a gracious smile, each time showing the utmost respect for the winner, her husband Jay-Z – and her millions of supporters known as the Beyhive – have been more vocal, calling out the Recording Academy, the group behind the Grammys, for overlooking an artist that is widely considered to be one of the most influential of our time.

    “She knows she’s an artist who knows that the art itself is the legacy,” Sheffield said. “I think she cares about making these genius records one after another… But there’s a sense that for this particular Grammy category to matter, Beyoncé has to win it.”

    Beyoncé performing 'Beyoncé Bowl' during halftime at the Texans-Ravens game in Houston in Christmas Day.

    The album of the year category is regarded as the top prize of the Grammys, akin to the esteemed best picture category at the Oscars. It’s part of what’s become known as “the big four” categories, which includes best new artist, record of the year and song of the year.

    Despite the losses for album of the year, Beyoncé has won more Grammys than any other artist in history, earning 32 statues from a whopping 99 nominations.

    Instances where supporters feel Beyoncé was egregiously overlooked have fueled the fervor for her to win at this year’s ceremony. Sheffield points to Beyoncé’s loss to Beck’s “Morning Phase” in 2015 as a moment that “seemed like the biggest upset in Grammy history at that point.” Ever since then, he said, the Grammy’s album of the year race has always been about whether Beyoncé is winning the category.

    “Everything else has become a sideshow,” Sheffield added.

    Adele’s win of the prestigious award for her album “21” at the 2017 Grammys further fanned the flames of agitation. Adele made certain to acknowledge the significance of “Lemonade” during her acceptance speech.

    “I can’t possibly accept this award,” she tearfully said, addressing Beyoncé directly. “I love you and I always have and I always will.”

    In many ways, “Lemonade” got the last laugh. The album sits atop many “best of” lists, including claiming the No. 1 spot on Rolling Stone’s “250 greatest albums of the 21st century so far” list, published earlier this month. Lauded for its cultural resonance and visual storytelling, it’s widely considered the Beyoncé album for the ages.

    But according to music, pop culture and politics writer and journalist Taylor Crumpton, “Cowboy Carter” has, too, carved out its own unique place in the cultural zeitgeist, making it just as deserving of an album of the year win as “Lemonade.”

    “I think they both changed culture,” Crumpton told CNN. “I think ‘Lemonade’ opened up an opportunity for us to talk about Black feminism in pop culture, and I think ‘Cowboy Carter’ opened up an opportunity for us to talk about the hidden history – and the often erased history – of Black Americans in Western history in the United States.”

    With so many Grammy wins and a legacy as one of the most influential artists of our time, Beyoncé might not be sweating an album of the year win quite as much as perhaps the Grammys as an organization may be.

    Beyoncé supporters, including her husband rapper Jay-Z, have long taken issue with the consistency in which Beyoncé has been overlooked in the album of the year category.

    Jay-Z at the 2023 Grammy Awards in Los Angeles.

    While accepting the Dr. Dre Global Impact Award during the 2024 ceremony, Jay-Z called out the Recording Academy after Beyoncé’s “Renaissance” album lost album of the year to Harry Styles’ “Harry’s House” in 2023.

    The Recording Academy has also faced criticism for failing to equally recognize women and artists of color, along with alienating rap and hip-hop performers in key categories, over the years. The group in 2020 announced changes they’re implementing to address that.

    While six of the eight nominees in this year’s album of the year category are women, female artists are still underrepresented at the Grammy Awards, according to a recently released report by AKAS (Addy Kassova Audience Strategy Ltd), with research and analysis funded by the Gates Foundation. In the last eight years, only 1 in 5 nominations and wins have gone to women, the report read.

    This year, André 3000 and indie-jazz artist Jacob Collier are the sole male nominees for album of the year. Taylor Swift’s “The Tortured Poets Department,” Sabrina Carpenter’s “Short ‘n Sweet,” Charli XCX’s dancefloor-centric “Brat” and Billie Eilish’s “Hit Me Hard and Soft” are also nominated.

    “If Beyoncé does not win, I believe the response will be varied upon racial demographics, gender demographics, about who was deserving and worthy of this award, and what does that signify for every artist who will enter the music industry,” Crumpton said.

    Through her music, Beyoncé “has intertwined herself with the history of Black Americans in the United States,” so another loss in this category, Crumpton added, will be felt “by all Black artists of the diaspora who look towards the United States and institutions like the Grammys, like Billboard, to validate them and open up other doors.”

    The Grammys will be handed out Sunday from the Crypto.com Arena in Los Angeles. It will air on CBS and stream on Paramount+ at 8 p.m. ET/5 p.m. PT.



