Deadline reports that Hulu is close to finalizing a pilot order for a Buffy the Vampire Slayer follow-up set to be directed by Chloé Zhao and written by Nora and Lilla Zuckerman (Poker Face). Dolly Parton is attached as an executive producer for the pilot, while Zhao, the Zuckerman sisters, Gail Berman, Fran Kuzui, and Kaz Kuzui will produce the series as a whole. As Deadline notes, Joss Whedon will not be working on the project.
No details about the show have been announced, but in addition to executive producing, Sarah Michelle Gellar is expected to reprise her role as Buffy Summers. After the original show went off the air in 2003, Buffy’s adventures continued on in the pages of Dark Horse’s comics series that ran until 2018.
Rumors have been swirling that Hulu is considering rebooting the beloved supernatural drama “Buffy the Vampire Slayer.” The original series, created by Joss Whedon, aired from 1997 to 2003 and gained a massive cult following for its unique blend of horror, humor, and strong female characters.
While details are scarce at this point, fans are eager to see what a modern-day reboot of “Buffy” could look like. With the current trend of reviving classic TV shows and movies, it’s no surprise that Hulu might be eyeing this iconic series for a reboot.
Whether the original cast would return or a new group of actors would take on the roles remains to be seen, but one thing is for sure – fans are ready to see the Slayer back in action. Stay tuned for more updates on this exciting development! #BuffyReboot #Hulu #BuffyTheVampireSlayer
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Hulu is developing a follow-up to the cult favorite series, with original star Sarah Michelle Gellar attached. The new project comes from writers Nora and Lilla Zuckerman (Poker Face, Fringe) and 20th Television and is described as “the next chapter in the Buffyverse.” Oscar winner Chloé Zhao (Nomadland, Eternals) is set to direct.
Hulu and 20th TV declined comment.
Sources say the new Buffy would focus on a younger Slayer and that Gellar’s Buffy Summers would not be the central character. Although Buffy lore dictated that only one Slayer could exist at a time, its final season upended that notion with the awakening of hundreds of potential Slayers for the show’s endgame.
Gellar, who’s currently starring in Showtime’s Dexter: Original Sin, had said in the past that she wouldn’t be interested in a Buffy redo, but in a December interview, she said she was now open to the idea: “I always used to say no, because it’s in its bubble, and it’s so perfect,” she said during an appearance on The Drew Barrymore Show. “But watching Sex and the City [sequel And Just Like That] and seeing Dexter, and realizing there are ways to do it, definitely does get your mind thinking, ‘Well, maybe.’”
The Hulu project is the second Buffy reboot to emanate from 20th TV in the recent past. In 2018, the studio (which produced the original WB/UPN series) worked on a reboot with writer Monica Owusu-Breen and series creator Joss Whedon, but it didn’t get past development. Whedon — who has since been accused of mistreating actors on Buffy, its spinoff Angel and the Justice League feature film — is not involved in the Hulu show.
Nora and Lilla Zuckerman will executive produce the Buffy reboot with Zhao, Gellar, and the original show’s EPs Gail Berman, Fran and Kaz Kuzui of Suite B, and Dolly Parton via Sandollar. Parton wasn’t a credited executive producer on the original show, which ran from 1997-2003, but her Sandollar Television was one of its producers.
Nora and Lilla Zuckerman are repped by UTA and Lichter Grossman. Zhao is repped by CAA, Lichter Grossman and Ilene Feldman Management. Gellar is with CAA, Linden Entertainment and Yorn Levine. Berman and her company The Jackal Group are repped by Sam Fischer at Ziffren Brittenham.
Fans of the iconic 90s TV show ‘Buffy the Vampire Slayer’ rejoice! A reboot of the beloved series is in the works at Hulu, and even more exciting, original star Sarah Michelle Gellar is set to reprise her role as the kickass vampire slayer.
The new series will reportedly pick up where the original left off, following an older and wiser Buffy as she navigates the challenges of being a slayer in a modern world. With Gellar on board, fans can expect the same fierce and fearless portrayal of the character that made her a cult favorite.
While details about the reboot are still scarce, the news of Gellar’s involvement has already sparked excitement among fans of the original series. With her return, it’s sure to be a thrilling and nostalgic trip back to the world of Sunnydale and all its supernatural inhabitants.
Stay tuned for more updates on the ‘Buffy’ reboot with Sarah Michelle Gellar, coming soon to Hulu! #BuffyReboot #SarahMichelleGellar #Hulu
In every generation, there is a chosen one — again.
Variety has learned from sources that a sequel series to the beloved show “Buffy the Vampire Slayer” is nearing a pilot order at Hulu.
Sources say that Sarah Michelle Gellar is in final talks to once again play the iconic title character in the untitled project, although it would focus on a new Slayer and Gellar would appear in a recurring role rather than leading the series.
Nora Zuckerman and Lila Zuckerman are attached to write, showrun, and executive produce. Chloé Zhao is attached to direct and executive produce under her Book of Shadows production banner. Gellar would also executive produce along with Gail Berman. Fran Kuzui and Kaz Kuzui will executive produce via Suite B, while Dolly Parton will executive produce via Sandollar. 20th Television and Searchlight Television will produce. Berman, the Kuzuis, and Parton were all executive producers on the original “Buffy” series.
Reps for Hulu and 20th TV declined to comment.
Noticeably absent from the show’s creative team is Joss Whedon, who created the original series and oversaw its seven-season run. As Variety reported in 2021, Whedon was accused of creating a toxic work environment on both “Buffy” and the spinoff series “Angel” by nearly a dozen people associated with the show.
“Buffy” and “Angel” actress Charisma Carpenter also spoke out against Whedon, with fellow cast members like Amber Benson and Michelle Trachtenberg backing up her allegations. Whedon responded to those and other allegations against him in January 2022, admitting that he had been “not mannerly” with Carpenter but otherwise saying “Most of my experiences with Charisma were delightful and charming.”
“Buffy the Vampire Slayer” originated as a film starring Kristy Swanson in the title role. Whedon wrote the film with Fran Kuzui directing. It was released in 1992. Five years later, the series version starring Gellar debuted on The WB. It would air on The WB for its first five seasons before airing its final two seasons on UPN. The cast also included Nicholas Brendon, Alyson Hannigan, Carpenter, Anthony Stewart Head, David Boreanaz, Seth Green, and James Marsters among others. Boreanaz would then head up the spinoff series “Angel” at The WB for five seasons.