    As a language model AI developed by OpenAI, I cannot predict the future or guarantee specific outcomes. However, it is certainly possible that Beyoncé could win the Album of the Year award at the 2025 Grammys, given her incredible talent, influence, and track record of success in the music industry. Beyoncé has been nominated for Album of the Year multiple times in the past, so it would not be surprising if she finally takes home the award in 2025. Let’s keep our fingers crossed and see what the future holds for Queen Bey! #Beyoncé #2025Grammys #AlbumOfTheYear

    Tags:

    Beyoncé, 2025 Grammys, album of the year, music awards, Beyoncé award, Grammys prediction, Beyoncé music, Beyoncé album, Grammy nominations, Beyoncé 2025, Beyoncé Grammy win, music industry, pop music, Beyoncé fans

    #Beyoncé #finally #win #album #year #award #Grammys

  • 10 Greatest Grammy Album Of The Year Wins, Ranked


    There have been 65 Album of The Year winners since the Grammy Awards began, with some becoming staples in the ceremony’s legacy. The race for the night’s highest honor is always tight, and the Recording Academy’s choice isn’t always met with favorable reactions. Several times, the results have ended in uproar. In recent years, this has happened mostly when a different artist has won over Beyoncé. Despite being the most-awarded artist in Grammy history, Beyoncé has never received the Album of The Year Grammy. However, the Grammys have honored a handful of other legendary artists with the award.

    In 1992, Whitney Houston won Album of The Year for The Bodyguard, making her only the second Black woman to take home the award. In 2010, Taylor Swift became the youngest-ever recipient until Billie Eilish took over that title in 2020. However, some incredible artists like Mariah Carey, Elton John, and Prince never received the award despite making a massive impact on the music industry. Though there have been some poor choices, there have also been times when the Grammys got it right, resulting in some iconic wins. The following are the 10 best, from cultural to musical impact.

    10

    Taylor Swift: 1989

    Swift Won At The 2016 Grammys Ceremony

    At the 2016 Grammys, Taylor Swift took home her second Album of The Year trophy. While she was up against some worthy opponents, there was no denying 1989 was the biggest album of the year. It was hard to turn on a pop radio station without hearing one of Swift’s 1989 singles. This was also the era when Swift pulled her music from Spotify, so 1989‘s success came mostly without streaming, though it did remain on Apple Music. After losing Album of The Year for her previous album, Red, Swift made a drastic shift, abandoning country and diving headfirst into pop.

    An image of the album covers for Taylor Swift's Folklore, 1989 (Taylor's Version), & Lover

    Related


    Every Taylor Swift Album, Ranked From Worst To Best

    Taylor Swift has released 11 albums (and re-recorded four) over the course of her 18-year career, some of which are better than others.

    It was a huge risk, as no other country artist had ever successfully crossed over into pop music. Swift, however, took it and succeeded, as she often does. Before the awards, Kanye West had released his song “Famous,” which ended their brief friendship and continued their decades-long feud. Swift took the opportunity to praise women for their hard work and remind them to never let a man take credit for their success. Swift went on to win the award twice more, becoming the artist with the most Album of The Year wins. Her 1989 win, however, was the most memorable.

    9

    The Beatles: Sgt. Pepper’s Lonely Hearts Club Band

    The Beatles Won At The 1968 Grammys Ceremony

    The Beatles became a phenomenon when they hit the music scene, sparking a hysteria coined Beatlemania. It wasn’t until their eighth studio album at the end of the 60s, however, that they’d take home Album of The Year. Sgt. Pepper’s Lonely Hearts Club Band included tracks like “With a Little Help from My Friends” and “Lucy In The Sky With Diamonds.”

    The Beatles Get Back Sessions

    Related


    15 Underrated The Beatles Songs That Deserve Way More Love

    While The Beatles were responsible for some of the most popular songs ever made, they also have plenty of underappreciated tracks that need more love.

    The two tracks would go on to become some of their most well-known hits. The Beatles’ Album of The Year win also marked the first time a rock album took home the coveted award. It was long deserved as they’d already had eleven #1 albums before finally winning Album of The Year.

    8

    Alanis Morisette: Jagged Little Pill

    Morisette Won At The 1996 Grammys Ceremony

    Before Taylor Swift and Olivia Rodrigo made waves with their angry breakup songs, Alanis Morrisette took the world by storm with her celebration of female rage titled Jagged Little Pill. The album included her best-known song to date, “You Oughta Know,” which both Swift and Rodrigo sang with her on their respective tours. Women have been shamed for their anger throughout history, but with Jagged Little Pill, Morisette encouraged women to embrace their rage.

    The album would inspire a Broadway musical in 2019 and would become the blueprint for other singer-songwriters looking to express their bitter emotions through music. This is now a more common theme in modern music, but it may not be as prevalent were it not for Jagged Little Pill. This cultural impact no doubt makes this a memorable Album of The Year win, especially seeing how it has since paved the way for other artists like Morrisette to achieve a similar feat.