“Buffy the Vampire Slayer” has proven to be a massive cult hit and highly influential since its debut. The series is credited for helping to popularize ongoing story arcs in television while also building a show around a strong female lead. It is frequently cited as one of the best television shows of all time.
Whedon previously penned a series of comic books with Dark Horse that continued the story of the series, though no new “Buffy” project has ever made it to screen. Most recently, it was reported in 2018 that Monica Owusu-Breen was working on a reboot of the series with Whedon onboard as an executive producer. Ultimately, that version of the project never went forward.
Gellar can currently be seen in the prequel series “Dexter: Original Sin” on Paramount+ with Showtime. Though she is perhaps best known for her time on “Buffy,” Gellar’s other notable TV credits include Paramount+’s “Wolf Pack,” CBS’ ”The Crazy Ones” opposite Robin Williams, and The CW’s “Ringer.” In film, she has starred in features like “Cruel Intentions,” “I Know What You Did Last Summer,” the two live-action “Scooby Doo” movies, and “The Grudge.”
The Zuckermans were the showrunners on the popular Peacock series “Poker Face” starring Natasha Lyonne during the show’s first season. Their past credits include “Prodigal Son” and “Fringe” at Fox, “Agents of S.H.I.E.L.D” at ABC, “Suits” at USA Network, and “Haven” at Syfy. Variety exclusively reported they are also attached to a series adaptation of the novel “The Spy Coast” currently in the works at Amazon.
Zhao received four Oscar nominations for her 2020 film “Nomadland” starring Frances McDormand — best director, best editing, best adapted screenplay, and best picture. Zhao went on to win best director that year with “Nomadland” winning best picture. Zhao is also known for her films “The Rider” and “Songs My Brother Taught Me,” both of which she also wrote and directed. Zhao was also the director and co-writer of the Marvel film “Eternals.”
Gellar is repped by CAA, Linden Entertainment, and Yorn Levine Barnes. The Zuckermans are repped by UTA and Lichter Grossman. Zhao is repped by CAA, Ilene Feldman Management, and Lichter Grossman. Berman is repped by Ziffren Brittenham.
Should the sequel show proceed, it would be the latest series revival to find a home at Hulu. Most recently, Hulu gave a pilot order to a reboot of “Prison Break.” The streamer currently airs new episodes of the adult animated comedy “Futurama,” while a new installment of “King of the Hill” is currently in the works.
Exciting news for Buffy fans! It has been reported that a sequel series to the beloved cult classic show “Buffy the Vampire Slayer” is nearing a pilot order from streaming giant Hulu. The new series will reportedly be set in the same universe as the original show, but will feature a new cast of characters and a new slayer to take on the forces of evil.
Fans of the original show, which aired from 1997 to 2003, have been eagerly anticipating a revival or continuation of the story for years. With the success of other reboots and revivals in recent years, such as “Charmed” and “Roswell, New Mexico,” it seems like the time is ripe for a return to the world of Buffy and her friends.
While details about the new series are still scarce, fans can expect plenty of action, drama, and witty banter as the new slayer battles vampires, demons, and other supernatural threats. Stay tuned for more updates on this exciting development! #BuffyTheVampireSlayer #Hulu #SequelSeries
More than two decades after Buffy the Vampire Slayer ended its seven-season run, the beloved supernatural drama is eyeing a revival with a new chapter in the franchise. A followup series is nearing a pilot order from Hulu, with Sarah Michelle Gellar expected to star, reprising her signature role as Buffy Summers, sources said. Oscar winner Chloé Zhao, a self-professed lifelong Buffy fan, is set to direct the pilot, written by Nora and Lilla Zuckerman (Poker Face).
The reboot hails from Buffy the Vampire Slayer studio 20th Television and Disney sibling Searchlight TV where Zhao has been under a first-look deal.
Beyond the pilot order, I hear the reboot is starting a writers room soon, a sign that Hulu and the studios have high expectations for the project going to series. It is unclear yet whether other original Buffy cast members would return; that is considered likely.
Described as the next chapter in the Buffyverse, the new incarnation is executive produced by Gellar, Zhao, Nora and Lilla Zuckerman as well as the original series’ executive producers Gail Berman of the Jackal Group and Fran Kuzui & Kaz Kuzui via Suite B. Also executive producing the pilot is Dolly Parton whose company Sandollar was producer on the original.
Buffy creator Joss Whedon, who also wrote the 1992 movie the series was based on, has no involvement in the reboot. He has not worked in Hollywood in any official capacity since facing a slew of misconduct allegations in 2021.
If the Hulu pilot goes to series, it would be the third in the franchise, following mothership Buffy the Vampire Slayer, which aired on the WB for five seasons from 1997-2001 before dramatically moving to UPN for two more, and spinoff Angel, which ran on the WB for five seasons (1999-2004).
Nora Zuckerman, Lilla Zuckerman and Gail Berman
Getty/Alex J. Berliner/ABImages
Berman, Fran Kazui and Kaz Kazui previously teamed up with 20th TV in 2018 for a potential Buffy The Vampire Slayer reboot written by Midnight, Texas creator Monica Owusu-Breen, on which Whedon was an executive producer. That project, whose lead was envisioned as a Black woman, didn’t move forward. Still, fans of the show have continued to lobby for a revival, their hopes fueled by a couple of high profile cast reunions.
Parton indicated a year ago that a Buffy return was still in the works, saying in an interview that “They’re still working on that. They’re thinking about bringing it back and revamping it.”
Gellar, who had been opposed to revisiting Buffyas recently as 2023, expressed openness to the idea in a December interview promoting her latest series, Dexter prequel series Original Sin, on which she is a special guest star.
“It’s funny, I always used to say no, because it’s in its bubble and it’s so perfect,” she said. “But watching Sex and the City and seeing Dexter, and realizing there are ways to do it, definitely does get your mind thinking, ‘Well, maybe.’”