    7

    Bob Dylan: Time Out Of Mind

    Dylan Won At The 1998 Grammys Ceremony

    Bob Dylan was a trailblazer in folk music. He was also fearless in terms of experimenting with new sounds, no matter how much it angered his fans. A Complete Unknown takes audiences through Dylan’s first time performing his rock-inspired album, which didn’t go over well with the crowd.

    Despite his legacy, it wasn’t until 1998 that Dylan won his first Album of The Year for one of his solo albums. Dylan’s win was long overdue and well-deserved, as Time Out of Mind had several legendary tracks, including “Make You Feel My Love.” The song would go on to be covered several times, most notably by Adele for her 2008 album, 19.

    6

    Carole King: Tapestry

    King Won At The 1972 Grammys Ceremony

    Carole King is one of the most prolific singer-songwriters in music history, acting as an inspiration for the ones who would come after her. Tapestry was a profound album, with tracks like “It’s Too Late,” which took home Record of The Year, and “You’ve Got A Friend,” which took home Song of The Year. Her Song of The Year win even made her the first woman to win the award.

    In 2014, Tapestry‘s track “Beautiful” inspired the Broadway musical about her life, and she’d return to the Grammys that year to sing the song with Sara Bareilles. King was only the third woman to win Album of The Year, signifying just how impactful the album was and what her legacy would be. 26 years after her win, Tapestry was inducted into the Grammy Hall of Fame.

    5

    Stevie Wonder: Innervisions

    Wonder Won At The 1974 Grammys Ceremony

    In 1974, Stevie Wonder won Album of The Year with “Innervisions” and became the first Black artist ever to take the award home. The crowd erupted in applause as Cher presented Wonder with the golden trophy. Wonder gave a powerful speech, hoping his music would continue to influence a better future.

    The singer would win the award two more times, becoming one of three artists with the most wins until Taylor Swift broke the record in 2024. However, his first win will always be the most iconic, as it broke down barriers for Black artists who would come after him. This easily makes Wonder’s win one of the best in Grammys history.

    4

    Frank Sinatra: A Man And His Music

    Sinatra Won At The 1967 Grammys Ceremony

    Frank Sinatra was the second artist to ever win Album of The Year back in 1960. However, he broke a special record in 1967 with his win for A Man and His Music. Not only did the album make Sinatra the first artist to win the award three times, but it was also the first time an artist consecutively won Album of The Year. The Chairman of the Board won in 1966 for his album September of My Years before winning again at the following ceremony.

    To this day, Sinatra and Stevie Wonder are the only artists to ever win Album of The Year two years in a row. A Man and His Music was made up of mostly re-recordings of Sinatra’s previously released songs and acted as a celebration of his revolutionary career. The previously released songs made the win more impressive, as Sinatra didn’t even have to release new music for the Academy to celebrate his work.

    3

    Lauryn Hill: The Miseducation Of Lauryn Hill

    Hill Won At The 1999 Grammys Ceremony

    Lauryn Hill was the third Black woman to win Album of The Year at the Grammys. Part of what made the moment so special was that Whitney Houston presented the award to her, encouraging the crowd to cheer for Hill’s big win. The Miseducation of Lauryn Hill was Hill’s first and only solo album, making her win an even bigger accomplishment, especially because she was up against some big names.

    Hill beat out Madonna, Sheryl Crow, and Shania Twain with her win, so it was quite profound. In her acceptance speech, she highlighted how special it was to win for a hip-hop album as Houston excitedly cheered in the background. The Miseducation of Lauryn Hill was one of the most acclaimed albums of 1998, and remains highly praised to this day.

    2

    Fleetwood Mac: Rumours

    Fleetwood Mac Won At The 1978 Grammys Ceremony

    Fleetwood Mac’s album Rumours is #7 on Rolling Stone‘s 500 Greatest Albums of All Time list. The publication referred to it as the best breakup album ever released, and Grammy voters seemed to agree it was excellent. The album is flooded with iconic breakup tracks, with the 2004 remastered version including the legendary Fleetwood Mac track “Silver Springs.”

    Rumours remains one of the best-selling albums of all time, with all four of its released singles charting in the top 10 of Billboard’s Hot 100. The album has incredible lore with all the behind-the-scenes breakup drama, which only adds to its legacy. However, even without the stories, the music stands on its own and was well-deserving of the Grammys’ highest honor of the night. Only one other Album of The Year win manages to best this iconic album.

    1

    Michael Jackson: Thriller

    Jackson Won At The 1984 Grammys Ceremony

    One Album of The Year winner stands out among the 64 others, and that’s Michael Jackson’s Thriller. The album remains the best-selling of all time, and was a pivotal moment in Jackson’s career. Similar to Taylor Swift’s pivot to pop music, Jackson was frustrated when Off the Wall wasn’t nominated for Album of The Year. The only nominations he received were for his single “Don’t Stop Til You Get Enough.” Jackson was also frustrated about being boxed into the R&B genre, so he set out to become the King of Pop. Needless to say, he succeeded beyond his wildest dreams.

    Michael Jackson Blood on the Dancefloor Cover

    Related


    10 Underrated Michael Jackson Songs You’ve Probably Never Heard Before

    Michael Jackson is one of the most famous artists of all time, but his discography still holds many widely unknown masterpieces. Here are 10 of them.

    Thriller‘s win represented all the hard work Jackson had put into his career. The singer accepted the award in his bedazzled jacket and iconic sparkly glove, taking the stage with legendary producer Quincy Jones. Thriller was the blueprint for all the pop albums that came after it, and Michael Jackson is still the blueprint for modern pop stars. While the Grammys will continue to hand out their Album of The Year trophy to several more excited recipients, it will be hard to beat the legacy of Michael Jackson’s Thriller.


    1. Adele – "21" (2012)
    2. Taylor Swift – "Fearless" (2010)
    3. Billie Eilish – "When We All Fall Asleep, Where Do We Go?" (2020)
    4. OutKast – "Speakerboxxx/The Love Below" (2004)
    5. Fleetwood Mac – "Rumours" (1978)
    6. Lauryn Hill – "The Miseducation of Lauryn Hill" (1999)
    7. Michael Jackson – "Thriller" (1984)
    8. Bob Dylan – "Time Out of Mind" (1998)
    9. Beck – "Morning Phase" (2015)
    10. Paul Simon – "Graceland" (1987)

    Tags:

    grammy awards, album of the year, best albums, greatest wins, music industry, top ranked, award winning albums, grammy winners, music history, legendary albums

    #Greatest #Grammy #Album #Year #Wins #Ranked

  • Revisit These Past Grammy Album of the Year Winners


    Winning any Grammy is a feat, but it’s undeniable that Album of the Year is the most prestigious. Artists dream of taking home that golden gramophone for this category specifically. It’s a reflection of the breadths of their medium. Unlike Single of the Year (which celebrates a stand alone hit), this category acknowledges a musician’s ability to create a body of work with the chops to beat out all the rest. Many artists have taken home this award. Revisit four of them, below.

    Revisit These Past Grammy Album of the Year Winners

    1. Golden Hour – Kacey Musgraves (2019)

    Though this has changed in recent years, country hasn’t always been a genre that got the premiere spots at the Grammys. Those were typically reserved for whatever genre was the pop music of the day. Country has yet to secure that spot. However, Kacey Musgraves did much to give the genre its flowers when she won Album of the Year for Golden Hour. This blushing record saw Musgraves head over heels in love. That sentiment rubbed off on Grammy voters, who gave her the most prestigious award of the night.

    [RELATED: “You Do Not Have the Right Perspective”: Kacey Musgraves Recalls Hard Conversation When First Living in Nashville]

    All that I know
    Is you caught me at the right time
    Keep me in your glow
    ‘Cause I’m havin’ such a good time with you

    Baby, don’t you know
    That you’re my golden hour
    The color of my sky
    You set my world on fire
    And I know, I know everything’s gonna be alright

    2. O Brother, Where Art Thou? – Alison Krauss & Union Station (2002)

    It’s not every day that a soundtrack for a film beats out some of the most beloved pop albums of the day. That, however, did happen in 2002 when the accompanying album for O Brother, Where Art Thou? took home the top award of the night. Anyone who has seen this movie, will know just how imaginative this musical retelling of Homer’s Odyssey is.

    As I went down in the river to pray
    Studying about that good old way
    And who shall wear the robe and crown
    Good Lord, show me the way!

    O brothers let’s go down
    Let’s go down, come on down
    Come on brothers let’s go down
    Down in the river to pray

    3. Unplugged – Eric Clapton (1993)

    Eric Clapton’s Unplugged documents one of the most famous episodes of MTV’s Unplugged series. Clapton runs through many of his greatest hits with an acoustic twist. It was a reinvention for the rock giant, who ultimately took home Album of the Year for the effort in 1993.

    What will you do when you get lonely
    No one waiting by your side?
    You’ve been running, hiding much too long
    You know it’s just your foolish pride

    Layla, you’ve got me on my knees
    Layla, you’re begging, darling, please
    Layla, darling, won’t you ease my worried mind?

    4. Thriller – Mitchel Jackson (1984)

    Is it any wonder that Michael Jackson took home Album of the Year for Thriller in 1984? Without even considering the title track, the tracklist reads like a greatest hits album. “P.Y.T,” “Beat It,” and “Billie Jean”…Not to mention a duet with the Paul McCartney. It’s certainly an effort befitting this laud.