As to whether a potential Buffy revisit has to be a prequel, she said, “No, it could be anything. It’s a universe. And it makes you realize that in this world, we need those heroes, I think, more so than ever.”
According to sources, negotiations with Gellar for the Buffy reboot had started when she made the comments. Those negotiations are now in their final stages.
Gellar earned a Golden Globe nomination for her role on the original series. Her credits also include the Paramount + series Wolf Pack, which she starred in and executive produced, CBS’ The Crazy Ones opposite Robin Williams and the CW’s Ringer. She is repped by CAA, Linden Entertainment and Yorn Levine Barnes.
Through The Jackal Group, Berman produces Wednesday, which ranks as Netflix’s most popular English-language series of all time. The company’s series credits also include Fox’s Jon Hamm-led animated comedy Grimsburg and the Netflix limited series The Perfect Couple. Berman and The Jackal Group is repped by Sam Fischer at Ziffren.
The cast of ‘Buffy The Vampire Slayer’
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The Zuckerman sisters recently showran the hit Peacock series Poker Face for creator Rian Johnson. Their Poker Face episode “Escape From Shit Mountain” won the Edgar Award for Best Teleplay from the Mystery Writers of America, and the WGA for Best Comedy Episode. The Zuckermans are repped by UTA and Lichter Grossman.
Zhao’s third feature, Nomadland, won 3 Oscars, including Best Picture and Best Director. She co-wrote and directed Marvel Studios’ 2021 movie Eternals. Most recently, she co-wrote and directed the upcoming movie Hamnet starring Jessie Buckley and Paul Mescal. Zhao is repped by CAA, Lichter Grossman and Ilene Feldman Mgmt.
After much anticipation, it has been officially announced that a ‘Buffy The Vampire Slayer’ reboot is in the works, and it will be starring none other than the original slayer herself, Sarah Michelle Gellar. The iconic television show, which originally aired from 1997 to 2003, is set to be reimagined at Hulu.
Fans of the cult classic series are thrilled at the prospect of seeing Gellar return to her role as Buffy Summers, the chosen one who battles against the forces of darkness in Sunnydale. The reboot promises to bring a fresh perspective to the beloved story, while still honoring the legacy of the original show.
With Gellar on board, fans can expect the same fierce, witty, and kick-ass portrayal of Buffy that they fell in love with over two decades ago. The actress herself has expressed her excitement about revisiting the character that made her a household name.
While details about the plot and casting are still under wraps, one thing is for certain – this reboot is sure to be a must-watch for fans of the original series and newcomers alike. Stay tuned for more updates on the ‘Buffy The Vampire Slayer’ reboot with Sarah Michelle Gellar at Hulu.
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Recently nominated for two Academy Awards—Best Original Screenplay for writer, director, actor and producer Jesse Eisenberg and Best Supporting Actor for Kieran Culkin—“A Real Pain” follows two cousins on a Holocaust tour of Poland in the wake of their grandmother’s passing. The film is intimate, funny, melancholic and also incredibly sad; at its core it is, as the title tells us, an exploration of pain.
Though other characters flit in and out as necessary, all the film’s attention is spent on fleshing out the relationship between our two leads. David (Eisenberg) is described by Manohla Dargis, chief film critic for The New York Times, as “fidgety” and “outwardly ordinary,” which I think sums up his character nicely. If you’re familiar with Eisenberg’s performance as Mark Zuckerberg in the 2010 drama “The Social Network,” you won’t find David a much different character—although he is considerably nicer than Zuckerberg. His cousin Benji (Culkin) is David’s total opposite—he’s charming, extroverted and also incredibly volatile, switching his mood at the drop of a hat. When Benji decides that he’s not enjoying himself anymore, he’s going to make sure everyone around him knows it. The two subtly (and not so subtly) clash over the course of the film, with Benji annoyed by David’s soulless corporate attitude and David upset by the lack of structure in Benji’s life.
After landing in Warsaw, the pair meet up with the other members of what Benji calls their “geriatric tour” group. Everyone in the group is Jewish and has some kind of personal connection to the Holocaust—Benji and David’s is through their grandmother, who David says survived through “a thousand miracles”—except for their guide James (Will Sharpe), who is a scholar fascinated by the period. As the group explores Warsaw, the Polish countryside and finally Lublin, we see Benji dazzle the group with his infectious excitement, and then just as quickly drag it down with a series of unexplained outbursts. First it is the train ride, where the group rides first class and Benji cannot reconcile that luxury with how Jewish people were treated in Poland a century ago. Then it is a cemetery where he decides he can’t listen to James’ “constant barrage of stats” anymore. Finally, at dinner, after an awkward conversation about the cousins’ late grandmother, Benji gets up to use the bathroom and David reveals to the group that six months ago his cousin tried to overdose on a bottle of sleeping pills.
The meaning and worth of Benji’s personal pain alongside that of David, their Jewish ancestors and really, everyone in the world, is the question Eisenberg explores throughout the film (but never really answers). Benji is obviously emotionally tormented, but as David puts it, he’s far from the only person suffering, and burdening everyone else with his pain is hardly fair. “I mean, look at what happened to our families. Look at where we came from … I know that my pain is unexceptional,” he says to the group, who nod in agreement.
What is most interesting about “A Real Pain,” at least to me, is that even in light of these heavy themes the film also has a real levity to it. Much of the movie is genuinely funny. After Benji makes a scene on the train, James remarks in a deadpan, “Obviously, there are triggers along the way with this tour. I must say the train is not normally one of them … ” It doesn’t necessarily translate well on paper, but his concerned yet surprised tone made me laugh out loud as I was watching. The score is all Frédéric Chopin, very light and breezy, and even the film’s color grading skews warm. All these contrasting elements combine to make a single emotionally charged and poignant movie that’s likely to stay with viewers long after the credits roll.
If you’re interested in watching “A Real Pain,” it is currently streaming on Hulu and still playing in a limited number of theaters nationwide.
“A Real Pain” is the latest must-watch series on Hulu that defies categorization and genre. This innovative show takes viewers on a wild ride through a world that blurs the lines between reality and fiction, leaving audiences questioning what is real and what is not.
The series follows a group of characters who are all dealing with their own personal struggles and pain, whether it be physical, emotional, or psychological. As they navigate through their challenges, they are forced to confront their deepest fears and insecurities, leading to unexpected twists and turns along the way.