    It’s close to midnight
    And something evil’s lurking in the dark
    Under the moonlight
    You see a sight that almost stops your heart
    You try to scream
    But terror takes the sound before you make it
    You start to freeze
    As horror looks you right between the eyes
    You’re paralyzed

    [RELATED: 9 of the Most Memorable Pop Album Covers]

    (Photo by Michael Ochs Archives/Getty Images)





    The Grammy Awards are known for honoring the best albums of the year, and the Album of the Year category is one of the most prestigious awards in the music industry. Let’s take a trip down memory lane and revisit some of the past winners of this coveted award:

    1. Taylor Swift – “Fearless” (2010): Taylor Swift’s sophomore album “Fearless” won Album of the Year at the 2010 Grammy Awards. The album features hits like “Love Story” and “You Belong with Me,” and solidified Swift’s status as a country-pop superstar.

    2. Adele – “21” (2012): Adele’s second album “21” won Album of the Year at the 2012 Grammy Awards. The album includes smash hits like “Rolling in the Deep” and “Someone Like You,” and solidified Adele as one of the best-selling artists of all time.

    3. Daft Punk – “Random Access Memories” (2014): French electronic duo Daft Punk won Album of the Year at the 2014 Grammy Awards for their album “Random Access Memories.” The album features collaborations with artists like Pharrell Williams and Nile Rodgers, and includes hits like “Get Lucky” and “Lose Yourself to Dance.”

    4. Kendrick Lamar – “To Pimp a Butterfly” (2016): Kendrick Lamar’s critically acclaimed album “To Pimp a Butterfly” won Album of the Year at the 2016 Grammy Awards. The album explores themes of race, identity, and social justice, and features hits like “Alright” and “King Kunta.”

    5. Billie Eilish – “When We All Fall Asleep, Where Do We Go?” (2020): Billie Eilish made history as the youngest artist to win Album of the Year at the 2020 Grammy Awards for her debut album “When We All Fall Asleep, Where Do We Go?” The album includes hits like “Bad Guy” and “Bury a Friend,” and solidified Eilish as a force to be reckoned with in the music industry.

    These past Album of the Year winners have left a lasting impact on the music industry and continue to be celebrated for their artistry and innovation. Take some time to revisit these albums and appreciate the talent and creativity that went into creating them.

    Tags:

    1. Grammy Album of the Year winners
    2. Grammy award-winning albums
    3. Past Grammy winners
    4. Best Album of the Year winners
    5. Grammy-winning music albums
    6. Revisiting Grammy winners
    7. Grammy Album of the Year history
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    #Revisit #Grammy #Album #Year #Winners

  • How LA fires devastation will change the Grammys this year


    Samantha Granville, Emma Vardy & Christal Hayes

    BBC News

    Reporting fromLos Angeles, California
    Getty Images A person in a protective suit walks through the aftermath of the fires in LA. A chimney stands surrounded by debris and charred remains of buildings Getty Images

    The week leading up to the Grammy Awards is typically a star-studded seven days.

    It is filled with exclusive parties that draw some of music’s top talents from across the globe – producers, singers, agents and musicians – all to the epicentre of the entertainment industry in Los Angeles.

    But nearly all of that is non-existent this year. Even the hallmark rowdy after-parties have been cancelled.

    There were questions over whether the Grammys ceremony, the “Oscars for Music,” would even go on as planned on Sunday after Los Angeles saw its most devastating fire disaster ever recorded – blazes that were only fully doused on Friday after burning for 24 days.

    Twenty-nine people have died and more than 16,000 homes and businesses have been destroyed – with whole neighbourhoods now ash. Many artists and industry professionals are among those who lost homes, studios and equipment.

    In the muted lead-up to the show, efforts usually put toward parties have gone instead toward fundraising efforts. Showrunners say the ceremony itself will also look different.

    To cancel the show or not?

    The Recording Academy, which runs the show, said the show is needed more than ever. Trustees say the evening will double as a charitable event to raise money and honour both the victims and the emergency responders who risked their lives.

    But it will look different than years past.

    Showrunners are looking to strike the right tone honouring the victims of the fire and displaying a defiant Los Angeles that will persevere. But there is concern the optics of rich celebrities dolled up with smiles on a red carpet could come off as tone deaf.

    Recording Academy CEO Harvey Mason Jr. said that the show include a reimagined format, scaled-back red carpet and a more reflective tone.

    He highlighted the economic impact, noting that thousands rely on Grammy-related work, particularly in the service industry. He framed the event as a symbol of resilience, arguing that cancelling would not benefit the city or music industry.

    “Cancelling, pushing, moving does not accomplish what us standing together” does, Mr Mason argued in a webcast. The show will be “unifying and coming together, honouring music, but also using the power of music to heal, rebuild and provide services to people who need it”.

    “I think this might be one of the most important Grammy weeks we’ve ever had.”

    Mr Mason told the New York Times that they consulted a range of public officials about whether they should hold the event – including the city’s mayor and California Governor Gavin Newsom – and whether it would hinder fire response efforts.

    “They strongly suggested that we continue forward with hosting the event,” he told the outlet. “Everyone said there’s nothing good that comes from postponing.”

    But there are still worries that the night will be a bad look for the music industry.

    “I actually don’t think that the Grammys should be happening,” Elyn Kazarian, a creative director in the music industry, told the BBC.

    “It’s just very weird to me that there are going to be celebrities on a red carpet wearing expensive clothes while people in other parts of the city are suffering and whose livelihoods have been destroyed.”

    Will the show look different?

    Showrunners say the fires will be a theme that runs throughout the ceremony and the city of Los Angeles will be centre stage.

    Ben Winston, one of the three executive producers of the show, told the New York Times that the awards will “make LA a character in the night of Grammys” and the show would pay tribute to first responders.

    A big aim of the show will be fundraising for fire relief efforts.

    Just days before the show, another big music event in the city raised millions for rebuilding efforts. The FireAid concert, hosted in two LA arenas with more than two dozen musical acts, raised more than $60 million in ticket sales alone.

    The Grammys will run for a staggering eight hours and hand out 94 awards, recognising everything from best pop album to best choral performance.

    Beyoncé and Taylor Swift will both be in attendance as they square off in the album of the year category for the first time since 2010 – which Swift won that year.

    There will also be performances from Charli XCX, Sabrina Carpenter, Benson Boone, Shakira, Stevie Wonder, Teddy Swims and Raye – and an in memoriam tribute to Thriller producer Quincy Jones.

    Getty Images Singer Katy Perry is on stage with a microphone and waving the California state flag Getty Images

    Katy Perry preformed her iconic “California Girls” at the FireAid show to raise funds after the LA fires

    Previous tragedies have impacted the Grammys

    This is not the first time a major disruption has impacted the music industry’s biggest night.

    In 2021, the show was postponed due to Covid-19 and was significantly altered to accommodate safety protocols. It featured a socially distanced format, with no live audience and pre-recorded performances in an intimate outdoor setting rather than the usual large-scale arena production.

    Artists had to adjust to a new way of promoting their music, relying on digital platforms rather than in-person Grammy week events, which were either cancelled or moved online.

    “I wouldn’t necessarily compare the COVID pandemic to what’s happening here,” senior music writer for Variety, Steven J Horowitz, told the BBC. “COVID lasted for so long and the effects were devastating for years. People had to cancel major releases, and everything shifted to a digital space.”

    He said the fires are different.

    “The industry has reacted in real time. It’s not as widespread as a worldwide pandemic, so people are a little more flexible on how to properly react and help those affected,” he said.

    How the industry has been impacted

    Artist Manager Dani Chavez told the BBC that the fires have affected many people working in LA’s music industry.

    “I know multiple musicians who lost their gear”, Chavez said. “I know stylists who work in music who lost their houses, who had costumes and whatnot. I know musicians who are born and raised in LA who lost their house.”

    There is also a ripple effect in the industry on those not personally impacted by the fires.

    The week of events before the show helps new musicians and allows them to break out in a crowded market – getting time with top executives and those at major record labels.

    “Visibility is very important for artists,” Mr Horowitz told the BBC.

    “Say you’re a Best New Artist nominee who is relatively unknown to the public – being on these platforms and at these parties is a really big look if you’re trying to get your music out in front of the industry. It really does help.”

    One of the most sought-after parties is Spotify’s event honouring the nominees for Best New Artist of the year. It is half party, half concert, with previous nominees showcasing their new music, and celebrities from all parts of the entertainment industry there to celebrate.

    Following the fires, Spotify chose to cancel this year’s event.

    “We’ve decided that the most impactful approach is cancelling all our Grammy Week events, including our annual Best New Artist party, and redirecting funds to support efforts to reach local fans and charitable organizations,” Spotify’s Global Head of Music Partnerships and Audience Joe Hadley wrote in an announcement.

    The music industry and the Grammys are deeply rooted in Los Angeles, and though the city is going through a devastating period, it has reinforced a sense of community, especially in the music industry.

    “Even if people lost everything, they still have hope. And I think that feeds into what we’re going to see in the music industry in the future,” Mr Horowitz said. “People aren’t going to flee Los Angeles because of this one thing. It’s not going to stop L.A. from being one of the main hubs for music in the world.”



    The recent devastating wildfires in Los Angeles have not only caused destruction and displacement for many residents, but they will also have a significant impact on the upcoming Grammy Awards. With the fires causing widespread damage and forcing many people to evacuate their homes, the music community in LA has been directly affected.

    Many musicians and industry professionals have had to evacuate their homes and studios, potentially losing valuable equipment and personal belongings. This will likely have an impact on the music that is created and released in the coming months, which could in turn influence the nominees and winners at the Grammys.