With a stellar cast and gripping storytelling, “A Real Pain” is a thought-provoking and engaging series that will keep viewers on the edge of their seats. Don’t miss out on this groundbreaking show that is sure to leave a lasting impact. Stream “A Real Pain” now on Hulu and prepare to be taken on a journey like no other.
Another weekend, another batch of shows and movies to wile away the hours with. Today is the last day of January, so this is the first streaming guide of February, 2025. And there are definitely a few things worth checking out new to the myriad streaming services we all subscribe to these days.
Every week, I search high and low for the best new TV shows, movies, comedy specials, documentaries and whatever else catches my eye and publish them here in this guide. Some I’ve seen and reviewed. Others are just as new to me as they are to you. I also list the current ongoing shows that air each week that I think are worth watching.
If you have any tips or I missed something, shoot me a message on Twitter, Instagram, or Facebook. You can check out last weekend’s streaming guide right here.
Paradise is a new sci-fi political thriller from Dan Fogelman, the creator of the huge hit series This Is Us as well as Only Murders in the Building and the wildly underrated fantasy musical series Galavant (which I highly recommend). It stars This Is Us alum, Sterling K. Brown as the chief security agent for a US President, Cal “Wildcat” Bradford (James Marsden). The first episode is filled with mystery and one genuinely shocking turn that I won’t spoil.
I’ve only seen the first episode and I thought it was pretty good, but not great. Good enough to keep watching, not good enough to sing its praises (at least not yet). The big twist has huge implications for the rest of the series, but I’m not sure that I love it. We shall see. The first three episodes are out now, with more following every Tuesday for a total of 8 episodes. Critics and audiences largely agree on this one. On Rotten Tomatoes it has an 80% with critics and 79% with audiences.
You’re Cordially Invited (Prime Video)
Will Ferrell and Reese Witherspoon star in this rom-com / comedy of errors from director Nicholas Stoller (Neighbors, Get Him To The Greek). The premise is simple: A bride and her father realize that the wedding venue they’ve booked for her wedding has also been booked by another bride and her sister. Comedy ensues, though critics and audiences both give this one a “Rotten” score (45% and 39% respectively). Might be a fun popcorn movie, though.
The Recruit – Season 2 (Netflix)
This looks right up my alley, but I missed the first season of The Recruit when it came out so I have some catching up to do. The series follows rookie CIA lawyer Owen Hendricks (Noah Centineo) as he becomes embroiled in some good old-fashioned international espionage. Critics seem to like Season 2 better than Season 1, while audiences give it a slightly lower score on Rotten Tomatoes. I’ll have to check it out.
Your Friendly Neighborhood Spider-Man (Disney Plus)
X-Men 97 was a big hit on Disney+ so it’s no wonder we’re getting another “retro” animated series. Your Friendly Neighborhood Spider-Man brings back that old-school animation along with lots of fun adventure for our web-slinging hero. Critics give this a resounding “Fresh” score of 97% but audiences are more skeptical at 63%.
Saturday Night (Netflix)
Saturday Night follows a young Lorne Michaels and his crew as they prepare for the very first broadcast of Saturday Night Live. Director Jason Reitman teamed up with Gil Kenan on the script. Some critics really hated this one, but overall it’s done well with both critics and audiences (who liked it more) and I’ve been waiting for it to drop on Netflix. Fans of the original SNL cast—which included young Dan Aykroyd and Chevy Chase—should definitely give this one a shot. Matthew Rhys plays George Carlin who, you may recall, gave the very first ever opening monologue for SNL.
Babygirl (VOD)
Now out on Video-On-Demand, erotic thriller Babygirl from director Halina Rejin stars Nicole Kidman as CEO Romy Mathis. She’s unsatisfied with her sex life and turns to a younger man, Samuel (Harris Dickinson) to explore her submissive fantasies. I haven’t seen this, but I do find it funny that the actor who plays Kidman’s husband is Antonio Banderas, which ought to make suspending your disbelief at this entire scenario pretty difficult!
Dog Man (In Theaters)
Beloved kids book series Dog Man is now a feature film from DreamWorks. Sounds like it’s fun for the whole family with a 79% Rotten Tomatoes score. Parents should at least consider doing their civic duty and take their kids, if only to remind them that movie theaters still exist and can be a lot of fun.
What’s Streaming Weekly
As always, a number of TV shows continue to air each week—not everyone has adopted the Netflix binge model!—and I list some of those here.
Prime Target continues airing new episodes on Apple. This spy thriller follows a math genius obsessed with prime numbers who heads down a twisty turny path of no return. I still haven’t started it yet, as I caught up on the first season of Lioness and then started rewatching The Wire. But I’ll check it out soon. New episodes drop Wednesdays. (Apple)
The Pitt just dropped its fifth episode Thursday though I haven’t had time to watch it yet. I loved the first four episodes (my review) and I’m not even that into medical dramas. This one stars Noah Wyle of ER fame and takes on the 24 format where each new episode is another hour in the Pittsburgh ER. It’s incredibly bingeworthy, so consider holding off watching as episodes air and then binge a few at once. New episodes drop Thursday. (Max)
Traitors – Season 3is the most popular reality TV competition show out at the moment and I’ve heard great things, but as I am not a reality TV show fan, I have not watched it. I might have to break my own rules, however, just to see what all the fuss is about. (Peacock)
Dexter: Original Sinis one of those shows where each time I remember a new episode is out I get really excited. Like right now, as I type this post I realize there’s a new episode out because a new one drops each Friday. Maybe I’ll go watch it after I’m done writing this guide! It’s so much fun and such a pleasant surprise. Here’s my review. (Paramount)
What are you watching these days? What should I put on this list or add to my backlog? Let me know on Twitter, Instagram, Bluesky or Facebook.
Are you looking for some new shows and movies to stream this weekend? Well, you’re in luck because there are plenty of exciting options available on popular streaming platforms like Netflix, Hulu, Prime Video, Apple TV, and more. Here are some of the latest releases that you won’t want to miss:
1. Netflix:
– “The Witcher” Season 2: Dive back into the world of Geralt of Rivia as he continues his quest to protect Ciri in this highly-anticipated second season.
– “Don’t Look Up”: This star-studded comedy film follows two astronomers as they try to warn the world about an approaching comet that will destroy Earth.
2. Hulu:
– “Pam & Tommy”: This new series tells the scandalous true story of Pamela Anderson and Tommy Lee’s stolen sex tape and its impact on their lives.
– “The Great”: Season 2 of this satirical period drama about the rise of Catherine the Great promises more royal intrigue and dark humor.
3. Prime Video:
– “The Expanse” Season 6: The epic sci-fi series comes to a thrilling conclusion as the crew of the Rocinante faces their biggest challenge yet.
– “Being the Ricardos”: Follow the behind-the-scenes drama of Lucille Ball and Desi Arnaz’s iconic sitcom in this biographical film.
4. Apple TV:
– “Severance”: This mind-bending thriller series follows a group of office workers who have their memories of work erased each day.
– “The Shrink Next Door”: Based on the true story of a therapist who manipulates his patient into giving him control of his life, this dark comedy stars Will Ferrell and Paul Rudd.
With so many new shows and movies to choose from, you’re sure to find something that will keep you entertained. So grab your popcorn, find a cozy spot on the couch, and start streaming!
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[Warning: Because this review cannot and will not spoil key twists from Hulu‘s new drama, Paradise, I will instead spoil key twists from Apple TV+’s Sugar. Skip the first paragraph if you don’t want Sugar spoiled for you.]
In Sugar, which premiered last April, Colin Farrell plays a movie-loving Los Angeles private investigator who is also — final spoiler warning — an alien. The twist, revealed in the sixth of eight episodes, isn’t a deviation from the established premise or a reversal of expectations — it’s the literal premise of the show, an enticing hook that becomes frustrating because the series spends six episodes teasing and hinting before revealing why you were supposed to be caring about what is otherwise a fairly perfunctory mystery.
Paradise
The Bottom Line
The first rule of ‘Paradise’: Don’t talk about what ‘Paradise’ is.
Airdate: Tuesday, January 28 (Hulu) Cast: Sterling K. Brown, James Marsden, Julianne Nicholson, Sarah Shahi, Nicole Brydon Bloom, Aliyah Mastin, Percy Daggs IV Creator: Dan Fogelman
I liked Farrell’s just-slightly-off-kilter performance, and the premise of the show, once revealed, was worthy of attention. But I’m looking forward to a second season in which Sugar can just be the show that it is, without being so annoyingly coy.
[End specific spoilers for Sugar.]
Reviewing Sugar was a pain because it required that critics participate in a long-game con being perpetrated on viewers, preventing us from discussing the actual premise of the show and its execution, for better or worse.
So it goes.
Hulu’s Paradise is another drama with a twist that’s the premise of the show and, like Sugar, it’s a show in which the twist is reasonably predictable. With Sugar, my notes included three possible solutions for the twist, one of which ended up being correct; with Paradise, I only made mention of two possible twists, one of which was correct.
To creator Dan Fogelman‘s credit, the twist in Paradise isn’t dragged out. From fairly early on, Paradise puts its cards on the table and, from there, isn’t really coy at all. It also isn’t really surprising at all, mind you; the twist introduces many of the elements that are most derivative, least exciting and guaranteed to make viewers go, “Oh. It’s…” listing any of five to 10 shows from the past handful of years that do the same thing.
Brown plays Xavier Collins, head of the security detail for Cal Bradford (Marsden), a recent former president of the United States. Xavier, still apparently grieving his late wife, has a teenage daughter (Aliyah Mastin) and a somewhat younger son (Percy Daggs IV), and they all live in the cheery town of Paradise, a sunny suburb that splits the difference between Spielberg and Lynch.
Cal, a wealthy progressive Southern Democrat, enjoys drinking, making mixtapes (a detail that pays off in the series’ use of bad cover versions of most of his favorite ’80s and ’90s pop favorites), and bantering with Xavier about basketball.
Then, Xavier shows up at Cal’s mansion one morning and he’s concerned that his charge is up later than usual. He goes up to check on Cal and finds him on the floor of his bedroom. Dead. Very dead. Xavier, who has been presented as a stickler for rules, breaks with protocol and begins his investigation without contacting any other authorities. That looks suspicious when other people, including agent Nicole Robinson (Krys Marshall) and nebulous billionaire Samantha Redmond (Nicholson), find out. It gets even more suspicious when security tapes suggest Xavier was the last person to see Cal alive.
Very quickly, Xavier begins to believe the only person he can trust is scruffy colleague Billy (Jon Beavers) and possibly psychiatrist Gabriela Torabi (Sarah Shahi).
Who killed Cal? Is somebody setting Xavier up? Is there a bigger conspiracy afoot?
These things matter, but these things are not really what Paradise is about.
And that’s all that I’ll obliquely say about that!
Fogelman likes to play around with time to create mysteries within otherwise straightforward narratives, and that’s how Paradise works, introducing little points of confusion and then filling in the backstory with flashbacks to flesh things out. A major advantage of this, obviously, is that even though Marsden’s character is dead by 10 or 15 minutes into the pilot, he’s able to remain a key piece of the series going forward, giving the Jury Duty star ample opportunities to tap into his simultaneously smarmy and likable Kennedy-esque mien.
Almost none of the withheld information is as obsession-worthy as Fogelman wanted some of his This Is Us reveals to be. Nor, after the first episode or two, are those twists as load-bearing as they often were on This Is Us. The flashbacks just add shading and tidbits of information until the seventh of eight episodes, the last sent to critics. That episode aims for a massive tonal swing, resulting in a powerful hour of TV that didn’t feel, for me, the least bit compatible with anything that came before.
Throughout, Paradise remains generally watchable and even emotionally convincing in large part due to the presence of Brown, whose gifts Fogelman is very familiar with and very good at accentuating. Brown takes a character who could have been sanctimonious and rigid — of all of Brown’s myriad attributes, it’s rarely discussed that he may have the best posture of any currently active actor — and provides just a little humor and a lot of that burbling-to-the-surface grief and rage he delivers so well. He and Marsden, as good as he’s ever been, banter together amusingly. The third central cast member, Nicholson, is generally underutilized playing a character who presents as ominously powerful and rarely becomes more interesting than that, though she has some flashbacks that let her dimensionalize the role a bit more.