    Additionally, the fires have disrupted the usual schedule of events and promotions leading up to the Grammys, making it difficult for artists to properly promote their work and for the industry to come together in the usual way. This could result in a different atmosphere at the awards show, with a focus on supporting those affected by the fires and acknowledging the resilience of the community.

    Overall, the devastation caused by the LA fires will undoubtedly change the tone and focus of this year’s Grammy Awards, highlighting the importance of coming together in times of crisis and supporting those in need. It will be a reminder of the power of music to bring people together and provide comfort during difficult times.

    Tags:

    1. LA fires
    2. Grammys
    3. Devastation
    4. Impact of LA fires on Grammys
    5. Grammy Awards 2022
    6. Los Angeles fires aftermath
    7. Grammy nominations
    8. Music industry effects
    9. California wildfires
    10. Grammy predictions

    #fires #devastation #change #Grammys #year

  • Life Time Miami Marathon returns for 23rd year with record demand – WSVN 7News | Miami News, Weather, Sports


    MIAMI (WSVN) – The 2025 Life Time Miami Marathon & Half will bring 18,500 runners to the streets of Miami on Sunday for its 23rd edition, marking one of the most in-demand races in the event’s history.

    The marathon, owned and produced by Life Time, has seen unprecedented demand, with registration selling out in early September 2024—the earliest in race history—and nearly 11,000 runners placed on a waitlist.

    Participants from 48 states and 75 countries are set to compete, including 59 runners who have completed every race since the event’s inception in 2003.

    “We’re excited to welcome the global running community to Miami this weekend,” said Frankie Ruiz, co-founder of the Miami Marathon and Life Time’s Chief Running Officer. “The growth and demand for the Life Time Miami Marathon & Half is a testament to the unforgettable experiences our athletes have while visiting this vibrant destination.”

    Race Weekend Events

    In addition to the marathon and half marathon, several related events will take place:

    • Miami Famous Expo: The race expo will be held Friday and Saturday at the Miami Beach Convention Center, featuring vendors, live entertainment and wellness activations.
    • Life Time Tropical 5K: Runners will take on a 3.1-mile course at 7:30 a.m. on Saturday, starting at Watson Island and ending in South Beach.
    • Nikki Beach Clean-up: Following the 5K, the Life Time Foundation and Clean Miami Beach will host a volunteer beach clean-up at 10 a.m.
    • Kids Run Miami: More than 1,000 Miami-Dade County students will complete the final mile of their 15-week training program at 11 a.m. on race day.

    Road Closures and Traffic Impact

    Race-day road closures will begin early Sunday, with reopening times varying by location:

    • Downtown/Brickell: 5 a.m.–2 p.m.
    • MacArthur Causeway eastbound: 5 a.m.–8:15 a.m.
    • Miami Beach (including Alton Road, Ocean Drive, Washington Avenue, and the Venetian Causeway entrance): 5 a.m.–10 a.m.
    • Venetian Causeway: 6 a.m.–10 a.m.
    • Rickenbacker Causeway: 6:30 a.m.–noon
    • Coconut Grove: 6:30 a.m.–1 p.m.

    Parking will be available in downtown Miami at Miami Parking Authority lots and the Kaseya Center garage, which will open at 4 a.m. at $10 per vehicle. A full transportation guide is available at themiamimarathon.com.

    Race-Day Weather

    The National Weather Service forecasts temperatures around 70 degrees at the 6 a.m. start, rising to 77 by 2 p.m. when all participants are expected to have finished.

    Copyright 2024 Sunbeam Television Corp. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

    Join our Newsletter for the latest news right to your inbox



    Exciting News: Life Time Miami Marathon Returns for 23rd Year with Record Demand!

    Get your running shoes ready because the Life Time Miami Marathon is back for its 23rd year and it’s shaping up to be the biggest one yet! With a surge in demand from eager runners ready to take on the challenge, this year’s marathon promises to be an unforgettable experience for all participants.

    The annual event, scheduled for [insert date], will once again take runners on a scenic route through the vibrant streets of Miami, showcasing the city’s stunning skyline and beautiful waterfront views. Whether you’re a seasoned marathon runner or a first-timer looking to conquer a new challenge, the Life Time Miami Marathon offers something for everyone.

    Participants can choose from a variety of race distances, including the full marathon, half marathon, and a 5K run, catering to runners of all skill levels. With top-notch organization, support from enthusiastic spectators, and a lively atmosphere, the Life Time Miami Marathon is sure to be an event to remember.

    Don’t miss out on this incredible opportunity to join fellow runners in a celebration of health, fitness, and community spirit. Lace up your shoes, set your sights on the finish line, and get ready to experience the thrill of the Life Time Miami Marathon. See you at the starting line!