The series is peppered with good supporting work.
Beavers, who apparently appeared in two episodes of the previously spoiled Sugar in a role I don’t remember at all, is especially good at being roguish in a way that could be evil or just edgy. This feels like it will be a breakout role for him. And speaking of actors whom Fogelman knows how to showcase to the best of their ability, Gerald McRaney has some terrific scenes as Cal’s father, a Joe Kennedy-esque oligarch who pushed to get his son into the White House. Glynn Turman appears in one episode and makes everything better, as is always the case. Marshall is fine, but watch For All Mankind if you want to see all of the weapons in her arsenal. As for Shahi, whom I generally like, I just don’t understand anything related to her character; none of those inconsistencies are performance-related.
Paradise is billed as a drama series, rather than a limited series, and once the initial mystery ceases to be the main thing the show is about, that opens up a lot of avenues for future seasons. Maybe when I review them, I’ll be able to describe more of what happens.
Sterling K. Brown in Twist-Driven Hulu Drama: A Must-Watch Performance
Emmy-winning actor Sterling K. Brown is set to star in a new twist-driven Hulu drama that is sure to captivate audiences. Brown, known for his powerful performances in shows like “This Is Us” and “The People v. O.J. Simpson: American Crime Story,” is ready to showcase his acting chops once again in this exciting new project.
The upcoming Hulu series promises to be filled with unexpected plot twists and turns, keeping viewers on the edge of their seats with each episode. Brown’s undeniable talent and charisma are sure to shine in this role, making it a must-watch for fans of thrilling and suspenseful dramas.
With Brown at the helm, this twist-driven Hulu drama is sure to be a hit, delivering an unforgettable performance that will keep viewers hooked from start to finish. Stay tuned for more updates on this exciting new series starring the incredible Sterling K. Brown.
Tags:
Sterling K. Brown, Hulu, Twist-Driven Drama, TV Show, Acting, Performance, Emmy-Winning Actor, Drama Series, Entertainment, Streaming, Television, Sterling K. Brown Hulu Show.
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In many cases, TV shows can often take a while to make an impression, leaving viewers wondering if they should bother continuing.
But every now and then, one comes along that has such a striking opening episode that there is no doubt you’ll be watching until the big finale.
One such series has presented itself in the form of brand new twist-filled mystery Paradise, which is now available to stream on Disney+ in the UK and on Hulu in the US
Hulu and Disney released the series one day early, which is probably due to the intense secrecy surrounding the plot: in a similar way to last year’s Sugar, early reviews for the show have seen critics struggle with describing their thoughts without lifting the lid too high.
What can be said? Well, on the surface, Paradise is an intriguing mystery about the assassination of President Cal Bradford (James Marsden) and the ensuing investigation by his head of security, played by Oscar-nominated actor Sterling K Brown (American Fiction, Black Panther).
What sounds like a run-of-the-mill espionage thriller, though, evolves into a series that’ll hook in fans of mystery shows like Lost and the recent sci-fi horror hit From. We won’t be revealing any spoilers here but, while Sugar took its sweet time revealing its big twist, Paradise drops it immediately.
If the show cements Brown as one of the most charismatic on-screen presences around, he’s matched by the scene-stealing Julianne Nicholson, who won acclaim for her roles in The Outsider and Mare of Easttown. She will no doubt earn as much praise for her slippery role in Paradise.
Outlets, including The Independent, have seen seven of eight episodes. Paradise is equal parts intriguing and thrilling – and, in news that will relieve prospective viewers, it also enjoys revealing answers. The action-packed seventh instalment in particular packs a wallop and is an early contender for the best TV episode of 2025.
Twist-filled drama ‘Paradise’ stars Sterling K Brown (Hulku)
It’s also worth noting the series is created by Dan Fogelman, the showrunner behind This is Us. Paradise might have as many twists as that emotional award-winning drama, but in terms of genre, it couldn’t be further away. It won’t make you shed as many tears, either.
The show’s official synopsis reads: “Paradise is set in a serene, wealthy community inhabited by some of the world’s most prominent individuals. But this tranquility explodes when a shocking murder occurs and a high stakes investigation unfolds.”
But trust us when we say Paradise is a whole lot more than that.
Have you checked out the new Hulu mystery show, Paradise? Trust me, you don’t want to miss out on this gripping and thrilling series that will keep you on the edge of your seat from start to finish.
The first episode of Paradise is without a doubt one of the best in recent memory. It hooks you in right from the beginning with its intriguing storyline, complex characters, and unexpected twists and turns. The way the show sets up the mystery and leaves you wanting more is truly masterful.
From the moment you press play, you’ll find yourself completely engrossed in the world of Paradise and its inhabitants. The beautiful setting, the mysterious happenings, and the underlying sense of unease all come together to create a truly unforgettable viewing experience.
If you’re a fan of mystery shows that keep you guessing until the very end, then Paradise is the perfect show for you. Trust me, after watching the first episode, you’ll be counting down the days until the next one airs.
Don’t miss out on this must-watch series on Hulu. Paradise is sure to become your new obsession.
We’ve come to the last weekend of January already, though we still have until next Friday before the month is officially over and February kicks off a whole new round of shows and movies for us to watch. Will 2025 go by even faster than 2024?
In any case, as always I’ve searched high and low for all the best new TV shows and movies that have recently made their way to the myriad streaming services we all subscribe to these days. Some of these I’ve seen and written about and you can follow the links to my reviews. Others have just popped up and I haven’t had time to see them yet. There’s always more to watch than there is time in the day! It’s a good problem to have.
If you missed them, definitely take a glance at my Worst TV Shows and Best TV Shows of 2024 for more ideas on what to watch—and what to avoid.
If you have any tips or I missed something, shoot me a message on Twitter, Instagram, or Facebook. You can check out last weekend’s streaming guide right here.
It’s an action-packed weekend for new TV shows and movies and we’ll start with my personal pick for the week . . . .
The Night Agent – Season 2 (Netflix)
I really enjoyed Season 1 of The Night Agent and while it’s been a couple years since I watched, I dived right into the second season and really enjoyed it also. I’ve seen a lot of readers complain that it’s not as good, and I’m not sure if it’s just my foggy memory or what, but I really liked the second season and felt it had a lot of the same strengths and weaknesses as the first, though now I want to rewatch the first and see if I’m missing something. In any case, if you like a fun spy thriller with few frills and plenty of tension, this is a very bingeable option. Read my Season 2 review here.
Prime Target (Apple TV)
I haven’t started this one yet, but it sounds interesting. Leo Woodall plays handsome young mathematician, Edward Brooks, a man whose obsession with prime numbers leads him down a rabbit hole of danger and deception. It’s getting pretty mixed reviews, unfortunately, with just 42% on Rotten Tomatoes—though audiences are more upbeat, with a 65% “Popcornmeter” score. It looks fun and I’ll check it out this weekend. The first two episodes are available on Apple TV with the third and subsequent episodes landing on Wednesdays.
The Wild Robot (Peacock)
The Wild Robot was one of my favorite movies of 2024 and definitely one of the top animated films of the year (I think Inside Out 2 was better, but only barely). The story follows a robot named Roz (Lupita Nyong’o) stranded on a remote island who takes on a mission to raise a young gosling and survive both the harsh elements and other dangers. It’s genuinely heartwarming with a beautiful core and gorgeous animation. If you enjoy top-tier family movies, you should really give this one a shot.
Blink Twice (Prime Video)
Zoë Kravitz makes her directorial debut with Blink Twice, a film about a group of people invited to the private island of tech billionaire, Slater King (Channing Tatum). The story follows Frida (Naomi Ackie) as the vacation to paradise turns into a trip from hell. Christian Slater, Adria Arjona, Haley Joel Osment, Geena Davis and Kyle MacLachlan make up some of the film’s star-studded cast. I haven’t seen this but the trailer makes it look pretty intense (though said trailer is also pretty spoilery, so maybe don’t watch it if you’re thinking of watching the film).
Star Trek: Section 31 — Paramount+
Star Trek has been such a mess over the past decade or so and it sounds like things aren’t improving with Section 31. The Michelle Yeoh-led streaming movie was meant to be a spinoff series of Star Trek: Discovery but for various reasons that was shelved and the project became a standalone film. Apparently that did not translate well. On Rotten Tomatoes the picture has a 17% critic score and just 25% with audiences. Ouch. It seems Trekkies have it just as bad—okay, maybe worse—than Star Wars fans these days.
Grafted (Shudder)
This caught my eye because I recently watched and reviewed The Substance, a film about a miracle drug that sort of gives you eternal youth but not really. It’s a muddled film that I genuinely disliked (and I remain confused about all the buzz). Grafted takes a similar premise, but with a miracle medical technology that can change your face—though in this dystopian thriller, the reality of the transformation is much more terrifying than its promise. Honestly, this looks better than The Substance to me, but I’m not sure I have the stomach for more body horror anytime soon.
Harlem – Season 3 (Prime Video)
I’ll be honest, I know nothing about Harlem despite it being on its third (and final) season. It sounds a bit like the black version of Sex and the City: “Four ambitious best friends, Camille, Tye, Quinn and Angie, navigate relationships and careers in New York City.” I wasn’t a Sex and the City guy, either, so I’m really operating from a place of ignorance and conjecture here. Forgive me! The show has great reviews from audiences and critics, however, so if this looks up your alley, give it a watch!
Gladiator II (Paramount+)
I thought Gladiator was a solid epic historical drama, but not necessarily a great film. It lacked the emotional resonance of something like Braveheart, though Ridley Scott’s film was entertaining enough. Much of the film’s success rested on the stellar performance of Russell Crowe. Crowe is absent from Gladiator II, as is any sense of realism or originality. I genuinely laughed my way through this abysmal sequel and then went home and penned a scathing review. Now you, too, can witness just how bad this film really is—and no amount of Denzel Washington can save it.
The Brutalist (In Theaters)
Not everything is streaming. There is this magical place called a “movie theater” where people congregate and eat popcorn and oversized pretzels and drink giant cups of soda and you all sit together and watch the movie as a community. It’s awesome! You should try it sometime. I’m debating whether to go to The Brutalist this weekend because while it looks amazing, it’s also 3-and-a-half hours long. However, unlike most really long movies, this one is split into two parts and there’s an intermission! So you get a built-in bathroom break to stretch your legs, maybe head back to concessions, etc. I almost want to go the movie just for this intermission experience, which I don’t think I’ve ever had at a movie—just Broadway shows and other live theater. Adrien Brody is already winning awards for the historical drama. It looks phenomenal.
There are a number of new movies out on Video-On-Demand to rent and buy as well this weekend. A couple highlights: Sonic The Hedgehog 3 and the excellent vampire period piece Nosferatu from Robert Eggers (my review). It’s funny, the first Sonic movie was the last film I saw in theaters before COVID shut everything down. I really liked it but never got around to seeing the sequels.
What’s Streaming Weekly
As always, a number of TV shows continue to air each week—not everyone has adopted the Netflix binge model!—and I list some of those here.
Severance – Season 2 dropped its second episode this weekend. The second season of Apple TV’s phenomenal dystopian sci-fi office drama is off to a great start. You can read my spoiler-free review of the complete season here, or check out my Episode 2 recap here. This is one show that I am literally begging everyone to watch. It’s one of the best out there. New episodes drop Thursday evenings. (Apple).