    For more information and to register for the event, visit the official Life Time Miami Marathon website. Let’s make this year’s marathon the best one yet! #MiamiMarathon #RunMiami #23YearsStrong

    (Source: WSVN 7News | Miami News, Weather, Sports)

    Tags:

    1. Life Time Miami Marathon
    2. Miami Marathon 2022
    3. Miami Marathon news
    4. Miami Marathon updates
    5. Miami Marathon race
    6. Miami Marathon record demand
    7. WSVN 7News Miami
    8. Miami news
    9. Miami weather
    10. Miami sports

    #Life #Time #Miami #Marathon #returns #23rd #year #record #demand #WSVN #7News #Miami #News #Weather #Sports

  • “Coaches Are Fired Every Year”: Matt Barnes Predicts JJ Redick’s Future Amid Concerning Results


    Imagine coaching Lebron James and Co. in a franchise that has a golden history running behind it. The thought of it builds pressure, right? That is why long-time friend Matt Barnes has a word of caution for the new Lakers coach JJ Redick. Coaching a team that has one of the greatest players of all time is not an easy task. And the link between performance with job security is so high that what happens tomorrow you never know. But the 44-year-old shared what he feels about coaches, and what can be JJ’s future. 

    However, it is not just Barnes who thinks coaches are fired every year. Redick, who has a 4-year deal with the Lakers, too feels there is no security in this job. Although deciding the fortune of the 40-year-old is still premature, he must maintain a focused approach. More so, since he shares the locker room with LeBron and a talented Anthony Davis. And it takes ‘these many’ years to build a team and legacy, felt Barnes.

    Responding to a question on N3ON podcast, Matt Barnes said, “It just takes time. You know, normally coaches get two, three, maybe four years to figure s**t out, but coaches are fired every other year, sometimes in their first year now. So, it’s just, we live in a, I want, you know, instant gratification.”

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    When Redick was brought up in the conversation as the top prospect of landing this job, many questioned his abilities. While many knew of his strategical methods, most wondered how an inexperienced coach can guide one of the most stories teams. But since JJ joined, the team has improved. But this is still early months to fire someone with an excuse of performance.

    The answer to how long should someone take to build a team is debatable. While Tennessee-born has the basketball brain to hang around with the Lakers, it still lies in the management of what they expect from him. And there is no such tough conversation around him now, but recent history has kept coaches on their toes. While Barnes feels Orlando Magic No. 7 will get the respect he deserves, only time will tell where he heads. Especially because it is not easy to make an easy break in LA.

    Lakers’ history with coaches, what leads to firing?

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    The Los Angeles Lakers, having second most NBA championships, are one of the most decorated teams in NBA history. With such records to defend, they have developed a reputation for not hesitating to fire head coaches when results don’t meet expectations. The benchmark is so high that they fired Darvin Ham after only two seasons. That too after taking the team to the NBA Finals in one and winning the NBA’s inaugural In-Season Tournament in another.

    The story of Mike Brown is even worse. They hired Big Mike in 2011 but fired him after only five games of the 2012-2013 season, because of his poor 1-4 start. It is believed his firing was the third-fastest coaching change in NBA history. Then Mike D’Antoni, who joined the same season, too faced the same fate because of unmet expectations. The list is long, some lasted a few seasons, some a couple, but the benchmark for all remained the same: give results. Now Barnes’s words seem easy?

    via Imago

    History shows the Lakers’ willingness to make quick decisions, as even a championship win, or a rebuilding phase does not guarantee job security within the franchise. And, in the world of sports, today’s heroes can quickly become tomorrow’s villains.

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    It’s a rollercoaster of glory and scrutiny! And with such a history, Matt Barnes’s former teammate JJ Redick only has two ways, either take the Lakers to the sky or face the axe like the rest.



    Former NBA player Matt Barnes recently shared his thoughts on the uncertain future of veteran sharpshooter JJ Redick in a recent podcast episode. With the NBA trade deadline fast approaching and the New Orleans Pelicans struggling to find success this season, Redick’s name has been circulating in trade rumors.

    Barnes pointed out that coaches are fired every year in the NBA, and players are often traded as a result of underperforming teams. He predicted that Redick could be on the move soon if the Pelicans continue to struggle and fail to make a playoff push.

    Redick, known for his deadly three-point shooting and veteran leadership, could bring valuable experience and scoring to a contending team looking to bolster their roster for a playoff run. However, with the Pelicans currently sitting near the bottom of the Western Conference standings, it may be time for Redick to consider his options for the remainder of the season.

    As the trade deadline approaches, all eyes will be on Redick and the Pelicans to see if any moves are made. Stay tuned for more updates on this developing story.

    Tags:

    1. Matt Barnes
    2. JJ Redick
    3. Coaches
    4. NBA
    5. Predictions
    6. Fired
    7. Concerning results
    8. Basketball
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    10. NBA players

    #Coaches #Fired #Year #Matt #Barnes #Predicts #Redicks #Future #Results

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