The Pitt is one of my favorite new series. I just published my review earlier today. It’s a medical drama starring (and produced and partly written by) ER-veteran, Noah Wyle. It takes a 24-style format, with each episode a new hour in one long shift in a Pittsburgh hospital. The show deftly weaves together the stories of a pretty massive cast of doctors, nurses and other medical staff plus all the patients and families that pass through the jampacked emergency room. It’s brilliant, compelling TV and I’m not even a big medical drama fan, though I finally started ER after I ran out of The Pitt episodes. New episodes drop Thursday. (Max)
Traitors – Season 3continues airing weekly as well and is now the biggest unscripted show going at the moment. It’s like a challenge reality show meets murder mystery dinner. I admit, I’ve never watched it because I don’t like reality TV that much, but it does sound entertaining! (Peacock)
Dexter: Original Sincontinues to be a solid offering each week, and one that I happily pop on every Friday when new episodes drop. I had low expectations for a Dexter prequel but everyone does a really great job and the combination of weekly mysteries and a season-long mystery works really well. It’s all very nostalgic, that’s for sure. Here’s my review. (Paramount)
SAS Rogue Heroes – Season 2 – Is one I haven’t yet started and have totally forgotten to include on this list. All the episodes are already out and I’ve heard a lot of good things from readers who keep urging me to watch it—which I will, soon, I’ve just been very busy! The series follows a group of military commandos during WWII that employ…non-traditional means in their fight against the Axis powers. (MGM+)
What are you watching these days? What should I put on this list or add to my backlog? Let me know on Twitter, Instagram, Bluesky or Facebook.
With so many streaming platforms available, it can be hard to keep up with all the new shows and movies being released. Luckily, we’ve got you covered with a roundup of the latest releases on Netflix, Hulu, Prime Video, Apple TV, and more.
Netflix:
1. Squid Game – A Korean survival drama series that has taken the world by storm.
2. The Guilty – A thriller film starring Jake Gyllenhaal as a 911 call operator trying to save a caller in distress.
3. Midnight Mass – A horror series from the creators of The Haunting of Hill House.
Hulu:
1. Only Murders in the Building – A comedy-mystery series starring Steve Martin, Martin Short, and Selena Gomez as true crime podcasters.
2. Y: The Last Man – A post-apocalyptic drama series based on the comic book series of the same name.
3. The D’Amelio Show – A reality series following TikTok stars Charli and Dixie D’Amelio.
Prime Video:
1. Cinderella – A modern retelling of the classic fairy tale starring Camila Cabello as the titular character.
2. The Voyeurs – A thriller film about a young couple who become obsessed with their neighbors.
3. The Underground Railroad – A historical drama series based on the Pulitzer Prize-winning novel by Colson Whitehead.
Apple TV:
1. Foundation – A sci-fi series based on the book series by Isaac Asimov.
2. Ted Lasso – The second season of the hit comedy series starring Jason Sudeikis as an American football coach turned English soccer manager.
3. The Morning Show – The second season of the drama series starring Jennifer Aniston and Reese Witherspoon as morning news anchors.
These are just a few of the new shows and movies available to stream on your favorite platforms. So grab some popcorn, settle in, and start binge-watching!
When you buy through links on our articles, Future and its syndication partners may earn a commission.
Credit: Searchlight Pictures
We’re currently in the midst of awards season, where some of the best movie projects from the last year are recognized in a variety of upcoming awards shows. One title that’s been getting plenty of nods is Jesse Eisenberg’s A Real Pain, which is streaming currently with a Hulu subscription. I finally streamed it myself, but there’s one aspect of Kieran Culkin’s outstanding performance that’s bothering me.
Following Culkin’s recent Golden Globe win, there are way more folks figuring out how to stream A Real Pain. The hype around the project reached a fever pitch thanks to the 2025 Oscar nominations, where Eisenberg’s screenplay and Culkin’s performance were honored. But I’m a little annoyed that the Succession alum is up for the Supporting Actor categories when he’s the protagonist of the film, in my opinion.
A Real Pain focuses on two cousins going on a trip through Poland to honor their late grandmother. Jesse Eisenberg and Kieran Culkin share basically every scene together and have outstanding chemistry as estranged relatives struggling with trauma and grief. But the idea that Culkin’s Benji is the “supporting” character is pretty laughable; the movie literally begins and ends with him in the airport.
While Jesse Eisenberg’s David is perhaps the “everyman” and the audience’s entry point into the story, Benji is the heart of A Real Pain. Watching his layers of trauma and emotionality unfold throughout the film’s 90-minute runtime is deeply moving, especially his devastated reaction to visiting a former Nazi concentration camp.
Credit: Searchlight Pictures
This performance feelings like a stellar follow-up to Kieran Culkin’s Emmy-winning work on Succession (which is streaming with a Max subscription). And funny enough, he’ll be competing against his former co-star Jeremy Strong in the Best Supporting Actor category for this year’s Oscars. In a strange way it feels like a the multiverse at play with the Roy sons, who so often quarreled throughout the show’s runtime.
Culkin’s work as Benji was one of the most impactful film performances I’ve seen in a while, and that includes all the awards favorites that I’ve been catching up on. He pivots between being wildly charming and chewing on the scenery to breaking the hearts of other characters and the audience alike. He’s able to weave in the history with Benji’s late grandmother, his suicide attempt and the atrocities of the Holocaust, as well as his stained relationship to Eisenberg’s character into one powerhouse performance.
All of this say that Culkin doesn’t feel like a supporting actor in A Real Pain in the least bit. Obviously studios are being strategic in trying to get the most Oscar attention as possible, and that been working for the 42 year-old actor. We’ll just have to see if he takes home an Academy Award to go with his Golden Globe.
A Real Pain is streaming now on Hulu. Check out the 2025 movie release dates to plan your next movie experience.
I recently streamed the new series A Real Pain on Hulu, and I have to say, Kieran Culkin’s performance was absolutely outstanding. Culkin’s portrayal of the troubled and complex character had me captivated from start to finish. However, there’s one aspect of his performance that’s been bothering me.
While Culkin’s acting was undeniably brilliant, I couldn’t help but feel a sense of unease about the way he portrayed certain scenes. In particular, his character’s treatment of others and his lack of empathy towards those around him left me feeling unsettled. It’s clear that Culkin fully committed to the role, but I can’t shake the feeling that his character’s behavior may have crossed a line.
As much as I admire Culkin’s talent as an actor, I can’t help but wonder if his performance went too far in certain moments. While I understand that this is just a fictional portrayal, I can’t help but feel that there are real-life implications to consider when depicting such troubling behavior on screen.
Overall, I thoroughly enjoyed watching A Real Pain and Kieran Culkin’s performance was truly remarkable. However, I think it’s important to acknowledge and discuss the potentially problematic aspects of his character’s actions. It’s a fine line to walk as an actor, and I hope that Culkin and the creators of the show will continue to explore these complex themes in a thoughtful and responsible manner.
